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Animatic vs final cinematic scene🎞️ Before starting work on a cinematic, we create an animatic—an animated storyboard used to test the timing, pacing, and composition of the frames for the entire scene. The 3:30-minute intro scene took us more than six months to complete!

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Nomada Studio - NEVA & GRIS

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28,141 görüntüleme • 1 yıl önce •via X (Twitter)

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xBerfel profil fotoğrafı
xBerfel1 yıl önce

Looks absolutely stunning

Freepik profil fotoğrafı
Freepik1 yıl önce

🎥 Bring your film characters to life with AI! Upload a reference, prompt any scene, and get visuals that stay on-point across every shot. 📸

Tresvsss🍂 profil fotoğrafı
Tresvsss🍂1 yıl önce

beatiful but now I need to go cry again😓

🧀VanoraDarkWolf🐸 profil fotoğrafı
🧀VanoraDarkWolf🐸1 yıl önce

My community and I are loving this game! It is absolutly stunning

Phlare 🔥🧙‍♂️ profil fotoğrafı
Phlare 🔥🧙‍♂️1 yıl önce

this game was so gorgeous. I need to go back and play GRIS now

|Pacopro23| profil fotoğrafı
|Pacopro23|1 yıl önce

❤️❤️❤️

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Ós1 yıl önce

😲

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DesrynDoes1 yıl önce

Ugh but it's sooo beautiful! 😭

Benzer Videolar

Spent a lot of time figuring out the layout storyboard for this scene, trying to make sure every beat worked with the timing, composition, and transitions. Really grateful to the animatic and animation team for making it happen.
1:39

Spent a lot of time figuring out the layout storyboard for this scene, trying to make sure every beat worked with the timing, composition, and transitions. Really grateful to the animatic and animation team for making it happen.

Chris de Leon

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Seedance 2.0 VS Kling 3.0! 🔥 Essential comparison to understand the two best models on the market Conclusions and prompt: The generations are radically different, using the same initial and final frames and spaceship elements. I specified that it's a fast-paced, cinematic action scene. But Seedance has created a beautiful, relaxing, high-quality scene. The rendering of the ship's movements is sublime with Seedance; it's a dynamic, cinematic-quality 3D element. The Kling scene conveys the message better; I specified that it should splash in the water. The sounds are good; in Seedance, the sound quality is cinematic. I've added a third shot with Kling and a giant. I used Kling 3.0 at Higgsfield Prompt in comment:
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Seedance 2.0 VS Kling 3.0! 🔥 Essential comparison to understand the two best models on the market Conclusions and prompt: The generations are radically different, using the same initial and final frames and spaceship elements. I specified that it's a fast-paced, cinematic action scene. But Seedance has created a beautiful, relaxing, high-quality scene. The rendering of the ship's movements is sublime with Seedance; it's a dynamic, cinematic-quality 3D element. The Kling scene conveys the message better; I specified that it should splash in the water. The sounds are good; in Seedance, the sound quality is cinematic. I've added a third shot with Kling and a giant. I used Kling 3.0 at Higgsfield Prompt in comment:

hedoήist

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storyboard animatic for TADC episode 7! didn't work on this episode much, but I did get to take this ending scene (yayyy) and help out with some prep stuff for the board team. thank you so much to my storyboard lead Robin for the opportunity! #TheAmazingDigitalCircus #TADCEp7
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storyboard animatic for TADC episode 7! didn't work on this episode much, but I did get to take this ending scene (yayyy) and help out with some prep stuff for the board team. thank you so much to my storyboard lead Robin for the opportunity! #TheAmazingDigitalCircus #TADCEp7

AD Taeza

129,302 görüntüleme • 7 ay önce

Seedance 2.0 - Advanced Workflows Series 11. Cinematic Camera Angles through Video Gen + Specialized Storyboard AI Agent Are you already getting camera shots and angles through Nano Banana Pro? Take the next step. Seedance 2.0 has a better spatial understanding of the scene than image generation models. Because it is built to produce cinematic clips, it achieves more beautiful shots and angles than image models like Nano Banana, which are primarily made for image editing. As an added bonus, Seedance renders the entire space of the scene, so you can get tens of shots with complete spatial and element consistency in a single generation. Create a specific AI Agent to help you with storyboarding, and feed the input into Seedance to get the most cinematic shots. You can access Seedance 2.0 now on insMind (link at the end of the thread). Workflow + Prompts👇
0:31

Seedance 2.0 - Advanced Workflows Series 11. Cinematic Camera Angles through Video Gen + Specialized Storyboard AI Agent Are you already getting camera shots and angles through Nano Banana Pro? Take the next step. Seedance 2.0 has a better spatial understanding of the scene than image generation models. Because it is built to produce cinematic clips, it achieves more beautiful shots and angles than image models like Nano Banana, which are primarily made for image editing. As an added bonus, Seedance renders the entire space of the scene, so you can get tens of shots with complete spatial and element consistency in a single generation. Create a specific AI Agent to help you with storyboarding, and feed the input into Seedance to get the most cinematic shots. You can access Seedance 2.0 now on insMind (link at the end of the thread). Workflow + Prompts👇

VoxelPlot

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Ray Harryhausen animated 7 skeletons in Jason and the Argonauts (1963), moving 35 appendages per frame to match the actors. Some days he managed just 13 or 14 frames. It took 4 & a half months to create this 3 mins scene.
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Ray Harryhausen animated 7 skeletons in Jason and the Argonauts (1963), moving 35 appendages per frame to match the actors. Some days he managed just 13 or 14 frames. It took 4 & a half months to create this 3 mins scene.

cinesthetic.

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How to Turn AI Storyboards Into Cinematic Videos with Seedance 2.0 (Complete Tutorial) In this video you will learn how to transform a single AI storyboard into a fully animated cinematic video using Seedance 2.0 and other powerful AI tools. You will learn the exact workflow for creating consistent AI characters, generating professional storyboard sequences, animating multiple scenes, and producing high quality AI videos in minutes. This tutorial covers storyboard creation, character consistency, AI animation, scene transitions, cinematic storytelling, and the tools used to create polished AI films while saving time and reducing production costs. This information is for both new and existing creators who want to create AI films, animated shorts, commercials, or cinematic videos using the latest AI tools in 2026. Like, Retweet and Bookmark. Follow BIG CHRIS Video Credit: AI Bunny 🤝(
8:59

How to Turn AI Storyboards Into Cinematic Videos with Seedance 2.0 (Complete Tutorial) In this video you will learn how to transform a single AI storyboard into a fully animated cinematic video using Seedance 2.0 and other powerful AI tools. You will learn the exact workflow for creating consistent AI characters, generating professional storyboard sequences, animating multiple scenes, and producing high quality AI videos in minutes. This tutorial covers storyboard creation, character consistency, AI animation, scene transitions, cinematic storytelling, and the tools used to create polished AI films while saving time and reducing production costs. This information is for both new and existing creators who want to create AI films, animated shorts, commercials, or cinematic videos using the latest AI tools in 2026. Like, Retweet and Bookmark. Follow BIG CHRIS Video Credit: AI Bunny 🤝(

BIG CHRIS

11,707 görüntüleme • 1 ay önce

Rebellion: An Overwatch Animatic/Storyboard Dedicated to the devs of Overwatch, past and present. Thank you for changing my life.
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Rebellion: An Overwatch Animatic/Storyboard Dedicated to the devs of Overwatch, past and present. Thank you for changing my life.

Ryno || Semi-afk arc 🦉

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Robot Dreams is finally out and I can share some excerpts from my animatic work for the film! Thanks to José Luis Ágreda and Pablo for the lovely experience, the three of us working together on the entire storyboard for a year and a half. (Also: go see the movie!!!)
1:17

Robot Dreams is finally out and I can share some excerpts from my animatic work for the film! Thanks to José Luis Ágreda and Pablo for the lovely experience, the three of us working together on the entire storyboard for a year and a half. (Also: go see the movie!!!)

Maca

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Introducing the Multi-Shot App. An easy way to go from a simple prompt to a thoughtfully crafted scene. All with dialogue, sound effects, intentional cuts, pacing and cinematic framing. Start from an image or go purely Text to Video for total creative exploration. Available now on the web app. See examples in the thread below.
1:34

Introducing the Multi-Shot App. An easy way to go from a simple prompt to a thoughtfully crafted scene. All with dialogue, sound effects, intentional cuts, pacing and cinematic framing. Start from an image or go purely Text to Video for total creative exploration. Available now on the web app. See examples in the thread below.

Runway

191,976 görüntüleme • 4 ay önce

🚨EXCLUSIVE🚨: Here's a first look at an entire storyboard for a scene from the cancelled Blue Sky Studios version of Rio 3! Nigel returns and is seeking to impersonate Blu!
2:14

🚨EXCLUSIVE🚨: Here's a first look at an entire storyboard for a scene from the cancelled Blue Sky Studios version of Rio 3! Nigel returns and is seeking to impersonate Blu!

The Garfield Movie News

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The skydive scene from MOONRAKER was an attempt to go bigger and bolder than the parachute jump opening scene from THE SPY WHO LOVED ME. It took the stunt coordinators 83 jumps over five weeks to capture the final scene in the film.
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The skydive scene from MOONRAKER was an attempt to go bigger and bolder than the parachute jump opening scene from THE SPY WHO LOVED ME. It took the stunt coordinators 83 jumps over five weeks to capture the final scene in the film.

James Bond

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not long now before we can simply drag and drop an image into an editor to create a 3D scene! the scenes below are generated from the image on the left 👀
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not long now before we can simply drag and drop an image into an editor to create a 3D scene! the scenes below are generated from the image on the left 👀

Dreaming Tulpa 🥓👑

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🚨 SHOCKING: One person can now create a cinematic drama series that used to require an entire production crew. With Pippitofficial Story Studio + Seedance 2.5, one laptop is enough to build consistent, 30-second cinematic scenes. Here's the breakdown ↓
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🚨 SHOCKING: One person can now create a cinematic drama series that used to require an entire production crew. With Pippitofficial Story Studio + Seedance 2.5, one laptop is enough to build consistent, 30-second cinematic scenes. Here's the breakdown ↓

Dhaval Makwana

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Creator seungho__yeo ( IG ) transformed one of most iconic scenes in About Time into an Arcane-inspired visual inside ComfyUI. The original performance, camera movement, and emotional pacing remain intact, while every frame is reinterpreted with a painterly aesthetic, dramatic lighting, and rich cinematic textures. pipeline: → Source scene → Style transfer → Frame-by-frame reinterpretation → Final cinematic render Changing only the visual style completely reshapes the emotional atmosphere of a scene. Which version do you prefer, the original film or the Arcane-inspired reinterpretation?
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Creator seungho__yeo ( IG ) transformed one of most iconic scenes in About Time into an Arcane-inspired visual inside ComfyUI. The original performance, camera movement, and emotional pacing remain intact, while every frame is reinterpreted with a painterly aesthetic, dramatic lighting, and rich cinematic textures. pipeline: → Source scene → Style transfer → Frame-by-frame reinterpretation → Final cinematic render Changing only the visual style completely reshapes the emotional atmosphere of a scene. Which version do you prefer, the original film or the Arcane-inspired reinterpretation?

ComfyUI

11,349 görüntüleme • 1 ay önce

The Quicksilver scene in ‘X-Men: Apocalypse’ (2016) took 1.5 months to film, for less than a 3 min sequence
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The Quicksilver scene in ‘X-Men: Apocalypse’ (2016) took 1.5 months to film, for less than a 3 min sequence

Film Facts 🎬

8,223,881 görüntüleme • 3 yıl önce

The Quicksilver scene in ‘X-Men: Apocalypse’ (2016) took 1.5 months to film, for less than a 3 min sequence
2:20

The Quicksilver scene in ‘X-Men: Apocalypse’ (2016) took 1.5 months to film, for less than a 3 min sequence

Emir Han

58,350 görüntüleme • 1 yıl önce

Hehe, had fun making a really rough doodle storyboard animatic of the Chaotix Episode 3 scene where Tangle and Whisper make their entrance. XD I WAS gonna keep it to myself, but I’m kinda tempted to throw it on YouTube for folks to enjoy! Watcha guys think? ^^
0:42

Hehe, had fun making a really rough doodle storyboard animatic of the Chaotix Episode 3 scene where Tangle and Whisper make their entrance. XD I WAS gonna keep it to myself, but I’m kinda tempted to throw it on YouTube for folks to enjoy! Watcha guys think? ^^

MinionkingKarl ⭐️StoryArtist! ⭐️

27,100 görüntüleme • 6 ay önce

I still can't believe this works! Every filmmaker needs to try the hybrid AI filmmaking + Blender previs workflow for precise camera control. AI dialogue is still flat but I'm going to dive into solving that next. My workflow: 1. Generate a start frame in Midjourney 2. Block out the scene in Blender, animate the camera 3. Feed both to Seedance So much of cinematic storytelling is composition, timing, and giving the viewer a spatial understanding of the scene. You can solve all of that before you ever touch the video model.
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I still can't believe this works! Every filmmaker needs to try the hybrid AI filmmaking + Blender previs workflow for precise camera control. AI dialogue is still flat but I'm going to dive into solving that next. My workflow: 1. Generate a start frame in Midjourney 2. Block out the scene in Blender, animate the camera 3. Feed both to Seedance So much of cinematic storytelling is composition, timing, and giving the viewer a spatial understanding of the scene. You can solve all of that before you ever touch the video model.

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Finished a storyboard animatic inspired by super cool comic pages from Daniel Warren Johnson on the Skybound Transformers series! Wanted to try boarding Optimus vs Devastator as if it were for an animated series. The cool drop kick at the fight's beginning was the main motivator haha
2:02

Finished a storyboard animatic inspired by super cool comic pages from Daniel Warren Johnson on the Skybound Transformers series! Wanted to try boarding Optimus vs Devastator as if it were for an animated series. The cool drop kick at the fight's beginning was the main motivator haha

Checkers

302,726 görüntüleme • 1 yıl önce