Observe the subtle differences between a mestiza (left) and... a castiza (right). First, note the darker complexion and hair of the mestiza, a result of the darker pigmentation common among Amerindians. You’ll also note a more robust frame. This is an archaic feature due to the presence of higher Neanderthal-like Denisovan admixture present among Siberian and North American peoples. The castiza has longer limbs and is slenderer, with a narrow waist. Her Southern European ancestors descend predominantly from the Neolithic Farmers of Early Europe, who came from the Middle East, where heat dissipation in a hot climate was facilitated by a higher ratio of surface area to body mass. Likewise, being 50% descended from Siberian migrants who experienced a bottleneck 12,000 years ago as they crossed subarctic Beringia and the receding Late Pleistocene glaciers, the mestiza has a larger trunk and stockier limbs to reduce the surface area and heat dissipation, for survival in a cold climate. You can see the larger teeth of the mestiza, another sign of robustness and that her Amerind ancestors ate a harder, less processed diet. The castiza, having a majority of ancestors who lived in European civilization thousands of years more advanced than the Stone Age primitives of the Americas. Psychological differences exist as well. You can see increased impulsivity in the mestiza as she invents new moves and brings herself closer to the camera. She also follows less of a structured dance. This is a result of lesser planning capabilities primarily due to lower IQ, as selection for intelligence was not as intense in North America as it was in Southern Europe. The mestiza is obese, whereas the castiza is merely overweight. A higher proportion of Amerindian genetics is associated with risk for developing metabolic syndrome, obesity, insulin resistance, and diabetes. The genetic factors involved are not clear, but it may be due to a longer history of adaptation to the carbohydrate heavy diet of agriculture. However, maize-based agriculture was widely practiced in the Americas prior to the Columbian event. I hope you have enjoyed this analysis and are able to see these differences in women I post in the future, so that people no longer make inaccurate claims that the women I am posting are not castiza or mestiza.show more

Mid Mestiza of the Day #MestizaMonday

Mid Mestiza of the Day #MestizaMonday

Mid Mestiza of the Day #MestizaMonday

Mid Mestiza of the Day #MestizaMonday

Mid Mestiza of the Day #MestizaMonday

Mid Mestiza of the Day #MestizaMonday

Mid Mestiza of the Day #MestizaMonday

There is a room in Málaga that was built... to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.show more

We are already at war. Not with rifles or... tanks, but with replacement. This is conquest by other means, through the slow erasure of a people who no longer recognize they are being conquered. That is why I write—to remind my people that we are not living in peace, but in the midst of a war waged without banners. The invasion is not declared with armies but with flights and boats, birthrates and welfare rolls. It is demographic warfare, calculated, continuous, and increasingly irreversible. A people, and a civilization, does not need to be burned to the ground to fall. It only needs to be replaced. Throughout the Western world, we are witnessing not mere immigration but a deliberate population transformation, one that has been rationalized by moral cowardice and enforced by political elites who have long since abandoned the idea that their nations belong to their people. What you mock as conquest is already underway, and unlike the conquests of old, it comes with the full consent of those in power. But I do not write in surrender. I write as a warning, as an act of resistance. My writing is meant to exhort and to enliven, to reawaken what has been buried beneath shame and silence. It is a summons to remember, to reclaim, and to rebuild. We are in an existential struggle, not only for our land, but for our survival, and thus for the future itself. Those who sneer at the loss will one day find there is nothing left to sneer at. A people who forget that they exist will be replaced by those who do not. You may call this natural. So be it. Then let nature return, red in tooth and claw, and let the sons of Europe remember who they are.show more

From mid to mid (mestiza and mischling as well)

Kedarnath is a tremendous space. The utterance of the... sound “Shiva” attains a completely new dimension and significance in Kedar. It is a space which has been specially prepared for this particular sound. When we utter the word “Shiva,” it is the freedom of the uncreated, the liberation of one who is not created. It is almost like on this planet, the sound “Shiva” emanates from this place. For thousands of years, people have experienced that space as a reverberation of that sound. This is also a place that has witnessed thousands of Yogis and mystics of every kind. When I say every kind, you cannot imagine those kinds. These are people who made no attempt to teach anything to anyone. Their way of making an offering to the world was by leaving their energies, their path, their work – everything – in a certain way in these spaces.show more

“In the modern world, man becomes a slave to... the feminine principle, seduced by images and illusions created by emotion and fantasy—decadent forms of eros.” —Julius Evola, Metaphysics of Sex The modern cult of equality has fixed its gaze upon the sexes. What had once been regarded as the polarity of man and woman, grounded in nature and consecrated by tradition, has been lowered to a counterfeit of sameness. Evola returned often to this inversion, discerning in it the same anti-hierarchical impulse that has disfigured every other sphere of life, and which, under the guise of liberation, has stripped both sexes of the dignity proper to their stations. What the age heralds as emancipation he judged to be a degradation, for feminism does not raise woman to her station but strips her of it, compelling her to abandon her essence in order to imitate man, while man himself, bereft of his higher path, sinks into a condition at once impoverished and grotesque. For Evola, culture was the victory of form over chaos, the conquest of the shapeless by order and measure. The city and the empire arose from the recognition of limits, of distinctions, of the rightful ranking of beings. Man attained his true stature as warrior and ascetic; woman realized her dignity as lover and mother. These types were not adversaries but counterparts, separate yet joined, each consecrated to the same principle of transcendence, each charged with its own path of heroism. In the sharpening of these forms, in the intensification of the masculine and the feminine, Europe attained its strength, and love retained its ancient dignity as a force at once generative and cosmic. There is also a beauty in the truth of form, for what is bound to nature and consecrated by tradition does not merely endure but shines. When the polarity of man and woman is clarified, when each fulfills the path proper to its essence, the result is not only strength but radiance. Beauty arises when limit is embraced, when form gives shape to matter, when order compels chaos into harmony. To behold such clarity is to glimpse truth itself, for truth and beauty are of one lineage, both testifying to the higher law that governs being. The modern age has broken this harmony. Bolshevism in the East proclaimed the equality of the sexes in the name of the collective. America in the West proclaimed the same in the name of emancipation. Beneath the opposing banners the result was alike: in one case, a promiscuous communality in which difference was dissolved, in the other, the masculinized woman of the factories and the salons. The poles collapsed, the bond was neutralized, eros was reduced to sterile companionship or the fleeting diversions of appetite. Evola named this impulse a radical pessimism, for beneath the assertion of equality lies the confession that woman, as woman, has no worth. She is compelled to take on the guise of man in order to claim value, and in so doing she forfeits the possibility of fulfillment. Man, in turn, is brutalized into a creature of appetite and utility, stripped of the higher forms once embodied in the ascetic and the warrior. Love itself, which depends upon polarity as fire depends upon the tension of elements, is extinguished, and with it the very possibility of renewal. What rises in its place is the gray world of neuter beings, uniform and without grandeur. Woman no longer appears as lover or as mother, but is driven into labor, into agitation, into pale imitations of intellectual life. Man no longer ascends as ascetic or warrior, but sinks into the tradesman, the showman, the brute. Thus the order of life is betrayed in its most intimate relation, and what once gave depth and height to being is consumed in the twilight of sameness. To revolt against this perversion is not to diminish woman but to restore her to her dignity. It is to affirm that difference and hierarchy are the ground of order, that polarity is the essence of love, that the higher destiny of mankind rests upon the distinction of the sexes. In defending this truth one does not merely preserve a passing custom, but upholds the principle of form itself. For in the bond of man and woman is mirrored the eternal strife of order with chaos, and in that strife the fate of the world is decided.show more

In the movie teaser for Disclosure by Steven Spielberg,... there is a clicking sound that resembles some kind of language. Here is an interesting fact: the only known languages that use clicking tongue sounds belong to some of the oldest surviving populations, the San people of southern Africa. Genetic studies suggest that San populations diverged early from other human lineages, possibly as far back as 100,000–200,000 years ago. The San believe in a spirit creator of the world known as ǀKaggen, a trickster-like demiurge who can shapeshift, most commonly taking the form of a praying mantis. Mantids are among the most frequently reported beings, together with Gray aliens, in UFO abduction cases. Another interesting parallel is that ǀKaggen is a shapeshifter who can take the form of various animals, including the bull eland (a type of antelope), a louse, a snake, and a caterpillar. In the teaser, we see deer and other animals being controlled by an external force and used as vessels, as well as humans being used as vessels, suggesting a form of possession. The presence of priests and nuns further reinforces the theme of possession. I think the movie will focus more on interdimensional entities rather than extraterrestrials, and it is possible that these entities will be mantids. The San people also believed in the cyclical nature of the world, which I see as another interesting clue that might hint at a coming apocalypse.show more

The Sabotaging Practice of Over Supply and Sameness in... the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtronshow more

This is for those who claim that such a... massive wave coming from the ocean and the overall displacement of water onto land is impossible! There are giant flood myths in every ancient culture—from the Sumerian flood of Utnapishtim, the Hindu flood of Manu, and the Biblical flood of Noah to the Mesoamerican flood stories. In my opinion, this is a built-in mechanism that occurs due to the displacement of the Earth's upper mantle and crust caused by a geomagnetic excursion! The waves aren’t as big as in the visualization below, but they’re still catastrophic! This is a deep rabbit hole that the elites who control the narrative want you to ignore! (1/8)🧵show more

Madain Saleh, also known as Al-Hijr, is a pre-Islamic... archaeological site located in the northwest of Saudi Arabia. It is one of the most important archaeological sites in the Middle East and was designated as a UNESCO World Heritage site in 2008. Madain Saleh is a place of great historical and cultural significance, and it is a must-visit destination for anyone interested in the history and culture of the Arabian Peninsula. Madain Saleh was the second city of the Nabataean kingdom, which was established in 2nd Century BC. The Nabataeans were an Arab tribe who were known for their expertise in carving tombs and buildings out of rock. They were also skilled in agriculture, trade, and commerce. The Nabataean kingdom was centered in Petra, which is located in modern-day Jordan. Madain Saleh served as a strategic outpost for Nabataeans, and it was an important stop on the trade routes that connected the Arabian Peninsula with the Mediterranean world. Archaeological site of Madain Saleh covers an area of 13 square kilometers. It is located in a remote desert region, and it is surrounded by rocky mountains and valleys. The site contains around 130 tombs, which were carved out of the sandstone cliffs. The tombs are adorned with intricate carvings and inscriptions, which provide insights into the culture and religion of the Nabataeans. The most famous tomb at Madain Saleh is the Qasr Al-Farid, which means "the lonely castle." This tomb is located on a hilltop and is surrounded by a large courtyard. It is the largest tomb at the site, and it is considered to be one of the finest examples of Nabataean architecture. The tomb was never completed, and it is believed that it was abandoned after the death of the Nabataean king who commissioned it. Another important tomb at Madain Saleh is the Tomb of Lihyan son of Kuza. This tomb is located in the southern part of the site and is carved into a rock cliff. It features a large entrance hall, a central chamber, and a series of smaller rooms. The tomb is decorated with intricate carvings and inscriptions, which provide insights into the religious beliefs of Nabataeans. Madain Saleh is not just a site of tombs; it also contains a number of other important structures. These include the Al-Khuraymat and Al-Sabika temples, which were used for religious ceremonies and rituals. The site also contains a number of houses, wells, and cisterns, which provide insights into the daily lives of the Nabataeans. Madain Saleh was abandoned in the 3rd Century AD, after decline of the Nabataean kingdom. The site was rediscovered in the 19th Century by the Swiss traveler Johann Ludwig Burckhardt. Since then, it has been studied by archaeologists from all over the world. The site is now managed by the Saudi Commission for Tourism and National Heritage, which has carried out extensive restoration and preservation work. Madain Saleh is not just a site of historical and cultural significance; it is also a place of great natural beauty. The site is surrounded by rugged mountains and valleys, and it is home to a diverse range of flora and fauna. Visitors to the site can enjoy hiking and camping, as well as exploring the ancient ruins. Madain Saleh is a site of great historical and cultural significance, and it is a must-visit destination for anyone interested in the history and culture of the Arabian Peninsula. Ancient ruins at Madain Saleh provide a glimpse into the engineering and architectural skills of the Nabataeans, as well as their religious beliefs and cultural practices. However, as the site becomes an increasingly popular tourist destination, there are concerns about its preservation and the impact of tourism on the local environment. It is important that the Saudi government and local communities work together to ensure that the site is protected and that tourism is managed in a sustainable way. 🎥© Paris Verra #archaeohistoriesshow more

As a gynecologist, one of the most frequently asked... questions is about the ''hymen''. The hymen is not a structure located deep inside the vagina. It is a thin, flexible fold of tissue situated very close to the vaginal opening, anatomically at the entrance of the vaginal canal. It is typically found about 1–2 cm inside the vaginal opening, but in many women, it is almost at the surface. Therefore, the common belief that it is located deep inside is incorrect. One of the most important points is this: The hymen is not a closed membrane. It naturally has openings that allow menstrual blood to pass. Additionally, the structure of the hymen varies from person to person. Its thickness, elasticity, and shape are not standard. In some women, it may be very thin and elastic, while in others, it may be minimal or barely noticeable. This is completely a normal anatomical variation. A common misconception is that changes in the hymen occur only due to sexual intercourse. In reality, factors such as certain physical activities or tampon use can also lead to stretching or changes in this tissue. Therefore, the hymen is not a reliable indicator of a person’s sexual history or “virginity.” In summary, the hymen is a small and variable anatomical structure. The meanings attributed to it are largely shaped by sociocultural beliefs rather than medical facts.show more

World Models are the path for some AI Models... in the future. But how can we efficiently train these models to not only see the world the way humans do but to see the world in a new and unique way. By visualizing, what is normally sequenced audio patterns, we can derive much more insights. Here we see Paganini in a visual form that can than be described and transcribed into a World Model. We can observe connections in a manner that may not have been clear prior to the digitalization of music and sound in this way. The company with the most valuable potential in building a World Model is Tesla. Not that this type of visualization is being used, but that the mechanisms are in place, and the technology is in place for the company to thrive in this new form of AI.show more

As a little girl I dreamed of one day... going to Paris, clipping a lock on the bridge, standing beneath the Eiffel Tower, and eating real French pastries and cuisine. As a grown woman I wanted to stand in awe of the wonders of Western civilization our ancestors built. That dream is being erased right now by third world invaders who are burning and tearing it to the ground. If the men who stormed the beaches of Normandy could see what we’ve allowed to happen to the Europe they died to save… they would have fought a very different war.show more

On the 20th of October this happened, I watched... as mainstream media arrived with the U.N. envoy instead of staying the night like the rest of us and seeing how israel was playing mind games and dropping bombs as if it was a toy…total disregard. I didn’t think to post it assuming that no way things would get this bad or last this long. Following this video my mother grounded me saying, “you are one person but part of so many, you do what you can and that makes you a sum of the parts, don’t think of what you can’t do but what you can do”, it was not to lessen from me but rather so I don’t ever get bogged down and see that we all have a role to play. At the end of the day you are speaking up one year against a cult like ideology that has been operating for over 70 years. It may take time but the point is…it has started. We are all a sum of the part and don’t ever underestimate yourself. Instead of thinking there’s nothing I can do, change it to ‘what can I do?’. Even a small action will have an effect in the right direction. As lonely as this year has been for a lot of us it’s important to know that you are not alone in your feelings or your actions, despair is their weapon hope and justice is ours.show more