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An entire soccer match was broadcast using iPhone 17 Pro Max 🫪 The LA Galaxy vs Houston Dynamo game became the first major professional live sporting event shot entirely on iPhones. The production used around 15 iPhone 17 Pro Max positioned throughout the stadium, paired with professional broadcast gear,... show more

Shishir

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6,017,047 Aufrufe • vor 3 Monaten •via X (Twitter)

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Here's what it looked like as the LA Galaxy-Houston Dynamo FC match became the first professional sporting event ever filmed entirely on an iPhone 17 Pro.

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Apple has posted a reel showing how an entire MLS match was broadcast using the iPhone 17 Pro Max

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.LA Galaxy vs. Houston Dynamo FC tonight will become the first ever live professional sporting event capture exclusively on iPhone! 🔥

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Apple used "15" iPhone 17 Pro Max units to broadcast a Soccer match LIVE on Apple TV… WOW 15 iPhones placed across an 84,000-square-foot pitch capturing cinematic angles, closeups and tracking shots in real time. This is beyond smartphone cameras now!!!

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It’s a call to Cooperstown unlike any other. An iPhone 17 Pro from Apple TV’s final #FridayNightBaseball game of the 2025 MLB regular season – its first public use in a live professional sports broadcast – represents the first smartphone in our collection. #ShotoniPhone

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Apple iPhone 17 Pro Max after 8 months: sides are covered with microscopic chips in the annodization - especially bad around the USB-C port. tiny grains of dirt/sand became trapped between the case and phone during everyday use. iPhone has spent its entire life inside of an Apple Clear Case with Magsafe.

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💫Dua Lipa has become the ambassador for the iPhone 17 and was the first to test the new orange Pro The singer filmed a behind-the-scenes video from her Radical Optimism tour on the new device. Meanwhile, after yesterday’s autumn presentation, Apple removed four iPhone models from sale. The iPhone 15 and 15 Plus, as well as the iPhone 16 Pro and 16 Pro Max, have been discontinued. These smartphones are now only available through third-party sellers.

💫Dua Lipa has become the ambassador for the iPhone 17 and was the first to test the new orange Pro The singer filmed a behind-the-scenes video from her Radical Optimism tour on the new device. Meanwhile, after yesterday’s autumn presentation, Apple removed four iPhone models from sale. The iPhone 15 and 15 Plus, as well as the iPhone 16 Pro and 16 Pro Max, have been discontinued. These smartphones are now only available through third-party sellers.

NEXTA

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4DGS volumetric video captured with iPhones. 📱 Until now, capturing 4D Gaussian Splats meant million-dollar studios and fixed camera rigs. Radiant just changed the game - genlock-syncing multiple iPhone 17 Pro Max cameras with Tilta Chronos cage and Blackmagic ProDock into one fully wireless mobile capture rig. Pixel-level sync, frame by frame, real time. Apple Vision Pro native playback? We are working on it. But the capture side? Solved (affordable-ish). And it travels. The next great VolCap film could be coming from someone like you! #4DGS #volumetricvideo

4DGS volumetric video captured with iPhones. 📱 Until now, capturing 4D Gaussian Splats meant million-dollar studios and fixed camera rigs. Radiant just changed the game - genlock-syncing multiple iPhone 17 Pro Max cameras with Tilta Chronos cage and Blackmagic ProDock into one fully wireless mobile capture rig. Pixel-level sync, frame by frame, real time. Apple Vision Pro native playback? We are working on it. But the capture side? Solved (affordable-ish). And it travels. The next great VolCap film could be coming from someone like you! #4DGS #volumetricvideo

Hugh Hou

12,189 Aufrufe • vor 4 Monaten

[VIDEO] 🔴 BTS ARIRANG Live🌟 How-To Record // Audio & iPhone Settings Guide Settings matter. Simply changing your iPhone from Spatial Audio to Stereo Audio isn’t enough. 💡Before recording: Lock your camera settings. Lower the exposure (☀️🌓) between -0.3 and -2.0, depending on the stage lighting. 🍭 My sweet spot was -1.67. This let in less light and helped the camera focus so it locked at a good focus and clarity. Exact settings from Tampa Day 3: iPhone 17 Pro Max, 1TB - Normal Camera app (no special apps needed. For Tampa D1 and D2, I used the Zoom app.) - Stereo Audio: ON ✅ - Audio Zoom: OFF ❌ - Wind Reduction: ON ✅ - Record Video: 4K, 60 fps (I’m switching to 120 fps for MetLife and will report back.) - Cinematic: 4K, 30 fps - Camera Capture: High Efficiency - ProRAW & Resolution Control: ON ✅ - ProRAW Format: JPEG Lossless - Photo Mode: 24 MP - Video Capture: Apple ProRes: ON ✅ DAY 3 Seating: Section P (Soundcheck floor seats) Row 24 (facing the stage on the seating map). This was an aisle seat, so it felt more like Row 4 with a completely unobstructed view on my left side. The stage was the “t” configuration, and this seat was inside the “t,” around where the crossbar begins—roughly the middle of the stage layout. While not every iPhone 17 Pro Max feature is available on older iPhones, you can still adjust the settings that your device supports. #BTS_ARIRANG #BTS_WORLDTOUR_ARIRANG #BTS_WORLDTOUR_ARIRANG_Tampa D1, D2, D3

[VIDEO] 🔴 BTS ARIRANG Live🌟 How-To Record // Audio & iPhone Settings Guide Settings matter. Simply changing your iPhone from Spatial Audio to Stereo Audio isn’t enough. 💡Before recording: Lock your camera settings. Lower the exposure (☀️🌓) between -0.3 and -2.0, depending on the stage lighting. 🍭 My sweet spot was -1.67. This let in less light and helped the camera focus so it locked at a good focus and clarity. Exact settings from Tampa Day 3: iPhone 17 Pro Max, 1TB - Normal Camera app (no special apps needed. For Tampa D1 and D2, I used the Zoom app.) - Stereo Audio: ON ✅ - Audio Zoom: OFF ❌ - Wind Reduction: ON ✅ - Record Video: 4K, 60 fps (I’m switching to 120 fps for MetLife and will report back.) - Cinematic: 4K, 30 fps - Camera Capture: High Efficiency - ProRAW & Resolution Control: ON ✅ - ProRAW Format: JPEG Lossless - Photo Mode: 24 MP - Video Capture: Apple ProRes: ON ✅ DAY 3 Seating: Section P (Soundcheck floor seats) Row 24 (facing the stage on the seating map). This was an aisle seat, so it felt more like Row 4 with a completely unobstructed view on my left side. The stage was the “t” configuration, and this seat was inside the “t,” around where the crossbar begins—roughly the middle of the stage layout. While not every iPhone 17 Pro Max feature is available on older iPhones, you can still adjust the settings that your device supports. #BTS_ARIRANG #BTS_WORLDTOUR_ARIRANG #BTS_WORLDTOUR_ARIRANG_Tampa D1, D2, D3

Beyond ARMY ⊙⊝⊜⁷ saw PIED PIPER and 뱁새

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The first $75 million dollar movie shot on an iPhone 15 Pro Max. Amazing to see what Danny Boyle and DP Anthony Dod Mantle have been able to pull off visually. Of course it was rigged with proper cinema lenses and tons of other peripheral gear, but I am still just as impressed with how far they pushed that tiny little phone sensor. And it makes sense for this film, as the original 28 days later was shot on the prosumer Canon XL-1. The iPhone gives a similar gritty feel, but feels more clean and appropriate for present day.

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A Nairobi man is seeking help in tracing two women suspected of drugging and robbing him of valuables worth over Ksh 700,000 after he invited the suspects to his residence following a night out last weekend in Ongata Rongai, Kajiado County. According to available information and CCTV footage, one of the women was seen stepping outside to conduct what appears to be surveillance, while her accomplice allegedly packed the stolen items inside the house. The suspects made away with a silver Apple MacBook Pro 16-inch, an iPhone 14 Pro Max, an iPod Pro Max, a pair of Apple AirPods Max headphones, and KSh 52,000 which was transferred from the victim’s M-PESA account to a phone number that has since been switched off. The footage shows the two women leaving the premises at around 2:55 PM on Saturday while carrying bags believed to contain the stolen items. The victim was reportedly unconscious inside the apartment at the time of the theft. He is now appealing to the public for assistance in identifying the two suspects, hoping that the CCTV footage will prompt anyone with useful information to come forward.

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The NBA app on Apple Vision Pro just dropped a massive update. World View (Alpha) puts you inside a live 3D recreation of the game. Every player and ref tracked in real time, rendered in NBA city-inspired environments, with visual effects when buckets drop or shots clank off the rim. You can move around the court using waypoints and even pull up the live broadcast synced to the 3D recreation simultaneously. The models aren’t photorealistic yet, but the tracking is impressively accurate. When they start mapping real likenesses onto these, it’s going to be something else entirely. Lastly, Tabletop is now called Court View. The NBA keeps pushing spatial computing forward. I love to see it!

The NBA app on Apple Vision Pro just dropped a massive update. World View (Alpha) puts you inside a live 3D recreation of the game. Every player and ref tracked in real time, rendered in NBA city-inspired environments, with visual effects when buckets drop or shots clank off the rim. You can move around the court using waypoints and even pull up the live broadcast synced to the 3D recreation simultaneously. The models aren’t photorealistic yet, but the tracking is impressively accurate. When they start mapping real likenesses onto these, it’s going to be something else entirely. Lastly, Tabletop is now called Court View. The NBA keeps pushing spatial computing forward. I love to see it!

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🔴 iPhone ARMY 🌟 — AUDIO For your BTS concert memories / recording UPDATE: Stereo was 100% better. For context, while I had floor on D3, I was in section 115, so I wasn’t far away. You can hear a distinctive difference in sound. In the video, i included all my settings. Be mindful to: - reset to default settings after the concert, otherwise you will be recording in raw footage = massive files With the concert settings: 4k at 60 fps = 0:45 is 526MB on my device = 0:05 is 33MB on my device - So, make sure your phone is empty for BTS I’m on a 1TB iPhone 17 Pro Max D3, I didn’t need to use the xZoom Cam app. ALL my D3 (I haven’t finished uploading even half of them) is using the iPhone camera on 2x or 4x or 8x. I never went above 8x.

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The video smooth zoom on the Samsung Galaxy S26 Ultra is still the closest thing to a professional camcorder experience in the smartphone industry today. In fact, it’s even easier to control than the iPhone. On many other phones, video zooming requires constant finger movement and very precise control. The zoom speed can easily become inconsistent, suddenly speeding up or slowing down. Samsung works differently. You simply hold your finger at a certain position, and the phone continues zooming at a constant speed. The entire process feels extremely stable and linear. It genuinely resembles the powered zoom control of a professional video camera. This logic is fundamentally related to Samsung’s AI slow motion technology. They share the same core foundation: real time control over motion trajectories, speed transitions, and frame interpolation. What you’re seeing here was shot in very windy conditions using Samsung’s Pro Video mode, continuously zooming from 5x to 25x. Aside from some slight stutter during optical lens switching points, the continuous zoom transition within digital zoom ranges is arguably the closest thing to a professional camera currently available on a smartphone. So if the future Samsung Galaxy S27 Ultra really removes the 3x telephoto camera, it could actually improve the video zoom experience further. Fewer optical switching points would theoretically reduce transition jumps and stutters, making the entire zoom range feel even more natural and continuous.

The video smooth zoom on the Samsung Galaxy S26 Ultra is still the closest thing to a professional camcorder experience in the smartphone industry today. In fact, it’s even easier to control than the iPhone. On many other phones, video zooming requires constant finger movement and very precise control. The zoom speed can easily become inconsistent, suddenly speeding up or slowing down. Samsung works differently. You simply hold your finger at a certain position, and the phone continues zooming at a constant speed. The entire process feels extremely stable and linear. It genuinely resembles the powered zoom control of a professional video camera. This logic is fundamentally related to Samsung’s AI slow motion technology. They share the same core foundation: real time control over motion trajectories, speed transitions, and frame interpolation. What you’re seeing here was shot in very windy conditions using Samsung’s Pro Video mode, continuously zooming from 5x to 25x. Aside from some slight stutter during optical lens switching points, the continuous zoom transition within digital zoom ranges is arguably the closest thing to a professional camera currently available on a smartphone. So if the future Samsung Galaxy S27 Ultra really removes the 3x telephoto camera, it could actually improve the video zoom experience further. Fewer optical switching points would theoretically reduce transition jumps and stutters, making the entire zoom range feel even more natural and continuous.

Ice Universe

27,250 Aufrufe • vor 3 Monaten

POV: she caught the ball… then scored the goal Made with GPT Image 2 & Seedance on TapNow Prompt: Ultra-realistic FIFA World Cup Final live broadcast at a massive floodlit stadium at night. Use the uploaded image ONLY as inspiration for stadium atmosphere, crowd density, sports broadcast framing, cinematic lighting, and telephoto camera style. Visual style: authentic FIFA World Cup television broadcast with live scorebug, running match clock, LIVE indicator, sports ticker, subtle TV grain, slight chromatic aberration, HD compression artifacts, LED stadium reflections, realistic crowd atmosphere. Multiple 400mm–600mm telephoto broadcast cameras with extreme telephoto compression, creamy cinematic bokeh, flattened background depth, razor-thin depth of field, slow telephoto push-ins, and realistic handheld sports-broadcast motion. 0:00–0:04 — The woman sits beside her boyfriend near the front-row pitch barrier, laughing and talking naturally while stadium chants echo around them. Wind softly moves her balayage lob haircut beneath the floodlights. Crowd heavily compressed into creamy telephoto bokeh. 0:04–0:07 — A football suddenly deflects toward the crowd at high speed. Nearby fans react in shock. She instantly notices the incoming ball. 0:07–0:10 — She catches the football smoothly while seated near the barrier. Her boyfriend reacts with disbelief and excitement. Crowd gasps while commentators shout realistically: “WHAT A CATCH!” 0:10–0:15 — She confidently climbs over the advertising barrier and lands elegantly onto the pitch. Broadcast cameras quickly follow her movement like a real live FIFA production. She begins lightly dribbling as crowd intensity rises. 0:15–0:19 — She dribbles forward with realistic professional football control. A defender rushes toward her. She performs a sleek body feint and smoothly dodges him while grass particles rise naturally beneath her cleats. 0:19–0:23 — Dynamic live broadcast cuts as she performs realistic football skills: step-over, nutmeg, heel-tap direction change, quick acceleration burst. Players react with surprise while realism remains grounded. 0:23–0:27 — She enters the penalty area. Goalkeeper charges forward. She fakes a shot, shifts left elegantly, and curls the football beautifully into the top corner. Net ripples realistically as the stadium explodes. 0:27–0:30 — Heroic broadcast close-up. Entire stadium erupts. Her boyfriend celebrates wildly from the stands. She laughs breathlessly near the goal while cameras surround her under dramatic floodlights. Final slow telephoto push-in toward her smiling face. Audio throughout: realistic football crowd chants, whistles, commentators, player shouts, cleats on grass, football impact sounds, natural British dialogue, crowd explosions after the goal, authentic live sports broadcast energy.

POV: she caught the ball… then scored the goal Made with GPT Image 2 & Seedance on TapNow Prompt: Ultra-realistic FIFA World Cup Final live broadcast at a massive floodlit stadium at night. Use the uploaded image ONLY as inspiration for stadium atmosphere, crowd density, sports broadcast framing, cinematic lighting, and telephoto camera style. Visual style: authentic FIFA World Cup television broadcast with live scorebug, running match clock, LIVE indicator, sports ticker, subtle TV grain, slight chromatic aberration, HD compression artifacts, LED stadium reflections, realistic crowd atmosphere. Multiple 400mm–600mm telephoto broadcast cameras with extreme telephoto compression, creamy cinematic bokeh, flattened background depth, razor-thin depth of field, slow telephoto push-ins, and realistic handheld sports-broadcast motion. 0:00–0:04 — The woman sits beside her boyfriend near the front-row pitch barrier, laughing and talking naturally while stadium chants echo around them. Wind softly moves her balayage lob haircut beneath the floodlights. Crowd heavily compressed into creamy telephoto bokeh. 0:04–0:07 — A football suddenly deflects toward the crowd at high speed. Nearby fans react in shock. She instantly notices the incoming ball. 0:07–0:10 — She catches the football smoothly while seated near the barrier. Her boyfriend reacts with disbelief and excitement. Crowd gasps while commentators shout realistically: “WHAT A CATCH!” 0:10–0:15 — She confidently climbs over the advertising barrier and lands elegantly onto the pitch. Broadcast cameras quickly follow her movement like a real live FIFA production. She begins lightly dribbling as crowd intensity rises. 0:15–0:19 — She dribbles forward with realistic professional football control. A defender rushes toward her. She performs a sleek body feint and smoothly dodges him while grass particles rise naturally beneath her cleats. 0:19–0:23 — Dynamic live broadcast cuts as she performs realistic football skills: step-over, nutmeg, heel-tap direction change, quick acceleration burst. Players react with surprise while realism remains grounded. 0:23–0:27 — She enters the penalty area. Goalkeeper charges forward. She fakes a shot, shifts left elegantly, and curls the football beautifully into the top corner. Net ripples realistically as the stadium explodes. 0:27–0:30 — Heroic broadcast close-up. Entire stadium erupts. Her boyfriend celebrates wildly from the stands. She laughs breathlessly near the goal while cameras surround her under dramatic floodlights. Final slow telephoto push-in toward her smiling face. Audio throughout: realistic football crowd chants, whistles, commentators, player shouts, cleats on grass, football impact sounds, natural British dialogue, crowd explosions after the goal, authentic live sports broadcast energy.

Shami

12,458 Aufrufe • vor 3 Monaten

Tens of thousands of iPhone 17 Pro Max phones are being brought into Gaza, with demand even for gold-plated iPhones encrusted with diamonds. According to the owner of a phone shop in the Nuseirat refugee camp, who spoke with The National, "the demand is incredible." Long lines form for the devices, each priced at around 7,000 shekels (about $2,200). "Each shipment arriving in Gaza contains more than 10,000 phones, sometimes even more. Dozens of shipments have already arrived," the shop owner told The National. Buyers are typically NGO activists, founders of civic initiatives, individuals who have financially benefited during the war, and, of course, Hamas terrorists. They can even afford excessively luxurious smartphones. An X profile (Imshin), monitoring videos posted by Gaza residents, shared a video showing a Gaza trader displaying a new batch of gold iPhone 17s encrusted with diamonds, accompanied by gold Apple Watches. According to unnamed sources speaking to Ynet, most of these wealthy Gaza residents are Hamas members. Meanwhile, as terrorists maintain their lavish lifestyle, many families in Gaza continue to live in tents.

Visegrád 24

84,516 Aufrufe • vor 9 Monaten