Загрузка видео...

Не удалось загрузить видео

На главную

From 30 years ago, a spacecraft I designed and rendered using POVRay for an animation I created portraying the diversion of a comet using a nuclear weapon. This wasn't designed in a modeling program, it was hand drafted and the geometry transcribed into POV Scene description language by hand.

DJSnM's profile picture

Scott Manley

675,219 subscribers

36,089 просмотров • 5 месяцев назад •via X (Twitter)

LIVE

Anya Rossi• Live Now

Private livecam show

Комментарии: 0

Нет доступных комментариев

Здесь появятся комментарии из оригинального поста

Похожие видео

This rocket engine wasn't designed by humans, but by AI. It was created using Noyron, a physics based engineering AI built by LEAP 71. Instead of learning from past designs, it uses real physics, thermodynamics, and manufacturing rules to generate engines directly from requirements.
0:19

This rocket engine wasn't designed by humans, but by AI. It was created using Noyron, a physics based engineering AI built by LEAP 71. Instead of learning from past designs, it uses real physics, thermodynamics, and manufacturing rules to generate engines directly from requirements.

vixhaℓ

587,660 просмотров • 6 месяцев назад

This new Gorillaz short film was created using cel animation and hand-painted backgrounds. Check it out:
0:13

This new Gorillaz short film was created using cel animation and hand-painted backgrounds. Check it out:

80 LEVEL

237,765 просмотров • 4 месяцев назад

I really like 3D modeling detailed metallic accessories for my Vtuber clients! 😼 This shiny effect was made by using a hand painted matcap blended with the texture. With this, you can achieve a dynamic, camera based metallic effect.
0:10

I really like 3D modeling detailed metallic accessories for my Vtuber clients! 😼 This shiny effect was made by using a hand painted matcap blended with the texture. With this, you can achieve a dynamic, camera based metallic effect.

Nekochi 3D (bragok)

36,971 просмотров • 10 месяцев назад

For the facial animations in my game, I use a technique that yields results similar to L.A. Noire. To keep it simple: I first generate a facial animation video using AI like LTX 2. Then, I create a video depth map from that animation and project it onto a face mask. Using vertex displacement, the depth map dynamically deforms the face as the character speaks. The result looks good in standalone VR. I actually created this workflow long time ago:
0:09

For the facial animations in my game, I use a technique that yields results similar to L.A. Noire. To keep it simple: I first generate a facial animation video using AI like LTX 2. Then, I create a video depth map from that animation and project it onto a face mask. Using vertex displacement, the depth map dynamically deforms the face as the character speaks. The result looks good in standalone VR. I actually created this workflow long time ago:

Alex

48,189 просмотров • 4 месяцев назад

The reflex hammer was designed to mimic the side of a doctors hand. 🔨
0:17

The reflex hammer was designed to mimic the side of a doctors hand. 🔨

Olivia Jaymes RN

26,910 просмотров • 2 месяцев назад

A Japanese restaurant in NYC has an interior designed to resemble a hand-drawn black and white sketchbook.
0:10

A Japanese restaurant in NYC has an interior designed to resemble a hand-drawn black and white sketchbook.

Interesting things

1,078,193 просмотров • 5 месяцев назад

as reported by Madhouse's account, Frieren's puppet show animation is based on real puppet performance! Keiichiro Saito was in charge of this sequence and even designed the puppets then Puppet Theater PUK created the puppets using Saito's design
0:10

as reported by Madhouse's account, Frieren's puppet show animation is based on real puppet performance! Keiichiro Saito was in charge of this sequence and even designed the puppets then Puppet Theater PUK created the puppets using Saito's design

kyouray

892,099 просмотров • 5 месяцев назад

Two weeks ago I fixed one of my teeth with algorithms I wrote a couple of years ago! I got hooked by 3D scanning when I started to work for a software shop in Zurich that was programming 3D computational geometry algorithms for denture scanning to produce crowns (and more). Back then, a typical reconstruction pipeline was like: scan the patient’s teeth using an intraoral scanner, reconstruct the surface mesh, design the restoration digitally, and finally mill the crown out of ceramic. We were working mostly with point clouds and meshes, but it wasn’t just math, it was craftsmanship translated into a digital process. Every micron mattered. You could literally see how a good algorithm meant a better fit in someone’s mouth. Gaussian Splatting isn’t about surface reconstruction, it’s about appearance reconstruction. It doesn’t care about explicit topology, it captures how light interacts with the scene. In a sense, it’s the opposite philosophy of the dental world: instead of modeling what the object is, it models how the object looks. 3D Gaussian Splatting enables applications like training self driving cars, teaching robots to understand their environment, creating virtual worlds, or monitoring real sites. It represents scenes as millions of small Gaussians rendered in real time without the need for meshes or textures. Coming from a world where precision geometry was everything, this shift felt natural. It’s still about reconstruction, but with a different goal: not manufacturing a perfect object, but reproducing how the world actually looks. Two weeks ago I got my first dental crown, made with the same software, reconstruction algorithms, and Swiss precision I once helped develop. I haven’t worked there in two years, but sitting in that chair and seeing the process from the other side was a proud moment. It reminded me why I love this field.
0:18

Two weeks ago I fixed one of my teeth with algorithms I wrote a couple of years ago! I got hooked by 3D scanning when I started to work for a software shop in Zurich that was programming 3D computational geometry algorithms for denture scanning to produce crowns (and more). Back then, a typical reconstruction pipeline was like: scan the patient’s teeth using an intraoral scanner, reconstruct the surface mesh, design the restoration digitally, and finally mill the crown out of ceramic. We were working mostly with point clouds and meshes, but it wasn’t just math, it was craftsmanship translated into a digital process. Every micron mattered. You could literally see how a good algorithm meant a better fit in someone’s mouth. Gaussian Splatting isn’t about surface reconstruction, it’s about appearance reconstruction. It doesn’t care about explicit topology, it captures how light interacts with the scene. In a sense, it’s the opposite philosophy of the dental world: instead of modeling what the object is, it models how the object looks. 3D Gaussian Splatting enables applications like training self driving cars, teaching robots to understand their environment, creating virtual worlds, or monitoring real sites. It represents scenes as millions of small Gaussians rendered in real time without the need for meshes or textures. Coming from a world where precision geometry was everything, this shift felt natural. It’s still about reconstruction, but with a different goal: not manufacturing a perfect object, but reproducing how the world actually looks. Two weeks ago I got my first dental crown, made with the same software, reconstruction algorithms, and Swiss precision I once helped develop. I haven’t worked there in two years, but sitting in that chair and seeing the process from the other side was a proud moment. It reminded me why I love this field.

MrNeRF

289,948 просмотров • 8 месяцев назад

Backpropagation by hand✍️ ~ spreadsheet. I designed this exercise to show it is possible to calculate backpropagation for a non-trivial, three-layer network by hand. p.s. I just started this community to share useful resources on AI math. 👇 Join the community.
0:11

Backpropagation by hand✍️ ~ spreadsheet. I designed this exercise to show it is possible to calculate backpropagation for a non-trivial, three-layer network by hand. p.s. I just started this community to share useful resources on AI math. 👇 Join the community.

Tom Yeh

121,825 просмотров • 1 год назад

3D Artist G3nkie showcased this fun pumpkin-collecting animation created in a sketch style using Blender. More hand-painted-style animations:
0:14

3D Artist G3nkie showcased this fun pumpkin-collecting animation created in a sketch style using Blender. More hand-painted-style animations:

80 LEVEL

10,624 просмотров • 8 месяцев назад

ResNet by hand✍️Excel~ I designed this exercise to compare a ResNet to an MLP and show skip-connections are simply identity matrices next to weights and biases. I also made a medium version to show how it scales. 👇Join the 'AI Math' community. Download xlsx.
0:15

ResNet by hand✍️Excel~ I designed this exercise to compare a ResNet to an MLP and show skip-connections are simply identity matrices next to weights and biases. I also made a medium version to show how it scales. 👇Join the 'AI Math' community. Download xlsx.

Tom Yeh

29,925 просмотров • 1 год назад

Autoencoder by hand✍️Excel~ I designed this exercise to show how an Encoder-Decoder network convert input to code and reconstruct input from code. It is annotated with equations, PyTorch, and graphs. I also made a medium version.👇Join the 'AI Math' community. Download xlsx.
0:15

Autoencoder by hand✍️Excel~ I designed this exercise to show how an Encoder-Decoder network convert input to code and reconstruct input from code. It is annotated with equations, PyTorch, and graphs. I also made a medium version.👇Join the 'AI Math' community. Download xlsx.

Tom Yeh

54,482 просмотров • 1 год назад

I was sent a hat signed by Aaron Judge. The request was to build the signed bill into a custom designed card. Here is what I created! #aaronjudge #baseballcards #yankees #1of1 #oneofone #tanmanbaseballfan
0:12

I was sent a hat signed by Aaron Judge. The request was to build the signed bill into a custom designed card. Here is what I created! #aaronjudge #baseballcards #yankees #1of1 #oneofone #tanmanbaseballfan

TanManBaseballFan

31,940 просмотров • 7 месяцев назад

A prototype Seiko "Sunny Men" equatorial sundial watch designed as a portable astronomical observatory. It was created for Seiko's 2024 Power Design Project to reimagine timekeeping by connecting it directly to the sky using ancient techniques. © watch_time_traveler
0:14

A prototype Seiko "Sunny Men" equatorial sundial watch designed as a portable astronomical observatory. It was created for Seiko's 2024 Power Design Project to reimagine timekeeping by connecting it directly to the sky using ancient techniques. © watch_time_traveler

Sarahh

980,546 просмотров • 1 месяц назад

With the image editor of Grok Imagine, you can easily change the viewpoint of an image simply by requesting it. Here, a single image was created using the prompt, and then I requested different viewpoints.
0:11

With the image editor of Grok Imagine, you can easily change the viewpoint of an image simply by requesting it. Here, a single image was created using the prompt, and then I requested different viewpoints.

Déborah

7,828,643 просмотров • 7 месяцев назад