pillow soft

Bunnny like a soft pillow!

Soft pillow 💓 💕 so sweet 😋

Soft like a pillow. S'mbody sleeping nice at night. 😍

How big and soft you like to sleep on... your pillowshow more

Gotta fluff up the pillow~ #TummyTuesday 📸 - Colto... Fox #fursuit #furry #softshow more

Pillow talk will never be the same 😉 Introducing... OnlyFans Merch's velvety-soft pillow collection... Take your favorites home today! 🛍️ Shop now:show more

Pillow soft soles and pretty toes on this lovely... Sunday. Full vid on OFshow more

POV: You’re on a long trip and your person... uses your shoulder as their personal pillow. Soft hours only 🥹show more

Caught in the act! This sea turtle found the... perfect spot for an afternoon nap, using a soft bed of algae as its pillow. Nature's simple comforts 🐢show more

Training to develop soft “pillow-like” hands… “out front” to... all three lanes. Neutral, forehand, backhand.. with firm underhand feeds, belly button high and using a real baseball. Develops rhythm, tempo, timing, soft touch and eye-hand coordination. Two baseballs add to the difficulty and challenge elite players hands and timing. Dirt Bro Diamond Training Taber Mongeroshow more

Simple drill training to develop soft, “pillow-like” hands in... all three glove lanes: neutral, forehand, and backhand. Using firm, belly-button-high underhand feeds with a real baseball, this drill develops rhythm, tempo, timing, soft touch, and hand-eye coordination. Adding a second baseball increases the difficulty and challenges even elite players’ hands, focus, and timing.show more

I did a thing, For the girlies who sleep... with bonnets/scarfs but wake up betrayed, and the gents who like nice things. I made fitted sheet pillowcases. So instead of YOU wearing the bonnet the pillow wears it. soft on your skin, and hair and protect your pillows from oil.show more

Why is the Filet-O-Fish bun soft like a pillow?... It has its own dedicated equipment, possibly the only piece used for just one item, it’s that important. It’s the only product we steam. We toast and caramelize all other buns. Filtered water hits a 400° plate for 12 seconds - instant facial. BTW - there are two versions of this steamer, this is the one I prefer but not the most common. I have both.show more

Seednace 2.0 on TapNow Prompt: { "style": "ultra-realistic handheld... phone selfie, continuous single take", "subject": { "count": 1, "appearance": "young woman from reference image", "outfit": "loose casual pajama set", "pose": "lying on her side on a low bed" }, "location": { "scene": "small rented studio apartment", "details": [ "rumpled cream bedsheets", "plain pillows", "clothes rack", "cluttered shelf", "warm bedside lamp on the right" ] }, "camera": { "view": "first-person", "holder": "off-screen boyfriend", "movement": "natural handheld with slight breathing and lean-in during laughter" }, "sequence": [ "She looks directly at the phone camera.", "Boyfriend (off-screen): '안 자고 뭐 해.'", "She smiles shyly: '아 찍지 마~'", "Boyfriend: '예쁜데 왜.'", "She laughs, covers the side of her head, hides her face in a pillow, giggling: '하지 마 진짜~'", "She peeks with one eye, turns back smiling, cheeks flushed, then says: '그만 찍으라니까~' with a soft blink." ], "audio": { "music": "none", "effects": [ "room ambience", "fabric rustling", "muffled giggles", "soft nasal laugh" ], "dialogue": { "male": "off-screen only, not lip-synced", "female": "front-facing and lip-visible except while buried in pillow" } }, "visuals": { "lighting": "warm indoor", "quality": "real phone footage", "details": [ "visible skin texture", "fine facial hair", "subtle video grain", "no beauty filter", "no skin smoothing" ] }, "constraints": [ "exactly one woman visible", "boyfriend never appears", "no duplicate subject", "no reference sheet", "no subtitles", "no on-screen text", "no logo", "no watermark" ] }show more

GPT가 만들어주는 여친(남친) !! 프롬프트로 가져왔어요. 남친은 프롬프트에서 man,... 대화내용을 수정하면 됩니다. (이미지, 영상 프롬프트 동일) [프롬프트] A young woman (lolwasdf 1) in a loose casual pajama set lies on her side on a low bed in a small rented studio apartment, already gazing straight into the front camera of the phone her boyfriend is holding just above her; the place has a lived-in twenty-something feel — rumpled cream cotton sheets, a couple of plain pillows, a clothes rack and a cluttered little shelf softly out of focus behind her, a warm bedside lamp glowing from the right. Blinking slowly, her mouth starts to curve up as the off-screen boyfriend holding the phone — never shown — says softly: "안 자고 뭐 해." A beat later her smile widens with a few stray strands stuck to her cheek and she huffs, shy: "아 찍지 마~", and he teases back, warm: "예쁜데 왜." Then suddenly she can't hold the laugh: she lifts one hand to cover the side of her head, shoulders shrugging, and buries her whole face into a plain pillow beside her, fingers gripping its edge into soft creases, giggling into it, muffled: "하지 마 진짜~". A moment later she slowly turns her face back out and peeks with just one eye first, hair tousled with strands sticking up, then her whole face turns to the camera, eyes glossy from laughing and cheeks flushed deeper; frontally and lip-visible she purses her lips into a soft smile and says, playful: "그만 찍으라니까~", giving one soft blink as the moment gently settles. Shoot it as one continuous first-person handheld selfie, the frame breathing with his arm and leaning in a little on the laugh; keep her skin pores, fine fuzz and a warm nose-tip highlight razor-sharp with no beauty filter and no skin smoothing, like real phone footage with subtle video grain and non-cinematic warm indoor light. Exactly one woman is ever in frame — the phone-holder stays off-screen and is never shown, no second person, and never render a reference sheet or duplicate the subject. Strictly no subtitles, no on-screen text, no logo, no watermark. Diegetic sound only: quiet room tone of a small apartment, soft bedsheet and fabric rustling, muffled giggles into the pillow and a soft nasal chuckle; the off-screen male lines warm and teasing from behind the camera (ambient, not lip-synced) and the woman's lines soft and playful, frontal and lip-visible except the one muffled into the pillow, with no background music.show more

Seedance 2.0 on Higgsfield AI just raised the bar.... The quality, motion, and creative control are on another level. Full open-source prompts & assets below. SCENE CONTEXT A young man carries the sleeping woman into her pink bedroom, lays her down on the bed, covers her with the blanket and switches off the lamp, then sits on the floor at the foot of the bed, rests his head on the mattress edge, and falls asleep there, keeping a respectful distance. ACTIVE REFERENCES >>: young man, messy light-brown hair, white t-shirt, carrying then floor-sitting posture, tender careful movement. 100% matches the reference. >>: sleeping young woman, low pigtails, pink hair-roller clip, beige t-shirt with brown long sleeves, pink plaid pajama bottoms, eyes closed, carried then lying tucked in bed. 100% matches the reference. >>: pink bedroom. 100% matches the reference. Every element and corner is preserved and stays consistent across all shots. LOCATION MAP Pink bedroom, remembered corner by corner from >> and held identical in every shot: - Wooden door with brass knob and dark wood trim / wardrobe on one side wall. - A large ornate pink-and-white Victorian dollhouse standing on the floor against the wall. - A wide window with sheer white curtains, cool outside light filtering through. - A vanity desk with an upright mirror and a pink desk chair beside the window, a leafy potted plant next to it. - A tall warm floor lamp — the main practical light — near the bed, wall-mounted shelves with small items above it, wood wainscoting along the lower wall. - An ornate white bed frame with pink ruffled bedding and a soft pink pillow, the central anchor of the room. - A woven area rug on a wooden floor, light soft clutter (tissue boxes, papers) scattered naturally. Open floor between the door and the bed is his carrying path; clear floor space at the foot of the bed is where he sits. FIRST FRAME AND SPATIAL BLOCKING The first visible frame matches the attached carry reference exactly: he stands mid-room holding her in a bridal carry, her head resting against his chest and shoulder, eyes closed, pink plaid fabric bundled across his forearms, the white ornate bed and pink bedding soft behind, sheer-curtained window and dollhouse readable in the background. No empty establishing frame. FORMAT MODE Controlled four-shot sequence with HARD CUTs at 3.5s, 7.5s, and 11.0s. Real-time motion, gentle handheld for the carry only. No subtitles, no music. OPTICS Shot 1 (carry): 50° diagonal field of view, standard normal lens character, camera 1.5 to 2 meters, clean medium two-shot holding both faces. Shot 2 (lay down): 56° diagonal field of view, near-normal lens character, camera low at the head of the bed looking down along her body, 1 to 1.3 meters, shallow depth on her settling face. Shot 3 (blanket + lamp): 63° diagonal field of view, slightly-wide lens character, camera 2 meters back at a bedside three-quarter angle, wide enough to hold him, the tucked bed, and the floor lamp in frame. Shot 4 (floor sleep): 63° diagonal field of view, slightly-wide lens character, camera low at the foot of the bed, then a slow crane-up to a high three-quarter looking down the length of the bed. CAMERA Shot 1: gentle handheld follow, slow dolly-in with him toward the bed, subtle vertical bob and weight-shift pulse matching the carry, human motion not digital jitter. Shot 2: separate angle from the head of the bed; slow push-in as he lowers her, settling as her head meets the pillow. Shot 3: static-leaning three-quarter as he draws the blanket up and tucks it, then reaches and clicks off the floor lamp; frame holds through the drop into moody low light, her tucked body still framed. Shot 4: low static at the foot of the bed as he sinks to the floor and lowers his head to the mattress edge, then a smooth crane-up to a high three-quarter — her tucked on the bed, him asleep on the floor below. ACTION TIMING 0.0s to 3.5s: he carries her in a bridal hold, walking slowly toward the bed, her head lolling gently against his chest, pigtail swaying with each step. 3.5s HARD CUT. 3.5s to 7.5s: from the head-of-bed angle he lowers her onto the mattress, her shoulders and head settling into the pillow, hair fanning out, body coming to rest. 7.5s HARD CUT. 7.5s to 11.0s: he draws the pink blanket up over her and tucks the edge along her shoulder with both hands, then reaches to the floor lamp and switches it off; the warm glow dies and the room falls to cool moody window light — she lies exactly as he left her, tucked and unmoved. 11.0s HARD CUT. 11.0s to 15.0s: in the dim room he lowers himself to sit on the floor at the foot of the bed, rests his head sideways on the mattress edge near her feet, settles, breathing slows, and he closes his eyes and falls asleep there — not on the bed, a clear respectful distance kept. PHYSICS Her body carries real dead-weight during the carry — limbs sag, head lolls, pigtail swings freely. As he lowers her, pillow and mattress compress under her head and shoulders, hair sliding and resettling; the pink blanket drapes and folds naturally as it is pulled up and tucked. His footsteps are grounded heel-to-toe with real weight transfer. As he sinks to the floor his weight settles, one arm resting on the mattress, head lowering onto the edge which dips slightly; his eyelids close with a soft final settle. LIGHTING Cinematic low-key interior, moody and restrained, never bright or flat. Primary motivation: the warm floor lamp and a low bedside practical, casting soft warm pools with gentle falloff into deep but detailed shadow, cool bluish light from the sheer-curtained window balancing the warmth for filmic warm-cool contrast. Naturalistic film texture, soft grain, gentle highlight rolloff, faces modeled and readable within the low light, not lit up. Shots 1–3 carry the warm lamp motivation. At the lamp switch (shot 3) the room drops to cool low-key window moonlight — atmospheric, shadows deep, her tucked form and his movement still clearly readable, never a crushed black frame. Shot 4 stays in this cool moody light, his sitting, head-lowering, and closing eyes visible, the bed and floor softly modeled by the window. AUDIO Shot 1: soft footsteps, faint effort breath under her weight, a quiet sleepy sigh from her. Shot 2: soft mattress and pillow settle as she comes to rest. Shot 3: gentle blanket rustle as he tucks her in, a quiet lamp-switch click, room tone shifting. Shot 4: a soft floor settle and faint cloth rustle as he sits and lowers his head, then quiet steady breathing from both. No dialogue, no music, no subtitles. POSITIVE LOCKS First frame matches the attached carry reference exactly. Man matches >> exactly, woman matches >> exactly. The bedroom matches >> exactly and every listed corner — door and wood trim, ornate dollhouse, sheer-curtained window, vanity with mirror and pink chair, floor lamp, shelves, ornate white bed with pink ruffled bedding, woven rug — stays present and consistent across all four shots, with no new or missing furniture. Carrying and laying her down are two separate shots with different angles. Lighting stays cinematic and dim, motivated by the practical lamps, never bright or flat. When the lamp is switched off she remains tucked in the exact pose he left her, unmoved. He does not lie on the bed: he sleeps sitting on the floor at the foot of the bed with his head on the mattress edge, a clear respectful gap kept.show more

Who could resist a girlfriend this sweet—and full of... surprises? 🥹 A big thanks to the original creator for sharing this delightful prompt. From adapting a reference image and matching the character to crafting the final video prompt, you can create the whole concept from scratch here: prompt： Vertical 9:16 format, 10.0 seconds, 60 fps. Realistic smartphone portrait footage with an immersive first-person interaction aesthetic, captured as one continuous uncut shot. Extreme close-up of a young adult East Asian woman, with her face occupying almost the entire frame as she rests on a soft white pillow. Her smooth, glossy black medium-length straight hair is naturally tousled across the bedding. Preserve the reference image’s distinctive wispy blunt bangs and loose face-framing strands, along with her fair, luminous complexion. 【Character Identity and Styling】 Strictly preserve the identity and facial appearance of the woman in the uploaded @ image_1: maintain the same face shape, facial-feature proportions, eye shape, eyebrows, nose, lips, hair color, wispy blunt bangs, face-framing strands, skin tone, and apparent age. She must remain the same person throughout the entire video. Her facial features must not change with movement, camera angle, facial expression, or distance from the camera. Use @ image_1 only as the reference for the woman’s identity, facial features, hairstyle, and makeup aesthetic. Do not inherit the black outfit, arm-supported pose, room background, pink heart stickers, text, watermark, or any other graphic overlays from the reference image. The woman from @ image_1 is wearing a beige-pink floral spaghetti-strap nightdress. Visual styling: preserve the delicate, translucent “tearful makeup / slightly tipsy makeup” aesthetic seen in the reference image, including naturally long upward-curled eyelashes, soft pink under-eye blush, subtly defined aegyo-sal, fine shimmering highlights at the inner corners of the eyes, glossy glass-like lip color, and watery translucent gray-brown contact lenses matching @ image_1. Her overall appearance should feel soft, innocent, affectionate, and full of fresh morning energy immediately after waking up. 【Camera and Lighting】 First-person POV from the boyfriend’s perspective. The opening shows a high-angle view looking down at the woman lying on her side in bed. During the middle and final sections, her sudden pounce causes natural mattress movement, realistic camera shaking, and an extremely close face-to-face perspective. The background is a clean, warm morning bedroom with light-colored bedding. Bright, soft morning light enters from the upper side as diffused illumination. Use high-key exposure and low contrast while preserving the subtle rise and fall of her breathing, the natural volume of her cheeks, and her moist, translucent skin texture. 【Action and Rhythm】 Within 10 seconds, complete a continuous emotional reversal: from “sleepily holding his hand and asking him to stay,” to “the boyfriend teasing her affectionately,” and finally to “suddenly waking up and energetically pouncing on him, pushing the camera back onto the bed.” Dialogue and physical actions must be precisely synchronized. The pacing should feel intensely sweet, playful, and immersive. 【Second-by-Second Timeline】 0.00–2.50 seconds | Part 1: Sleepily Reaching Out and Asking Him to Stay — “别走可以吗？” The boyfriend is about to get up and leave, causing the camera to make a subtle upward movement as if he is rising from the bed. The woman, lying on her side, sleepily opens her eyes. One fair-skinned hand instinctively reaches out from beneath the blanket and firmly holds the boyfriend’s wrist, refusing to let go. She slightly pouts her lips and gazes softly and innocently into the camera. In a gentle, sleepy voice, she says in Mandarin, with precisely synchronized lip movement: “别走可以吗？” 2.50–4.50 seconds | Part 2: Affectionate Interaction and Playful Question — “不上班你养我呀？” The boyfriend reaches out with his other hand and affectionately gives her soft cheek a gentle pinch. Her eyes remain sleepily half-open, and she rubs her cheek against his palm like a small cat. The boyfriend’s warm, smiling off-screen voice asks in Mandarin: “不上班你养我呀？” 4.50–7.50 seconds | Part 3: Instantly Waking Up and Pouncing Forward — Waking Up & Pouncing After hearing his question, her previously drooping eyelids instantly open wide, and she becomes fully alert within a second. A flash of playful cunning and excitement appears in her eyes. She plants both hands on the bed and suddenly lunges forward, directly pouncing on the boyfriend from the first-person perspective and pushing him back down onto the soft mattress. The camera experiences a realistic sense of weightlessness, strong natural shaking, and visible mattress compression as the bed sinks under their weight. 7.50–10.00 seconds | Part 4: Close-Up Dominant Gaze and Playful Declaration — “我养你呀！” The camera is now lying flat against the pillow. The woman supports herself with both hands placed on either side of the boyfriend’s body and looks down into the camera from an extremely close distance. Her wispy blunt bangs and glossy black strands of hair naturally fall around the lens. Her watery gray-brown eyes curve into smiling crescents, and her lips form a bright, proud, delighted smile. She gives the camera a playful wink and says energetically in clear Mandarin, with precisely synchronized lip movement: “我养你呀！” End on a frozen moment of intimate, heart-fluttering eye contact. 【Mandatory Continuity Rules】 Maintain throughout the entire video: 10 seconds, 60 fps, vertical 9:16 format, first-person boyfriend POV, extreme close-up facial interaction, and dynamic bed movement caused by the pounce. The pouncing action must be quick, decisive, and physically believable, with natural gravity, body momentum, mattress compression, and camera response. Her expression must shift instantly from sleepy and drowsy to bright, energetic, and playful. Maintain intense, affectionate eye contact throughout, creating a highly immersive and emotionally impactful sweet morning interaction. Strictly lock the character identity, wispy blunt bangs, face shape, and facial-feature proportions from @ image_1 throughout the video. No identity changes, face swapping, facial-feature drift, hairstyle changes, eye-color changes, age changes, excessively heavy makeup, plastic-looking skin, malformed fingers, extra limbs, body distortion, or physical clipping.show more

Seedance 2.0 on Higgsfield AI Full open-sourced prompts &... assets below: SCENE CONTEXT A young woman sleeps on her side in her pink bedroom at night; in a single locked frame the room snaps instantly from night to morning like a finger-snap time jump. She sleepily half-wakes, turns over to find a white cat curled against her back, then pushes up to half-sitting and sees her room quietly tidied — her school uniform hung on the chair and her backpack packed on the vanity. ACTIVE REFERENCES >>: young woman, low pigtails, pink hair-roller clip, beige t-shirt with brown long sleeves, sleeping then waking. 100% matches the reference. >>: fluffy white long-haired cat, adult, curled and pressed against her back. 100% matches the reference. >>: pink bedroom. 100% matches the reference. Every element and corner is preserved and stays consistent across all shots. >>: school uniform — navy cardigan, white shirt, green-striped tie, plaid skirt, knee socks — draped and hung on the pink chair. 100% matches the reference. >>: solid pink backpack with front zip pocket and pink pompom keychain, packed and zipped, standing on the vanity table. 100% matches the reference. LOCATION MAP Pink bedroom, remembered corner by corner and held identical in every shot: - Screen-left: a wooden door with a brass knob, dark wood trim and wood wainscoting along the lower wall, blush-pink upper walls. - Beside the door: a large ornate pink-and-white Victorian dollhouse with a small pink chair at its base. - A white vanity desk with a trifold arched mirror, cluttered with cosmetics, brushes and small bottles, a pink desk chair tucked at it. - A wide window with sheer white curtains behind the vanity; a leafy potted plant beside it. - A tall brass floor lamp standing near the bed. - A wooden nightstand at the head of the bed with a small lamp, a framed photo, a tissue box and a cup. - The bed against the wall: carved wooden headboard, pink ruffled bedding, pink pillows, a soft pink blanket — the central anchor of the room. - A woven area rug over dark hardwood floor, a small wall shelf with items above the bed side. FIRST FRAME AND SPATIAL BLOCKING The first visible frame is a close-up of her sleeping face. She lies on her left side facing the bedside lamp / nightstand side, cheek on the pink pillow, hair loose, pink hair-roller clip visible, breathing slow. The bed's pink blanket is clean and clear. No empty establishing frame. FORMAT MODE Controlled four-shot sequence with HARD CUTs at 4.0s, 8.0s and 11.5s. The night-to-morning transition inside shot 1 is an instantaneous in-frame light change, not a cut. Real-time motion. No subtitles, no music. OPTICS Shot 1: 50° diagonal field of view, standard normal lens character, camera 0.6 to 0.8 meters from her face, shallow depth of field — closed eyelids, lashes, loose strands and the hair-roller clip razor-sharp, the room soft behind. Shot 2: 56° diagonal field of view, near-normal lens character, camera 1 meter, holding her face and the white cat against her back, rack focus available between them. Shot 3: 63° diagonal field of view, slightly-wide lens character, camera 1.5 to 2 meters, rising with her as she sits up, more of the room entering frame. Shot 4: 84° diagonal field of view, classic wide lens character, camera 2 meters, wide enough to reveal the tidied room — vanity, chair and bed together — then easing toward her. CAMERA Shot 1: locked close-up with a very slow creeping push-in; the framing does not change through the night-to-morning snap. Shot 2: small reframe and rack focus as she turns, pulling focus onto the cat curled at her back, then back to her reacting face. Shot 3: a smooth crane-up rising with her from lying to half-sitting, revealing the room behind the bed. Shot 4: a slow pan across the tidied room — uniform on the chair, packed backpack on the vanity — settling with a gentle push-in on her half-sitting figure and dawning expression. ACTION TIMING 0.0s to 2.0s: close on her sleeping face at night, perfectly still, breathing slow, cool dim room around her. 2.0s: an instantaneous in-frame light snap — the room flips from night to morning in a single frame, no cut, no dissolve; she does not move at all, only the light changes, like a finger-snap time jump. 2.0s to 4.0s: hold on her face now in soft warm morning light, still asleep for a beat. 4.0s HARD CUT. 4.0s to 8.0s: she sleepily half-opens her eyes, stirs, and turns over toward screen-right, discovering a fluffy white cat curled warmly against her back; her half-lidded eyes drift to it. 8.0s HARD CUT. 8.0s to 11.5s: she pushes herself up on one arm to half-sitting, hair mussed from sleep, blinking and groggy, beginning to glance around the room. 11.5s HARD CUT. 11.5s to 15.0s: reveal of the quietly tidied room — her navy cardigan and plaid skirt uniform hung neatly on the pink chair at the vanity, the packed pink backpack standing zipped on the vanity table, its pompom keychain still — her expression softening into slow, disbelieving realization as she takes it in. PHYSICS During the night-to-morning snap her body is absolutely motionless — only light changes, no drift, no shift. As she wakes, eyelids lift heavily, she rolls with natural weight and the mattress and blanket shift under her; the cat's long fur rises and falls with slow breathing and compresses softly where it presses to her back. Sitting up, her hair falls loose in individual strands, the blanket sliding down naturally, her supporting arm taking real weight. LIGHTING Cinematic and restrained throughout, never bright or flat. Night (pre-snap): low-key cool moonlight through the sheer curtains with a faint warm practical accent, deep but detailed shadow, moody film texture and soft grain. At the snap, the light flips instantly to soft warm directional morning sun through the sheer curtains — golden but controlled and filmic, gentle rolloff, faces readable, shadows soft, not overexposed or blown out. The warm-cool contrast and naturalistic grain carry the cinematic feel into every shot. AUDIO Shot 1: quiet steady sleeping breath, faint cool room tone; at the snap a soft airy shimmer-whoosh transient marks the time jump, then gentle morning birdsong and warm ambience fade in. Shot 2: a soft sleepy inhale, faint fur rustle as she finds the cat, a quiet purr. Shot 3: soft blanket rustle as she sits up. Shot 4: quiet held breath, faint ambient morning tone under her realization. No dialogue, no music, no subtitles. POSITIVE LOCKS Woman matches >> exactly, cat matches >> exactly, bedroom matches >> exactly and every listed corner — wooden door, dollhouse, vanity with trifold mirror, pink chair, brass floor lamp, wooden nightstand, carved bed with pink ruffled bedding, woven rug — stays present and consistent across all four shots, with no new or missing furniture. The bed's pink blanket is clean and clear — no laptop, bag, papers or objects resting on top of it. The night-to-morning transition is one instantaneous in-frame light change on a single locked framing; she does not move during it — no dissolve, no fade, no camera cut. The white cat lies pressed against her back. In the final shot the uniform hangs on the pink chair matching >> and the packed backpack sits on the vanity matching >>. Lighting stays cinematic and controlled, never bright or washed out.show more

This is the story of Foster and Bruno I'm... 34, ride a bike, work construction, and yeah... l've got the kind of beard that makes people think twice before making small talk. A buddy of mine found a massive Presa Canario — close to 100 pounds — left behind somewhere and asked if I could keep him for a few days. I figured, why not? Sounded like the perfect tough guard dog. I named him Bruno, set up a bed near the door, got him a solid, heavy collar - the full intimidating setup. First night, around 2:00 AM, I woke up to Bruno shaking and whining... completely terrified because the AC turned on. By day three, I realized it wasn't just that. He was scared of the dark, slippery floors, sudden sounds... pretty much everything except me. On day five, I tried putting a camo jacket on him - he just froze. Then my neighbor showed up with this soft, pastel sweater covered in tiny stars. Bruno leaned right into her, wore it nonstop for days, and actually got upset when I took it off to wash. A few days later, the rescue reached out saying they had someone interested in adopting a "guard dog." | looked over at Bruno - all 100 pounds of him stretched out on my couch, using my arm as a pillow, still wrapped up in that sweater. I just shook my head. "He's not a guard dog," I told them. "What do you mean?" "Yeah... he's a Presa Canario who's scared of the dark and needs to be tucked in every night.!" There was a pause. "So... he's staying?" "Yeah. He's staying." Now Bruno has his own spot on the couch... and more sweaters than I do.show more