Loading video...

Video Failed to Load

There was a problem loading this video. This could be due to a temporary network issue or the video might be unavailable.

Andrei Rublev (1966), directed by Andrei Tarkovsky, is a stark historical epic about a 15th-century Russian icon painter. Structured in episodes, it explores faith, artistic doubt, and spiritual endurance amid medieval brutality. Censored in the USSR, it later became a landmark of poetic, philosophical cinema.

Orthodox Christian

25,227 subscribers

10,963 views • 3 months ago •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

0 Comments

No comments available

Comments from the original post will appear here

Related Videos

Mirror (1975, Tarkovsky) "The meaning of an artistic image is necessarily unexpected, since it is a record of how one individual has seen the world in the light of his own idiosyncrasies." --- Andrei Tarkovsky

Mirror (1975, Tarkovsky) "The meaning of an artistic image is necessarily unexpected, since it is a record of how one individual has seen the world in the light of his own idiosyncrasies." --- Andrei Tarkovsky

DepressedBergman

50,040 views • 2 years ago

The Glass Harmonica by Andrei Khrzhanovsky, is an avant-garde animated short inspired by Renaissance art. It tells the story of a mysterious musician whose music revives imagination in a rigid society. Banned in the USSR, it was seen as a subversive allegory of authoritarianism and repression.

The Glass Harmonica by Andrei Khrzhanovsky, is an avant-garde animated short inspired by Renaissance art. It tells the story of a mysterious musician whose music revives imagination in a rigid society. Banned in the USSR, it was seen as a subversive allegory of authoritarianism and repression.

FilmoteCanet Cinema

35,854 views • 1 month ago

In Tarkovsky’s Andrei Rublev, young Boriska claims “I know a secret! My father knew the secret of copper for bell casting. When he was dying he passed it on to me. Nobody, not a single other person knows it, only I know it! Only I! Boriska then organizes the village artisans,working for months, casting a giant bell from scratch. Boriska collapses alone in the mud where Andrei Rublev finds him sobbing as the bell rings for the first time. Boriska confesses that his father never passed on the secret before dying and took it to the grave. The bell’s success was essentially a miracle where he had acted on faith, intuition, and sheer will. Andrei breaks his years long vow of silence while comforting Boriska and says these comforting words

In Tarkovsky’s Andrei Rublev, young Boriska claims “I know a secret! My father knew the secret of copper for bell casting. When he was dying he passed it on to me. Nobody, not a single other person knows it, only I know it! Only I! Boriska then organizes the village artisans,working for months, casting a giant bell from scratch. Boriska collapses alone in the mud where Andrei Rublev finds him sobbing as the bell rings for the first time. Boriska confesses that his father never passed on the secret before dying and took it to the grave. The bell’s success was essentially a miracle where he had acted on faith, intuition, and sheer will. Andrei breaks his years long vow of silence while comforting Boriska and says these comforting words

Crusader of Christ ⚔️

29,639 views • 2 months ago

"There’s a feeling of depression in Russian cities" because of Vladimir Putin's war in Ukraine, says exiled Russian journalist Andrei Soldatov. He added that Russians are "tired" of the war and many want it to end.

"There’s a feeling of depression in Russian cities" because of Vladimir Putin's war in Ukraine, says exiled Russian journalist Andrei Soldatov. He added that Russians are "tired" of the war and many want it to end.

Channel 4 News

10,430 views • 11 months ago

Jordanville: a quiet world of faith, prayer, and tradition This documentary explores Russian Orthodoxy in America, where monks and families preserve spiritual life and pass it from generation to generation far from their homeland WATCH FULL

Jordanville: a quiet world of faith, prayer, and tradition This documentary explores Russian Orthodoxy in America, where monks and families preserve spiritual life and pass it from generation to generation far from their homeland WATCH FULL

RT

20,355 views • 3 months ago

Doomed Megalopolis (1991, 4 Episodes) Streaming for Family Members on & Apps in North America. Directed by Kazuyoshi Katayama. A spiritual battle is being waged within the capital of Tokyo during the turn of the 20th century.

Doomed Megalopolis (1991, 4 Episodes) Streaming for Family Members on & Apps in North America. Directed by Kazuyoshi Katayama. A spiritual battle is being waged within the capital of Tokyo during the turn of the 20th century.

Eternal Family

20,834 views • 4 months ago

Russia Ambassador to the US Andrei Kelin to CNN: "The losses Ukraine has been suffering are terrible. It is 21,000 this month and 26,000 in June... Russian forces are now advancing in the north of Lugansk region. Sooner or later the government here and in the UK should recognize the truth: this 'counteroffensive' is not a success."

Russia Ambassador to the US Andrei Kelin to CNN: "The losses Ukraine has been suffering are terrible. It is 21,000 this month and 26,000 in June... Russian forces are now advancing in the north of Lugansk region. Sooner or later the government here and in the UK should recognize the truth: this 'counteroffensive' is not a success."

COMBATE |🇵🇷

187,077 views • 3 years ago

🍿 The day it became absolutely clear that the Russian empire will fall. Transnistria is a region of 367,000 in Moldova occupied by about 1,500 Russian soldiers and controlled by a Russian mafia puppet government ever since the fall of the Soviet Union.

🍿 The day it became absolutely clear that the Russian empire will fall. Transnistria is a region of 367,000 in Moldova occupied by about 1,500 Russian soldiers and controlled by a Russian mafia puppet government ever since the fall of the Soviet Union.

Igor Sushko

1,847,682 views • 1 year ago

Robert Eggers on THE NORTHMAN commentary: “I really hate this. Alex & Annie are really great & the music is lovely so I think it does work. But this first shot is like a bad ripoff of a moment in Andrei Rublev that pales in comparison so I’m ashamed with my lack of imagination.”

Robert Eggers on THE NORTHMAN commentary: “I really hate this. Alex & Annie are really great & the music is lovely so I think it does work. But this first shot is like a bad ripoff of a moment in Andrei Rublev that pales in comparison so I’m ashamed with my lack of imagination.”

𝔚𝔢𝔯𝔴𝔲𝔩𝔣 • FC

334,936 views • 1 month ago

Video published by Iranian outlets shows the damage to Chehel Sotoon Palace, a 17th-century historical landmark in central Isfahan. These outlets had reported that the office of Isfahan’s provincial government, located around 110 meters from it was targeted by a strike today.

Video published by Iranian outlets shows the damage to Chehel Sotoon Palace, a 17th-century historical landmark in central Isfahan. These outlets had reported that the office of Isfahan’s provincial government, located around 110 meters from it was targeted by a strike today.

Ghoncheh Habibiazad | غنچه

107,099 views • 4 months ago

Officials from Goskino, the central government agency for film production in the USSR, complained after seeing the opening scene of Andrei Tarkovsky's "Stalker" (1979), hoping the film could be ‘a little more dynamic, especially at the start.’ Tarkovsky erupted and said, "it actually needed to be slower and duller at the start so that anyone who had walked into the wrong theatre would have time to leave before the action got under way." Taken aback by the ferocity of this response, one of the officials explained that he was just trying to see things from the audience’s point of view. .. . He was not able to finish. Tarkovsky couldn’t give a toss about the audience. He only cared about the point of view of two people, Bresson and Bergman. Stick that in your pipe and smoke it! ("Zona A Book About a Film About a Journey to a Room", Geoff Dyer, 2012)

Officials from Goskino, the central government agency for film production in the USSR, complained after seeing the opening scene of Andrei Tarkovsky's "Stalker" (1979), hoping the film could be ‘a little more dynamic, especially at the start.’ Tarkovsky erupted and said, "it actually needed to be slower and duller at the start so that anyone who had walked into the wrong theatre would have time to leave before the action got under way." Taken aback by the ferocity of this response, one of the officials explained that he was just trying to see things from the audience’s point of view. .. . He was not able to finish. Tarkovsky couldn’t give a toss about the audience. He only cared about the point of view of two people, Bresson and Bergman. Stick that in your pipe and smoke it! ("Zona A Book About a Film About a Journey to a Room", Geoff Dyer, 2012)

DepressedBergman

56,913 views • 2 months ago

Chilkur Balaji Temple echoes with "Brahmamokkatey Para Brahmamokkatey" (The Supreme Spirit is one and only one) is the iconic chorus of a celebrated Telugu spiritual composition written by the 15th-century saint-composer Tallapaka Annamacharya (Annamayya).The song, widely known as Brahmam Okate or Tandanana Ahi, is a powerful anthem against social discrimination and a profound philosophical teaching wrapped in simple, universal metaphors. It proclaims that all living beings are fundamentally equal because the same divine soul (Sri Hari) resides inside everyone.

Chilkur Balaji Temple echoes with "Brahmamokkatey Para Brahmamokkatey" (The Supreme Spirit is one and only one) is the iconic chorus of a celebrated Telugu spiritual composition written by the 15th-century saint-composer Tallapaka Annamacharya (Annamayya).The song, widely known as Brahmam Okate or Tandanana Ahi, is a powerful anthem against social discrimination and a profound philosophical teaching wrapped in simple, universal metaphors. It proclaims that all living beings are fundamentally equal because the same divine soul (Sri Hari) resides inside everyone.

Stringg

40,123 views • 10 days ago

This scene in Andrei Tarkovsky's "The Sacrifice" (1986) was shot twice. In the first take, when the house started to burn, the film in the camera jammed & couldn't be reloaded in time to capture everything. The producers and some of the crew members wanted Tarkovsky to use edited footage to complete the film. Tarkovsky, who had never compromised for his art, persuaded them that a retake was necessary, since he believed that this scene was the soul and essence of the movie. For the retake, the house was reconstructed within 2 weeks & it was set on fire again. This time everything went according to plan. Remembering the legendary filmmaker, Andrei Tarkovsky, on his 94th birthday!

This scene in Andrei Tarkovsky's "The Sacrifice" (1986) was shot twice. In the first take, when the house started to burn, the film in the camera jammed & couldn't be reloaded in time to capture everything. The producers and some of the crew members wanted Tarkovsky to use edited footage to complete the film. Tarkovsky, who had never compromised for his art, persuaded them that a retake was necessary, since he believed that this scene was the soul and essence of the movie. For the retake, the house was reconstructed within 2 weeks & it was set on fire again. This time everything went according to plan. Remembering the legendary filmmaker, Andrei Tarkovsky, on his 94th birthday!

DepressedBergman

496,289 views • 3 months ago

Frankenstein was released 116 years ago today. It was produced by Edison Studios, making it one of the very first film adaptations of Mary Shelley’s novel, arriving decades before the character became a horror icon in later Hollywood versions.

Frankenstein was released 116 years ago today. It was produced by Edison Studios, making it one of the very first film adaptations of Mary Shelley’s novel, arriving decades before the character became a horror icon in later Hollywood versions.

cinesthetic.

20,279 views • 4 months ago

This unique artistic fusion offers a deeply impressive visual and auditory experience, seamlessly weaving the enchanting and dramatic melodies of Maurice Ravel's Boléro into the magnificent setting of Queen Cleopatra's grand entrance into Rome—one of the most iconic and epic scenes in the 1963 historical drama "Cleopatra", directed by Joseph L. Mankiewicz.

This unique artistic fusion offers a deeply impressive visual and auditory experience, seamlessly weaving the enchanting and dramatic melodies of Maurice Ravel's Boléro into the magnificent setting of Queen Cleopatra's grand entrance into Rome—one of the most iconic and epic scenes in the 1963 historical drama "Cleopatra", directed by Joseph L. Mankiewicz.

🎶𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀 ✨

15,788 views • 1 month ago

A glimpse of my stage work in Hangzhou— a city once praised by Marco Polo as “without doubt the finest and noblest city in the world.” Today, #Hangzhou is not only beautiful— it stuns the world with its deep culture, artistic elegance, and technological brilliance. Hangzhoufeel

A glimpse of my stage work in Hangzhou— a city once praised by Marco Polo as “without doubt the finest and noblest city in the world.” Today, #Hangzhou is not only beautiful— it stuns the world with its deep culture, artistic elegance, and technological brilliance. Hangzhoufeel

Sha Xiaolan 沙晓岚

11,487 views • 11 months ago

A film rooted in sacred lore isn’t defined by scale, but by the depth of its devotion and honesty. In a time dominated by spectacle driven cinema, #Krishnavataram stands apart, quietly striking a chord where it truly matters. Faith ❤️

A film rooted in sacred lore isn’t defined by scale, but by the depth of its devotion and honesty. In a time dominated by spectacle driven cinema, #Krishnavataram stands apart, quietly striking a chord where it truly matters. Faith ❤️

Kashmiri Hindu

112,557 views • 2 months ago