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Another Nazca geometric geoglyph. This one is absolutely wild! This might be the first video of it. Make sure you watch in 4K to see all the details! Whoever made this must have had a lot of time on their hands. It’s a shame it’s been partially destroyed by...

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Weird Old World

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49,672 görüntüleme • 1 ay önce •via X (Twitter)

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"Rather than have lines like 'this is what we're doing, [...] we must do this, Matt would have a lot of lines like [...]"what do you think we should do? I'm not sure. What if we do that?" Charlie, I don't think a single one of those lines made it in the final cut bro. #Daredevil
1:22

"Rather than have lines like 'this is what we're doing, [...] we must do this, Matt would have a lot of lines like [...]"what do you think we should do? I'm not sure. What if we do that?" Charlie, I don't think a single one of those lines made it in the final cut bro. #Daredevil

Scarlett

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Another possibly undocumented Nazca geometric geoglyph. What’s even more interesting are the ruins buried right next to it. Look at the extent of these structures in the last seconds of the video! As far as I know this site doesn’t have a name, has never been excavated and is not even registered with the Ministry of Culture. I'd love to have a drone-mounted GPR to see what else could be buried in this desert!
1:36

Another possibly undocumented Nazca geometric geoglyph. What’s even more interesting are the ruins buried right next to it. Look at the extent of these structures in the last seconds of the video! As far as I know this site doesn’t have a name, has never been excavated and is not even registered with the Ministry of Culture. I'd love to have a drone-mounted GPR to see what else could be buried in this desert!

Weird Old World

23,616 görüntüleme • 2 ay önce

I saw this watch for the first time yesterday and have to tell you the truth, I cried. I actually cried because I've never seen anything like this. It’s an art installation. Coco Chanel's nail polish spilt all over the dial, baked to 1,200 degrees and also on the box. It's a perfect alignment. Do I ever wear this watch or do I leave it as an art installation of Coco Chanel's legacy of being one of the first women in the late '40s and early '50s to wear bright red lipstick and all these other colors? She became a legend. It’s a one of a kind, nobody else will ever have this piece because it was made just once. Now, that's a piece unique and that's what collectors really want. That's what makes these so special. It will never, ever be made again this way.
3:22

I saw this watch for the first time yesterday and have to tell you the truth, I cried. I actually cried because I've never seen anything like this. It’s an art installation. Coco Chanel's nail polish spilt all over the dial, baked to 1,200 degrees and also on the box. It's a perfect alignment. Do I ever wear this watch or do I leave it as an art installation of Coco Chanel's legacy of being one of the first women in the late '40s and early '50s to wear bright red lipstick and all these other colors? She became a legend. It’s a one of a kind, nobody else will ever have this piece because it was made just once. Now, that's a piece unique and that's what collectors really want. That's what makes these so special. It will never, ever be made again this way.

Kevin O'Leary aka Mr. Wonderful

19,185 görüntüleme • 1 yıl önce

🎥 || Lewis Hamilton after first runs in the SF-26. “Immediately you’re trying to get a feel for anything, feeling through your body, through the G-long, through the vibrations of the seat and the suspension. You’re trying to pick up all these little bits of information in the little time that you have and then just to be in Fiorano, you know, to be at Ferrari, to be here, to know that this is a start of a long journey.” “But one that I know that it just feels right, I think the team is in the best place, it’s been, I think for the time I’ve been here. And seeing everyone so motivated and driven, I think we’re really on it.” “We’ve got a lot of work to do to really make sure we do all the diligence and we really understand this car and we really have to be quick to react, be very dynamic but I feel like all hands are on deck so I’m sure we can do that.”
1:03

🎥 || Lewis Hamilton after first runs in the SF-26. “Immediately you’re trying to get a feel for anything, feeling through your body, through the G-long, through the vibrations of the seat and the suspension. You’re trying to pick up all these little bits of information in the little time that you have and then just to be in Fiorano, you know, to be at Ferrari, to be here, to know that this is a start of a long journey.” “But one that I know that it just feels right, I think the team is in the best place, it’s been, I think for the time I’ve been here. And seeing everyone so motivated and driven, I think we’re really on it.” “We’ve got a lot of work to do to really make sure we do all the diligence and we really understand this car and we really have to be quick to react, be very dynamic but I feel like all hands are on deck so I’m sure we can do that.”

sin ⁴⁴

106,625 görüntüleme • 7 ay önce

I’ve been following this phenomenon for a while. I have no idea what to make of it but when you see the sky get that black at 3:30 in the afternoon on a sunny day AND you hear what sounds like loud trumpets in the sky…It means something.. I’m not sure what. I don’t know if it’s biblical or if it’s something our government is doing, but I know what it sounds like to me . It’s been happening all over the world . I’d love to hear your opinions on this.
0:37

I’ve been following this phenomenon for a while. I have no idea what to make of it but when you see the sky get that black at 3:30 in the afternoon on a sunny day AND you hear what sounds like loud trumpets in the sky…It means something.. I’m not sure what. I don’t know if it’s biblical or if it’s something our government is doing, but I know what it sounds like to me . It’s been happening all over the world . I’d love to hear your opinions on this.

Leah Rain ✝️🇺🇸🎸🏝️

22,670 görüntüleme • 1 ay önce

🚨ELON MUSK: "We need to have fire breaks and we need to clear the brush back away from houses and we need to make sure the reservoirs are full but due to a bunch of environmental rulings you can't do that in California because it might hurt some red-legged frog or something like that. There's a fish called the Smelt and we have far more fresh water runoff into the ocean than we should on the theory that it helps this one little fish that likes this fresh/salt water mix. But there's no evidence of this. So we should have more fresh water. This is just an example, but we would have saved a lot of trouble if we had done that."
1:35

🚨ELON MUSK: "We need to have fire breaks and we need to clear the brush back away from houses and we need to make sure the reservoirs are full but due to a bunch of environmental rulings you can't do that in California because it might hurt some red-legged frog or something like that. There's a fish called the Smelt and we have far more fresh water runoff into the ocean than we should on the theory that it helps this one little fish that likes this fresh/salt water mix. But there's no evidence of this. So we should have more fresh water. This is just an example, but we would have saved a lot of trouble if we had done that."

Autism Capital 🧩

850,686 görüntüleme • 1 yıl önce

This is the most IMPORTANT video you’ll watch on $CIFR all weekend! In this video I explain EXACTLY when $CIFR will find a bottom, and what we need to see in the price action to determine if it’s a dead cat bounce, or if Cipher Mining will make new highs! Don’t miss this video! If you don’t have the time to watch the video right now, be sure to Bookmark 📖 This post and watch it later! I’m posting 20 of the BEST setups in the market this weekend, be sure to FOLLOW with NOTIFICATIONS ON 🔔 to get notified when I post a new trade alert.
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This is the most IMPORTANT video you’ll watch on $CIFR all weekend! In this video I explain EXACTLY when $CIFR will find a bottom, and what we need to see in the price action to determine if it’s a dead cat bounce, or if Cipher Mining will make new highs! Don’t miss this video! If you don’t have the time to watch the video right now, be sure to Bookmark 📖 This post and watch it later! I’m posting 20 of the BEST setups in the market this weekend, be sure to FOLLOW with NOTIFICATIONS ON 🔔 to get notified when I post a new trade alert.

Thomas James Investing

124,315 görüntüleme • 9 ay önce

Nick Saban was asked a question after practice once. His response was 70 seconds of gold on what it takes to be successful in life. Here’s Saban on the Illusion of Choice: “These guys, they all think they have this illusion of choice. Like I can do whatever I want to do. “You have a younger generation now that doesn’t always get told no. They don’t get told this is exactly how you need to do it. So they have this illusion that they have all these choices. “But the fact of the matter is, if you want to be good you don’t really have a lot of choices. It takes what it takes. You have to do what you have to do to be successful. “You have to make the choices and decisions to have the discipline and the focus to the process of what you need to do to accomplish your goals. “All these guys that think they have a lot of choices are sadly mistaken. As we all have done with our own children, they learn these lessons of life as they get older. “Sometimes the best way to learn is from the mistakes you make, even though we all hate to see them have to make them, and we don’t condone it when they do.” – I’ve studied Saban for 12+ years, and the Illusion of Choice is one of the most powerful concepts I’ve come across. Some key takeaways: 1. Excellence has a price. We can complain about that, but it’s a fact of life. 2. Most people don’t want to pay that price. They just haven’t admitted it to themselves. 3. Saying you want to be excellent is easy. Becoming excellent is hard. 4. There may not be one way to become great, but there are very few. And they all have discipline and consistency in common. 5. Every action we take is a choice. We’re choosing to make progress, or we’re not. 6. The formula for becoming successful: Your Daily Choices x Time. It’s simple, but we make it complicated. 7. Sometimes we learn more by making the wrong choices. Reflect on them, pull out the lessons and move on. 8. You have to choose what you do every day. Don’t follow your feelings. Choose to do what will make you better. 9. There are no long-term hacks. It takes what it takes. ||| Hope this is helpful. Follow me Teddy Mitrosilis for more writing. I also write a weekly newsletter on the process of improvement →
1:10

Nick Saban was asked a question after practice once. His response was 70 seconds of gold on what it takes to be successful in life. Here’s Saban on the Illusion of Choice: “These guys, they all think they have this illusion of choice. Like I can do whatever I want to do. “You have a younger generation now that doesn’t always get told no. They don’t get told this is exactly how you need to do it. So they have this illusion that they have all these choices. “But the fact of the matter is, if you want to be good you don’t really have a lot of choices. It takes what it takes. You have to do what you have to do to be successful. “You have to make the choices and decisions to have the discipline and the focus to the process of what you need to do to accomplish your goals. “All these guys that think they have a lot of choices are sadly mistaken. As we all have done with our own children, they learn these lessons of life as they get older. “Sometimes the best way to learn is from the mistakes you make, even though we all hate to see them have to make them, and we don’t condone it when they do.” – I’ve studied Saban for 12+ years, and the Illusion of Choice is one of the most powerful concepts I’ve come across. Some key takeaways: 1. Excellence has a price. We can complain about that, but it’s a fact of life. 2. Most people don’t want to pay that price. They just haven’t admitted it to themselves. 3. Saying you want to be excellent is easy. Becoming excellent is hard. 4. There may not be one way to become great, but there are very few. And they all have discipline and consistency in common. 5. Every action we take is a choice. We’re choosing to make progress, or we’re not. 6. The formula for becoming successful: Your Daily Choices x Time. It’s simple, but we make it complicated. 7. Sometimes we learn more by making the wrong choices. Reflect on them, pull out the lessons and move on. 8. You have to choose what you do every day. Don’t follow your feelings. Choose to do what will make you better. 9. There are no long-term hacks. It takes what it takes. ||| Hope this is helpful. Follow me Teddy Mitrosilis for more writing. I also write a weekly newsletter on the process of improvement →

Teddy Mitrosilis

4,059,225 görüntüleme • 2 yıl önce

Hirokazu Koreeda on how he directs Children: "Interviewer: I think 'Shoplifters' (2018) is very remarkable in showing different sides of a city and like you said, people who are pretty much invisible, but I do want to also commend you on another thing, is you often work with young actors, and they always tend to have a significant role in many of your films. How do you go about finding such dynamic young actors, and why do you often put these young people at the center of each one of your stories? Koreeda: First of all, I would say that I tend to make what I would call family dramas, and of course, you have to have children if you’re creating a family, but that’s how it started, but I found that as I did it, I became really interested. It became very interesting and fun to work with these children, and for example, the two children in this film, neither of them had any acting experience at all before this film. I brought them in, and what I find when you bring these children in, and you work with them is that the adult actors change. They become much more lively and natural in the way that they act, and I guess, at some point, I realized this, and I guess, became really attracted to the idea of having children and the impact that it had. Interviewer: Do you find that there is any struggle in terms of working with young actors, or in this case, young children who have not actually acted before? Koreeda: Just to clarify, I have worked with children in many of my films, and all of them have never had experienced before. I always go out and pick non-acting children to work in my films, so just, I wanted to put that out there. In terms of the struggle, it does take time. You have to give extra time to work with these children. When I choose these children, I have an audition, and I pick out who I want to the audition, and then when we get to set, I never give them the script. No child that I’ve worked with has been given a script beforehand, and when I get to the actual part where they’re going to be acting, I give them the lines myself, and work with them and coach them. What I find is that it’s actually really enjoyable, both for them and for myself that way. I also, because I’ve been doing this now for several years, I tend to have a fairly high success rate in choosing children that are able to work with me in that way. Interviewer: That’s fascinating, and it also shows how you are able to create such authentic performances from these child actors over and over again in so many of your films. I think it’s a unique gift that you have, and it’s something that very few directors, I think, here in the United States do. Koreeda: It’s true, I guess by working with these children, I learned. I discovered that the best way to do it was just to communicate verbally their lines, rather than giving them in a written format, and over time, this really worked, and so I just kept doing it. But, interestingly, I loved the movie 'Kramer vs Kramer' (1979), directed by Robert Benton, and one time I bought the movie with all the extra, the making of and everything, and I went over it, and I found through that, that in fact, the child in that movie was also given his lines every day by the assistant director each morning when they came in to set, so I discovered that it wasn’t just me that was doing this." (Koreeda's interview with Scott Menzel, We Live Entertainment, 2018)
1:23

Hirokazu Koreeda on how he directs Children: "Interviewer: I think 'Shoplifters' (2018) is very remarkable in showing different sides of a city and like you said, people who are pretty much invisible, but I do want to also commend you on another thing, is you often work with young actors, and they always tend to have a significant role in many of your films. How do you go about finding such dynamic young actors, and why do you often put these young people at the center of each one of your stories? Koreeda: First of all, I would say that I tend to make what I would call family dramas, and of course, you have to have children if you’re creating a family, but that’s how it started, but I found that as I did it, I became really interested. It became very interesting and fun to work with these children, and for example, the two children in this film, neither of them had any acting experience at all before this film. I brought them in, and what I find when you bring these children in, and you work with them is that the adult actors change. They become much more lively and natural in the way that they act, and I guess, at some point, I realized this, and I guess, became really attracted to the idea of having children and the impact that it had. Interviewer: Do you find that there is any struggle in terms of working with young actors, or in this case, young children who have not actually acted before? Koreeda: Just to clarify, I have worked with children in many of my films, and all of them have never had experienced before. I always go out and pick non-acting children to work in my films, so just, I wanted to put that out there. In terms of the struggle, it does take time. You have to give extra time to work with these children. When I choose these children, I have an audition, and I pick out who I want to the audition, and then when we get to set, I never give them the script. No child that I’ve worked with has been given a script beforehand, and when I get to the actual part where they’re going to be acting, I give them the lines myself, and work with them and coach them. What I find is that it’s actually really enjoyable, both for them and for myself that way. I also, because I’ve been doing this now for several years, I tend to have a fairly high success rate in choosing children that are able to work with me in that way. Interviewer: That’s fascinating, and it also shows how you are able to create such authentic performances from these child actors over and over again in so many of your films. I think it’s a unique gift that you have, and it’s something that very few directors, I think, here in the United States do. Koreeda: It’s true, I guess by working with these children, I learned. I discovered that the best way to do it was just to communicate verbally their lines, rather than giving them in a written format, and over time, this really worked, and so I just kept doing it. But, interestingly, I loved the movie 'Kramer vs Kramer' (1979), directed by Robert Benton, and one time I bought the movie with all the extra, the making of and everything, and I went over it, and I found through that, that in fact, the child in that movie was also given his lines every day by the assistant director each morning when they came in to set, so I discovered that it wasn’t just me that was doing this." (Koreeda's interview with Scott Menzel, We Live Entertainment, 2018)

DepressedBergman

49,522 görüntüleme • 7 ay önce

Qullamaggie on Dan Zanger “Dan Zanger, I think he is great. I learned a lot from Dan Sanger. Love your stops, not your stocks. Best motto ever. It’s the same; it’s the same thing again. Dan Zanger too—like he studied what works in the markets. He made tens of millions, and in a few years, he’s probably made 100 million since. Well, he has a lot of articles on the internet, but you can also subscribe to his - I went through all his old newsletters from the 90s to like 2012, reviewing every single newsletter. I just looked at what he looked for regarding the chart patterns. It’s the same thing I look for now. It’s just these simple patterns I talk about all the time, like these channels. You have a big momentum stock that goes up and builds a channel. You have a big momentum stock builds a channel this way. You have a momentum stock does something like this with higher lows. These triangles channels high tight flags. It doesn’t matter if you learn from Minervini, Zanger, it’s the same thing. Or Stockbee. It’s the same thing over and over. It’s so easy you just need to train your brain to see these patterns. On the strongest stocks that’s the key. Not some random piece of shit. People keep posting these random stocks that have these bull flags. But you need the strongest stocks. You don’t have an edge trading some random shit stock.”
1:43

Qullamaggie on Dan Zanger “Dan Zanger, I think he is great. I learned a lot from Dan Sanger. Love your stops, not your stocks. Best motto ever. It’s the same; it’s the same thing again. Dan Zanger too—like he studied what works in the markets. He made tens of millions, and in a few years, he’s probably made 100 million since. Well, he has a lot of articles on the internet, but you can also subscribe to his - I went through all his old newsletters from the 90s to like 2012, reviewing every single newsletter. I just looked at what he looked for regarding the chart patterns. It’s the same thing I look for now. It’s just these simple patterns I talk about all the time, like these channels. You have a big momentum stock that goes up and builds a channel. You have a big momentum stock builds a channel this way. You have a momentum stock does something like this with higher lows. These triangles channels high tight flags. It doesn’t matter if you learn from Minervini, Zanger, it’s the same thing. Or Stockbee. It’s the same thing over and over. It’s so easy you just need to train your brain to see these patterns. On the strongest stocks that’s the key. Not some random piece of shit. People keep posting these random stocks that have these bull flags. But you need the strongest stocks. You don’t have an edge trading some random shit stock.”

Lone

99,822 görüntüleme • 8 ay önce

"There's been a lot of upheaval, some of the most emotional, difficult issues a manager and squad would have to face.” “We all talked in the summer that we'd have to be patient and give them time. It turns out this is the situation - they have got enough credit in the bank."
1:08

"There's been a lot of upheaval, some of the most emotional, difficult issues a manager and squad would have to face.” “We all talked in the summer that we'd have to be patient and give them time. It turns out this is the situation - they have got enough credit in the bank."

The Anfield Wrap

64,033 görüntüleme • 10 ay önce

Whitney Webb: "A lot of people forget... the ban on propaganda being used domestically against Americans was lifted under the Obama administration... now with all of this extreme media consolidation by this specific cabal of billionaires and oligarchs, the propaganda is already bad[, and] I would argue... is going to get even worse." This clip of Webb (Whitney Webb), author of One Nation Under Blackmail and contributing editor of unlimitedhangout, is taken from an interview with Chris Hedges (Chris Hedges) posted to YouTube on October 22, 2025. ----------------Partial transcription of clip--------------- "There's an unprecedented effort of course, to propagandize the American people, to have us willingly walk in and support and consent to these systems being installed, because a lot of people forget. But the ban on propaganda, being used domestically against Americans was lifted under the Obama administration. And now with all of this extreme media consolidation by the specific cabal of billionaires and oligarchs and the, the propaganda is already bad, I would argue, but is going to get even worse to get people to consent to these systems specifically. "And I think a lot of what we're going to see is going to be sort of a repeated trope of what we saw on the War on Terror. We have to give up all of our all of these new freedoms, or all of these freedoms and things like that, because we have to go after Al Qaeda and get them at all costs. But now, you know, 20 plus years later, you have you know, the head of Al Qaeda in Syria being given a diplomat, you know, I don't even know what to call it. It's so ridiculous. Like a red carpet welcome to shake hands with David Petraeus and all of this. "So we lost all of our freedoms, but now Al Qaeda is just, you know, let's, let's shake hands and let them come to the UN while we don't let anyone from Palestine come. I mean it's totally insane. So I think it's quite possible that given that we're seeing this effort to gin up a war on domestic terrorism yet again, we're going to be, given another invisible enemy, and told that we need to give up all of these remaining freedoms and civil liberties to go after the domestic terrorists and that it's going to be, you know, unfortunately a lot of the depravity that we witnessed during the War on Terror, but directed domestically, hence the name domestic terrorism. "And I think you can argue that was always the plan post 9/11. A lot of the stuff was focused domestically. Before 9/11 there were efforts to pass DHS as the National Homeland Security Agency. It stalled in Congress, of course, after 9/11, no longer stalled. And so DHS was created, in a lot of these, you know, security agencies. And the expansion of the national security state in general has also, you know, had a lot of tentacles domestically. "And I think Americans have been naive that a lot of the evil, that that national security, security state has done abroad would never be used against them. And I think that, you know, we need to be very aware of what is going on here, and that the Deep State, if you— whatever you want to call it, is expanding. And it's expanding in the hands of private oligarchs that have a very dangerous political vision that is rarely talked about."
2:54

Whitney Webb: "A lot of people forget... the ban on propaganda being used domestically against Americans was lifted under the Obama administration... now with all of this extreme media consolidation by this specific cabal of billionaires and oligarchs, the propaganda is already bad[, and] I would argue... is going to get even worse." This clip of Webb (Whitney Webb), author of One Nation Under Blackmail and contributing editor of unlimitedhangout, is taken from an interview with Chris Hedges (Chris Hedges) posted to YouTube on October 22, 2025. ----------------Partial transcription of clip--------------- "There's an unprecedented effort of course, to propagandize the American people, to have us willingly walk in and support and consent to these systems being installed, because a lot of people forget. But the ban on propaganda, being used domestically against Americans was lifted under the Obama administration. And now with all of this extreme media consolidation by the specific cabal of billionaires and oligarchs and the, the propaganda is already bad, I would argue, but is going to get even worse to get people to consent to these systems specifically. "And I think a lot of what we're going to see is going to be sort of a repeated trope of what we saw on the War on Terror. We have to give up all of our all of these new freedoms, or all of these freedoms and things like that, because we have to go after Al Qaeda and get them at all costs. But now, you know, 20 plus years later, you have you know, the head of Al Qaeda in Syria being given a diplomat, you know, I don't even know what to call it. It's so ridiculous. Like a red carpet welcome to shake hands with David Petraeus and all of this. "So we lost all of our freedoms, but now Al Qaeda is just, you know, let's, let's shake hands and let them come to the UN while we don't let anyone from Palestine come. I mean it's totally insane. So I think it's quite possible that given that we're seeing this effort to gin up a war on domestic terrorism yet again, we're going to be, given another invisible enemy, and told that we need to give up all of these remaining freedoms and civil liberties to go after the domestic terrorists and that it's going to be, you know, unfortunately a lot of the depravity that we witnessed during the War on Terror, but directed domestically, hence the name domestic terrorism. "And I think you can argue that was always the plan post 9/11. A lot of the stuff was focused domestically. Before 9/11 there were efforts to pass DHS as the National Homeland Security Agency. It stalled in Congress, of course, after 9/11, no longer stalled. And so DHS was created, in a lot of these, you know, security agencies. And the expansion of the national security state in general has also, you know, had a lot of tentacles domestically. "And I think Americans have been naive that a lot of the evil, that that national security, security state has done abroad would never be used against them. And I think that, you know, we need to be very aware of what is going on here, and that the Deep State, if you— whatever you want to call it, is expanding. And it's expanding in the hands of private oligarchs that have a very dangerous political vision that is rarely talked about."

Sense Receptor

28,630 görüntüleme • 10 ay önce

11 DAYS OUT! Super excited to be getting on stage for the first time. TBH, I have no idea what to expect but I kinda like it like that. It’s keeping me calm and letting me just go with the flow. I’m not going into it with that “OMG I HAVE TO WIN” mentality. I just wanna show up, have fun, and show off what the work I’ve put in these last few months looks like. Grateful for all the support. 🙏 Hope this inspires at least one of you to chase your own version of discipline. 💪🏽
1:37

11 DAYS OUT! Super excited to be getting on stage for the first time. TBH, I have no idea what to expect but I kinda like it like that. It’s keeping me calm and letting me just go with the flow. I’m not going into it with that “OMG I HAVE TO WIN” mentality. I just wanna show up, have fun, and show off what the work I’ve put in these last few months looks like. Grateful for all the support. 🙏 Hope this inspires at least one of you to chase your own version of discipline. 💪🏽

FOUSEY

144,703 görüntüleme • 10 ay önce

Palantir CEO Alex Karp says people think we’re in an AI bubble because a lot of AI just doesn’t work: “If you just buy LLMs off the shelf and try to do any of this, it won’t work.” “It’s not precise enough. You can’t do underwriting. You can’t do these things that are regulated.” “People have tried things that just can never work. You buy a LLM, put it on your stack, and wonder why it’s not working.” “What you’re going to see, especially in America, is people trying to do something like Ontology by hand.” “Once you build a software layer to orchestrate and manage the LLMs in a language your enterprise understands, you actually can create value.” “There’s a lot of discussion on if we’re in an AI bubble. What is the meaning of this bubble? If anything, we’re just in a lag. There’s a lot of AI, some of it works.” “Go back to the battlefield context: everybody in the world assumed this would not work. But now it does work. Now the question is, ‘How can I get it to work for my country?’” “Palantir barely has a sales force. In fact, it seems to be getting smaller and smaller every time I go see them.”
3:13

Palantir CEO Alex Karp says people think we’re in an AI bubble because a lot of AI just doesn’t work: “If you just buy LLMs off the shelf and try to do any of this, it won’t work.” “It’s not precise enough. You can’t do underwriting. You can’t do these things that are regulated.” “People have tried things that just can never work. You buy a LLM, put it on your stack, and wonder why it’s not working.” “What you’re going to see, especially in America, is people trying to do something like Ontology by hand.” “Once you build a software layer to orchestrate and manage the LLMs in a language your enterprise understands, you actually can create value.” “There’s a lot of discussion on if we’re in an AI bubble. What is the meaning of this bubble? If anything, we’re just in a lag. There’s a lot of AI, some of it works.” “Go back to the battlefield context: everybody in the world assumed this would not work. But now it does work. Now the question is, ‘How can I get it to work for my country?’” “Palantir barely has a sales force. In fact, it seems to be getting smaller and smaller every time I go see them.”

Jawwwn

695,479 görüntüleme • 7 ay önce

#F1 | Lewis Hamilton believes the team is very well equipped to take on the 2026 season: “Just to be in Fiorano, you know, to be at Ferrari, to be here, to know that this is a start of a long journey, but one that I know that it just feels right, I think the team is in the best place it’s been, I think, for the time I’ve been here. And seeing everyone so motivated and driven, I think we’re really on it.” “We’ve got a lot of work to do to really make sure we do all the diligence and we really understand this car and we really have to be quick to react, be very dynamic but I feel like all hands are on deck so I’m sure we can do that.”
0:43

#F1 | Lewis Hamilton believes the team is very well equipped to take on the 2026 season: “Just to be in Fiorano, you know, to be at Ferrari, to be here, to know that this is a start of a long journey, but one that I know that it just feels right, I think the team is in the best place it’s been, I think, for the time I’ve been here. And seeing everyone so motivated and driven, I think we’re really on it.” “We’ve got a lot of work to do to really make sure we do all the diligence and we really understand this car and we really have to be quick to react, be very dynamic but I feel like all hands are on deck so I’m sure we can do that.”

deni

23,078 görüntüleme • 7 ay önce

Number 10 in the North shifts power out of Whitehall and closer to the people who’ve been left without it. It’s a policy of hope and connection. Do you know what else it is? Something which Reform have no answer to. A win for all of us. 🙌
0:27

Number 10 in the North shifts power out of Whitehall and closer to the people who’ve been left without it. It’s a policy of hope and connection. Do you know what else it is? Something which Reform have no answer to. A win for all of us. 🙌

Luke Charters MP

12,482 görüntüleme • 1 ay önce

🐰 i worked a lot with El Guincho. I got to listen to a lot of tracks and i was really wowed by just how fresh and new this was. One of the first thoughts i had was ‘wow, you can approach a song like this?’ and i felt a lot of pressure about how to make the best use of it. so that must be why i wanted to stay close, it was a totally a different vibe, a whole new vibe. i hope to work again and have another session with the producers and songwriters that we worked with
0:52

🐰 i worked a lot with El Guincho. I got to listen to a lot of tracks and i was really wowed by just how fresh and new this was. One of the first thoughts i had was ‘wow, you can approach a song like this?’ and i felt a lot of pressure about how to make the best use of it. so that must be why i wanted to stay close, it was a totally a different vibe, a whole new vibe. i hope to work again and have another session with the producers and songwriters that we worked with

jk.97

26,798 görüntüleme • 5 ay önce

A lot of people don’t realize just how many Nazca lines and geoglyphs there are, and how chaotic their overlap is. There are literally thousands of them, and they go on for miles! This is truly a sight to behold! Here’s a video I shot recently that will give you an idea of the extent of this madness. One interesting thing to note is that the large trapezoids always cover the other types of geoglyphs–lines or figurative ones–which logically means that they were made later, even though one might think the opposite. I also filmed a few more possibly undocumented geometric geoglyphs made of tiny pebbles, invisible in satellite images. I’ll post them soon.
4:30

A lot of people don’t realize just how many Nazca lines and geoglyphs there are, and how chaotic their overlap is. There are literally thousands of them, and they go on for miles! This is truly a sight to behold! Here’s a video I shot recently that will give you an idea of the extent of this madness. One interesting thing to note is that the large trapezoids always cover the other types of geoglyphs–lines or figurative ones–which logically means that they were made later, even though one might think the opposite. I also filmed a few more possibly undocumented geometric geoglyphs made of tiny pebbles, invisible in satellite images. I’ll post them soon.

Weird Old World

47,950 görüntüleme • 1 ay önce