Non-surgical nose job reshapes the bridge, tip, and overall... profile using precise Neustem™ placement—creating a smoother, more refined nose without surgery. Created to smooth bumps, balance symmetry, subtly lift a drooping tip, and refine definition—delivering natural-looking results with minimal downtime and no incisions. #NonSurgicalNoseJob #LiquidRhinoplasty #NoseFiller #ProfileEnhancement #NoseReshapingshow more

GM my friends🌞 let's start the day with fire!🔥🐲... Emilia Clarke alias Daenerys Targaryen 😍 Nano Banana Pro & Kling 3.0 Prompt: { "prompt": "ultra realistic high fashion photograph of Emilia Clarke sitting on fresh white snow outdoors in winter. Recognizable facial structure and likeness of Emilia Clarke: oval face shape, soft youthful features, expressive almond-shaped green eyes, naturally full lips, straight petite nose, balanced facial symmetry. Natural winter blush on cheeks and nose. Calm confident expression with a subtle closed-mouth smile, looking directly into the camera. She is seated on the snow with legs bent forward, slightly apart, hands placed behind her for support. Camera angle slightly above eye level, gently looking down. She wears a fitted ribbed sleeveless zip-up yellow bodysuit and pink cable-knit thigh-high socks. Elegant minimal winter fashion styling. Slim, petite, feminine body proportions. Fair-to-light skin tone with natural texture. Background is a snow-covered ground with a dragon partially visible. Natural overcast winter daylight, soft diffused lighting, no harsh shadows, cinematic realism, high skin detail, realistic color grading.", "negative_prompt": "anime, cartoon, illustration, painting, exaggerated curves, unrealistic body proportions, overly sexualized pose, heavy makeup, glossy lips, plastic skin, blur, low resolution, distorted face, extra fingers, extra limbs, harsh studio lighting, artificial light, overly sharp, deep fake artifacts", "settings": { "style": "photorealistic celebrity portrait", "quality": "ultra high", "resolution": "1024x1536", "camera": { "type": "professional DSLR", "lens": "50mm prime", "aperture": "f/2.8", "focus": "sharp focus on eyes and face, subtle background blur" }, "lighting": { "type": "natural daylight", "condition": "overcast winter sky", "direction": "soft frontal light with gentle fill" } }, "facial_details": { "identity": "Emilia Clarke", "face_shape": "soft oval", "eyebrows": "natural medium thickness, softly arched, dark brown", "eyes": green eyes, almond shaped, expressive, youthful", "eyelashes": "natural, lightly defined", "nose": "straight and petite", "lips": "naturally full, soft pink tone", "makeup": "very minimal, clean skin look, no contour, no heavy blush" }, "hair": { "color": "platinum blonde", "length": "long shoulder length", "style": "loose, slightly wavy with braids, natural texture", "part": "center part", "volume": "soft and natural" }, "body": { "build": "petite, slim, feminine", "posture": "relaxed seated pose", "skin": "fair to light skin tone, visible natural texture" }, "environment": { "location": "outdoor winter setting", "ground": "fresh untouched white snow", "background": "ruins and a dragon near", "atmosphere": "cold, serene, editorial winter fashion mood" } }show more

What did you do to my friend !! 😡... This is the trending “Fight Prompt” going viral Prompt : Use the first uploaded image as the main reference for the school uniform, body proportions, pose, posture, background, camera angle, framing, and overall composition. Use the second uploaded image as the identity reference for the face and hairstyle. Create a realistic Korean influencer-style school uniform portrait where the person from the second image naturally appears wearing the school uniform from the first image, photographed in the same studio setting. Important: Keep the school uniform, blazer, shirt, tie, skirt or pants, and overall outfit design from the first image. Keep the body proportions, standing pose, hand placement, posture, camera angle, framing, and studio background from the first image. Replace the face with the person from the second image. Also preserve the hairstyle from the second image, including bangs, hairline, hair part, hair length, hair framing around the face, and overall hair silhouette. Do not use the hairstyle from the first image if it differs from the second image. Identity: The face from the second image must remain clearly recognizable. Preserve the second person’s face shape, eyes, nose, lips, skin tone, jawline, and overall facial impression. Do not turn the face into a generic attractive face. Do not beautify too heavily. Preserve the person’s recognizable identity, but do not copy the face too rigidly. Reinterpret it naturally so it looks like a realistic photo of the same person in this new school-uniform scene. Keep the same overall facial impression and identity while allowing natural refinement and seamless adaptation to the lighting, angle, and mood of the target image. Hair: Follow the hairstyle from the second image. Preserve the second person’s bangs, hairline, hair part, hair texture, hair length, and overall hairstyle impression. Only adapt the hair naturally so it fits the pose, lighting, and composition of the first image. Korean influencer mood: clean modern Korean influencer portrait polished but natural beauty soft photogenic expression subtle editorial mood stylish, slightly chic, youthful, and confident atmosphere refined but believable skin texture clear eyes with soft catchlights naturally pretty, not over-retouched avoid stiff ID-photo mood Lighting: soft Korean beauty lighting gentle facial brightness clean skin tone soft natural highlights on the face natural shadow transition subtle glow, but realistic skin texture avoid harsh flash avoid flat passport-photo lighting avoid dramatic studio glamour lighting Style: realistic photography clean studio portrait quality Korean influencer-style school portrait mood natural skin texture high detail seamless face and hair integration polished but believable Negative prompt: no identity loss no generic attractive face no over-beautified face no first-image hairstyle if different no awkward face blending no mismatched skin tone no mismatched hairline no distorted facial features no blurry eyes no deformed hands no extra fingers no change to the school uniform no change to the body pose no change to the background no cartoon style no anime style no text no watermarkshow more

1B Anthony Martinez (UCI Baseball) is an intriguing college... bat to keep an eye on this season. Was one of the best Freshmen in the country in '23 and posted a gaudy .394/.471/.619 slash line with 19 2B, 11 HR and 60 RBIs. Enjoyed another productive season last year and hit .316/.422/.492 with 18 2B, 9 HR, 74 RBIs and more BB (36) than Ks (29). This summer he did what very few players do nowadays, which is start on the Cape, leave for Team USA and finish out the summer on the Cape. At 6'3" and 230-lbs Martinez is plenty physical with present natural strength. Stands upright in the box with a slightly open front side and a medium-high handset. Relaxed setup. Martinez has a rhythmic load that includes a small barrel tip. Minimal drifting of his hands and is a small-strider. It's a compact operation in which he consistently takes a direct path to contact. Real hitterish look. Martinez has a bit of an interesting profile for his position in that he's a hit-over-power guy. He has a highly advanced feel for the barrel and double-plus contact skills. Martinez in '24 worked an 86% overall contact rate and an eye-popping 96% overall IZ contact rate. All-fields approach and sprays line drives from foul pole to foul pole. Advanced pitch recognition skills and swing decisions, will sometimes expand the zone against secondaries down. However, it's far from a hindrance. Not afraid to get aggressive early in counts. Comfortably 55 hit for me. While it's hit-over-power, Martinez isn't without some thump. He can drive the baseball into either gap, though the vast majority of his HR power is to the pull side. Posted a Max EV last spring of 104.3. More XBH power than HR power. Would give it a 50. Martinez is without a doubt a 1B/DH type professionally, so you're buying the bat. Finished product physically, but I believe in the hit tool. 4th-6th round type for me this July.show more

This honestly looks like it was shot on a... real camera. Made this beauty UGC ad with Thank You AI and I'm obsessed with how natural it turned out.✨ Prompt: A realistic, high-end UGC beauty ad filmed in a bright, modern apartment during golden morning light. The creator is a woman in her early 20s wearing a feminine off-shoulder floral blouse with light blue wide-leg jeans, minimal gold jewelry, soft natural makeup, and loose effortless hair. The filming style feels authentic and handheld with subtle camera movement, natural lighting, shallow depth of field, realistic skin texture, and premium smartphone camera quality. Scene 1 (0–3s) Close-up selfie angle. She smiles at the camera while touching her dry lips. Dialogue: "My lips have been so dry lately... but this completely changed them." Scene 2 (3–6s) She holds up the EADEM Le Chouchou Lip Softening Balm toward the camera. Beautiful product close-up showing the sleek silver tube and cooling metal applicator. She applies one smooth layer to her lips. Dialogue: "It's basically a lip peel, lip mask, and glossy balm all in one." Scene 3 (6–10s) Macro beauty shots of the application. The balm melts smoothly onto the lips, creating a juicy, glossy finish without looking sticky. Close-ups emphasize hydrated, soft-looking lips and the luxurious metal applicator. Dialogue: "It gently exfoliates, deeply hydrates, and makes my lips look so smooth instantly." Scene 4 (10–13s) She walks toward a window, smiling naturally while checking her reflection in a mirror. The lips look healthy, plush, and glossy. Soft lifestyle b-roll of her sipping coffee and laughing naturally. Dialogue: "And the shine? It's glossy without that uncomfortable sticky feeling." Scene 5 (13–15s) She looks directly into the camera, smiling confidently while holding the balm beside her face. Dialogue: "I honestly haven't stopped reaching for it." Visual Style: Ultra photorealistic, premium yet authentic UGC, natural facial expressions, believable lip movement, soft daylight, subtle handheld camera motion, shallow depth of field, realistic reflections, accurate product proportions, luxurious beauty aesthetic, clean modern apartment, warm inviting color grading, cinematic 16:9, smooth transitions, no exaggerated influencer acting, no over-the-top gestures, realistic commercial quality. The final shot lingers on healthy, hydrated lips with the product clearly visible. The product branding remains sharp and legible throughout. The product's benefits shown align with its formula: gentle exfoliation, deep hydration, glossy non-sticky finish, and softer-looking lips.show more

Shortstop Kyle DeBarge (Louisiana Ragin’ Cajuns® Baseball) is one... of my favorite non-P5 Draft prospects. After a strong Freshman season, DeBarge enjoyed a sensational Sophomore campaign in which he hit .371/.448/.546 with 15 2B, 7 HR, and 18 SB. Was an All-Sun Belt selection last year. Plays bigger than his 5'9", 175-pound frame suggests. Twitchy, athletic operation in the box. Front side starts slightly open, minimal load and stride with not a lot of unnecessary movement. Above average bat speed, extends really well through the baseball. Does a nice job of creating leverage to the pull side. Plus-plus bat-to-ball skills with an 88% overall contact rate (93% against FB), and an absurd 95% IZ contact rate. Advanced feel for the barrel. Pure hit tool is a 60. Strong defender up the middle with smooth actions. His natural athleticism really shines. Quick feet, good internal clock. Arm is a borderline 55, could end up at 2B long term where he profiles as an above average defender. 70-grade runner who this summer turned in < 4.00 home-to-first times. Absolutely flies when in gear! Product of National power Barbe High School. DeBarge is a winner and a leader in the dugout. Potential top-two round pick this July.show more

Household chores created using a movement sheet as reference... to animate the entire scene using ChatGPT Image 2.0 and Seedance 2.0 on Yapper GPT Image 2 Prompt; [VISUAL STYLE] Monochrome grayscale composition featuring a highly detailed 3D-rendered female character. Designed like a professional instructional guide with a technical, diagram-inspired layout. Clean white background, soft studio lighting, and strong contrast to highlight posture, actions, and object interaction. [GRID LAYOUT] Structured 4×4 panel grid (16 frames total), evenly spaced with thin black divider lines. Each panel is identical in size and clearly numbered from 1 to 16, showing a continuous sequence of household activities. [CHARACTER] Use the provided reference image for the face and overall likeness. Same facial features, skin tone, and proportions Natural makeup, soft expression Consistent identity across all 16 panels Realistic proportions and clean hairstyle (loose or tied back) [WARDROBE] Modern, modest casual outfit: Fitted crop top (not revealing, clean neckline, practical for movement) High-waisted straight or slightly wide-leg jeans (full length, neat fit) Optional minimal sneakers or barefoot indoor styling Fabric should react naturally to movement (subtle folds and tension) [SCENE APPROACH] Minimal, clean environment per panel — only essential props related to the chore. No clutter, no complex backgrounds — focus stays on the subject and action. [PANEL STRUCTURE – EACH FRAME] Top-left: Step number + task title (e.g., “Step 4 – Vacuum Floor”) Center: Full-body pose performing the chore Bottom-left: 3–4 concise instruction lines Overlay: Motion arrows and directional guides showing action flow [CHORE SEQUENCE EXAMPLES] Make the Bed Tidy Up Room Dust Surfaces Vacuum Floor Sweep Floor Mop Floor Do Laundry Hang Clothes Fold Clothes Clean Kitchen Counter Wash Dishes Take Out Trash Water Plants Clean Bathroom Organize Shelves Final Room Reset [MOTION INDICATORS] Curved arrows → fluid actions (wiping, folding) Straight arrows → directional movement Circular arrows → repetitive motions (scrubbing, mopping) [RENDER QUALITY] High-detail sculpted 3D style with smooth grayscale shading, soft shadows, and clean linework. Polished, concept-art level finish with clarity in every pose and object interaction. [RESTRICTIONS] No color, no unnecessary background detail, no extra characters, no revealing clothing, no clutter — only the subject, props, and instructional elements.show more

MiniMax H3 Character Introduction Prompt: Use @[char ref] as... the sole character reference. Preserve the exact identity, face, body proportions, hairstyle, outfit, colors, materials and overall silhouette of the character throughout the entire video. Do not redesign, simplify or replace any defining visual features. Create a cinematic character introduction focused on presence, silhouette, attitude and controlled motion. 0–4s Begin with a close shot of a defining lower-body or detail element such as boots, shoes, feet, hands, clothing hem or an important accessory. The character enters frame or settles into position. The camera slowly tracks upward while hair, clothing and secondary elements move naturally in the wind or environment. 4–8s Reveal more of the body with a medium or medium-wide shot from the back, side or three-quarter angle. The character stands in a calm, composed way inside the environment. The camera makes a smooth orbit, arc or lateral move to gradually reveal the character’s face and silhouette. 8–12s Move into a tight cinematic portrait or upper-body shot. The character performs one subtle signature action that fits their personality, such as lifting the chin, turning the head, adjusting clothing, brushing hair aside, opening a hand, looking toward camera, or shifting posture. Keep the motion minimal and intentional. The expression should match the character’s vibe. 12–15s End with a strong full-body hero shot that clearly presents the entire design and silhouette. Use a low-angle, eye-level or slightly dramatic framing depending on the character’s personality. The character settles into a natural final pose and holds it confidently for a clean final reveal. VISUAL DIRECTION Premium cinematic presentation. Match the visual medium and rendering style of @[char ref]. Emphasize clean silhouette, elegant staging, subtle secondary motion, believable hair and cloth movement, strong composition, atmospheric depth and polished lighting. The scene should feel like a high-end anime, game or film character introduction. CAMERA Use a clear progression from detail reveal to partial reveal to face reveal to full-body hero reveal. Camera movement should be smooth, controlled and intentional. Avoid chaotic motion. ENVIRONMENT Place the character in a fitting environment that supports their identity and mood. The background should enhance the character without distracting from them.show more

Facial reconstruction of a 5,200-year-old Yamnaya man from Volgograd... region I. V. Sinitsyn excavated a large kurgan containing 25 burials from different cultures; of these, two belonged to the Yamnaya culture. Burial 22 (the reconstructed individual) was likely the main one. Based on the grave construction, burial rite, and the form and decoration of a vessel, Sinitsyn considered burial 22 to be the earliest not only in this kurgan but in the local Yamnaya culture. In burial 22, a skeleton lay on its back in an oval pit with strongly bent legs. Near the head stood a clay vessel decorated with complex patterns of wavy and dotted bands. The skeleton was heavily covered with red ochre. The skull from this burial belonged to a male no older than 18–20 years. Despite its considerable absolute size, it does not give an impression of massiveness; the facial skeleton is distinctly gracile. The skull is dolichocranial (index 73.4), elongated (188 mm), relatively broad (136 mm), pentagonal in shape from above and roof-shaped when viewed from the occipital side. The cranial vault is high; the forehead is fairly steep and broad (78–79 mm). The glabella protrudes slightly (3 points), the brow ridges are weakly developed (1 point), and their projection is minimal. The occiput is sloping, the external occipital protuberance is weakly developed, and the mastoid processes are short and rather massive, though their relief is weak. The total facial height is medium (114 mm), the upper facial height is small (67 mm), and the face is not wide (128 mm). The orbits are relatively large. The face could be described as somewhat prognathic; nevertheless, the entire facial region - the nose, upper jaw, and lower jaw - protrudes fairly strongly forward beyond the glabella line. The nose has a clearly defined convex bridge, of medium size (width 24.7 mm). The alveolar part of the upper jaw is short; the teeth are orthognathic, the bite is pincer-like. The enamel height of the first incisor is 7.5 mm. The anthropological diagnosis of this skull presents no difficulty. It is a typical Europoid skull. It shows no archaic traits of early Homo sapiens. Nor does it resemble the ancient Neolithic types from the rapids region of the Dnieper. It is noticeably more refined, smaller, and more gracile. It also bears no resemblance to the European skulls from Oleniy Ostrov or the Ladoga region. This individual, of Europoid type, is very close to the modern Mediterranean type. (Gerasimov 1955)show more

PROMPT: Generate a continuous 15-second premium live-action broadcast TV... commercial for a high-performance family kitchen blender, designed as an energetic, polished consumer-appliance advertisement emphasizing FAST BLENDING POWER. The commercial must tell a complete miniature visual story within exactly 15 seconds: a busy family needs breakfast quickly, fresh ingredients enter the blender, one touch unleashes powerful high-speed blending, a thick mixture transforms almost instantly into a perfectly smooth fruit smoothie, the family enjoys the result, and the commercial ends on a clean hero product shot with the promise: “Smooth in Seconds.” Maintain a consistent high-end contemporary commercial visual style throughout the entire sequence: photorealistic food photography, tactile ingredient detail, premium appliance surfaces, energetic but controlled camera movement, crisp natural highlights, appetizing freshness, believable family warmth, and polished broadcast-advertising finish. Shoot as if captured on an ARRI Alexa 35 cinema camera using a coordinated set of 24mm, 35mm, 50mm, 85mm, and 100mm macro cinema lenses. Preserve realistic perspective, physically plausible motion, natural depth of field, smooth highlight roll-off, subtle cinematic contrast, clean skin tones, rich food texture, controlled motion blur, and sharp product detail. The entire commercial takes place during one continuous bright weekday morning in the SAME modern family kitchen. The kitchen has warm off-white cabinetry, pale natural-oak counters, a large sunlit window frame-left, brushed stainless-steel fixtures, a small breakfast table in the background, subtle family-life details, and a clean uncluttered countertop. Warm morning sunlight enters consistently from frame-left at approximately 5200K, supplemented by soft interior fill, producing gentle directional shadows and bright natural reflections. Maintain the same architecture, counter layout, window position, furniture, appliances, background objects, lighting direction, and color palette throughout every shot. New camera angles reveal different perspectives of the same physical kitchen and must never create a different-looking location. LOCKED PRODUCT: one premium family countertop blender with a compact matte-silver motor base, black control panel, one illuminated circular speed control, large clear 1.8-liter blending pitcher, black fitted lid, stainless-steel blade assembly, sturdy black handle, and subtle unbranded front badge area. The blender’s shape, proportions, materials, controls, pitcher geometry, lid, handle, blade assembly, reflections, scale, and countertop position remain identical throughout every shot. It begins centered on the main kitchen counter and never changes location. LOCKED INGREDIENTS: fresh strawberries, banana pieces, blueberries, mango chunks, Greek yogurt, milk, and several ice cubes. Ingredients must retain recognizable colors and textures before entering the pitcher. Once added, object permanence must be respected: ingredients cannot reappear outside the blender. During blending, the mixture must transform physically and continuously from visibly chunky fruit and ice into a uniform thick pink-red smoothie. LOCKED FAMILY: a mother in her mid-30s with shoulder-length dark brown hair wearing a soft beige knit top and blue jeans; a father in his late-30s with short dark hair wearing a pale blue casual shirt; an approximately eight-year-old daughter with dark brown hair in a ponytail wearing a muted yellow T-shirt; and an approximately six-year-old son with short brown hair wearing a light green T-shirt. Preserve their exact ages, facial identity, hairstyle, wardrobe, body proportions, and appearance whenever visible. Their expressions progress naturally from hurried anticipation to impressed surprise to relaxed enjoyment. Avoid surreal food behavior, floating ingredients, impossible liquid physics, teleporting objects, changing blender geometry, inconsistent pitcher fill levels, duplicated fruit, warped hands, extra fingers, changing wardrobe, altered kitchen architecture, random background changes, excessive lens distortion, unreadable product geometry, fake plastic food textures, excessive camera shake, oversaturated grading, artificial CGI appearance, flickering light, exposure shifts, continuity resets, jumpy object positions, text artifacts, random labels, logos, watermarks, or unrelated products. 00:00–00:02.0 — OPENING PROBLEM / FAMILY MORNING RUSH. Begin with a dynamic 24mm wide establishing shot from approximately countertop height, looking diagonally across the kitchen while preserving a left-to-right spatial axis. The mother moves briskly toward the counter from frame-left as the two children wait near the breakfast area in the background, visibly eager and short on time. The father passes behind them preparing to leave. Morning sunlight streaks naturally through the frame-left window. The locked blender is already visible on the counter as the visual anchor, positioned prominently but naturally in the foreground-right. Use a smooth fast dolly-in toward the blender rather than a hard zoom. Small breakfast details suggest a busy school morning without cluttering the frame. Sound begins with subtle morning kitchen ambience, quick footsteps, a chair movement, and upbeat rhythmic music immediately establishing urgency. No spoken dialogue. 00:02.0–00:04.0 — INGREDIENT SPEED MONTAGE. Match-cut into a rapid sequence of three extremely concise food-preparation inserts totaling exactly two seconds. First, a 100mm macro close-up catches vivid strawberries and blueberries dropping into the clear pitcher, with realistic gravity, bounce, moisture, and fruit texture. Cut to banana pieces and mango chunks entering from above, maintaining the exact pitcher position and increasing fill level logically. Cut to a tight side insert as Greek yogurt, milk, and ice cubes enter last. Use crisp impact sounds synchronized with each ingredient: thump, splash, clink. Each insert changes visual information and advances the preparation; never repeat the same composition. Camera movement is minimal and precise so the speed comes primarily from editorial cutting. The blender remains OFF throughout these inserts. 00:04.0–00:05.2 — ONE-TOUCH ACTIVATION. Cut to an 85mm close-up from a low three-quarter front angle of the blender control panel. The mother’s right index finger enters naturally from frame-left and presses the illuminated circular control exactly once. Show believable fingertip compression against the control. The instant contact occurs, the control illumination brightens and the motor begins. Add a precise tactile click followed immediately by a confident rising electric motor sound. Use a subtle fast push-in timed to activation. The hand exits naturally; do not show multiple presses. 00:05.2–00:08.2 — POWER DEMONSTRATION / HERO BLENDING MOMENT. Cut to a dramatic but physically realistic 50mm close three-quarter view of the entire pitcher. The motor accelerates rapidly. Ice cubes and fruit initially tumble downward toward the stainless-steel blades, then form a powerful controlled vortex. Show the transformation continuously: recognizable strawberries, blueberries, banana, mango, yogurt, milk, and ice become progressively smaller and more integrated until the mixture turns into a completely smooth, thick pink-red smoothie. The action must communicate exceptional blending speed without supernatural physics. Condensation begins subtly on the outside of the pitcher. Tiny droplets and believable internal turbulence catch the frame-left morning light. During this three-second power demonstration, execute a controlled semicircular camera move of approximately 35 degrees around the front of the blender without crossing the established spatial axis. Begin slightly frame-left of the product and finish near frontal three-quarter. Maintain the blender base completely stable on the countertop with no unrealistic vibration or sliding. Use one brief 100mm macro insert lasting approximately 0.5 seconds to reveal the high-speed vortex and disappearing final fruit fragment, then return immediately to the matching three-quarter product angle. Sound design intensifies with a strong smooth motor whirr synchronized to the vortex, layered with the upbeat music. At approximately 00:07.6, the last visible fruit fragment disappears into the vortex. By 00:08.2 the mixture is visibly uniform, silky, and completely smooth. This transformation is the commercial’s core proof point: FAST BLENDING POWER. 00:08.2–00:09.5 — INSTANT RESULT. The motor stops cleanly. Cut to a 100mm macro beauty shot looking through the clear pitcher wall at the perfectly smooth smoothie surface settling from a gentle spiral into a glossy, uniform texture. A small central swirl collapses naturally. No chunks remain. Condensation beads on the exterior catch bright highlights. Use shallow depth of field while retaining enough pitcher edge detail to identify the product. Sound drops from the motor into a satisfying soft stop, followed by a subtle musical accent. A confident female voice-over begins: “Powerful blending…” 00:09.5–00:11.5 — POUR AND PROOF. Match the circular smoothie motion into a 50mm close-up of the mother tilting the same pitcher and pouring the thick smoothie into two clear family drinking glasses on the same countertop. The liquid forms a smooth continuous ribbon with realistic viscosity and no splashing errors. The pitcher’s remaining fill level decreases correctly. Camera tracks gently with the pour from left to right. The daughter and son appear softly out of focus beyond the glasses, watching with excited expressions. As the glasses fill, rack focus briefly from the flowing smoothie to the children’s delighted reaction. Voice-over completes: “…smooth results in seconds.” 00:11.5–00:13.0 — FAMILY PAYOFF. Cut to a warm 35mm medium shot at the breakfast counter. The two children each take one synchronized first sip from their filled glasses, then immediately exchange impressed smiles. The mother stands behind them with a relaxed satisfied expression while the father takes a filled travel cup and moves toward frame-right, suggesting the blender has saved valuable morning time. Keep performances natural rather than exaggerated. The blender remains visible in the background on its original counter position, recognizable and unchanged. Morning sunlight and the same warm neutral palette continue without variation. The music opens into a bright satisfying resolution. The daughter gives a quick authentic smile and says: “That was fast!” 00:13.0–00:15.0 — PRODUCT HERO / BRAND END FRAME. Use a clean visual match cut from the child’s smoothie glass to the locked blender standing alone in a polished hero composition on the SAME kitchen counter. Shoot on an 85mm lens at slightly below pitcher midpoint for a confident premium product perspective. The blender occupies the center-right of frame while a freshly poured smoothie glass, two strawberries, several blueberries, and one mango slice form a restrained ingredient arrangement in the lower foreground-left. These garnish ingredients are separate presentation ingredients introduced only for the hero composition and must not imply that previously blended ingredients have magically reappeared. Create a slow controlled 5% push-in during the final two seconds. Frame-left morning sunlight creates a clean edge highlight along the clear pitcher and matte-silver motor base. Maintain realistic reflections, exact product geometry, and crisp separation from the softly defocused kitchen background. At 00:13.3, introduce a clean broadcast-safe text overlay in the negative space on frame-left: “FAST BLENDING POWER” At 00:14.0, transition cleanly to the primary campaign line: “SMOOTH IN SECONDS.” Below it, smaller: “POWER FOR EVERY FAMILY MORNING.” Typography is modern, bold, minimal sans-serif, perfectly legible, horizontally aligned, broadcast-safe, with no distorted letters and no unnecessary graphical effects. Keep all typography outside the physical blender silhouette. Voice-over, confident and warm: “Fast power. Smooth mornings.” End exactly at 00:15.0 on a perfectly stable hero frame with the blender sharply resolved, smoothie glass visible, campaign line readable, music landing on a clean sonic logo accent. CAMERA AND EDITING RULES: Use motivated cuts whenever subject, visual information, camera position, action, or emotional emphasis changes. Maintain energetic medium-fast commercial pacing: wider contextual opening, rapid ingredient inserts, tactile activation close-up, high-energy blending demonstration, sensory result macro, fluid pouring shot, human reaction payoff, then a slower premium hero landing. Preserve the established 180-degree axis throughout. No camera crosses the axis unless visibly motivated, and no silent changes in object placement occur between cuts. Maintain consistent camera height for matching shot types. Screen direction remains left-to-right for preparation and family movement. Every shot must introduce new action, information, perspective, reaction, or product proof. AUDIO DESIGN: Begin with subtle morning kitchen ambience under upbeat modern percussive music. Synchronize fruit impacts, ice clinks, control click, motor acceleration, vortex intensity, motor stop, smoothie pour, drinking sounds, and final sonic logo precisely to picture. The blender motor must sound powerful but refined rather than harsh. Duck music naturally beneath the voice-over and daughter’s dialogue. No audio clipping or abrupt ambience resets between cuts. VISUAL COLOR SYSTEM: warm off-white, pale natural oak, matte silver, fresh strawberry red, blueberry blue, mango golden-yellow, and creamy smoothie pink-red. Preserve natural skin tones and realistic food saturation. Use a premium contemporary commercial grade with moderate contrast, soft highlight roll-off, clean whites, controlled blacks, and no teal-orange exaggeration. MOVEMENT AND PHYSICS: All hands interact correctly with objects. Ingredients obey gravity. Liquid volume remains continuous. The pitcher fill level increases when ingredients are added, decreases when smoothie is poured, and never resets between shots. The blender stays physically planted on the counter during operation. The motor vortex follows plausible fluid dynamics. Hair, clothing, reflections, condensation, shadows, and liquid motion react naturally. Maintain strict character consistency, product consistency, object permanence, environment continuity, lighting continuity, and forward-only time progression across the full sequence. Render the final commercial at 24 fps, 16:9 broadcast aspect ratio, UHD 3840×2160 resolution, high-bitrate cinematic master quality, natural 180-degree shutter motion blur, realistic cinema-lens behavior, subtle fine sensor texture, clean compression, no visible digital artifacts, no temporal flicker, no frame interpolation artifacts, and photorealistic high-end commercial rendering. Preserve sharp product edges and legible end-frame typography while allowing natural depth-of-field falloff. The entire finished sequence must be EXACTLY 15 seconds long. Do not extend or shorten any beat. The central visual message must be immediately understandable without dialogue: a busy family morning becomes easier because this family blender turns whole ingredients and ice into a perfectly smooth drink with exceptional speed. The emotional progression is urgency → activation → power → instant proof → family satisfaction → premium product promise. Final audience takeaway: FAST BLENDING POWER. SMOOTH IN SECONDS.show more

Facial reconstruction of a 7,500-year-old man from Kenya A... large collection of ancient human remains was recovered in the Elmenteita district of Kenya, at the Bromhead site. Eight relatively complete skulls and numerous skeletal fragments were found, representing as many as 29 individuals. The burials belong to different periods, but their exact chronology remains uncertain; it is only clear that they date to the Mesolithic. The best available date comes from ten mandibles, which were dated to approximately 7,400 years ago (Bada et al., 1974), although some of the skeletons are undoubtedly older, while others are younger. Individual finds from Elmenteita were variously described as proto-Bushmanoid, resembling the Khoikhoi of Kakamas, or as a distinct "Elmenteita type" characterized by extreme dolichocephaly, long faces, and tall stature. However, these classifications were purely typological, and even the "Bushman type" grouped together the markedly different Elmenteita A and F1 skulls. All of the Elmenteita skulls are long or very long, but they vary greatly in breadth, ranging from very narrow to broad, and from hyperdolichocranic to brachycranic. Cranial height also varies considerably, from low to high, though the average is moderate. Minimum frontal breadth is average or slightly above average. Most skulls have a receding forehead, while the brow ridges are relatively weak by Mesolithic standards. A distinctive feature is the very high placement of the temporal lines. The face has a long cranial base and is of moderate to great height (very low only in the female Elmenteita F1), with a broad upper portion. Facial and bizygomatic breadth vary greatly, from very narrow to broad. Vertical facial profile ranges from prognathous to orthognathous. In transverse profile, the faces show no exceptional flattening and remain within the range of clinopy and clinozygy. The orbits are high, broad, or very broad, and mesoconchic. The interorbital region is broad and flattened. Nasal height ranges from moderate to very great (very low in Elmenteita F1), while nasal breadth varies enormously, from very narrow to very broad. The noses are leptorrhine. As is evident, the Elmenteita series is highly heterogeneous. The male skulls Elmenteita A and B differ noticeably from one another, while Elmenteita F1 stands out most distinctly. L. Leakey divided the series into two groups: the first included Elmenteita A and D, and the second Elmenteita B, F, and F1. The skulls of the first group (to which the reconstructed individual belongs) are more robust, hyperdolichocranic or dolichocranic, with faces that are broad relative to the cranial vault. Their faces are mesognathous and either mesoprosopic or leptoprosopic, with chamaeconchic orbits and leptorrhine or mesorrhine noses. The skulls of the second group are more gracile, being moderately dolichocranic (B), mesocranic (F), or brachycranic (F1). Their cranial vaults are broad relative to the face, with pronounced parietal eminences. They exhibit overall facial orthognathism (B) or prognathism (F and F1), a narrow, high leptorrhine nose, and pronounced alveolar prognathism. In fact, this second group could itself be divided into two or even three distinct types, since skull B differs from F and F1 in being dolichocranic, orthognathous, and hypsiconchic, while F1 is distinguished by its brachycrany, euryprosopy, and chamaeconchy. To what extent this diversity reflects individual variation or true population differences remains unknown. Judging from the stratigraphy, the Elmenteita cemetery may well contain burials of people from different periods, cultures, populations, and biological races. Overall, the series displays an unusual combination of traits for Africa: large cranial size, a receding forehead, a high face, and, in some individuals, orthognathism, high orbits, and a narrow nose. However, this combination is also atypical for the East African race, to which the Elmenteita skulls are often assigned. Only Elmenteita F1 more or less fits the description of the southern prognathous variant of the East African race (S. V. Drobyshevsky, Antropogenez).show more

I experimented a lot with the prompt until I... landed on this version😎 Only face reference + exact 15-second audio. Generated in Higgsfield AI 🧩 Seedance 2.0. Small tip: when uploading reference audio, cut it precisely to whole seconds (6, 8, 10, 15…) with no leftover tails 🎵 Prompt: A cinematic 15-second music video shot in a dark modern dance studio with smooth grey reflective floor, black walls and horizontal neon light tubes. Continuous dynamic camera movement, mostly medium shots and close-ups, never too wide. The woman is constantly moving, no freezes or static poses. Main subject: young woman with messy medium-length wavy brown hair with bangs partially covering her face, freckles on nose and cheeks, blue-grey eyes, full glossy lips. She wears a tight black fishnet bodysuit. She is singing the entire time with clear, precise lip-sync, mouth actively moving, intense emotional expression. Lyrics: "Ye! Ye! You keep a box of names / In the drawer by your bed / Polaroids and ticket stubs / Stuffed under the red / You never take one thing / You take the whole last spark / Leave a little thumbprint / On every private heart". 0-2s: Tight medium close-up. She leans her upper body back, head tilting, singing passionately with strong lip-sync, hair falling over her face, body arching, one hand sliding across her chest. 2-4s: Camera slowly pushes in and circles. She comes out of the deep arch, torso still bent forward, hands on her thighs, lifting her head and looking straight into camera while singing with aggressive lip-sync. Three male dancers of different appearances (different ethnicities, hair styles and builds) wearing black tank tops and black wide pants are already close around her, moving with her in low tense postures. The other two men are visible at the edges of the frame, approaching. 4-7s: Medium close-up. She drops lower, body still in constant motion, hair swinging, singing intensely with clear mouth movements, sharp head turns, eyes locked on camera. Male dancers stay close, their hands lightly touching her as they move together. 8-12s: Medium shot with slow camera drift. Exactly five male dancers of completely different appearances, all wearing black tank tops and black wide pants, surround her tightly on the floor in a dense, intertwined formation. She is in the center, body still moving, upper body rising and shifting, singing with strong lip-sync. All five men move subtly with her, never static. The men never fully obscure her body. 13-15s: Dynamic medium shot. The five diverse male dancers lift her into the air in a powerful deep backbend. Her body is fully extended and arched, head thrown back, still singing with clear lip-sync. While holding her they gently rock her up and down in time with the beat. The camera starts from a clear side view of her arched body and smoothly transitions to a frontal view of her face. At the end they lower her smoothly onto her feet; she lands and immediately continues singing as the five men stay low on the floor around her. The men never fully obscure her. High fashion dance energy, sweaty skin, sharp timing, continuous fluid motion of the woman, priority on accurate lip-sync in every frame. Rules: no hand morphing, no body distortions, clean stable anatomy, fingers and hands remain consistent and natural throughout the entire video. #AIvideo #AIMusicVideo #AIFilmmakingshow more

Angel of the Gym, seedance prompt: Presented in the... style of raw, handheld iPhone video footage, with all camera settings set to automatic, no post-processing color grading or special effects. The footage features slight hand-held shake and the operator's breathing sensation, occasional autofocus searching, delay, and brief loss of focus, automatic white balance switching between gym lighting and natural light. The image is flat overall, preserving real edge color fringing, slight overexposure, motion blur, and other optical imperfections. Only in-camera natural ambient sounds are used, including gym equipment sounds and faint air conditioning noise. Shot from a first-person handheld perspective, with natural reactive camera movements, occasionally slight swaying due to walking or adjusting angles. Medium and close-up compositions alternate, clearly showing the full body and action details of a plus-size Asian woman. Wearing the reference image of an elegant gold-embroidered long dress, she is exercising in the gym. She is wearing this formal dress, using cable machines and seated machines. At 0 seconds, the camera focuses on the woman from a medium shot, she is standing in front of the cable machine, hands gripping the handles ready to pull, the dress naturally flowing down. She slightly bows her head, quickly glancing at the camera with a hint of shyness. At 1 second, she starts pulling the cable with force, her body swaying back and forth, the sheer shoulder cape and skirt fluttering slightly with the movement. She frowns slightly as she exerts effort, occasionally looking up at the camera with a shy gaze. At 2 seconds, the woman continues pulling the machine, her movements accelerating, the dress fluttering with her body's sway. She looks up with a faint smile on her lips as she gazes at the camera. At 3 seconds, she stops pulling and walks to the nearby seated machine, sitting down, the dress swaying significantly with the movement. She lowers her head to adjust the hem and collar of the dress, her face showing a shy expression. At 4 seconds, she sits on the machine, leaning slightly forward, hands placed on her legs adjusting her posture. As she lowers her head to adjust her clothes, she looks at the camera with a shy gaze. At 5 seconds, she gently places her hands on her chest, slightly tilting her head up as she looks at the camera, a natural, slightly shy smile on her lips. At 6 seconds, she remains seated on the machine, looking at the camera with a soft gaze, a shy yet happy smile on her face, slightly adjusting her sitting posture. At 7 seconds, she stands up from the machine, the camera follows her movement, the dress fluttering slightly as she walks. She looks back at the camera with a shy and gentle smile. The footage presents a genuine, raw, handheld video quality with a documentary-level sense of natural imperfection, without any post-processing color grading or special effects. All camera behaviors conform to the physical characteristics of an iPhone being used in a gym.show more

SHION 紫苑 Art by はむメロン Speed. Refined. Some products... are made to perform. Others are made to be remembered. SHION was designed to do both. Built with our most advanced glass surface and coating to date, SHION pushes the limits of speed. Every swipe feels weightless, every movement immediate, delivering an uncompromising ultra-fast experience with minimal stopping power by design. Its next-generation multi-layer coating is engineered for exceptional consistency, delivering the same smooth glide regardless of humidity or changing environmental conditions. Our advanced coating is up to 5× more durable than conventional coatings, ensuring the surface you trust today is the same surface you'll trust tomorrow. The glass surface is etched to provide subtle tactile feedback, creating an ultra-fine textured finish that enhances precision while preserving exceptional speed. Every detail has been carefully considered. The ultra-clear premium glass reveals beautiful artwork with exceptional depth and clarity. Precision-polished 4th gen edgeless 2.5D comfort edges create a seamless transition beneath your wrist. A newly upgraded silicone base keeps SHION perfectly planted through every flick and every micro-adjustment. Nothing exists without purpose. Not the surface. Not the artwork. Not the materials. Not even the packaging. Because true premium isn't measured by one feature it's the experience created when every detail works together. Designed for those who demand more. Insane-Fast premium glass textured surface Next-generation multi-layer advanced coating Consistent performance in humid environments Newly upgraded anti-slip silicone base Precision-polished 4th generation 2.5D comfort edgeless design edges Ultra-clear glass for exceptional artwork clarity Large 490 × 420 x 1.5mm(Total 2.2mm) thick Glass SHION 紫苑. Speed, refined. Limited to only 1111 Units Worldwide. MSRP: $109.99 Pre-orders go live on July 31 at 8:00 AM PT. Distributors 🇺🇸 LETHAL.GG 🇪🇺 MaxGaming 🇦🇺 Ausmodshop 🇯🇵 Rabbit0@ゲーミング 🇰🇷 JohnsonGaming 🇹🇭 Micemod 🇲🇾 Respawn Gaming Tech 🇬🇧 ZerkGamingMods 🇺🇦 GODLIKE Gaming 🇮🇳 WAimers 🇷🇺 FinalGear More details soon!show more

Tribe Discovery Seedance 2.0 is smart enough to create... truly realistic footage! What’s shown on the camera screen and the actual people being filmed look almost identical — same lighting, same movement. Made on CapCut Video Studio. Prompt: Create a 15 second, 16:9 photorealistic nighttime discovery film built around an unbranded early-2000s silver MiniDV camcorder with a flip-out LCD. The physical camcorder dominates the foreground; its LCD stays tack-sharp while the real people and jungle location behind it fall into creamy shallow-focus blur. Keep one continuous believable handheld setup: close to the camcorder, drifting, breathing and making tiny human corrections, never gimbal-smooth. 0.0–1.3s Extreme close foreground view of the closed LCD panel and the operator’s fingers. Under warm firelight and cool moonlight, the hand flips the screen open toward camera. Focus snaps naturally from the camcorder shell to the glowing LCD. Behind it: a remote indigenous tribe gathered in a jungle clearing at night, dark canopy and towering trees, all soft and indistinct. 1.3–3.5s The LCD shows two tribal men and a young woman crowding the MiniDV lens, curious and cautious, exchanging quick glances and small hand gestures while leaning close. Inside the LCD use authentic low-resolution CCD video: harsh direct-camera light, clipped skin highlights, warm reds from fire, cool cyan shadows, fine chroma noise, mild scanline texture and tiny unreadable REC/timecode icons. The exterior world stays warmer and softer, creating a convincing screen-within-screen contrast. 3.5–5.8s The operator subtly pivots right. Parallax shifts the LCD across frame while a tribesman wearing traditional woven cloth and body paint drifts through the blurred background. On the LCD, cut naturally to a low-angle wide-lens clip of a young tribeswoman crouching and slowly moving toward the lens. Allow slight exposure pumping and imperfect autofocus. 5.8–8.2s Continue the handheld orbit. A bright campfire blooms near the top edge, producing mild halation and realistic flare. The LCD shows several tribe members standing shoulder-to-shoulder, observing the camera with quiet intensity, occasionally shifting or exchanging looks, never staged or choreographed. 8.2–10.8s More people enter the soft background; one briefly passes close enough to become a large blurred shape. Keep the camcorder body on the right edge and LCD near center. Inside the LCD, jump between quick candid portraits: an elder looking steadily into the lens, a young man turning his head, then a small group of women and children leaning together. Cuts happen only inside the LCD while the outer shot remains continuous. 10.8–13.0s The operator dips the camcorder slightly, then corrects upward. Warm firelight flares from lower frame. LCD color briefly shifts greener and darker like an old auto-white-balance error, then recovers. Add one very brief analog video hiccup; no digital VFX, floating graphics or impossible distortion. 13.0–15.0s Finish on three or four tribe members bunching into the MiniDV frame, watching the camera with quiet curiosity as the real background group mirrors their energy in blur. End with a tiny handheld push toward the LCD and natural highlight bloom from the fire. VISUAL RULES: 24fps outer capture, 1/48 shutter feel, 35–50mm full-frame look, f/1.8–2.2, handheld micro-jitter, subtle rolling shutter during faster pivots, fine high-ISO grain, realistic skin, true fabric and body-paint texture, practical firelight mixed with cooler moonlight. No plastic skin, warped hands, duplicated people, morphing faces, floating objects, synthetic bokeh, perfect symmetry or glossy CGI. The MiniDV LCD must emit believable light and clearly look like footage from an older camera.show more

Hello Hugh Thomas , let’s do it one by... one, sample by sample, stone by stone. Whenever an artificial stone recipe of mine reaches a certain stage that’s the results are comparable to the natural version I’ll send a cast sample to you (with its mold) to analyze. The first one could be this perfectly chiseled fake limestone cube. As you can see you can’t fit a razor blade between the stone and the cheap silicone mold from Temu. This proves my micro chiseling skills. The recipe is public, you don’t even need my cube, you could create your own - but you won’t. So I’ll send this cute cube to you. The “secret” recipe is: I started from wood ash lye, also called potash, or K2CO3, by slowly dripping water through hard wood ash. Hard wood ash from your fireplace, yeah. Then I added slaked lime, and the chemical reaction produced fine, molecular level CaCO3 particles, fine limestone floating in the liquid. FYI: the secret chemical reaction is, and was in the ancient times as well: K2CO3 + Ca(OH)2 = CaCO3 + 2KOH Yummy! Next step: I let the limestone particles settle, and poured the KOH, potassium hydroxide solution above (that also formed in the liquid, see above) into the kitchen sink as it is a very good drain cleaner indeed. I added water and poured it into the sink several times, trying to clean the slurry from the KOH. So yes, the cube is from almost pure limestone, CaCO3 - with some residual KOH contamination. The KOH contamination can be reduced infinitely, I just stopped after 4 rounds. (Pro tip: put the slurry into a filter bag and put the bag into a mountain creek for an hour.) The next step is filtering and pressing the remaining liquid from the slurry. Because it’s a wet mess at this point. Pressure is a key factor to success! At least one thing is accurate from the universal canon: no pressure-no stone. How do I know? By trying and failing a few (dozen) times. So I poured the white limestone slurry into a sock 🧦 and pressed and squeezed it by hand - and that was JUST enough pressure for the magic to happen 😮 It looks like nature/god is on our side, everything is working as it was designed this way. Then I put the almost dry limestone paste into this Temu mold. Fun fact: it still contains a lot of water which will eventually be pressed out as the crystallization progresses, so we’ll need to get rid of that water through a hole, a nub. But there is no hole 🕳️ on this Temu mold so I poured the excess liquid from the top a few times. Hardening time=drying time=crystallization time : 1 week. The important lesson I learned from this experience is as follows: I tried to understand why this sludge turned into hard stone, because, as we were told, IT IS IMPOSSIBLE, and my understanding is this: wood ash lye does two different magics in parallel for this to happen: 1. It magically contains the right kind of contamination to facilitate calcite crystal formation and 2. The incredibly high pH (remember, 2 molecules of KOH are produced from 1 molecule of K2CO3!) in the liquid boost the calcite formation even more. ———- My only request from you and your colleagues concerning this analysis is full, 100000% transparency. And be honest. I know something you clearly don’t: you have lost this battle already. We need the data fast, not in 4 years or something. Transparency means sharing whatever you find here on X, without scientific drama and pullbacks. We don’t need a 947 pages scientific paper. We need the results, the data only. BTW: I already know what you will find: a “special type of natural limestone” with some minimal potassium contamination🤣🤣🤣 Now feel free to DM me, let this scientific analysis happen! And thank you for your offer!show more

The wait is finally over — Spartan Fuel has... arrived. Imagine Maximum muscle growth Skin-splitting pumps Limitless energy Laser-like focus What’s the secret? An all-encompassing, comprehensive intra-workout blend. Everybody knows about the importance of pre and post workout nutrition, but intra-workout nutrition is often neglected. The optimal time to fuel your body is when you are working out, breaking down muscle fibers, expending stored glycogen, and depleting electrolytes. In order to stimulate maximum muscle growth and achieve a vicious, skin-splitting pump, we need to fuel our bodies. Spartan Fuel contains a comprehensive blend of EAAs, fast-acting carbohydrates, electrolytes, and mitochondrial boosters that provides your body with EXACTLY what it needs to perform at it’s highest level. Many of you are probably like myself; you put on your best Walter White impression and whip up a concoction of supplements to try and find that edge. Why should we leave gains on the table, right? Well, I had enough of guessing and watching my supplement cabinet (and monthly bill) continuously grow. And then it struck me. There’s no product that properly combines EAAs, carbs, and electrolytes. After lifting for years, absorbing everything I could on X, I figured it was time to make my own mark. That’s when I decided to connect with the man himself, BowTied Biohacker . Leveraging his expertise and my vision, we created a formula that would change the way we lift forever. We created a product that would be FELT IMMEDIATELY. After sending samples out to a bunch of bros here on X, the feedback was overwhelming — we had struck gold. Other-worldly pumps Gas tanks that were always running on full People crushing their log books, pumping out more reps than ever before… DURING EVERY SET Everyone felt like a million bucks. Once you try it, it you will never want to workout without it. It’s THAT good. We all push ourselves hard. Many of us train to failure. We want to get jacked. We want to get shredded. We all want to unleash our inner warrior in the gym. Now there’s a way to totally lock-in and dominate with intensity during very workout. We all know the feeling. Once in a while we have a workout that just blows us away. We feel stronger than ever, locked-in. We leave the gym with a high that has us feeling on top of the world. Now picture every single workout being that amazing. No other product can deliver the boost you need to consistently perform at the highest level. It’s basically a PED. We didn’t skimp out on quality. We didn’t cut corners. We included EVERYTHING needed to maximize results and boost performance. What many people don’t know is that in order for a supplement to truly be effective, the ingredients need to be dosed in the proper ratios. And that’s just what we did. And just when you think it can’t get any better (there has to be some catch, right…right?) We kept it natural — no artificial ingredients or sweeteners. This is something that digest like a dream, hits the bloodstream instantaneously, and fuels your muscles. Our competitors don’t do this. They sell a bunch of ingredients separately, trying to sell more products. Or they sell proprietary blends and junk loaded with fillers. Spartan Fuel makes your life easier. One tub. One scoop (or 2 if you’re like me and want to go hard). No more wasting money purchasing the entire supplement store. Whether you start drinking it on your way to the gym or as you begin your workout, you will quickly feel the difference. This fall, you can dominate every workout, and supercharge your winter bulk. And this post would not be complete without giving a huge thank you to @Thomas_Salamus_ TJ was instrumental to the birth of Spartan Fuel since Day 1. If you love his products, you’ll love Spartan Fuel. Rest assured, the quality is unmatched. The first batch is limited, so act now and don’t miss this opportunity to unlock your true potential.show more

I’m excited to announce my new role as Growth... Lead at Plume! 🐦‍🔥 6 months ago, I had my first call with Chris Yin and surprisingly, he changed my mind. I was skeptical of a web3-native project trying to bridge the traditional world into ours. His thesis of a permissionless blockchain environment was antithesis to what I believed in at the time. After about 45 minutes of deep discussion, I could finally see it. I dropped all of my other RWA investment prospects and pointed myself towards Plume. From there, things got quiet for a while. Myself and the 280 partners debated the RWA sector as a whole and quietly observed Plume’s progress on the sidelines. Fast forward a few months and I had finally realized a thesis of my own; In crypto, you’ll generally find two key types of participants: speculators and yield chasers. Speculators lower their risk threshold in search of the next 100x, closely following trends and trying to capture opportunities early. It is a game that requires forward-thinking, intuition, and a lot of luck. These people range in financial status, with some looking to make their first bucket of gold, with the others trying to hit another big win and buy their second lambo. Yield chasers are a different breed of folks. They may not want to ape their entire portfolio into memes, rather they enjoy the attractive returns that DeFi offers that they generally wouldn’t be able to find in the traditional world. These folks generally aren’t looking for lambo, but believe that they will still be living well without the stress of going to zero. But as we see every cycle, Bitcoin crashes, DeFi collapses, and another round of fuzzy-haired fellas find their way over to the Metropolitan Detention Centre. Crypto dies, retail gets burned, the regulators swoop in and start raising hell, and the cycle repeats. Why does it have to be this way? Of course market cycles are natural and perhaps healthy, but why the catastrophe at the end each time? There must be a better way. And then it hit me. RWAfi is and always was the answer. The road at the end of all roads. It’s a nice road, paved with the blood, sweat, and tears of those truly trying to connect the entire world to our industry. Whether you made a major bag and want to move into wealth preservation or lost it all and no longer want to live the life of a degenerate gambler and are comfortable with a more stable approach to wealth building, eventually, everyone ends up chasing juicy yields. And we all know that there is only one sector of our industry that can consistently deliver attractive yields through bull and bear. There is only one sector that can support all the TVL that is currently sitting in vaults that are unable to sustain the yields they promised. The nature of the vertical makes it constantly aware of regulatory considerations. RWAfi is a sleeping giant, and not only will it unlock a $400T market, it will also catalyze an incredible amount of growth resembling tens of trillion in newly created value and opportunity. We are so early. That, paired with the incredible team Teddy @shukyeerwa Ivy Kang and the other 40 cracked believers that are pushing beyond their limits is the reason I bet on Plume. We have everything it takes to make it 🤝 I have to give a special shout out to J for how supportive he has been with this move. 280 Capital is married to Plume now and I’m sure we will be collaborating on a lot moving forward. Another shoutout to one of the great minds of this industry JacobK whose conviction in Plume really pushed me to purse this role🙏🏾 Vibes are all-time high with this team, and bring a fresh combination of competence, experience, and true belief in the platform that we are building. Mark my words, Plume will unify the RWAfi sector and pave the way as one of the giants of this industry. Let’s fucking do this. 🐦‍🔥 Goons in complete control.show more

Good Morning World ☀️😎 Let me give you a... real world example of what using vooi feels like. Imagine you're at a bustling café in Lisbon. Your friend just texted you: SOL is pumping,should I buy? You open your phone, tap one app, and within ten seconds you're long SOL, no wallet popups, no gas fees, no bridge first, pray later. That app is VOOI (vooi), and it feels less like crypto engineering and more like ordering an espresso. VOOI is a noncustodial perpetual and spot aggregator that hides every blockchain headache behind a single, friendly screen. It speaks Ethereum, Solana, BNB, and half a dozen other chains fluently, so you never have to. You log in with an email or a Twitter account, see one balance in dollars, and trade anything,crypto, tokenized Apple shares, perpetual futures,without ever touching native gas tokens. The protocol pays the gas for you, then quietly settles everything onchain while you sip your coffee. How is that even possible? Three quiet revolutions: 1️⃣Intent based routing. Instead of signing a transaction on every chain, you sign a single intent (e.g., 'I want 0.5 SOL'). VOOI's engine scans liquidity across multiple decentralized exchanges, stitches together the cheapest path, and executes the trade behind the scenes.. 2️⃣ Account abstraction. Your identity is tied to a smart wallet that lives in the cloud, protected by the same login you already trust. You still control the keys,VOOI never sees them,but you don't need to remember seed phrases or browser extensions. 3️⃣ A weekly 6millionpoint rewards pool. Every trade you make drips points into your account. Redeem them for fee rebates, USDC cashback, or simply bragging rights. It turns active trading into a loyalty program you actually want to use. Real people are already living this. Take Leila, a freelance designer in Dubai. She keeps a modest USDC balance on VOOI. Last Tuesday, between client calls, she shorted SOL for two hours, closed in profit, and never once thought about gas or bridges. The trade settled instantly, her points balance ticked up, and she went back to her mockups. Or Carlos in Sao Paulo, who wants exposure to Tesla but hates local broker fees. He bought tokenized TSLA on VOOI with the same swipe he uses for USDT. The token lives in his smart wallet; if Tesla rallies, he sells directly back to USDC, no brokerage account, no paperwork. Even David, a fulltime degen, runs tiny arbitrage loops between Ethereum and Solana. Before VOOI, each roundtrip cost him $8 in gas. Now the protocol covers the fees, so his edges stay intact and his profit margins widen. Behind the curtain, VOOI raised $1.25 million in its March 2025 ICO and counts YZi Labs (formerly Binance Labs) as a strategic backer. Liquidity partnerships already pull depth from the biggest DEXs on every major chain. The community on X has ballooned past 190 k followers, not because of flashy marketing, but because the product simply works. The takeaway is simple: VOOI turns the multichain maze into one smooth sidewalk. Whether you're a firsttime buyer who still calls Bitcoin magic internet money or a seasoned trader hunting basis points, you get the same experience,open app, pick market, swipe, done. No gas, no bridges, no custody risk. Just trading that finally feels like the internet we were promised.show more

How prediction vouchers work on XBIT Prediction Vouchers (also... called Prediction Tickets) are the core reward and participation token in XBIT’s ongoing World Cup 2026 campaign. They turn your regular trading activity into entries for big prize pools without needing extra deposits. What are they? • Event-specific tokens issued by XBIT DEX. • Non-transferable and campaign-limited (tied to the World Cup Million Prize Pool and related events). • Used to join daily/weekly prediction markets and share in reward distributions. How to earn Prediction Vouchers 1. Trade on XBIT’s prediction markets (sports, politics, BTC price moves, etc.). 2. Trade futures/perpetuals (leverage trading also qualifies). 3. Complete eligible tasks announced in the campaign (volume thresholds, specific market participation, Lucky Spin, etc.). 4. Higher activity means more tickets. Exact multipliers are shown in the event dashboard on How to use them • Enter Daily Focus Matches or other prediction events. • Allocate your tickets to outcomes (e.g., Team A wins, Over/Under goals, correct score range). • Correct or high-performing predictions earn proportional shares of daily and final prize pools (up to $150k+ for the tournament finale on July 19). • Unused or partially winning tickets may still contribute to overall pool sharing based on total ticket volume. Why they matter They add capital efficiency, you earn tickets through normal trading instead of buying entries. Combined with XBIT’s 2x–5x prediction leverage, they let users amplify positions on World Cup outcomes while keeping skin in the game through on-chain, transparent markets. Hands-on tip: Connect your wallet on check your current ticket balance, and browse active matches. Start small with a simple game like “Match Winner” to see how tickets convert into real USDC rewards. XBIT + XBIT_ZH #XBIT #XBITCreatorshow more

Homeland Attack: Live, Work & Play 🟥5 to 7... Man Teams & 8 to 10 Man teams 🟥Supermarkets, Shopping Complexes, Night Clubs, Churches & Public Transportation 🟥Hospitals - Sidelining First Responders 🟥Road Blocks To Ambush First Responders 🟥Back Up Teams 🟥Trained In The 360-degree Ballistic Shoot Houses 🟥 Trained Heavily In Close Quarters Battle 🟥 Training Like Terrorists Had in Fallujah. 🟥 Spontaneous Decisions Making 🟥 Real Time Communication Between Attackers 🟥Fights To The Death 🟥 Tip Of the Spear Attacks 🟥First Responders Move In & Then Another Guy Walks In & Blows Up 🟥Dressing Up Like Law Enforcement & First Responders 🟥Booby Traps 🟥Attackers On Drugs 🟥10% Suicide Bombers 🟥Chemicals Within Suicide Vests 🔻The following Information illustrates The Upcoming Homeland Attack from observing terrorist training & lessons learned from The Oct 7 Attack, Mumbai Attack & Fallujah 🟥 Attack Where Americans Live, Work & Play “They want to take what they felt on the battlefield and they want you to feel that in towns in America. So they want to bring it to your home. They want you to feel these war zones, but in America, because they don't feel like Americans felt it. They feel like, ‘yeah, you have these wars with us on our soil. So now you're going to get it on your soil.” 🟥5 to 7 man teams and 8 to 10 man teams “5 to 7 man teams and 8 to 10 man teams. Our community has never even had attacks where there's more than five - So it's going to be a whole different scenario we need to deal with.” 🟥Supermarkets, shopping complexes, nightclubs, churches & public transportation 🟥Hospitals - Sidelining first responders as the goal. “They actually also trained on hospitals and we look at hospitals in terms of sidelining first responders as the goal.” 🟥Road Blocks To Ambush First Responders “In Israel, they basically set up on the roads and waited for first responders to come and attack them while responding” 🟥Back Up Teams “Another really interesting thing when we brings up the ISIS Russia attack - They trained multiple teams for that attack. And the first team essentially got thwarted or wrapped up so the Russians thought they stopped the plot and the back up guys came in and did that attack , which is very smart and we're not used to those kind of tactics. 🟥Trained In The 360-degree Ballistic Shoot Houses “The facilities that they're using to train in are the facilities that we left behind. So the state-of-the-art ranges that we used when we were deployed, they're using. The 360-degree ballistic shoot houses that we used to perfect CQB and explosive entry, they're training in. 🟥 Trained Heavily In Close Quarters Battle “All indications are that they have trained heavily in close quarters battle and local distributed attack.” 🟥 Training Like Terrorists Had in Fallujah. “One of the things we're focusing on and telling people right now is a lot of the terrorists who are coming to the US homeland have training like the terrorists had in Fallujah. And you need to go sit down with people who served in Fallujah because you've never seen those kinds of terrorists here in the United States. And law enforcement actually needs to learn how to fight now that type of enemy and they're very far behind because we weren't honest about what our troops faced there the type of attackers that occurred and came at them there.” 🟥 Spontaneous Decisions Making “The interesting thing about it is they can change the location they are attacking and they can change the modus operandi they are using. So for example, in Mumbai - when they went in the train station, it was supposed to be a bombing. When they got in there, they said, ‘wow, we can kill more people just shooting them than putting the bomb together’. 🟥 Real Time Communication Between Attackers “Real time information was being passed to the attackers during the Mumbai. So when they were in the Taj Mahal, they were being told what the police were doing, and they changed basically some of their movements in the hotel to make the attack last longer.” 🟥Fights To The Death "it's not like in Israel, you'll go and do an attack, you can kidnap someone and leave and go back into Gaza. When they come to the United States, they're here to do the attack and they're here to die. There's no exit plan. So now we need to talk to law enforcement about how to fight someone who wants to fight to the death" 🟥 Tip Of the Spear Attacks “You're actually looking at operators that have more advanced training than Hamas. What you will be facing is a much more refined combatant, much more committed combatant, for multiple reasons. The combatants that are going to Europe and the United States, they're the cream of the crop. They're the tip of the spear” 🟥First responders move in and then another guy walks in and blows up “The bomber blew up and then everyone starts moving in, the first responders and then another guy walks in and blows up.” 🟥Dressing Up Like LEO & First Responders “They are dressing like IDF soldiers and law enforcement and, police and ambulance operators. As I'm driving, and I see a checkpoint, So I get my weapon and I'm ready for a gunfight. Yeah, that needs to be in your head - this could be a trick, you need to be ready for a gunfight.” 🟥Booby Traps There were booby traps that they setup teddy bears and backpacks with traps.” 🟥Attackers On Drugs “We saw this in the Hamas attacks, a lot of the attackers were on drugged while they were attacking. So it's like they're almost taking this other angle of, we could alter the mind in some way and make them even more extreme and make them do something they might not have done.” 🟥10% Suicide Bombers “I do believe 10% is going to be suicide bombers, and I feel strongly about that . So I think suicide bombers are between 75 and 100. I think that number is pretty accurate.” 🟥Chemicals Within Suicide Vests "Another thing is within the suicide vest, there are reportedly chemicals. A lot of our agencies aren't even prepared to deal with the right hazmat situations when they respond to this. So they need to be prepared if they think maybe a suicide vest blew up.” Information Provided By: Dave 'Boon' Benton, @RooftopLeader & Doron Keidarshow more