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- AssetHub officially launched - Using Metahuman Component as parts system in UEFN This is crazy! Just discovered I can use the Metahuman Component in UEFN as a general parts system! Perfect for modular characters. So I had to test it out. First step: character design. With GPT Image...

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Jerome | InsaneUnreal

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24,268 次观看 • 3 个月前 •via X (Twitter)

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I tried to split some tasks up. After Tripo generated the quad mesh, I did a manual unwrap in Blender to give important parts bigger UV space. That definitely helped with the perceived texture sharpness. Auto-textured the mesh with Trellis2 in ComfyUI. Interesting to see all steps involved. For my workflow in UEFN I need good 2K textures so unwrapping is still important. Gonna test other platforms soon. Current imported mesh into UEFN has 15K triangles.
0:30

I tried to split some tasks up. After Tripo generated the quad mesh, I did a manual unwrap in Blender to give important parts bigger UV space. That definitely helped with the perceived texture sharpness. Auto-textured the mesh with Trellis2 in ComfyUI. Interesting to see all steps involved. For my workflow in UEFN I need good 2K textures so unwrapping is still important. Gonna test other platforms soon. Current imported mesh into UEFN has 15K triangles.

Jerome | InsaneUnreal

15,606 次观看 • 7 个月前

When I saw the mask "Tribes of the Calf" from Kanbas I knew I had to make it into reality. The jewelry and gold really made it stand out for me. Since Sam Spratt's The Masquerade was revealed, I have been spending time sculpting and dissecting the mask to recreate it in 3D as faithfully as possible. I delved into the creation of this mask for many reasons. I love a good challenge and this mask surely was one for me. Creating something in 3D from a 2D image is not easy, and especially when the source has generative nature, some stuff is hard to interpret, but I tried my best to make sure the visual integrity of the mask is as close to the original as possible. Splitting the whole mask into parts, filling the missing pieces so I can build the textures was quite a lot of work. I tried to present the mask in my own style with a slightly different colorway to adapt to the mask itself. Please enjoy this short animation, and turn on sound🔊 This piece is my statement that I am here to stay. That I have a voice that often feels being lost in the void. That I have been creating and posting digital art for over 20 years now and will continue until I'm gone. I have a story to tell and I want to be heard. The space we have here is small, and is shrinking day by day. It doesn't have to be like that. We need to support each other and push ourselves and people here, otherwise we are all doomed. As Kanbas has put in their observation of the mask: "Inspirational. Emotional. Natural." This is what our space can be, and this is me making a statement with this homage. I will share a 4k still below as well as a short video showing the 3D GLB interactive model together with a yt link to the 4k video since compression here is pretty bad.
0:40

When I saw the mask "Tribes of the Calf" from Kanbas I knew I had to make it into reality. The jewelry and gold really made it stand out for me. Since Sam Spratt's The Masquerade was revealed, I have been spending time sculpting and dissecting the mask to recreate it in 3D as faithfully as possible. I delved into the creation of this mask for many reasons. I love a good challenge and this mask surely was one for me. Creating something in 3D from a 2D image is not easy, and especially when the source has generative nature, some stuff is hard to interpret, but I tried my best to make sure the visual integrity of the mask is as close to the original as possible. Splitting the whole mask into parts, filling the missing pieces so I can build the textures was quite a lot of work. I tried to present the mask in my own style with a slightly different colorway to adapt to the mask itself. Please enjoy this short animation, and turn on sound🔊 This piece is my statement that I am here to stay. That I have a voice that often feels being lost in the void. That I have been creating and posting digital art for over 20 years now and will continue until I'm gone. I have a story to tell and I want to be heard. The space we have here is small, and is shrinking day by day. It doesn't have to be like that. We need to support each other and push ourselves and people here, otherwise we are all doomed. As Kanbas has put in their observation of the mask: "Inspirational. Emotional. Natural." This is what our space can be, and this is me making a statement with this homage. I will share a 4k still below as well as a short video showing the 3D GLB interactive model together with a yt link to the 4k video since compression here is pretty bad.

shoneec

17,888 次观看 • 1 年前

Tested this concepting workflow. ▶️ Converting a level design image to a 3D asset gallery image ▶️ re-generating segmented subjects into separate high quality images. ▶️ using these images to generate the 3D meshes. First time using 'for loops' in ComfyUI, works great and the prompts are updated for every segment. I used the Nano Banana 2 API node in ComfyUI to generate the final high quality images. Those SAM3 nodes are crazy btw, just set some points and it creates a mask! For the 3D model generation I used the new Tripo Smart Mesh tool, which is fast! The output is not perfect yet. I think in a lot of cases not production ready right now but that depends on the input image and the goal as well. For pre-production / concepting phase it's perfect and for far distance meshes it’s fine. I’m sure these tools keep improving, curious what we can work with in 3-6 months. Minimal cleanup and scaling in Blender and tested the meshes in UEFN / Unreal Engine. After creating the ComfyUI workflow it took less than an hour to do everything.
1:28

Tested this concepting workflow. ▶️ Converting a level design image to a 3D asset gallery image ▶️ re-generating segmented subjects into separate high quality images. ▶️ using these images to generate the 3D meshes. First time using 'for loops' in ComfyUI, works great and the prompts are updated for every segment. I used the Nano Banana 2 API node in ComfyUI to generate the final high quality images. Those SAM3 nodes are crazy btw, just set some points and it creates a mask! For the 3D model generation I used the new Tripo Smart Mesh tool, which is fast! The output is not perfect yet. I think in a lot of cases not production ready right now but that depends on the input image and the goal as well. For pre-production / concepting phase it's perfect and for far distance meshes it’s fine. I’m sure these tools keep improving, curious what we can work with in 3-6 months. Minimal cleanup and scaling in Blender and tested the meshes in UEFN / Unreal Engine. After creating the ComfyUI workflow it took less than an hour to do everything.

Jerome | InsaneUnreal

17,461 次观看 • 5 个月前

260225 stationhead listening party 🐰: the parts i paid especially close attention to while writing lyrics (for ‘what it is’) were mostly jeno’s parts.(laughs) yes, many of the lyrics are for jeno’s parts, and there were many areas where i tried to add a bit of a visual element to them, so please listen closely to jeno’s parts. there are also very sincere lyrics in the chorus, and the last chorus really explodes emotionally, so i hope you enjoy it. jeno, which part of the lyrics did you like the most? 🐶: i was really surprised that jaemin participated in writing the lyrics, and honestly, i liked all of it. but my favorite line is ‘catching my breath in the fast tempo, i like you.’ it’s a really fast part, and it still sticks with me.
0:51

260225 stationhead listening party 🐰: the parts i paid especially close attention to while writing lyrics (for ‘what it is’) were mostly jeno’s parts.(laughs) yes, many of the lyrics are for jeno’s parts, and there were many areas where i tried to add a bit of a visual element to them, so please listen closely to jeno’s parts. there are also very sincere lyrics in the chorus, and the last chorus really explodes emotionally, so i hope you enjoy it. jeno, which part of the lyrics did you like the most? 🐶: i was really surprised that jaemin participated in writing the lyrics, and honestly, i liked all of it. but my favorite line is ‘catching my breath in the fast tempo, i like you.’ it’s a really fast part, and it still sticks with me.

★★ archive

142,827 次观看 • 6 个月前

In this experiment I wanted to try something with facial expressions and have it work with native Unreal Engine tools. I did find that generating the head with an open mouth helped to get some extra details. Creating those blend shapes was still not easy and this result is far from perfect. Ideally i want 58 generated expression references and have AI figure that out haha. btw first time baking the high poly details onto the low poly generated character. That worked surprisingly well! Endresult has 34k triangles! Built this character in 4 separate parts in Blender and generated each part in Hunyuan 3D Studio. The original references came from Nano Banana 2 and Grok. Trellis 2 in ComfyUI for the texturing. The animation was done with Control Rig in UEFN / Unreal Engine. With all the experiments so far, file and version management start to become a challenge. Getting files from different platforms with each platform having their own filename logic. I’ll have to find something to keep it more organized. Any suggestions?
1:26

In this experiment I wanted to try something with facial expressions and have it work with native Unreal Engine tools. I did find that generating the head with an open mouth helped to get some extra details. Creating those blend shapes was still not easy and this result is far from perfect. Ideally i want 58 generated expression references and have AI figure that out haha. btw first time baking the high poly details onto the low poly generated character. That worked surprisingly well! Endresult has 34k triangles! Built this character in 4 separate parts in Blender and generated each part in Hunyuan 3D Studio. The original references came from Nano Banana 2 and Grok. Trellis 2 in ComfyUI for the texturing. The animation was done with Control Rig in UEFN / Unreal Engine. With all the experiments so far, file and version management start to become a challenge. Getting files from different platforms with each platform having their own filename logic. I’ll have to find something to keep it more organized. Any suggestions?

Jerome | InsaneUnreal

46,245 次观看 • 5 个月前

✨ I made a little demo of #vibejam sponsor Tripo and how you can use it to generate assets for your games In this case I'm generating an apartment flat that's half destroyed and open for my drone sim to fly around, take cover and shoot at enemies from First I write the prompt and select Nano Banana to generate an image first, I get a few different ones, and I select the one I like Then that one is converted into a 3d object called a Smart Mesh Smart Mesh is different than regular image-to-3d models because usually you get issues with uneven polygon distribution, too dense geometry and poor edge flow, so while you think you save time with generating it with AI you end up doing lots of editing after to fix the topology which kinda defeats the point Smart Mesh doesn't have any of this, it's fast and clean low-poly models you can drop into your game Anyway, after generating the model I can then see it in 3d, and if I don't like it, regenerate it, or if I like it start texturing it Once that's done, I export it as a GLB, FBX or OBJ and drop it in (usually I use GLB as ThreeJS seems to prefer that), in my case I just drop the URL into Cursor and let it figure out the placement of the asset into my game!
1:20

✨ I made a little demo of #vibejam sponsor Tripo and how you can use it to generate assets for your games In this case I'm generating an apartment flat that's half destroyed and open for my drone sim to fly around, take cover and shoot at enemies from First I write the prompt and select Nano Banana to generate an image first, I get a few different ones, and I select the one I like Then that one is converted into a 3d object called a Smart Mesh Smart Mesh is different than regular image-to-3d models because usually you get issues with uneven polygon distribution, too dense geometry and poor edge flow, so while you think you save time with generating it with AI you end up doing lots of editing after to fix the topology which kinda defeats the point Smart Mesh doesn't have any of this, it's fast and clean low-poly models you can drop into your game Anyway, after generating the model I can then see it in 3d, and if I don't like it, regenerate it, or if I like it start texturing it Once that's done, I export it as a GLB, FBX or OBJ and drop it in (usually I use GLB as ThreeJS seems to prefer that), in my case I just drop the URL into Cursor and let it figure out the placement of the asset into my game!

@levelsio

72,338 次观看 • 4 个月前

Jacob Tierney discusses his process for writing Heated Rivalry and outlining season two: "The book [Heated Rivalry] is in five parts and very quickly I was like, part one, episode one. Part two, episode two. It was very clear to me. …So in this case, I actually did not outline. Because I was just using these parts of this book, and I knew these books so well at this point. Something that I did, and that I'm trying to do again now when I'm writing the new season, is I'm trying to use—Because there's a dreaminess to this show, I try to use my memory as a guide. I'm like, what do I remember? And then I try to give primacy to the stuff that I remember and that has stuck in my brain all these years with this story. So I’m like, oh I have to do that! And that's a nice way for me to kind of center things. Where if I have to do that, then it means maybe I don't have to do this, and it maybe means I want to combine or collapse different things. Because if this is going to take up—If one incident that I'm thinking of is going to take up the space in an episode that I think of as the heart, …then you don't need to do a first version of it in the same way, you know? Little things like that. That being said, for this season because I'm working with a co-writer as well, we have outlined everything. And every time, I do approach outlining like a teenager, where I'm like, [modulates voice] I don't want to. But then when I do it, I'm always like, why don't I always do this? It makes everything so much easier. So I kind of gaslight myself in that way." ✍🏼 transcription via Heated Rivalry News & Updates. Please credit if reposting. 🗣️ quote via q&a with Stage 32 on March 24, 2026. 🔗
2:12

Jacob Tierney discusses his process for writing Heated Rivalry and outlining season two: "The book [Heated Rivalry] is in five parts and very quickly I was like, part one, episode one. Part two, episode two. It was very clear to me. …So in this case, I actually did not outline. Because I was just using these parts of this book, and I knew these books so well at this point. Something that I did, and that I'm trying to do again now when I'm writing the new season, is I'm trying to use—Because there's a dreaminess to this show, I try to use my memory as a guide. I'm like, what do I remember? And then I try to give primacy to the stuff that I remember and that has stuck in my brain all these years with this story. So I’m like, oh I have to do that! And that's a nice way for me to kind of center things. Where if I have to do that, then it means maybe I don't have to do this, and it maybe means I want to combine or collapse different things. Because if this is going to take up—If one incident that I'm thinking of is going to take up the space in an episode that I think of as the heart, …then you don't need to do a first version of it in the same way, you know? Little things like that. That being said, for this season because I'm working with a co-writer as well, we have outlined everything. And every time, I do approach outlining like a teenager, where I'm like, [modulates voice] I don't want to. But then when I do it, I'm always like, why don't I always do this? It makes everything so much easier. So I kind of gaslight myself in that way." ✍🏼 transcription via Heated Rivalry News & Updates. Please credit if reposting. 🗣️ quote via q&a with Stage 32 on March 24, 2026. 🔗

Heated Rivalry News & Updates

60,684 次观看 • 5 个月前

my new favorite workflow: having AI generate clickable briefs for example I had it research every piece of metadata I could use for a design and spin it up as an HTML page so instead of a wall of text I can "see" each concept but the cool part is I can just scroll through and select anything I want to use Claude then opens the browser to read my selections and pulls that context into the chat so I can just say "ok explore 5 variations based on the metadata I selected" and I'm off to the races 🚀
0:32

my new favorite workflow: having AI generate clickable briefs for example I had it research every piece of metadata I could use for a design and spin it up as an HTML page so instead of a wall of text I can "see" each concept but the cool part is I can just scroll through and select anything I want to use Claude then opens the browser to read my selections and pulls that context into the chat so I can just say "ok explore 5 variations based on the metadata I selected" and I'm off to the races 🚀

Ridd 🤿

25,387 次观看 • 1 个月前

Looking to join a UEFN studio full time. I've spent 3+ years in UE and UEFN as a generalist focused on level design and environment work. I have three completed, unreleased games ready to transfer with 100+ hours already spent on them. Whether a studio wants to build on what I've made or start something new, I can do both. Previously, I was studio lead for Loserfruit and part of the founding of Bifrost Studios. Before UEFN I spent a decade as a marketing director across multiple fashion magazines and worked with emerging brands on sales and growth. The connections I made translate directly into brand collaborations and activations inside UEFN, which is where I've been focused for the past five months. I'm looking for the right team to build with and can break down my plans in DMs! #UEFN #Fortnite
0:23

Looking to join a UEFN studio full time. I've spent 3+ years in UE and UEFN as a generalist focused on level design and environment work. I have three completed, unreleased games ready to transfer with 100+ hours already spent on them. Whether a studio wants to build on what I've made or start something new, I can do both. Previously, I was studio lead for Loserfruit and part of the founding of Bifrost Studios. Before UEFN I spent a decade as a marketing director across multiple fashion magazines and worked with emerging brands on sales and growth. The connections I made translate directly into brand collaborations and activations inside UEFN, which is where I've been focused for the past five months. I'm looking for the right team to build with and can break down my plans in DMs! #UEFN #Fortnite

Jake

16,869 次观看 • 3 个月前

The Fan consists of so many individual component-parts that I love: I love Robert De Niro. I love Tony Scott. I love The Bay Area. And I love baseball. All of that adds up to a film which, as you can guess, I love. De Niro is totally unhinged in this role & completely over-the-top but I love it. Long live Tony Scott.
2:01

The Fan consists of so many individual component-parts that I love: I love Robert De Niro. I love Tony Scott. I love The Bay Area. And I love baseball. All of that adds up to a film which, as you can guess, I love. De Niro is totally unhinged in this role & completely over-the-top but I love it. Long live Tony Scott.

Cinema Tweets

41,200 次观看 • 2 个月前

#JossGawin1stFMinMacao As for Gawin’s most memorable performance — Gawin: “I’ll split it into two parts. For my own performance, the one I loved the most was ‘I Love Thailand’. 🇹🇭 It was just so much fun — even the musicians joined in and danced with me! Before the show, I asked them, ‘Can you guys come up and dance with me for a bit?’ And they said yes. Everyone was so supportive. I really loved that performance.” That song also turned out to be a surprise for the fans — and Gawin truly nailed it. 🌟
0:35

#JossGawin1stFMinMacao As for Gawin’s most memorable performance — Gawin: “I’ll split it into two parts. For my own performance, the one I loved the most was ‘I Love Thailand’. 🇹🇭 It was just so much fun — even the musicians joined in and danced with me! Before the show, I asked them, ‘Can you guys come up and dance with me for a bit?’ And they said yes. Everyone was so supportive. I really loved that performance.” That song also turned out to be a surprise for the fans — and Gawin truly nailed it. 🌟

⟡ 𝓔𝓾𝓻𝓷𝓲𝓼 𓍯

13,178 次观看 • 10 个月前

Now that I am home and have access to my files I decided to do a quick test with one of my Vtubing avatars. It works way better with my larger iPad Pro (less crashing/more memory and more screen space) compared to the mini so I did want to bring that up. Importing the file over as GLB was more stable than just OBJ plus it kept the color info from the previous texture. I texture all my avatars on substance painter but have been looking at an alternative when I am out and about that is not on the computer and this actually hits all the right "wants". Adding a quick video of the way the app works for me. I like that it has layers, I can alter my brushes and even add stabilization when I am drawing (which I use that extensively on procreate so that was a huge plus). The stamp tools will come in handy as well but did not show it on this video. The file itself is imported as "one mesh" but each part is treated as their own separate piece which I show in the video. I do the same thing on substance painter making it really easy for me to texture. The app then exports the texture out for each object which is the same way I do so on substance. Overall I am extremely impressed with the work Sparseal has done on this application and see how useful this will be for my current work flow of texturing. I for one love the ability to be "portable" which is a big reason I sculpt so much with Nomad Sculpt on the iPad. Having the freedom to do your work away from a desk and if you feel like doing it outside is probable why I yearn for iPad apps so much like so. Give this app a look, it is free to try on the App Store (It is $19 to be able to export, but a one time buy). It is called "Wafer" for the iPad. I already use CozyBlanket from the same creator to do re topology so I expected this level of fantastic with this current app.
2:44

Now that I am home and have access to my files I decided to do a quick test with one of my Vtubing avatars. It works way better with my larger iPad Pro (less crashing/more memory and more screen space) compared to the mini so I did want to bring that up. Importing the file over as GLB was more stable than just OBJ plus it kept the color info from the previous texture. I texture all my avatars on substance painter but have been looking at an alternative when I am out and about that is not on the computer and this actually hits all the right "wants". Adding a quick video of the way the app works for me. I like that it has layers, I can alter my brushes and even add stabilization when I am drawing (which I use that extensively on procreate so that was a huge plus). The stamp tools will come in handy as well but did not show it on this video. The file itself is imported as "one mesh" but each part is treated as their own separate piece which I show in the video. I do the same thing on substance painter making it really easy for me to texture. The app then exports the texture out for each object which is the same way I do so on substance. Overall I am extremely impressed with the work Sparseal has done on this application and see how useful this will be for my current work flow of texturing. I for one love the ability to be "portable" which is a big reason I sculpt so much with Nomad Sculpt on the iPad. Having the freedom to do your work away from a desk and if you feel like doing it outside is probable why I yearn for iPad apps so much like so. Give this app a look, it is free to try on the App Store (It is $19 to be able to export, but a one time buy). It is called "Wafer" for the iPad. I already use CozyBlanket from the same creator to do re topology so I expected this level of fantastic with this current app.

Val / LatinVixen ➡️ Megaplex

17,469 次观看 • 6 个月前

Firstly, my work isn’t AI GENERATED PROMPT. The reason why I privated my account was because I was busy yesterday and couldn’t explain things. Fonts that I used: • For the “HAMKU” I used PECKHAM PRESS, I rasterized the letters a bit to achieve a close font from the official account. • For the texts I used CHANTAL medium in lower case. • For my username I used CHALKDUSTER. Brushes that I used: • Studio Pen • HB Pencil (for sketching) • Shale Brush For the colors I won’t list it, kindly check the third photo to see the palettes. I have to admit that I get lazy to use it and even lost in the palettes, so I mainly use the eyedropper tool. Here is the original version, as you can see my original version is so low quality, the lines are too pixelated and not clean—that is why I chose to post the ai enhanced version. Since I used ai to enhanced the lines of my original work, it definitely generated a new version which I still decided to post as the lines are cleaner. I really don’t know the way around on procreate. If you have suggestions on how to avoid the pixelated lines on procreate, kindly please tell me. This is my first time using it for line art cause I mostly use it for painting. I actually don’t know how many layers I exactly have as I already deleted some layers during the process. I didn’t expect I had to provide it. I spent hours on making it from ideas down to the final product. I really wanted it to be similar to the official design. This is my first and last explanation regarding this because if you are still not convinced that I made it, I don’t know what else to say.
0:34

Firstly, my work isn’t AI GENERATED PROMPT. The reason why I privated my account was because I was busy yesterday and couldn’t explain things. Fonts that I used: • For the “HAMKU” I used PECKHAM PRESS, I rasterized the letters a bit to achieve a close font from the official account. • For the texts I used CHANTAL medium in lower case. • For my username I used CHALKDUSTER. Brushes that I used: • Studio Pen • HB Pencil (for sketching) • Shale Brush For the colors I won’t list it, kindly check the third photo to see the palettes. I have to admit that I get lazy to use it and even lost in the palettes, so I mainly use the eyedropper tool. Here is the original version, as you can see my original version is so low quality, the lines are too pixelated and not clean—that is why I chose to post the ai enhanced version. Since I used ai to enhanced the lines of my original work, it definitely generated a new version which I still decided to post as the lines are cleaner. I really don’t know the way around on procreate. If you have suggestions on how to avoid the pixelated lines on procreate, kindly please tell me. This is my first time using it for line art cause I mostly use it for painting. I actually don’t know how many layers I exactly have as I already deleted some layers during the process. I didn’t expect I had to provide it. I spent hours on making it from ideas down to the final product. I really wanted it to be similar to the official design. This is my first and last explanation regarding this because if you are still not convinced that I made it, I don’t know what else to say.

Wyn 🐧; EN⁷- (💤/busy = priv)

30,000 次观看 • 3 个月前

I created character assets and a world map for an Earthbound 3D game through mint it literally took me like 20 minutes to generate the world + characters as well as animate them The best part is I can download all of my assets in any 3D software like blender or unreal engine
0:27

I created character assets and a world map for an Earthbound 3D game through mint it literally took me like 20 minutes to generate the world + characters as well as animate them The best part is I can download all of my assets in any 3D software like blender or unreal engine

mint

19,593 次观看 • 1 个月前

🗣️ In fact, ARMYs love your acting but they would like you to play a part where the character does not dies. So, will you do more acting in where you seek out a character who gets to live?” 🐯I think my mindset it the same in my acting as in my music. When I’m acting, part of the point is to try a bunch of different parts that I can’t experience in reality, right? So in the same way, I don’t want to limit myself to one genre of music. I want to experience every single genre that I really love. And, someday, I f I get the chance, I hope I can act in a lot of different parts that I’ve wanted to try out.
0:53

🗣️ In fact, ARMYs love your acting but they would like you to play a part where the character does not dies. So, will you do more acting in where you seek out a character who gets to live?” 🐯I think my mindset it the same in my acting as in my music. When I’m acting, part of the point is to try a bunch of different parts that I can’t experience in reality, right? So in the same way, I don’t want to limit myself to one genre of music. I want to experience every single genre that I really love. And, someday, I f I get the chance, I hope I can act in a lot of different parts that I’ve wanted to try out.

THV🎄

52,266 次观看 • 4 个月前

Q: It must be complicated, when I listen to you, to have a private life, somebody to understand your passion and to share this moment. Lewis: "It really is, especially I would say more so today than ever before, which is the way the world is, you know. I look at the other drivers and I wonder how they're doing it. You know, some are having kids and some married, some, you know, most of them girlfriends. I did that when I was in my 20s, but I took a decision to really to maximize my time that I have here because it's not as long as you think and it's limited, you know. And I don't want to look back and be like, ah, if I just gave a little bit more here, I didn't sacrifice my time because I was committed elsewhere." "So I really focused in these last, you know, particularly these last 10 years, like get everything I can out of my performance. Then when I retire, then I can do whatever I want. You know, I can dedicate my time to whatever else it is and not have to worry." "But in this competition time, focus on health, well-being, my mental health, my driving technique, being as good an engineer as I can be, and also being the best teammate that I can potentially be for the guys that I get to work with. That's my sole focus. You know, I want to win." "I've been fortunate enough to win with great teams in the past. Particularly, obviously, with Mercedes and with McLaren, which was incredible. And my dream is to win a championship with Ferrari." "And that's something that hasn't been done for a while. But they have absolutely every ingredient that's needed to win. It's just like getting all the pieces of the puzzle in the right place. And that's what I'm trying to work on in the background with Fred and the whole team." [📹 VIGNERON GAETAN]
2:02

Q: It must be complicated, when I listen to you, to have a private life, somebody to understand your passion and to share this moment. Lewis: "It really is, especially I would say more so today than ever before, which is the way the world is, you know. I look at the other drivers and I wonder how they're doing it. You know, some are having kids and some married, some, you know, most of them girlfriends. I did that when I was in my 20s, but I took a decision to really to maximize my time that I have here because it's not as long as you think and it's limited, you know. And I don't want to look back and be like, ah, if I just gave a little bit more here, I didn't sacrifice my time because I was committed elsewhere." "So I really focused in these last, you know, particularly these last 10 years, like get everything I can out of my performance. Then when I retire, then I can do whatever I want. You know, I can dedicate my time to whatever else it is and not have to worry." "But in this competition time, focus on health, well-being, my mental health, my driving technique, being as good an engineer as I can be, and also being the best teammate that I can potentially be for the guys that I get to work with. That's my sole focus. You know, I want to win." "I've been fortunate enough to win with great teams in the past. Particularly, obviously, with Mercedes and with McLaren, which was incredible. And my dream is to win a championship with Ferrari." "And that's something that hasn't been done for a while. But they have absolutely every ingredient that's needed to win. It's just like getting all the pieces of the puzzle in the right place. And that's what I'm trying to work on in the background with Fred and the whole team." [📹 VIGNERON GAETAN]

sim

86,907 次观看 • 1 年前

#ฟรีนเบค​ #FreenBecky #srchafreen​ #Beckysangels 🐻: Actually P’Freen and I tend to have same opinions. We don’t look at it as a category of Girl Love. We see it as a series about two people in love. They each have their own journey and their own story. Our goals is to make viewers fall in love with the characters and I think on that point, we succeeded with Gap The Series because everyone seemed to enjoy it. So I didn’t feel like I needed to learn anything new, I just needed to do some homework on a few parts, but for everything else, I just let it flow.
0:32

#ฟรีนเบค​ #FreenBecky #srchafreen​ #Beckysangels 🐻: Actually P’Freen and I tend to have same opinions. We don’t look at it as a category of Girl Love. We see it as a series about two people in love. They each have their own journey and their own story. Our goals is to make viewers fall in love with the characters and I think on that point, we succeeded with Gap The Series because everyone seemed to enjoy it. So I didn’t feel like I needed to learn anything new, I just needed to do some homework on a few parts, but for everything else, I just let it flow.

FreenBecky_Data数据组

12,272 次观看 • 8 个月前

#mewnich #beonnnie MEWNICH : Let's talk about EmiBonnie. This year, I feel like... oh, this year, I got to be in the same songs as Bonnie A LOT! Both the vocal songs, the uke stage, and also Genie. So I feel like I've become much closer to Bonnie. I don't know if Bonnie also feels closer to me too, but I definitely feel a lot closer to her. And honestly, like, as many people already know, during the time we were practicing for the BB concert, Bonnie had so much work. Work was just piling up on her heavily, and she was in so many dance units, she was in Meri too. So... everyone was trying to help Bonnie as much as we could. MEWNICH : For example, in the uke song, I memorized her parts for her. Like, I literally guided her through the movements. Meaning, "It's okay, come with me, I'll tell you what to do. I'll guide you and point out where you need to go for the next part, Bonnie" Because I felt like I wanted to help her as much as possible. She might not have had as much time as the others, but she had to survive and make it through this with us. And luckily, in that uke song, she was standing next to me quite often, right? So I told the choreographers, "It's okay, Teacher. You can continue with the choreo and the blocking. I'll help memorize Bonnie's parts." So the moment she arrived, I could guide her through the steps right away, and I would constantly keep telling her what to do. Honestly, I'm really glad that I could be a part of helping Bonnie get through this show. And we've gotten to talk to each other so much more.
1:45

#mewnich #beonnnie MEWNICH : Let's talk about EmiBonnie. This year, I feel like... oh, this year, I got to be in the same songs as Bonnie A LOT! Both the vocal songs, the uke stage, and also Genie. So I feel like I've become much closer to Bonnie. I don't know if Bonnie also feels closer to me too, but I definitely feel a lot closer to her. And honestly, like, as many people already know, during the time we were practicing for the BB concert, Bonnie had so much work. Work was just piling up on her heavily, and she was in so many dance units, she was in Meri too. So... everyone was trying to help Bonnie as much as we could. MEWNICH : For example, in the uke song, I memorized her parts for her. Like, I literally guided her through the movements. Meaning, "It's okay, come with me, I'll tell you what to do. I'll guide you and point out where you need to go for the next part, Bonnie" Because I felt like I wanted to help her as much as possible. She might not have had as much time as the others, but she had to survive and make it through this with us. And luckily, in that uke song, she was standing next to me quite often, right? So I told the choreographers, "It's okay, Teacher. You can continue with the choreo and the blocking. I'll help memorize Bonnie's parts." So the moment she arrived, I could guide her through the steps right away, and I would constantly keep telling her what to do. Honestly, I'm really glad that I could be a part of helping Bonnie get through this show. And we've gotten to talk to each other so much more.

Lovely

38,666 次观看 • 2 个月前

Robert Pattinson making a drink inspired by THE BATMAN. "So this is an Old Fashioned, the granddaddy of drinks, for The Batman, the granddaddy of superheroes and the most relevant and important. [...] Well since I started doing the part, you look into the kind of legacy of it. So many people have seen it, there's characters that look like the Batman in like ancient civilizations. I mean there's something about that face that's a very deep and primal thing. It connects to people, it connects to children, it connects to adults, and then the legacy of the movies as well. [...] It seemed like one of those parts that was, it's like climbing Everest or something. Like you kind of, you don't really feel like it's a possibility but I felt something in my heart but I really, really wanted to do it."
2:49

Robert Pattinson making a drink inspired by THE BATMAN. "So this is an Old Fashioned, the granddaddy of drinks, for The Batman, the granddaddy of superheroes and the most relevant and important. [...] Well since I started doing the part, you look into the kind of legacy of it. So many people have seen it, there's characters that look like the Batman in like ancient civilizations. I mean there's something about that face that's a very deep and primal thing. It connects to people, it connects to children, it connects to adults, and then the legacy of the movies as well. [...] It seemed like one of those parts that was, it's like climbing Everest or something. Like you kind of, you don't really feel like it's a possibility but I felt something in my heart but I really, really wanted to do it."

Robert Pattinson Photos | Fansite

24,280 次观看 • 4 个月前