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At Maison, the basalt stonework shows precision that demands diamond-grade tools, and those T-shaped keystone cuts with metal clamps appear across continents: Egypt, India, Cuzco, Tiwanaku, Pumapunku.

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David H Childress

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15,964 görüntüleme • 13 gün önce •via X (Twitter)

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Kailasa was just scanned with lasers, and if you haven’t been following this place, hold on. What’s being uncovered here won’t just rewrite Indian history. It could rewrite human history and prove Ancient India had tools far more advanced than we’ve been told. But first, you have to understand what you’re looking at. Kailasa wasn’t built. It was removed from the side of a mountain. That means there was no room for mistakes while carving one of the hardest rocks on Earth. Between 200,000 and 400,000 tons of basalt were removed to create it. The first mystery is simple: we don’t know where it all went. We also don’t truly know when it was built. The main dating sources are two land grants, but that doesn’t tell us when the actual carving began. Dating matters because it would tell us what tools they had. Ancient India had steel by 600 BC, which later became the famous Damascus steel. But basalt is hardened lava. It’s around a 6 on the Mohs scale, meaning steel barely scratches it. In 1682, a Mughal emperor ordered 1,000 workers to destroy Kailasa. They failed. That alone shows how hard this stone is. Even with modern alloys, humans barely make a dent. Russian researchers tested this by having people strike basalt with modern tools, then measuring the removed volume with photogrammetry. The result? One person working every day for 3 years could remove only about 1 cubic meter. And since Kailasa is unfinished, we still have tool marks. Those marks show cuts deeper than what modern hydraulic breakers can achieve. To penetrate basalt that deeply, we’d normally need huge machinery. But machines that size wouldn’t fit in many of these spaces. So clearly, they had different tools. Not just powerful tools. Precision tools. The detail in Kailasa’s carvings looks like work done in soft soapstone, except it’s carved into basalt. What we know for sure is that our assumptions about ancient India are wrong. At minimum, they were far more advanced than we give them credit for. At most, something was happening back then that we still don’t fully comprehend.
2:46

Kailasa was just scanned with lasers, and if you haven’t been following this place, hold on. What’s being uncovered here won’t just rewrite Indian history. It could rewrite human history and prove Ancient India had tools far more advanced than we’ve been told. But first, you have to understand what you’re looking at. Kailasa wasn’t built. It was removed from the side of a mountain. That means there was no room for mistakes while carving one of the hardest rocks on Earth. Between 200,000 and 400,000 tons of basalt were removed to create it. The first mystery is simple: we don’t know where it all went. We also don’t truly know when it was built. The main dating sources are two land grants, but that doesn’t tell us when the actual carving began. Dating matters because it would tell us what tools they had. Ancient India had steel by 600 BC, which later became the famous Damascus steel. But basalt is hardened lava. It’s around a 6 on the Mohs scale, meaning steel barely scratches it. In 1682, a Mughal emperor ordered 1,000 workers to destroy Kailasa. They failed. That alone shows how hard this stone is. Even with modern alloys, humans barely make a dent. Russian researchers tested this by having people strike basalt with modern tools, then measuring the removed volume with photogrammetry. The result? One person working every day for 3 years could remove only about 1 cubic meter. And since Kailasa is unfinished, we still have tool marks. Those marks show cuts deeper than what modern hydraulic breakers can achieve. To penetrate basalt that deeply, we’d normally need huge machinery. But machines that size wouldn’t fit in many of these spaces. So clearly, they had different tools. Not just powerful tools. Precision tools. The detail in Kailasa’s carvings looks like work done in soft soapstone, except it’s carved into basalt. What we know for sure is that our assumptions about ancient India are wrong. At minimum, they were far more advanced than we give them credit for. At most, something was happening back then that we still don’t fully comprehend.

JIX5A

280,923 görüntüleme • 2 ay önce

Kindly, if you come across any of these sculptures at a scrap metal dealer, or if you run a scrap metal business and someone shows up with stolen property, please report it to the nearest police station. Let’s put an end to the unnecessary acts of theft by those taking advantage of the Gen Z peaceful demonstrations.
7:30

Kindly, if you come across any of these sculptures at a scrap metal dealer, or if you run a scrap metal business and someone shows up with stolen property, please report it to the nearest police station. Let’s put an end to the unnecessary acts of theft by those taking advantage of the Gen Z peaceful demonstrations.

Geoffrey Mosiria

224,947 görüntüleme • 1 yıl önce

The deadly issue of #AirPollution cuts across party lines, ideologies. Everybody is breathing the same toxic air and should support the common people-led clean air movement. At India Gate protest, the Ministers could’ve come and held democratic conversations with the people, understood their pain. But that moment was lost. With Neelu Vyas, HW News English—
1:01

The deadly issue of #AirPollution cuts across party lines, ideologies. Everybody is breathing the same toxic air and should support the common people-led clean air movement. At India Gate protest, the Ministers could’ve come and held democratic conversations with the people, understood their pain. But that moment was lost. With Neelu Vyas, HW News English—

Saurav Das

26,038 görüntüleme • 9 ay önce

The question Randall keeps returning to is deceptively simple. Why? What is the motive for quarrying and assembling 20 ton stones into monumental structures? In a world where virtually all of humanity was either farming or nomadically hunting and gathering, megalithic construction is not a natural cultural priority. Survival is. Feeding people is. Moving with the seasons is. Dragging enormous blocks of stone across landscapes and assembling them with precision is not something subsistence cultures do as a hobby. The eccentric outlier argument - that some culture simply became obsessed with large rocks and decided to demonstrate it - doesn't hold up under scrutiny. Outliers exist at the margins. What we find instead is megalithic construction appearing across multiple continents, in multiple periods, at a scale and level of precision that demands organisation, intention, and knowledge far beyond what the standard historical narrative assigns to these peoples. The motive question isn't a footnote. It is the whole conversation.
1:02

The question Randall keeps returning to is deceptively simple. Why? What is the motive for quarrying and assembling 20 ton stones into monumental structures? In a world where virtually all of humanity was either farming or nomadically hunting and gathering, megalithic construction is not a natural cultural priority. Survival is. Feeding people is. Moving with the seasons is. Dragging enormous blocks of stone across landscapes and assembling them with precision is not something subsistence cultures do as a hobby. The eccentric outlier argument - that some culture simply became obsessed with large rocks and decided to demonstrate it - doesn't hold up under scrutiny. Outliers exist at the margins. What we find instead is megalithic construction appearing across multiple continents, in multiple periods, at a scale and level of precision that demands organisation, intention, and knowledge far beyond what the standard historical narrative assigns to these peoples. The motive question isn't a footnote. It is the whole conversation.

Randall Carlson

116,656 görüntüleme • 6 ay önce

Across the ancient world, from the Celts to the Maya, from Egypt to Japan, cultures celebrated a Festival of the Dead at the same moment of the year: late October into early November. Different continents, different languages, same date. And many of these traditions include a startling claim...that on this night, something real moved across the sky at midnight, something tied to the belief that the souls of the departed could return and interact with the living. When so many civilizations align on the same night and the same phenomenon, it raises a deeper question: what were they all seeing?
1:02

Across the ancient world, from the Celts to the Maya, from Egypt to Japan, cultures celebrated a Festival of the Dead at the same moment of the year: late October into early November. Different continents, different languages, same date. And many of these traditions include a startling claim...that on this night, something real moved across the sky at midnight, something tied to the belief that the souls of the departed could return and interact with the living. When so many civilizations align on the same night and the same phenomenon, it raises a deeper question: what were they all seeing?

Randall Carlson

28,485 görüntüleme • 9 ay önce

🚨The Hat Shaped Disc UFO That Shouldn’t Exist When Gene dug into the manuscript Natalia's father mailed before he died, he wasn't looking at doodles. He was looking at full engineering schematics of a classic hat shaped disc about 30 meters across drawn with the precision of someone who measured it, not imagined it. He breaks down the cabin layout, the two piece hull, the mass equivalent of sixteen fully loaded 747s, and the silicone based alloys designed to interact with the craft’s gravitational and magnetic fields. I have these files courtesy of Gene and can confirm that they are schematic drawings, and as such are very detailed. #UAP #UFO #Disclosure #RossCoulthart #ColdWarFiles #SkywatchSignal Source:
4:42

🚨The Hat Shaped Disc UFO That Shouldn’t Exist When Gene dug into the manuscript Natalia's father mailed before he died, he wasn't looking at doodles. He was looking at full engineering schematics of a classic hat shaped disc about 30 meters across drawn with the precision of someone who measured it, not imagined it. He breaks down the cabin layout, the two piece hull, the mass equivalent of sixteen fully loaded 747s, and the silicone based alloys designed to interact with the craft’s gravitational and magnetic fields. I have these files courtesy of Gene and can confirm that they are schematic drawings, and as such are very detailed. #UAP #UFO #Disclosure #RossCoulthart #ColdWarFiles #SkywatchSignal Source:

Skywatch Signal

11,532 görüntüleme • 9 ay önce

Nano Banana in Photoshop is a game-changer that allows precise control, working with real-life product references at high precision while using all of Photoshop professional tools that are needs to get production grade quality. Starting from reference image, changing shoes, sweater and earings in a matter of seconds, and then retouching to make sure the final result. Check out the links in the comment for videos on how this tool is used for architecture, fashion and advertisements
2:15

Nano Banana in Photoshop is a game-changer that allows precise control, working with real-life product references at high precision while using all of Photoshop professional tools that are needs to get production grade quality. Starting from reference image, changing shoes, sweater and earings in a matter of seconds, and then retouching to make sure the final result. Check out the links in the comment for videos on how this tool is used for architecture, fashion and advertisements

Astria

1,065,792 görüntüleme • 10 ay önce

we’re launching Codag (Y Combinator S26) - the compression and control layer for agent tools. we started with logs. then customers pulled us into searches, tests, builds, and api responses. the pattern was always the same: agents burning context on repetitive output, with teams unable to see where the tokens went. Codag now cuts input-token usage ~3x at answer parity and gives teams visibility across their agent stack. agents are becoming the primary users of software - companies are adding agents, models, providers, and MCP servers faster than they can measure or control them. most cannot answer which tools their agents invoke, what those calls cost, or where the waste is. we’re building the layer between them and everything they read. 90+ engineering orgs already use Codag today to reduce that spend and see agent tool usage across provider. find out more and book a demo at
0:56

we’re launching Codag (Y Combinator S26) - the compression and control layer for agent tools. we started with logs. then customers pulled us into searches, tests, builds, and api responses. the pattern was always the same: agents burning context on repetitive output, with teams unable to see where the tokens went. Codag now cuts input-token usage ~3x at answer parity and gives teams visibility across their agent stack. agents are becoming the primary users of software - companies are adding agents, models, providers, and MCP servers faster than they can measure or control them. most cannot answer which tools their agents invoke, what those calls cost, or where the waste is. we’re building the layer between them and everything they read. 90+ engineering orgs already use Codag today to reduce that spend and see agent tool usage across provider. find out more and book a demo at

Michael Zhou

163,096 görüntüleme • 16 gün önce

🚨🇺🇦🎯 Ukrainian cruise missiles struck with high precision in Donetsk, penetrating the foundation of an unfinished hotel and detonating inside the underground parking area. Satellite imagery shows no visible strike damage on the nearby shopping center, contradicting Russian claims that it had been targeted. The missiles instead appear to have hit the hotel structure directly, with the explosions occurring below ground. 🔥 According to circulating information, at least 27 Russian officers and servicemen were killed in the strike, with the real toll possibly higher. If that figure holds, the attack would represent another example of Ukraine using precision long-range weapons to target concentrated Russian military personnel while minimizing damage to nearby civilian structures.
0:23

🚨🇺🇦🎯 Ukrainian cruise missiles struck with high precision in Donetsk, penetrating the foundation of an unfinished hotel and detonating inside the underground parking area. Satellite imagery shows no visible strike damage on the nearby shopping center, contradicting Russian claims that it had been targeted. The missiles instead appear to have hit the hotel structure directly, with the explosions occurring below ground. 🔥 According to circulating information, at least 27 Russian officers and servicemen were killed in the strike, with the real toll possibly higher. If that figure holds, the attack would represent another example of Ukraine using precision long-range weapons to target concentrated Russian military personnel while minimizing damage to nearby civilian structures.

NSTRIKE

26,652 görüntüleme • 4 gün önce

How is it possible ??? Caves older than Islam by 600 years ?? Built by Mauryan Empire !! The Barabar Caves in India are one of history’s greatest enigmas, perfectly straight cuts in solid granite, mirror-like polished walls, and acoustics so precise that they could only be engineered, not carved by hand over 2000 years ago. Even with today’s tools, replicating this level of precision would be nearly impossible. Our history is far from what we think and far from what we’ve been told.
1:33

How is it possible ??? Caves older than Islam by 600 years ?? Built by Mauryan Empire !! The Barabar Caves in India are one of history’s greatest enigmas, perfectly straight cuts in solid granite, mirror-like polished walls, and acoustics so precise that they could only be engineered, not carved by hand over 2000 years ago. Even with today’s tools, replicating this level of precision would be nearly impossible. Our history is far from what we think and far from what we’ve been told.

Comman Man

14,383 görüntüleme • 3 ay önce

First I want to thank God, Yale, my coaches, and my teammates for everything over these past four years. I’m grateful for the support, growth, and relationships that have shaped me on and off the field. With that, I’m officially entering the transfer portal as a graduate transfer (December grad). This season: 71 catches, 1,085 yards, 11 TDs in 10 games, First Team All-Ivy, All-New England, No. 1 PFF grade across both FCS and FBS, and No. 1 in receiving yards per game across both levels (108.5 YPG). I’m excited for the next chapter and the opportunity to compete at the highest level. Film attached.
5:18

First I want to thank God, Yale, my coaches, and my teammates for everything over these past four years. I’m grateful for the support, growth, and relationships that have shaped me on and off the field. With that, I’m officially entering the transfer portal as a graduate transfer (December grad). This season: 71 catches, 1,085 yards, 11 TDs in 10 games, First Team All-Ivy, All-New England, No. 1 PFF grade across both FCS and FBS, and No. 1 in receiving yards per game across both levels (108.5 YPG). I’m excited for the next chapter and the opportunity to compete at the highest level. Film attached.

Nico Brown

31,402 görüntüleme • 8 ay önce

N. Swaminathan, eminent artist and head of the Thevara Padasalai of Dharumapuram Aadheenam, will be honoured with the Padma Shri for his exceptional contribution to Tamil Pann Isai, traditional Thirumurai hymns, and the preservation of ancient musical discourses. Celebrated as a supreme artist and 'A' grade All India Radio performer with an artistic journey spanning over 55 years, he has dedicated his life to carrying Tamil devotional music to global audiences across continents and releasing over 100 albums. He is deeply revered for his commitment to oral traditions, training generation after generation of students in the fine art of Thirumurai Isai at the grassroots level. #PeoplesPadma #PadmaAwards2026 गृहमंत्री कार्यालय, HMO India Padma Awards Ministry of Culture PIB in Tamil Nadu Akashvani Chennai
3:33

N. Swaminathan, eminent artist and head of the Thevara Padasalai of Dharumapuram Aadheenam, will be honoured with the Padma Shri for his exceptional contribution to Tamil Pann Isai, traditional Thirumurai hymns, and the preservation of ancient musical discourses. Celebrated as a supreme artist and 'A' grade All India Radio performer with an artistic journey spanning over 55 years, he has dedicated his life to carrying Tamil devotional music to global audiences across continents and releasing over 100 albums. He is deeply revered for his commitment to oral traditions, training generation after generation of students in the fine art of Thirumurai Isai at the grassroots level. #PeoplesPadma #PadmaAwards2026 गृहमंत्री कार्यालय, HMO India Padma Awards Ministry of Culture PIB in Tamil Nadu Akashvani Chennai

Ministry of Information and Broadcasting

47,416 görüntüleme • 3 ay önce

Exactly 12 years ago today, Beyoncé closed The Mrs. Carter Show World Tour in Lisbon, Portugal, with an unforgettable final night. After 132 shows across 4 continents, the tour grossed an impressive $229.7 million and sold over 2 million tickets —making it the highest-grossing solo female tour of 2013 and one of the biggest tours in Beyoncé’s career at the time. The emotional finale had the BeyHive in tears: Beyoncé delivered a raw, tearful speech (that iconic ugly cry moment), reflected on the journey with Blue Ivy, and closed with powerful performances of “XO” and “Halo”.
3:01

Exactly 12 years ago today, Beyoncé closed The Mrs. Carter Show World Tour in Lisbon, Portugal, with an unforgettable final night. After 132 shows across 4 continents, the tour grossed an impressive $229.7 million and sold over 2 million tickets —making it the highest-grossing solo female tour of 2013 and one of the biggest tours in Beyoncé’s career at the time. The emotional finale had the BeyHive in tears: Beyoncé delivered a raw, tearful speech (that iconic ugly cry moment), reflected on the journey with Blue Ivy, and closed with powerful performances of “XO” and “Halo”.

BEYPRESS.

62,597 görüntüleme • 5 ay önce

A clip from my interview with TIMES NOW, reflecting on my grandfather P. T. Rajan’s role in consecrating the new Lord Ayyappa idol at Sabarimalai in the 1950s—and popularising the pilgrimage across South India. These actions embodied the Justice Party and Dravidian movement’s vision of social inclusion and faith accessibility, building on values that had already led to the nationalisation of the erstwhile Kingdoms' Temples in the 1920s.
6:32

A clip from my interview with TIMES NOW, reflecting on my grandfather P. T. Rajan’s role in consecrating the new Lord Ayyappa idol at Sabarimalai in the 1950s—and popularising the pilgrimage across South India. These actions embodied the Justice Party and Dravidian movement’s vision of social inclusion and faith accessibility, building on values that had already led to the nationalisation of the erstwhile Kingdoms' Temples in the 1920s.

Dr P Thiaga Rajan (PTR)

23,586 görüntüleme • 11 ay önce

Uncover the hidden force of nature that shaped India’s destiny for millennia: the predictable, reversing monsoon winds of the Indian Ocean. These winds, driven by the seasonal freezing and thawing of the Tibetan Plateau, turned the ocean into a two-way highway that powered India’s rise as the world’s trade hub. What you’ll discover in this story: How the monsoon winds acted like a cosmic clockwork, blowing one way for 6 months and reversing for the next 6. Why this made India the maritime bridge connecting Egypt, East Africa, and Southeast Asia. How Indian sailors “learned to surf the ocean,” reaching distant ports with ease and returning safely. The rise of global Indian trade communities like the Chettiars, who spread culture, faith, and ideas across continents. How this system fueled a three-wave expansion: trade, spirituality, and philosophy, shaping civilizations far beyond India’s borders. ✨ The core message: India’s rise wasn’t accidental it was written in the winds. Geography gave Bharat a natural gift that made it the cradle of trade, culture, and knowledge for thousands of years.
1:03

Uncover the hidden force of nature that shaped India’s destiny for millennia: the predictable, reversing monsoon winds of the Indian Ocean. These winds, driven by the seasonal freezing and thawing of the Tibetan Plateau, turned the ocean into a two-way highway that powered India’s rise as the world’s trade hub. What you’ll discover in this story: How the monsoon winds acted like a cosmic clockwork, blowing one way for 6 months and reversing for the next 6. Why this made India the maritime bridge connecting Egypt, East Africa, and Southeast Asia. How Indian sailors “learned to surf the ocean,” reaching distant ports with ease and returning safely. The rise of global Indian trade communities like the Chettiars, who spread culture, faith, and ideas across continents. How this system fueled a three-wave expansion: trade, spirituality, and philosophy, shaping civilizations far beyond India’s borders. ✨ The core message: India’s rise wasn’t accidental it was written in the winds. Geography gave Bharat a natural gift that made it the cradle of trade, culture, and knowledge for thousands of years.

Wisdom Walk

64,552 görüntüleme • 10 ay önce

A tornado swept through Albufeira, Portugal, on Saturday, killing an 85-year-old woman, officials said. Video shows extensive debris across a campsite in the area, and Reuters reported that more than two dozen people were injured at a nearby hotel. At least two of those injured were taken to the hospital with serious injuries. The tornado was among the violent weather introduced by Storm Claudia, which killed at least two other people in the country.
0:24

A tornado swept through Albufeira, Portugal, on Saturday, killing an 85-year-old woman, officials said. Video shows extensive debris across a campsite in the area, and Reuters reported that more than two dozen people were injured at a nearby hotel. At least two of those injured were taken to the hospital with serious injuries. The tornado was among the violent weather introduced by Storm Claudia, which killed at least two other people in the country.

CBS News

18,792 görüntüleme • 9 ay önce

They say, Any Sufficiently advanced engineering is indistinguishable from art. This is what that looks like. A 5-axis Hermle machining centre isn't simply shaping metal. It is coordinating five axes of motion simultaneously while its spindle turns at up to 18,500-41,000 RPM, following tool-paths that can contain hundreds of thousands or even millions of lines of CAM-generated code. It cuts materials that would be impossible to drill by hand, titanium, Inconel, hardened tool steels, cobalt-chrome and aerospace-grade stainless alloys,while holding tolerances measured in microns, smaller than a fraction of a human hair. A fully equipped machine like this can cost well over €2.5 million. Because it can repeatedly manufacture aerospace-grade components with micron-level precision in a single 10-20 hour machining cycle, parts that would otherwise require multiple machines, repeated setups, days of manual work, and still struggle to achieve the same accuracy and tolerances needed for high performance parts.
1:50

They say, Any Sufficiently advanced engineering is indistinguishable from art. This is what that looks like. A 5-axis Hermle machining centre isn't simply shaping metal. It is coordinating five axes of motion simultaneously while its spindle turns at up to 18,500-41,000 RPM, following tool-paths that can contain hundreds of thousands or even millions of lines of CAM-generated code. It cuts materials that would be impossible to drill by hand, titanium, Inconel, hardened tool steels, cobalt-chrome and aerospace-grade stainless alloys,while holding tolerances measured in microns, smaller than a fraction of a human hair. A fully equipped machine like this can cost well over €2.5 million. Because it can repeatedly manufacture aerospace-grade components with micron-level precision in a single 10-20 hour machining cycle, parts that would otherwise require multiple machines, repeated setups, days of manual work, and still struggle to achieve the same accuracy and tolerances needed for high performance parts.

Ammanichanda

39,320 görüntüleme • 1 ay önce

When Solon visited Egypt, the priests told him something that should stop you in your tracks. You Greeks, they said, are like children. And the reason? You only remember one flood. They named three. Now that was preserved through Plato, and for a long time it was easy to file that away as mythology and move on. But here is where it gets interesting. Go to the geological record and you find meltwater Pulse 1A at around 14,500 years ago. Then meltwater Pulse 1B at approximately 11,600 years ago, which is precisely the date Plato gives for the subsidence of Atlantis. And now evidence is emerging for a third major meltwater event right at the onset of the Younger Dryas itself. So you have an ancient priestly tradition naming three floods, and you have the stratigraphic record pointing to three distinct pulses of catastrophic sea level rise. At what point does that stop being a coincidence worth dismissing and start being a correspondence worth investigating? That is the question. The Egyptian priests were not writing poetry. They appear to have been preserving an actual record of events, transmitted across generations with enough precision that the dates still line up with what ocean cores and coastal geology are now recovering independently.
0:30

When Solon visited Egypt, the priests told him something that should stop you in your tracks. You Greeks, they said, are like children. And the reason? You only remember one flood. They named three. Now that was preserved through Plato, and for a long time it was easy to file that away as mythology and move on. But here is where it gets interesting. Go to the geological record and you find meltwater Pulse 1A at around 14,500 years ago. Then meltwater Pulse 1B at approximately 11,600 years ago, which is precisely the date Plato gives for the subsidence of Atlantis. And now evidence is emerging for a third major meltwater event right at the onset of the Younger Dryas itself. So you have an ancient priestly tradition naming three floods, and you have the stratigraphic record pointing to three distinct pulses of catastrophic sea level rise. At what point does that stop being a coincidence worth dismissing and start being a correspondence worth investigating? That is the question. The Egyptian priests were not writing poetry. They appear to have been preserving an actual record of events, transmitted across generations with enough precision that the dates still line up with what ocean cores and coastal geology are now recovering independently.

Randall Carlson

65,111 görüntüleme • 3 ay önce