Video wird geladen...

Video konnte nicht geladen werden

Zur Startseite

Albert Serrano explained how he created tileable materials for the scene, shared his tips on ensuring smooth blending between different materials, and talked about how he made an atlas of hand-sculpted plants to create stylized vegetation. “I started by creating a simple blockout in Blender and bringing it into...

80Level's profile picture

80 LEVEL

265,794 subscribers

16,618 Aufrufe • vor 3 Tagen •via X (Twitter)

LIVE

Anya Rossi• Live Now

Private livecam show

0 Kommentare

Keine Kommentare verfügbar

Kommentare vom Original-Post werden hier angezeigt

Ähnliche Videos

MiniMax H3+ GPT-6 just changed how I think about 3D creation. I described a scene in plain language. AI handled the rest: building the objects, setting up Blender, fixing the lighting, managing the camera, applying materials, and rendering the final scene. No months of mastering Blender. Just an idea → AI → finished 3D scene.
0:13

MiniMax H3+ GPT-6 just changed how I think about 3D creation. I described a scene in plain language. AI handled the rest: building the objects, setting up Blender, fixing the lighting, managing the camera, applying materials, and rendering the final scene. No months of mastering Blender. Just an idea → AI → finished 3D scene.

GrowAIHub

36,854 Aufrufe • vor 15 Tagen

.Michael Khinevich shared his workflow behind the Hidden Cliff scene, inspired by No Rest for the Wicked. He showed the texturing done for the stylized look, explaining how the clouds were created, and sharing how an accident made the image look like a surreal oil painting:
0:17

.Michael Khinevich shared his workflow behind the Hidden Cliff scene, inspired by No Rest for the Wicked. He showed the texturing done for the stylized look, explaining how the clouds were created, and sharing how an accident made the image look like a surreal oil painting:

80 LEVEL

15,967 Aufrufe • vor 5 Monaten

Free tutorial: Creating Cinematics in Unreal Engine 5 Discover how to create a dynamic chase scene like this one using #UnrealEngine, #Blender and #Houdini with DNEG artist Kosuke Iwasaki's free tutorial for The Gnomon Workshop #UE5 The Gnomon Workshop
0:11

Free tutorial: Creating Cinematics in Unreal Engine 5 Discover how to create a dynamic chase scene like this one using #UnrealEngine, #Blender and #Houdini with DNEG artist Kosuke Iwasaki's free tutorial for The Gnomon Workshop #UE5 The Gnomon Workshop

CG Channel

23,821 Aufrufe • vor 6 Monaten

Before recording with VA’s for Catching Up Episode 2, I created a test animatic with me doing all the voices to get an idea of how each scene would flow! This allowed us to get a feel for each scene, and some of my temp audio even ended up in the final cartoon! Try find ‘em!
0:10

Before recording with VA’s for Catching Up Episode 2, I created a test animatic with me doing all the voices to get an idea of how each scene would flow! This allowed us to get a feel for each scene, and some of my temp audio even ended up in the final cartoon! Try find ‘em!

LS Mark

25,288 Aufrufe • vor 9 Monaten

.Dinesh sirvi got inspired by a 1800 painting and decided to reinterpret it as a 3D artwork using Unreal Engine 5. He told us about how he modeled the architecture and nature with a painterly vibe, resulting in an atmospheric scene:
0:16

.Dinesh sirvi got inspired by a 1800 painting and decided to reinterpret it as a 3D artwork using Unreal Engine 5. He told us about how he modeled the architecture and nature with a painterly vibe, resulting in an atmospheric scene:

80 LEVEL

15,457 Aufrufe • vor 11 Monaten

🚨I have made a step-by-step tutorial on how I made this animation🚨 Also, I'm giving away the project file of this animation with the tutorial To get it: Like❤️ RT♻️ Comment "CREATOR" AND follow (So that I can send it to you) If you're someone looking for a video editor DM me and we'll get creating.
0:10

🚨I have made a step-by-step tutorial on how I made this animation🚨 Also, I'm giving away the project file of this animation with the tutorial To get it: Like❤️ RT♻️ Comment "CREATOR" AND follow (So that I can send it to you) If you're someone looking for a video editor DM me and we'll get creating.

Baqir Ali

30,029 Aufrufe • vor 2 Jahren

This is the first time on Bravo where the majority of a scene was spoken in a different language and it’s a scene of an Afro-Latino gay man talking to his Step-Dad about how his mom won’t talk to him We need more of this! #SouthernHospitality
0:11

This is the first time on Bravo where the majority of a scene was spoken in a different language and it’s a scene of an Afro-Latino gay man talking to his Step-Dad about how his mom won’t talk to him We need more of this! #SouthernHospitality

Dustin Cone

213,817 Aufrufe • vor 1 Jahr

i just found out that for one of the billy and mandy episodes, ian wasseluk (wrote and storyboarded it) found out that his partner cheated on him and decided to put all of his feelings into mandy. he stated that her dialogue in one scene reflected how he felt (i assume 2nd scene)
0:49

i just found out that for one of the billy and mandy episodes, ian wasseluk (wrote and storyboarded it) found out that his partner cheated on him and decided to put all of his feelings into mandy. he stated that her dialogue in one scene reflected how he felt (i assume 2nd scene)

squee (COMMS OPEN)

45,228 Aufrufe • vor 2 Monaten

How to generate 3D miniature city models and animate them using Kling AI? This visual effect can be created with Kling O1, and then rotated in 3D using Image to Video. The image prompt used for generation is as follows: Present a clear, 45° top-down isometric miniature 3D cartoon scene of New York featuring its most iconic landmarks and architectural elements. Use soft, refined textures with realistic PBR materials and gentle, lifelike lighting and shadows. Integrate the current weather conditions directly into the city environment to create an immersive atmospheric mood.Use a clean, minimalistic composition with a soft, solid-colored background. At the top-center, place the title "New York" in large bold text in white. You can create different effects by changing the city name according to your needs.
0:10

How to generate 3D miniature city models and animate them using Kling AI? This visual effect can be created with Kling O1, and then rotated in 3D using Image to Video. The image prompt used for generation is as follows: Present a clear, 45° top-down isometric miniature 3D cartoon scene of New York featuring its most iconic landmarks and architectural elements. Use soft, refined textures with realistic PBR materials and gentle, lifelike lighting and shadows. Integrate the current weather conditions directly into the city environment to create an immersive atmospheric mood.Use a clean, minimalistic composition with a soft, solid-colored background. At the top-center, place the title "New York" in large bold text in white. You can create different effects by changing the city name according to your needs.

Kling AI

34,303 Aufrufe • vor 10 Monaten

From 30 years ago, a spacecraft I designed and rendered using POVRay for an animation I created portraying the diversion of a comet using a nuclear weapon. This wasn't designed in a modeling program, it was hand drafted and the geometry transcribed into POV Scene description language by hand.
0:16

From 30 years ago, a spacecraft I designed and rendered using POVRay for an animation I created portraying the diversion of a comet using a nuclear weapon. This wasn't designed in a modeling program, it was hand drafted and the geometry transcribed into POV Scene description language by hand.

Scott Manley

36,089 Aufrufe • vor 8 Monaten

i re-watched this interview of hudson’s the other day. hearing the way he talked about how lovely this fandom has been to him and how much love he has for it only for it to turn into what it’s turned into now is heartbreaking. this was only in november, what the fuck happened?
0:42

i re-watched this interview of hudson’s the other day. hearing the way he talked about how lovely this fandom has been to him and how much love he has for it only for it to turn into what it’s turned into now is heartbreaking. this was only in november, what the fuck happened?

mack ⚢

191,757 Aufrufe • vor 8 Monaten

I only used one reference image and a simple prompt in Picsart, and the result speaks for itself. The level of detail, realism, and overall quality is seriously impressive. Picsart makes it incredibly easy to turn a simple idea into a polished, professional-looking visual. You can see the original idea and the final result for yourself — the difference is amazing. #piscsartpartner
0:12

I only used one reference image and a simple prompt in Picsart, and the result speaks for itself. The level of detail, realism, and overall quality is seriously impressive. Picsart makes it incredibly easy to turn a simple idea into a polished, professional-looking visual. You can see the original idea and the final result for yourself — the difference is amazing. #piscsartpartner

Noor

11,253 Aufrufe • vor 8 Tagen

I announced a Critical Raw Materials Act in my 2022 State of the Union address. And this year, we made it happen. It is crucial to our security of supply. And it helps us and our reliable partners to strengthen our industries and create good jobs. Join me on 13/09 for #SOTEU
0:16

I announced a Critical Raw Materials Act in my 2022 State of the Union address. And this year, we made it happen. It is crucial to our security of supply. And it helps us and our reliable partners to strengthen our industries and create good jobs. Join me on 13/09 for #SOTEU

Ursula von der Leyen

113,687 Aufrufe • vor 3 Jahren

Christina Chang talked to Glamour about how Connor really ate the pasta during the dinner table scene on episode 6 of Heated Rivalry. "Sitting across from him…it was outrageous. It was Connor’s idea to eat like that, and he made a great choice. And you’re right, it does showcase his comedic abilities because he’s not winking at it in any way. He’s literally shoveling food into his mouth, but he understood it’s nuanced, and that in this totally serious scene while his boyfriend’s about to break down, he’s just like, Oh God, look at the family drama; it’s amazing. He did say to Jacob, 'You never see anybody eat in a scene. I’m going to eat in the scene.' Meanwhile, I always put something in my mouth and then it’s time for me to speak. So I’m always like, Ugh. But in that scene, when the cameras were on them, we couldn’t get through several takes. You can hear everybody laughing because Connor would have noodles hanging out of his mouth. So at some point, Jacob was like, 'Okay, we need to cut. This is outrageous. We can’t even understand what you’re saying between the spaghetti and your accent. Let’s start over.'" 🔗 Read the full interview here:
0:12

Christina Chang talked to Glamour about how Connor really ate the pasta during the dinner table scene on episode 6 of Heated Rivalry. "Sitting across from him…it was outrageous. It was Connor’s idea to eat like that, and he made a great choice. And you’re right, it does showcase his comedic abilities because he’s not winking at it in any way. He’s literally shoveling food into his mouth, but he understood it’s nuanced, and that in this totally serious scene while his boyfriend’s about to break down, he’s just like, Oh God, look at the family drama; it’s amazing. He did say to Jacob, 'You never see anybody eat in a scene. I’m going to eat in the scene.' Meanwhile, I always put something in my mouth and then it’s time for me to speak. So I’m always like, Ugh. But in that scene, when the cameras were on them, we couldn’t get through several takes. You can hear everybody laughing because Connor would have noodles hanging out of his mouth. So at some point, Jacob was like, 'Okay, we need to cut. This is outrageous. We can’t even understand what you’re saying between the spaghetti and your accent. Let’s start over.'" 🔗 Read the full interview here:

Connor Storrie Updates

1,315,224 Aufrufe • vor 8 Monaten

I've been thinking about it for a long time, but I didn't know how to express it. So, I picked up the camera and started creating. This one's for anyone who's ever lost their path in a world full of alternate paths.
0:17

I've been thinking about it for a long time, but I didn't know how to express it. So, I picked up the camera and started creating. This one's for anyone who's ever lost their path in a world full of alternate paths.

Mari Takahashi

155,574 Aufrufe • vor 2 Jahren

I've seen a lot of animatics lately that are super detailed, essentially viewport previews of the final shot. But an animatic at it's core doesn't need to be anything fancy. Its main purpose is to plan and test the timing, camera angles, movement, and overall composition. With animatics you have to keep in mind the following: Pre-visualization: It allows to see a basic version of the animation or scene before committing to detailed work. Timing and pacing: An animatic helps identify how long each scene or shot should last, ensuring that the timing feels right. Planning: It helps with layout, camera angles, and transitions. By visualizing the shots, the team can ensure that the framing and overall design of the scenes work well in 3D space. Efficiency: It allows the team to test and fix any potential issues early on, like awkward movements or awkward pacing, before spending time on high-quality rendering or complex animation. In short, an animatic helps in conceptualizing the final animation by giving a low-res, rough version of the scenes, which guides the entire production process in terms of visual design, timing, and storytelling.
0:12

I've seen a lot of animatics lately that are super detailed, essentially viewport previews of the final shot. But an animatic at it's core doesn't need to be anything fancy. Its main purpose is to plan and test the timing, camera angles, movement, and overall composition. With animatics you have to keep in mind the following: Pre-visualization: It allows to see a basic version of the animation or scene before committing to detailed work. Timing and pacing: An animatic helps identify how long each scene or shot should last, ensuring that the timing feels right. Planning: It helps with layout, camera angles, and transitions. By visualizing the shots, the team can ensure that the framing and overall design of the scenes work well in 3D space. Efficiency: It allows the team to test and fix any potential issues early on, like awkward movements or awkward pacing, before spending time on high-quality rendering or complex animation. In short, an animatic helps in conceptualizing the final animation by giving a low-res, rough version of the scenes, which guides the entire production process in terms of visual design, timing, and storytelling.

Voxyde

22,244 Aufrufe • vor 1 Jahr

🚨 Ferran Torres reveals Spain's final team talk: "The coach told me Argentina were waiting for penalties he sent me on to finish the game. 🗣️ Ferran Torres When I was about to come on, the coach called me over and showed me exactly where Argentina were leaving space. He pointed out the gaps behind their midfield and told me they had stopped trying to win the match. In his eyes, they were already thinking about taking the game to penalties. He looked at me and said, 'If this goes to penalties, it becomes a different game. We have to finish it before then.' He told me to attack with confidence, make aggressive runs and be brave in front of goal. His message was simple: don't wait go and decide the final. That gave me so much belief. As a substitute, you dream of moments like that. The manager trusted me with the biggest responsibility in football, and I wanted to repay that trust. Scoring in a World Cup final is something I'll remember forever, but it all started with the confidence the coach gave me before I stepped onto the pitch.
0:19

🚨 Ferran Torres reveals Spain's final team talk: "The coach told me Argentina were waiting for penalties he sent me on to finish the game. 🗣️ Ferran Torres When I was about to come on, the coach called me over and showed me exactly where Argentina were leaving space. He pointed out the gaps behind their midfield and told me they had stopped trying to win the match. In his eyes, they were already thinking about taking the game to penalties. He looked at me and said, 'If this goes to penalties, it becomes a different game. We have to finish it before then.' He told me to attack with confidence, make aggressive runs and be brave in front of goal. His message was simple: don't wait go and decide the final. That gave me so much belief. As a substitute, you dream of moments like that. The manager trusted me with the biggest responsibility in football, and I wanted to repay that trust. Scoring in a World Cup final is something I'll remember forever, but it all started with the confidence the coach gave me before I stepped onto the pitch.

Romzy

1,623,638 Aufrufe • vor 2 Monaten