🪚💥Another week, another Wicked Animation 💥🪚 This time, a... brutal combo from the lumberjack giant, swinging two massive saws like they’re nothing! 💀 👉 Tip: For enemies, think in terms of silhouettes, make each pose readable and intimidating #GameDev #Animation #3d #gameshow more

⚔️ Another week, another No Rest for the Wicked... animation !🔥 This time, I did the new Gauntlet combo, works for both knuckles and claws 💥 Savage strikes and brutal flow, this is the way🤘 No Rest for the Wicked by Moon Games Studio 🌒 #gamedev #animation #3danimation #3d #gameshow more

💥Another week, another No Rest for the Wicked Animation!🐗... Things are getting WILD!! 👀 I did this Boar Boss back slam attack! 🔥 A massive hit from Tusk — our big boy doesn’t hold back 💪 No Rest for the Wicked by Moon Games Studio 🌒 #Animation #GameDev #BossFight #Game #3dshow more

🔥Another week, another No Rest for the Wicked Animation!🔥... Working on a series of kicks for the gauntlets set ! 👉 Tip: Using kicks instantly adds new behavior and flavor to your moveset. No rest for the Wicked by Moon Games Studio #GameDev #Animation #3d #game #Fightsshow more

🤘 Another week, so another No Rest for the... Wicked Animation ! 🤘 One of our enemy, Plagued humanoid : --> Multi hit Combo attack and some taunts I made. ⚔ No Rest for the Wicked by Moon Studios / Private Division ⚔ #animation #gamedev #3d #3danimation #gameshow more

Another week, another No Rest for the Wicked Animation... 👊🔥 Run ➡️ Attack ➡️ Dropkick 💥 So satisfying to land this one 😁 No Rest for the Wicked by Moon Games Studio 🌖 #gamedev #animation #3d #3danimation #fightshow more

✨ Another week, so another No Rest for the... Wicked Animation ! ✨ I'M BACK !! After a good summer rest, let's share more about the game ! --> GreatSword Spin Crush Attack ! 💥 ⚔ No Rest for the Wicked by Moon Studios / Private Division ⚔ #animation #gamedev #3d #3danimation #gameshow more

Another quick animation process for The Last Faith !✨... This time, I worked on a heavy sword whip combo animation for the player. I was responsible for weapon rigging and 3D animation. The Last Faith by Kumi Soul Games #animation #gamedev #3d #pixelart #3danimationshow more

Game animation is design in motion. Another week, another... No Rest for the Wicked animation. A Dragon fly kick designed to evade and attack in one move. Great combat isn’t just about cool motion, it’s about layered mechanics. #GameDev #Animation #combatshow more

⚔ Another week, so another Wicked Animation ! ⚔... A touch of elegance in a rough world with this Straight Sword attack. No Rest for the Wicked by Moon Studios / Private Division 💫 Also I made an interview lately about my career, link here : #animation #gamedevshow more

Another glimpse of something big that is coming. 👀🔥... Here’s a sneak peek at my upcoming 3D animated short: HALO: PACT OF PREDATORS This is only a taste of what’s coming. If you’re into Halo, Metroid, 3D animation, cinematic battles, and brutal sci-fi action. Follow my YouTube channel for the more animations: #Halo #HaloAnimation #Metroid #3DAnimation #Blender3D #Animation #HaloFanFilm #CGI #Gamedevshow more

I was finally able to find time to make... a new Youtube tutorials 🥳. If you like impact frames 💥 and don't know how to get started, then this one is for you 🤗 👉 #animation #p2design #Blender #anime #2D #3D #VFXshow more

In Silent Bomber for the PS1, the protagonist Jutah... Fate doesn't have a single gun; instead, he creates "interlock" explosions by tagging enemies with liquid-explosive spheres. The game's engine was so optimized for its time that it could handle dozens of simultaneous chain-reaction explosions without the framerate chugging, a massive technical feat for 1999! 💣💥 Pro Tip The Secret of S-Ranks: If you want to reach the top tier, stop spamming bombs. The game rewards "Efficiency" and "Technique," meaning you get more points for tagging multiple enemies and detonating them in a single, massive chain reaction rather than blowing them up one by one.show more

3D $ANIME ? Using 3D in anime or a... complete series in 3D style, how does this affect the anime industry? Probably the most hated anime after which people hated 3D in anime was Berserk in 2016, it was really terrible, but 3D in anime is no longer what it was in 2010-20. Let's look at the pros and cons of 3D in anime and what series can be called good 3D anime Pros of 3D Animation: 🟢Dynamic camera angles & smooth motion 🟢Saves time & production costs 🟢Consistent character proportions Cons of 3D Animation: 🔴Can look stiff or "plastic" 🔴Limited facial expressions 🔴Often disliked by traditional anime fans Top 3D $ANIME series in my opinion: 🔵Houseki no Kuni – stunning visuals & fluid animation 🔵Dorohedoro – dark, gritty style perfectly fits CGI 🔵Beastars – expressive character animation 🔵Trigun: Stampede – cinematic action & high-quality CGI The best studio that combines 2D and 3D well is, I think, Ufotable Ufotable blends 2D & 3D seamlessly: 🟡3D backgrounds + 2D character animation 🟡Anime-style shading makes 3D look hand-drawn 🟡Frame-by-frame touch-ups for smooth motion 🟡Mixing 2D effects (fire, water) with 3D for impact Example: "Demon Slayer" – epic battle scenes like Tanjiro’s Water Breathing, using 3D camera movement while preserving 2D aesthetics. Which 3D $ANIME impressed you the most?show more

004/100 Buttons. A bit of the process on building... an animation. When looking at a finished animation or in this example a finished button, it can look quite complex inside the CSS. But when building it, it’s more like a lot of simple steps, one after another. Here I had the idea to make some kind of text animation like the footer logo on the Osmo site. I try to add the base animation with no complex easing, for example transition: translate 0.4s ease. Starting with just moving the one text from bottom to top and the other text to top. Adding a stagger, play around with it. Searching for a way to make it more circular. On the research I found the sin() function inside CSS which can build a more smooth non linear curve for the stagger which creates this circular effect. And step by step adding more complexity like, different easing for hover/hover-out, opacity, 3D transform and more. I use also the sin() function to rotate the letters, so the middle ones are getting more rotated than the outer ones. Another thing which helps is to add a small delay on hover, for example 0.05s or 0.1s, you don’t really see the difference, but when you hover pretty fast on and out it doesn’t get that jumpy. I’m using here GSAP’s SplitText to split every char into spans. And then I’m adding a CSS index variable to every span, starting from the center. SplitText can provide CSS index variables, but you cannot tell it from which direction. For the sin() it’s also important to have a max length, so I add another CSS variable with the max char number on it. Crafting 100 Buttons with Osmo ⏳ Total time: 63hshow more

So remember that time machine I told you about?... I managed to sneek out another video from my visit to the future.. this time I captured video of a 3d artist creating assets for a short commercial. They sculpted the bird in the video with nothing but two controllers which they used to manipulate generative matter in 3d. The AI model changed in realtime and adopted their style of work, both based on the work they did on the scene, and on reference images they gave the system. Seeing the 3d model transform in realtime as they were working on it was incredible. When it started moving and reacted to their instructions, I knew it was time to return to the present :D #art #aishow more

Alaska isn’t real life, this is literally Jurassic Park... on a random Tuesday 🫎🤯 Every time I think I understand how big a bull moose actually is, a clip like this pops up and completely resets my scale. Seeing one in the wild is already intimidating, but watching two full-sized males casually strolling down the highway together like best friends? That’s next-level rare. They make the passing trucks look like compact toys! It’s crazy to think that for locals in Alaska, a traffic jam isn't caused by construction—it's caused by giant prehistoric-looking wildlife taking over the lane. Absolutely insane view 🌲🏔️show more

Utilizing a massive library of high quality, free UGC... avatars for your three.js project is way less difficult than you think. No animation baking required, can swap out any Mixamo animations in real time. Step 1. Download an avatar on VRoid Hub Step 2. Download a skinless Mixamo animation from Step 3. Paste this into claude code / codex / cursor chat Now you have avatars, animations and a function to apply animations to your avatars whenever you desire. Source code from the video is here:show more

If you typically stream with a 3D model, I... highly recommend that you pose your model when you’re not doing full body mocap instead of letting it stay in the stiff generic pose! It makes a huge difference in how your energy is conveyed (ᗒ⩊ᗕ)⸝ި ʕᦏ⌎ I’m only saying this because I noticed this a lot with my own 3D kids, but here’s a comparison showcase: ← default pose & default pendulum physics in Warudo → custom poses & slightly adjusted pendulum physics If you find it hard to pose within Warudo by using bone offsets or none of the existing poses in Warudo vibe with you, you can make your own like me! I made my custom poses in “VRM Posing Desktop” (this is the BEST vrm posing app I’ve ever used in the past 3 years) and exported them as Unity anims then dropped them into Warudo’s animation folder! You can then make a simple blueprint in Warudo to toggle between poses and make your model look more alive! It should fit especially well for just chatting streams 🙂‍↕️✨show more

🚨 AMERICA JUST BUILT THE WORLD’S MOST POWERFUL METAL... 3D PRINTER AND IT’S ABOUT TO MASS-PRODUCE ROCKETS AND MISSILES. Divergent Technologies has unveiled the Monolith One, a giant industrial metal printer standing over 8 meters tall and armed with 12 high-powered lasers delivering a combined 24 kilowatts of energy. Unlike typical 3D printers used for prototypes, this machine is built for serious, high-volume production. It can print large, complex aerospace and defense parts in aluminum, titanium, steel, and nickel alloys and it roughly doubles the output of current systems. Why this matters: • Divergent plans to install 64 more of these machines in a massive new 430,000 sq ft factory in Long Beach, California • Once running, the facility aims to produce tens of thousands of munition airframes per year plus hundreds of thousands of critical metal components • It slashes manufacturing time from months down to weeks or even days • The company already supplies major players like Lockheed Martin and RTX The deeper implication: This isn’t just another 3D printer. It represents a shift toward software-defined, on-demand manufacturing at industrial scale for mission-critical hardware. As defense and aerospace demand skyrockets, traditional supply chains are too slow. Systems like Monolith One could become a cornerstone of faster, more resilient domestic production especially for complex structures that are difficult or impossible to make conventionally. We’re watching the industrialization of additive manufacturing in real time. How do you think large-scale 3D printing will change aerospace and defense manufacturing over the next decade? Follow for more frontier manufacturing and defense technology.show more

Ninja Gaiden has always had combos, since the very... first 3D game of the series. 🥷 Combos and juggles are part of the core identity of its combat system. Of course, enemies will do everything they can to keep you from landing them and force you to think at surviving mostly, but that’s the beauty of Ninja Gaiden. As a wise person once said: “A good player knows when it’s time to try-hard, and when it’s time to have fun being fancy and stylish.” 😌 It’s funny how, in this whole combo hating discussion, Ninja Gaiden players got labeled as “combo haters,” when in reality, it’s just a small, loud minority being too close-minded to appreciate creativity and player expression. Yes, Ninja Gaiden is mostly about efficiency, but it also hides tons of depth and player expression, evolving through each sequel; the combat kept growing deeper and deeper, reaching its peak with Ninja Gaiden 3: Razor’s Peak. 🔥show more