Remote Camera 1 (Crawler way) Every shot bracketing and... highlight weighted metering. NikonUSA MIOPS Trigger NASA Artemis NASA Administrator Jared Isaacman What about it!?show more

Remote camera 2 perimeter road. F11, 140mm, 1/8000th of... a second, auto ISO, Highlight weighted metering, edited in Lightroom. NikonUSA MIOPS Trigger NASA NASAArtemis NASAAdmin What about it!? Adobe Lightroomshow more

🚨🚀BREAKING: ARTEMIS II MISSION IS SURROUNDED BY UAP &... NASA CUT THE LIVE FEED ????? Go to the two hour 45 minute mark and you will see that NASA cut the live feed as the Artemis two mission is surrounded by orb shaped UFOs What the hell is going on NASA NASA Administrator Jared Isaacman NASAshow more

"Jared (NASA Administrator Jared Isaacman) is doing a great... job, NASA's amazing... and that's some ship, and so risky. Personally I wouldn't want to do it" - President Trump on Artemis II 😂show more

I wasn’t really sure Jared Isaacman was serious. When... the NASA Administrator Jared Isaacman invites you to a rocket launch and then fly one of his F-5 fighter jets, it’s not something you take for granted. And then it really happens. You are a gentleman of your word Jared, and a true patriot who has revivified Space exploration for President Donald J. Trump and all Mankind. Thank you for also making one man’s dream come true. And BZ to Sean “Stroker” Gustafson my epic frontseater. The White House NASA NASAKennedy NASARomanshow more

It was an honor to take part in one... of Baikonur's longest-standing traditions yesterday as NASA Administrator Jared Isaacman and I walked Anil Menon out to the launchpad: A good-luck kick for the crew! Glad to see the crew’s successful launch and arrival on the ISS! 🇺🇸💪🚀🧑‍🚀show more

NASA will return to the Moon in less than... 3 weeks and the mission is called "Artemis II" Every single news outlet will talk about it, elon will tweet it many times, solana, alon - EVERYONE it is maybe one of the biggest narratives we will see this year - and it is perfect for crypto. You need to understand the scale of this and how big of a narrative it is. There's already so many videos on tiktok about it and everyone is making edits. Artemis II will make history.show more

🚨 NEWS FROM NASA In a bold and decisive... move, NASA Administrator Jared Isaacman just announced a $20 billion plan to build America’s permanent base on the Moon — and they’re doing it in just 7 years. Today, NASA officially confirmed it is cancelling plans for the Lunar Gateway — the small space station that was supposed to orbit the Moon as a waypoint for astronauts. Instead, those components and resources will be repurposed directly for the surface base, accelerating humanity’s return to sustained lunar presence. The goal is clear — move beyond short visits and flags-and-footprints missions. NASA wants a real, long-term foothold on the Moon: habitats, power systems, rovers, scientific labs, and infrastructure that can support crews for months at a time. This base will serve as the foundation for deeper space exploration, resource utilization (like mining lunar ice for fuel and water), and eventually — Mars. The $20 billion investment over the next seven years will reshape major parts of the Artemis program. It comes with real urgency too — China is pushing hard toward its own crewed Moon landing by 2030, and the U.S. is determined to lead, not follow. This isn’t just about science. · A permanent lunar base means:Testing technologies for Mars missions in a real off-world environment · Developing in-situ resource utilization (turning Moon dirt into rocket fuel and oxygen) · Opening the door to a true cislunar economy · Inspiring the next generation of engineers, scientists, and explorers Private industry will play a massive role, as always — with contractors already building key hardware now being redirected. This is the kind of ambitious, focused leadership the space program has needed. From the first boots on the Moon in 1969 to building a thriving outpost there by the early 2030s — what an incredible leap forward. Significanly, the Moon isn’t just a destination anymore: it’s becoming home base for humanity’s expansion into the Solar System.show more

When Biden took office in 2021 inflation was a... little over 1%. By June of 2021 it had shot way up and was on its way to a 40 year high. For over three years Biden said not to worry about it. It's just about having a little "breathing room" he repeated every month. When the 2024 campaign season began Biden started claiming that inflation was at 9% when he took office. You know all the Democrat politicians who can't stop posting about prices now, a little over two months into Trump's term? Good luck finding one post from them about prices during the four years that Biden's policies were destroying the middle class.show more

there is so much real data just sitting in... the open right now it's almost funny. four years of starlight on every star, a NASA archive that's been free for over a decade, detectors still recording the sky tonight, and barely anyone has a net pointed at any of it. so i pointed one. this is me pulling the planet data, the data loading is the boring part. the net i built to read it, the wall it hit, and what that taught me about where AI goes next, that's the full story, and it drops tonight. the data's public, the tools are free, the box fits on a desk. what's stopping you. you can just do things anon.show more

how to prompt undetectable ai shots while designing a... running scene, first think about these 3 basic questions: how does the camera move? what is it looking at? where does it stop? a good motion prompt is really just a timeline it needs to follow real-world physics, and it needs to carry story at the same time 1. start with the narrative goal of the shot camera movement is not just movement it is the storytelling so before writing the prompt, define what the shot is trying to do for example, in a 15-second one take, the goal could be: follow the female lead laterally while she runs, to build speed and tension then briefly reveal the people chasing her then let the camera hesitate for a moment and find her again that small “lose and recapture” moment adds spatial depth and makes the chase feel more intense 2. build a clear space for the camera to work in if the space is vague, the shot gets messy very fast i like breaking the scene into layers so the model knows where everything belongs foreground: passing objects, environmental motion main subject layer: the woman running midground: cafe tables, pedestrians, the people chasing her background: the vanishing point of the street, and the entrance to the pedestrian area once the space is clear, the camera has a stage to move through 3. describe motion like a physical process a good moving shot has to respect inertia if the movement feels weightless or too perfect, it instantly feels fake so instead of using broad words, describe a chain of actions the camera can actually perform what accelerates what slows down when it adjusts when it slightly overshoots when it catches itself again that little bit of imperfection is usually what makes it feel real 4. use focus as part of the storytelling in a one take, focus is one of the best ways to guide attention you can design moments where focus shifts with intention for example: focus briefly drifts from the chasers’ faces, passes beyond them, lands on the woman in the distance, then quickly pulls back again it feels like a small mistake, but that’s exactly why it works it simulates a camera operator re-evaluating the subject in the middle of a fast-moving shot that kind of temporary focus loss and recovery adds a lot of immediacy and documentary feeling 5. build the sound space with the camera sound should move with the shot when the camera turns toward the chasers, the woman’s breathing should fall deeper into the sound field, while the chasers’ footsteps and breathing move to the center when the camera finds the woman again, her breath becomes the main sound again that shift in audio perspective helps the scene feel much more immersive it’s not just about what we see it’s also about where we feel the scene from 6. use negative constraints to stop common ai mistakes this part matters a lot i usually add clear “don’ts” at the end to stop the model from breaking the shot for example: no cuts no teleporting zooms no sliding characters no body fusion no floating props the travel bag must keep believable weight and inertia these negative constraints act like guardrails they help keep the result inside a believable physical world for me, the core of a strong motion prompt is simple: organize space, camera, focus, action, and sound into one executable timeline that’s really the difference instead of prompting a vague feeling, you’re designing a physical process and that’s usually what helps ai generate a moving shot that feels coherent, grounded, and full of tensionshow more

🚨 ELON MUSK AND NASA’S JARED ISAACMAN JUST SAID... THE QUIET PART OUT LOUD: ANTIMATTER PROPULSION COULD BE THE KEY TO INTERSTELLAR TRAVEL. In a recent exchange, Musk predicted that trillions of dollars will eventually be spent developing antimatter propulsion systems to reach other star systems. NASA’s Jared Isaacman publicly backed the vision. When matter and antimatter meet, they annihilate completely, converting 100% of their mass into energy roughly 10 billion times more energy per unit mass than chemical rockets. Why this matters: • Chemical rockets are fundamentally limited by how much energy you can extract from fuel • Antimatter offers orders-of-magnitude higher energy density, which could enable dramatically faster travel and much heavier payloads • It would theoretically make interstellar missions far more feasible than current propulsion concepts The deeper reality: While the physics is sound, turning antimatter into practical propulsion is an enormous engineering challenge. We can produce tiny amounts of antimatter at places like CERN, but scaling it up by the many orders of magnitude needed for a spacecraft is currently beyond our capabilities. Storage is also extremely difficult antimatter annihilates on contact with normal matter. Right now, this remains a long-term theoretical possibility rather than a near-term engineering project. However, the fact that serious figures in both the commercial space sector and NASA are openly discussing it shows how the conversation about deep-space propulsion is evolving. Do you think antimatter propulsion will remain science fiction for the next century, or could we see meaningful progress within our lifetimes? Follow for more frontier space propulsion and interstellar travel concepts.show more

🚨 This 15-second GTA 6-style cinematic trailer was made... entirely with AI… and it looks terrifyingly close to the real thing. No real footage. No 3D artists. No traditional production pipeline. Just one detailed prompt and Seedance 2.0. It opens with a breathtaking sunset aerial shot of a neon-soaked tropical city, palm trees glowing against the skyline. Then it drops into a luxury red sports car tearing through wet reflective streets lit by colorful neon signs. Nightlife, crowds, clubs, pure chaos and energy. Tension builds as police cars start the chase. High-speed drifts, motion blur, volumetric lighting everything feels cinematic and alive. It ends on a dramatic hero shot overlooking the city while a helicopter cuts across the sky. The level of detail, camera work, and atmosphere is what makes it hit so hard. For something generated in a single pass, the result is shockingly complete. If AI tools keep delivering this kind of quality, the way we create short cinematic trailers is about to change fast. 🚀show more

This blonde woman in a camouflage crop top stands... in her living room glowing with the kind of confidence that only comes after fighting for yourself. After losing 100 pounds with “the fat shot” and spending thousands more on cool sculpting to finally feel comfortable in her own skin, she’s no longer hiding behind oversized hoodies or dark corners in photos. Now she’s turning toward the camera, flipping her hair, showing every angle, and strutting through the room like the runway she spent years dreaming about. What makes this moment so wild is how unapologetic she is about it. Some people will call it “doing too much,” but after spending most of her life avoiding mirrors, she’s finally obsessed with being seen. Would you celebrate your glow up this loudly… or keep it low key?show more

When a spacecraft leaves Earth, it doesn’t just fire... its engines and head straight to its destination. In many missions, especially those going beyond low Earth orbit, there’s a more subtle and elegant strategy at play, one that uses gravity itself as part of the navigation system. This is often called a gravity assist, or a slingshot maneuver. But in the case of missions like #Artemis II, what’s being used is a closely related idea known as a free-return trajectory. At first glance, it might sound simple: the spacecraft goes to the Moon, loops around it, and comes back. But the physics behind it is anything but simple. Instead of relying on continuous propulsion, the spacecraft follows a carefully calculated path through the gravitational field of the Earth–Moon system. It is launched with just the right speed and direction so that, as it approaches the Moon, the Moon’s gravity bends its trajectory. The spacecraft is effectively flung around the Moon, redirected onto a path that naturally brings it back toward Earth. No major engine burn is needed for the return. Small trajectory corrections may still be required, but gravity does the heavy lifting. That’s the key. This kind of trajectory is not just efficient, it’s also safe. If something goes wrong with the spacecraft’s engines or onboard systems, gravity itself ensures the return. It’s an inherent backup plan, built into the trajectory from the very beginning. The same fundamental idea appears in gravity assists used across the Solar System. When a spacecraft flies past a planet, it can gain or lose speed by exchanging momentum with that planet. From the spacecraft’s point of view, it’s as if it has been accelerated without using fuel. In reality, it has borrowed a tiny amount of orbital energy from the planet itself. That’s how missions like Voyager reached the outer planets, and how probes continue to explore regions far beyond what their onboard fuel alone would allow. But there’s an important distinction. An interplanetary gravity assist is typically used to change speed and direction, often increasing the spacecraft’s energy. A free-return trajectory, like the one used in Artemis II, is designed for something more specific: a path that naturally loops back to Earth without requiring additional propulsion. It’s less about gaining energy, and more about shaping a trajectory that guarantees a return. To understand why this works, it helps to stop thinking in straight lines. In space, motion follows curves defined by gravity. The spacecraft is constantly falling, first toward Earth, then toward the Moon, and then back toward Earth again. What looks like a loop is really a continuous free fall through a changing gravitational landscape. This way of navigating space reveals something deeper. We tend to think of engines as the drivers of motion, but once a spacecraft is on its way, gravity does most of the work. The art of spaceflight is not just about thrust. It’s about knowing when not to use it. #GoodLuck #Artemis NASA Artemisshow more

SPACEX IS BUILDING A ROBOT ARMY, MARS ISN’T READY... TO RECEIVE THEM Manufacturing scale isn’t the same thing as being space-ready. A factory can push out thousands of units a month, and still none of them have been tested in the conditions actually waiting on Mars. ▹ the assembly line solves the quantity problem, not the survival problem ▹ Martian dust has already killed NASA rovers, and we’re talking about thousands of moving joints here ▹ Jonathan Hurst from Agility Robotics says it directly, without real testing these become future “dead husks” ▹ every row in this shot is a marketing moment, not a flight-ready squad The industry loves showing scale because scale films well. Mars-readiness doesn’t photograph that easily. The question isn’t how many robots are standing in line, it’s how many of them would actually survive the first Martian dust storm.show more

Marcus Freeman said, "You can't talk your way into... winning a National Championship. You can't talk your way into being a Hall of Famer...You got to work and you got to constantly focus on improvement." You have to show up and do the work. Your work ethic is something that you can control. • It means competing. • It means committing. • It means showing up consistently. People see success, but they don't see the hard work and preparation it takes. 5 Steps to Improve Your Work Ethic and Focus: 1. Be Intentional About How Your Work - Show up every day with a clear purpose on what you will prepare and why. Think about the quality of your practice, the details, and reflect on where to focus most. This approach ensures your working towards improvement and growth. 2. Show up Committed Every Day - Don't just participate, show up, and commit. It means compete and choose to go above-and-beyond every day. Have a positive attitude and dedicate yourself to what you are doing. When you're focused, present, and engaged that is when growth starts to happen. 3. Be Consistent - You have to be consistent with your habits and work ethic. It means committing to the process of improving and putting in the time. Success doesn't happen overnight, it's the result of consistently showing up and doing the work day in and day out. 4. Prepare Mentally and Physically - This means think about your physical and mental state when you are practicing and when you will perform. Understand what environment allows you to perform your best. Use mindfulness to think about the connection between your mind and body. 5. Create a Plan for When Obstacles Arise - Don’t just imagine the great outcome, visualize what may stop you from reaching it. Prepare for the obstacles. Write them down and plan how you’ll overcome them. This keeps you prepared and resilient when challenges come your way. Takeaway: Talent can you get you into many rooms, but it's your work ethic, focus, and attitude that keep you there. - - - The video comes from Marcus Freeman's interview with Pivot Podcast. A great listen for all coaches, parents, teachers, and athletes out there! Follow me Coach AJ 🎯 Mental Fitness more posts on resilience, leadership, and mindset.show more

A cinematic AI-powered visual experience showcasing how imagination can... be transformed into stunning digital worlds From futuristic environments and creative fashion visuals to seamless character transformations every scene blends technology creativity, and storytelling into one immersive piece. Made with MiniMaxH3 on WeryAI Wery Prompt: A stylish young South Asian woman with long dark hair, natural glamorous makeup and an elegant modern outfit. Keep her face, hairstyle, outfit and appearance consistent throughout the entire video. Scene 1 — 0–4s: She sits at a sleek modern workstation in a futuristic studio. She looks directly into the camera and says naturally: “What if you could turn your ideas into reality in just a few clicks?” Natural facial expressions and hand gestures. Slow cinematic camera push-in. Perfect lip-sync. Scene 2 — 4–7s: She turns to her computer and opens WeryAI. She types a creative idea and says: “That’s exactly what I love about WeryAI.” The interface responds with elegant AI processing animations and glowing digital effects. Scene 3 — 7–11s: Her simple idea transforms into stunning AI-generated visuals: a fashion scene, futuristic city, cinematic character, premium product advertisement and social-media video. She looks impressed and says: “Give it an idea, and watch it come to life.” Use smooth cinematic transitions and dynamic camera movement. Scene 4 — 11–15s: She turns back toward the camera with a confident smile and says: “WeryAI. Your imagination, powered by AI.” The camera slowly pulls back as the WeryAI brand reveal appears with a clean futuristic glow. Audio: Natural confident female voice, warm energetic delivery, subtle futuristic background music and soft cinematic sound effects. Keep dialogue clear and prominent. Lip-sync: The woman must visibly speak every line with accurate lip synchronization, natural mouth movement, blinking and facial expressions. Visual quality: Photorealistic, cinematic 4K, realistic skin, smooth camera movement, premium lighting, shallow depth of field, consistent character. No subtitles, no distorted face, no warped hands, no extra fingers, no flickering, no random text, no watermark.show more

Behind the Scenes: How I prompted 3 scenes in... 1 try on Seedance 2.0! Sharing my workflow of all my prompts for hopeless steve so you can see what were SD2 choices and what needed to be prompted. You can see how much more streamlined it is to go from one scene to the next when you can have 9 ref img's to work with. The prompt is only for the one that generated the most useful footage for each part. Scene 1, 2, 3 - 15s Ref: 1. House Ext. 2, Steve profile 3. Steve on the computer in the bedroom 4. mother cooking in kitchen. (The references a numbered so you know what the prompt is refering to.) Prompt: American sitcom style cartoon about Steve【@图片2】. Must maintain 100% fidelity to the art style and all character traits. No background music. [0:00-0:02] Wide establishing shot of the exterior of the house【@图片1】. Camera slowly zooms but remains in the wide shot. [Cut: 0:02-0:03] Interior wide shot of steve looking bored at computer 【@图片3】. No dialogue. [Cut: 0:03-0:05] Over the shoulder shot from behind steve. We see his monitor as he plays solitaire. We hear subtle mouse clicks and sound of cards as he drags and places them into the collumns. [Cut: 0:05-0:07] Side profile of Steve continuing to play solitaire on the computer. [Cut: 0:07-0:09] 【@图片4】Extreme close up of the mother's spatula flipping an egg over in the pan. [Cut: 0:09-0:11] Medium shot 【@图片4】 as the mother calls frustratedly, "Steve, breakfast is ready." [Cut: 0:11-0:12] Extreme close up in 【@图片4】of the mother's hand as she turns the stove off. [Cut: 0:12-0:13] 【@图片4】Extreme close up of the mother narrowing her eyes disgruntled. [Cut: 0:13-0:15] 【@图片4】 Medium shot as mother walks out of left of frame. Stationary camera.show more

Eerie voice caught on camera, can you make out... what it’s saying?👻👂👂👂 Eyewitness states: I live on 5 acres out in the country about 10 minutes outside of a suburb. Our house sits in the middle of the acreage and is enclosed by a chain link fence all the way around. We also have a very large guard dog that would definitely let us know if anyone had entered the yard. Our closest neighbor is 10 acres away, so this couldn’t be a neighbor or even a voice being picked up from somewhere else. Everyone in the home was asleep at 1:54 am when the Wyze camera captured the creepy voice. We put the Wyze camera up because there were strange things happening at night. Rapid Knocks on the window to the room we were all in, but no one was there when we went outside to investigate. An old shed that had been locked for years was mysteriously opened in the night. We installed the camera and almost every night starting around 12am until sunrise, I regularly capture strange sounds on the camera as well as tiny orbs flying all over the place. I feel I can’t tell the difference between dust, bugs and orbs, but please let me know what you think. This video was taken on July 31st at 1:54 am. I’ve recorded faint screams and mumbling voices, before but never anything like this. I also think I can hear footsteps after the voice speaks. Can anyone make out what’s being said? This voice doesn’t belong to anyone in my family and I’ve never heard anything like it. Do you all think it’s paranormal or have I watched too many Ghost Adventures Episodes?show more