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Before #ZackSnyder got involved, #Watchmen was almost a VERY different movie. "When I first got the script...it was a PG-13 movie, it was 2-hours long, it was sequel-able... "Adrian dies - killed by Nite Owl at the end - very little Manhattan, very little of Comedian's funeral. "It's just... Rorschach - no interrogation- you know, these are things that were, like, that was the movie. "Super clean Hollywood movie...It was updated to the War on Terror. All that stuff was real. At that time it wasn't exactly the War on Terror, it was just updated to modern time. That was the one note that I had been given. Saying like 'we love the script, we wish it was War on Terror rather than just a modern conflict'. "When I turned them back in a 1985, R-rated, long script...The studio did the opposite that you would think Hollywood would do."show more

Zack Snyder Film

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22,892 views • 5 months ago •via X (Twitter)

#ZackSnyder #Watchmen

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Nicolas Cage talks about his new movie ‘THE SURFER’ at #SXSW “It was just unlike any script I’ve been reading recently. I thought it was very brave. I like movies that aren’t afraid to get a little surreal, and this one sure did.”

Nicolas Cage talks about his new movie ‘THE SURFER’ at #SXSW “It was just unlike any script I’ve been reading recently. I thought it was very brave. I like movies that aren’t afraid to get a little surreal, and this one sure did.”

DiscussingFilm

164,190 views • 1 year ago

#WATCH | Mumbai: On her upcoming film 'Phule', actress Patralekhaa said, "When this script came to me, I was initially shocked how it came to life... We shot it in April, it was very hot. There were many scenes in the film that affected me a lot. Sometimes, you don't know when the character gets inside you. That happened in one scene... I was emotionally affected by it. At that time, I felt that something magical was happening." (26.03)

#WATCH | Mumbai: On her upcoming film 'Phule', actress Patralekhaa said, "When this script came to me, I was initially shocked how it came to life... We shot it in April, it was very hot. There were many scenes in the film that affected me a lot. Sometimes, you don't know when the character gets inside you. That happened in one scene... I was emotionally affected by it. At that time, I felt that something magical was happening." (26.03)

ANI

22,088 views • 1 year ago

GIVE PEACE A CHANCE First released on July 4, 1969. Yoko: All those Vietnam protests really changed the world. There was always that element who were really resisting it. That was the saving grace – that people were aware that they were that young generation who were really against it. And so it worked very well for the world. And the Bed-In was just part of it, a definite part of it. It was a statement on a very theatrical level and I think it was very effective. We were artists and did it our own way. We felt very good about it then, and it was such an incredibly strange thing that we were doing. At the time it was a courageous thing to do. John was making the statement in a way that he was looking at the far, far future. I saw it in his eyes. He was saying, ‘OK this is what we’re going to do together.’ And we’re going to give peace a chance. To the world.

GIVE PEACE A CHANCE First released on July 4, 1969. Yoko: All those Vietnam protests really changed the world. There was always that element who were really resisting it. That was the saving grace – that people were aware that they were that young generation who were really against it. And so it worked very well for the world. And the Bed-In was just part of it, a definite part of it. It was a statement on a very theatrical level and I think it was very effective. We were artists and did it our own way. We felt very good about it then, and it was such an incredibly strange thing that we were doing. At the time it was a courageous thing to do. John was making the statement in a way that he was looking at the far, far future. I saw it in his eyes. He was saying, ‘OK this is what we’re going to do together.’ And we’re going to give peace a chance. To the world.

Yoko Ono

117,280 views • 1 month ago

Brock Purdy on his favorite play in his career: “It was the game before the NFCCG against the Packers. We didn’t play the best on offense, but we needed this drive at the end of the game to go up. It was a 3rd down play and it was Brandon Aiyuk over the middle. We call it Gucci. It was a 6 step slant, cross the nickel’s face. It was man to man coverage, and it was on time. I threw it on plant, BA turned at the right time. It was tight coverage. DB reached across. We got the ball there and it was a diving catch. I was like 'Bro', boom we get the first down. We’re staying on the field. From there we won the game. We won the NFC Championship game after that. We got to the Super Bowl, but it was that play. If that play didn’t happen, getting to the NFCCG and the Super Bowl wouldn’t have happened… Those are the things I remember. I love that stuff. I live for it.” 🎥: Richard Sherman

Brock Purdy on his favorite play in his career: “It was the game before the NFCCG against the Packers. We didn’t play the best on offense, but we needed this drive at the end of the game to go up. It was a 3rd down play and it was Brandon Aiyuk over the middle. We call it Gucci. It was a 6 step slant, cross the nickel’s face. It was man to man coverage, and it was on time. I threw it on plant, BA turned at the right time. It was tight coverage. DB reached across. We got the ball there and it was a diving catch. I was like 'Bro', boom we get the first down. We’re staying on the field. From there we won the game. We won the NFC Championship game after that. We got to the Super Bowl, but it was that play. If that play didn’t happen, getting to the NFCCG and the Super Bowl wouldn’t have happened… Those are the things I remember. I love that stuff. I live for it.” 🎥: Richard Sherman

Coach Yac 🗣

86,444 views • 1 year ago

Selena Gomez reveals how Benny Blanco proposed to her. “I thought we had a shoot that day, so I had hair and makeup done, and I was just going about my regular day. I got into the car, and I was thinking to myself, ‘Where are we going?’ Because at that point, I felt like I knew all the studios I usually go to” “It was just me and my security guard, and he was laughing because he was just like, ‘I don’t know. It’s a new space’” “We got out. I walked in, and all of a sudden, I saw no one in the room. I looked at my assistant, and she just shut the door. And I was like, ‘Uhhh…’” “I think you envision all the things you would do and say when someone proposes to you. But it is actually the craziest feeling. It was really special” “He said the sweetest things, but I was so shocked that it just felt unreal for a long time. I’ve always dreamed of that moment, and he couldn’t have made it more perfect. It was one of the best days of my life, for sure”

Selena Gomez reveals how Benny Blanco proposed to her. “I thought we had a shoot that day, so I had hair and makeup done, and I was just going about my regular day. I got into the car, and I was thinking to myself, ‘Where are we going?’ Because at that point, I felt like I knew all the studios I usually go to” “It was just me and my security guard, and he was laughing because he was just like, ‘I don’t know. It’s a new space’” “We got out. I walked in, and all of a sudden, I saw no one in the room. I looked at my assistant, and she just shut the door. And I was like, ‘Uhhh…’” “I think you envision all the things you would do and say when someone proposes to you. But it is actually the craziest feeling. It was really special” “He said the sweetest things, but I was so shocked that it just felt unreal for a long time. I’ve always dreamed of that moment, and he couldn’t have made it more perfect. It was one of the best days of my life, for sure”

Buggy

289,329 views • 12 days ago

"'Caddyshack' (1980) was a little disappointing when it came out and now it's just a miraculous irony that people have continued to embrace the film and love it." --- Harold Ramis Full Excerpt: "The fact that people are still watching 'Caddyshack' (1980) & showing it to their kids, their grandchildren and still talking about it amazes me because when the movie came out, we actually were a little disappointed because Doug Kenney and I had just done 'Animal House' (1978) and we were so arrogant at the time as we were writing 'Animal House' with Chris Miller. We would actually think to ourselves that it would be the most successful comedy of all time; which it turned out to be . It was like a grandiose delusion that was turned real on us. So then we thought well now we'll do 'Caddyshack' & that it will be the most successful comedy ever. we will do better than 'Animal House' and it didn't. It did half as well and a lot of critics scorned us. The New York Times called it an "amiable mess" which I kind of liked. I thought "all right I'll take amiable and the mess I can live with." So, it was a little disappointing when it came out and now it's just a miraculous irony that people have continued to embrace the film and love it. I once recognized the strange fact that when people used to read TV Guide and they would rate movies. 'Caddyshack' was a two-star movie for the first 10 years. Then at some point I noticed that it got a third star in the same publication and I thought "maybe it's like wine, the longer you keep it in, it just gets a little better."" (Harold Ramis' interview to AFI, 2009)

"'Caddyshack' (1980) was a little disappointing when it came out and now it's just a miraculous irony that people have continued to embrace the film and love it." --- Harold Ramis Full Excerpt: "The fact that people are still watching 'Caddyshack' (1980) & showing it to their kids, their grandchildren and still talking about it amazes me because when the movie came out, we actually were a little disappointed because Doug Kenney and I had just done 'Animal House' (1978) and we were so arrogant at the time as we were writing 'Animal House' with Chris Miller. We would actually think to ourselves that it would be the most successful comedy of all time; which it turned out to be . It was like a grandiose delusion that was turned real on us. So then we thought well now we'll do 'Caddyshack' & that it will be the most successful comedy ever. we will do better than 'Animal House' and it didn't. It did half as well and a lot of critics scorned us. The New York Times called it an "amiable mess" which I kind of liked. I thought "all right I'll take amiable and the mess I can live with." So, it was a little disappointing when it came out and now it's just a miraculous irony that people have continued to embrace the film and love it. I once recognized the strange fact that when people used to read TV Guide and they would rate movies. 'Caddyshack' was a two-star movie for the first 10 years. Then at some point I noticed that it got a third star in the same publication and I thought "maybe it's like wine, the longer you keep it in, it just gets a little better."" (Harold Ramis' interview to AFI, 2009)

DepressedBergman

42,447 views • 5 months ago

Mike Nichols on how the young audiences reacted to 'The Graduate' (1967) when it was first screened: "Interviewer: "'The Graduate' (1967) was a phenomenon when it opened…how did it feel to suddenly be considered a hero of the 1960s youth movement when you were in your mid thirties? Nichols: Very weird, actually. But it wasn’t quite like that at first. Joseph E. Levine made us take the film around to college campuses. After we’d showed it to a bunch of younger audiences there, the question on everyone’s lips was, “How come it’s not about Vietnam?” The only way college students could apparently get laid in those days was to be very serious and concerned about the war, so 80 to 90 percent of the kids said, “We can’t tell whether you are for or against Vietnam in this movie.… What are we supposed to think?” That was their criterion. They had no idea what they were looking at. It wasn’t until we got the movie in front of audiences that we felt like younger viewers would feel a kinship with it. We previewed 'The Graduate' in a theater on 86th Street; we just showed up and essentially flung the movie on top of another feature to surprise people. And in the last five minutes—starting with the melee in the church—everyone stood and cheered. I mean, it was like being at a prizefight. And it wasn’t even a finished print; I still had the sound in a box on my lap, because we hadn’t fully mixed the movie yet. Poor Dustin was white as a sheet; it was his first time seeing the movie and he was stunned by the reaction. We all were." (Mike Nichols' interview with David Fear, TimeOut, 2012)

Mike Nichols on how the young audiences reacted to 'The Graduate' (1967) when it was first screened: "Interviewer: "'The Graduate' (1967) was a phenomenon when it opened…how did it feel to suddenly be considered a hero of the 1960s youth movement when you were in your mid thirties? Nichols: Very weird, actually. But it wasn’t quite like that at first. Joseph E. Levine made us take the film around to college campuses. After we’d showed it to a bunch of younger audiences there, the question on everyone’s lips was, “How come it’s not about Vietnam?” The only way college students could apparently get laid in those days was to be very serious and concerned about the war, so 80 to 90 percent of the kids said, “We can’t tell whether you are for or against Vietnam in this movie.… What are we supposed to think?” That was their criterion. They had no idea what they were looking at. It wasn’t until we got the movie in front of audiences that we felt like younger viewers would feel a kinship with it. We previewed 'The Graduate' in a theater on 86th Street; we just showed up and essentially flung the movie on top of another feature to surprise people. And in the last five minutes—starting with the melee in the church—everyone stood and cheered. I mean, it was like being at a prizefight. And it wasn’t even a finished print; I still had the sound in a box on my lap, because we hadn’t fully mixed the movie yet. Poor Dustin was white as a sheet; it was his first time seeing the movie and he was stunned by the reaction. We all were." (Mike Nichols' interview with David Fear, TimeOut, 2012)

DepressedBergman

34,515 views • 6 months ago

.Kari Lake: "This was written straight from the heart. In the days after our victory was stolen, I was in a pretty dark place. I was a little worried that it would end up like a Stephen King, you know, horror book because I was so angry at the time. But it was actually very therapeutic."

.Kari Lake: "This was written straight from the heart. In the days after our victory was stolen, I was in a pretty dark place. I was a little worried that it would end up like a Stephen King, you know, horror book because I was so angry at the time. But it was actually very therapeutic."

Kari Lake War Room

131,219 views • 3 years ago

Milla Jovovich opens up about how her divorce impacted the final cut of Joan of Arc "Joan of Arc could have been an amazing movie. Unfortunately, my relationship with Luc at the time maybe skewed his vision of what he wanted the movie to be" "we were going through a divorce at the time, it was tough on him" "when I saw the finished product, I felt like he was mad at me" "we had so many different levels, from 1 to 100, and it felt like because of the emotional involvement, the edit ended up being like 100 the whole way" "I didn't want Joan to be so unhinged" "I felt bad about that, because I felt like that was one of the greatest performances I had ever given in my career" "I wish that things had been different with that movie because it had everything in it to be a classic, and it just didn't hit that mark" Feat: GQVidoes || Milla Jovovich

Milla Jovovich opens up about how her divorce impacted the final cut of Joan of Arc "Joan of Arc could have been an amazing movie. Unfortunately, my relationship with Luc at the time maybe skewed his vision of what he wanted the movie to be" "we were going through a divorce at the time, it was tough on him" "when I saw the finished product, I felt like he was mad at me" "we had so many different levels, from 1 to 100, and it felt like because of the emotional involvement, the edit ended up being like 100 the whole way" "I didn't want Joan to be so unhinged" "I felt bad about that, because I felt like that was one of the greatest performances I had ever given in my career" "I wish that things had been different with that movie because it had everything in it to be a classic, and it just didn't hit that mark" Feat: GQVidoes || Milla Jovovich

Mue Deborah

310,076 views • 11 days ago

Will Ferrell reveals why he turned down a massive payday for the ELF sequel "I was offered a crazy amount of money" "there was a lot of movement after the film initially came out, of which I maintained that it's going to be really hard because it's a classic fish out of water story" "an attempt was made at a script, which, you know, tried its best, but I just was like, I don't know" "I have to be able to sit in a setting like this and talk about the movie in a way that I feel good about" "if I were to promote that movie, I'd be literally saying I did it for the money. Straight up" "I'm like, do you want that messaging out there? then they tried a little bit later down the road and it just..."

Will Ferrell reveals why he turned down a massive payday for the ELF sequel "I was offered a crazy amount of money" "there was a lot of movement after the film initially came out, of which I maintained that it's going to be really hard because it's a classic fish out of water story" "an attempt was made at a script, which, you know, tried its best, but I just was like, I don't know" "I have to be able to sit in a setting like this and talk about the movie in a way that I feel good about" "if I were to promote that movie, I'd be literally saying I did it for the money. Straight up" "I'm like, do you want that messaging out there? then they tried a little bit later down the road and it just..."

Rixlerr

1,007,631 views • 1 month ago

I just read the unproduced Nine Lives of Chloe King movie script (it was so good) and now I am DYING for them to release the GREEK movie script that never got made but does exist. Like what I would GIVE to see these dorks again.

I just read the unproduced Nine Lives of Chloe King movie script (it was so good) and now I am DYING for them to release the GREEK movie script that never got made but does exist. Like what I would GIVE to see these dorks again.

Kat Pettibone ✌🏻♥️

19,271 views • 1 month ago

NEW: Witkoff praises Trump’s precision on Iran—“He knows EXACTLY when to push the button and when to pull out.” Special Envoy Steve Witkoff says President Trump’s strategy on Iran was deliberate, disciplined, and completely misunderstood by many. “So many people had it wrong about the president.” “He had an objective. He wouldn’t have entered [the] 12-day war without that objective.” “The objective was to eliminate enrichment in Iran and weaponization capability on the part of Iran—and he achieved his objective.” “It was never going to be a forever war. It was never going to be a war just for war’s sake.” “It was a war to achieve an objective that I think most Americans should be very, very satisfied with.” And then came the line that says it all: “I can tell you that I was in those discussions. I watched our Commander in Chief.” “He’s got this uncanny ability to understand EXACTLY when to push the button and when to pull out.” “He achieved his objective—and that was the end of it.”

NEW: Witkoff praises Trump’s precision on Iran—“He knows EXACTLY when to push the button and when to pull out.” Special Envoy Steve Witkoff says President Trump’s strategy on Iran was deliberate, disciplined, and completely misunderstood by many. “So many people had it wrong about the president.” “He had an objective. He wouldn’t have entered [the] 12-day war without that objective.” “The objective was to eliminate enrichment in Iran and weaponization capability on the part of Iran—and he achieved his objective.” “It was never going to be a forever war. It was never going to be a war just for war’s sake.” “It was a war to achieve an objective that I think most Americans should be very, very satisfied with.” And then came the line that says it all: “I can tell you that I was in those discussions. I watched our Commander in Chief.” “He’s got this uncanny ability to understand EXACTLY when to push the button and when to pull out.” “He achieved his objective—and that was the end of it.”

The Vigilant Fox 🦊

52,125 views • 1 year ago

#WATCH | Bengaluru, Karnataka: On the US-Israel vs Iran conflict, Indian badminton player PV Sindhu says, "... Initially, I was supposed to go to England, but unfortunately, when I landed on the 28th of February, the war also started, and flights were suspended... It was very stressful at that point in time... Dubai is one of the safest places, but it was so unfortunate that this happened. The immigration was shut; they were not allowing people to go outside the airport because it was so crowded... We got a call that there is a loud sound and a lot of smoke... It was terrifying when we heard that... I could hear sounds like five, six times... On one side, I was missing my tournament; the days were actually going on, and on the other side, I was thinking that safety is very important... The Emirates got in touch and took our details, and we immediately rushed to the airport and got our tickets, and then we were back in India..."

#WATCH | Bengaluru, Karnataka: On the US-Israel vs Iran conflict, Indian badminton player PV Sindhu says, "... Initially, I was supposed to go to England, but unfortunately, when I landed on the 28th of February, the war also started, and flights were suspended... It was very stressful at that point in time... Dubai is one of the safest places, but it was so unfortunate that this happened. The immigration was shut; they were not allowing people to go outside the airport because it was so crowded... We got a call that there is a loud sound and a lot of smoke... It was terrifying when we heard that... I could hear sounds like five, six times... On one side, I was missing my tournament; the days were actually going on, and on the other side, I was thinking that safety is very important... The Emirates got in touch and took our details, and we immediately rushed to the airport and got our tickets, and then we were back in India..."

ANI

42,050 views • 5 months ago

I was flabbergasted here. I didn't think it was possible for FSD to pass on the right on a highway. But it did it. 😳 I think navigation was set to take the next exit that was 0.5 mile away at the end of the clip. If it wasn't that exit it was the next.

I was flabbergasted here. I didn't think it was possible for FSD to pass on the right on a highway. But it did it. 😳 I think navigation was set to take the next exit that was 0.5 mile away at the end of the clip. If it wasn't that exit it was the next.

Martha 🌑🚀

12,764 views • 2 months ago

Richard Donner on why he made 'Superman' (1978) & the movie's connection to François Truffaut's 'Jules & Jim' (1962): "I certainly didn’t know it when we were making 'Superman' (1978) [that it would have a profound impact on millions of people around the world]. I was just trying to make the best movie I could make. I think it was during the first showing I attended — not the opening, but a regular screening in a theater, in New York. I watched the audience experience that movie and I was very moved, very excited. Before I came on board, the script was kind of a parody of a parody, It had been really well written by three or four really good writers, but they had been directed by a couple of Hungarians [producers Alexander and Ilya Salkind] who saw it as a comic book rather than a piece of history. Their script didn’t have any respect for what the character stood for, since I was a little kid. Tom Mankiewicz and I had known each other for years, and we’d always talked about working together, so I presented him with the problem, I asked him to bring a sense of reality, or verisimilitude, to the story. I wanted to be able to prove that a man could fly. Tom rewrote the entire script. Years before, there had been a French film called 'Jules and Jim' (1962, Truffaut), a great film. Two guys fall in love with the same woman. That’s what Superman was: two guys in love with the same woman. It happened to be that the two guys were the same guy, but not in the woman’s eyes. I asked Tom ‘How do we make that into a love story?’ He just fell right into it." I was trying to let the audience know that they were not looking at a comic book, or what had been done with Superman over the ages. This was the true story of Superman. In my eyes, when I was a kid, he was real. And he was in Tom’s eyes, too. We decided that’s the way we wanted the movie to be." (Richard Donner's interview with Michael P Coleman, 2020)

Richard Donner on why he made 'Superman' (1978) & the movie's connection to François Truffaut's 'Jules & Jim' (1962): "I certainly didn’t know it when we were making 'Superman' (1978) [that it would have a profound impact on millions of people around the world]. I was just trying to make the best movie I could make. I think it was during the first showing I attended — not the opening, but a regular screening in a theater, in New York. I watched the audience experience that movie and I was very moved, very excited. Before I came on board, the script was kind of a parody of a parody, It had been really well written by three or four really good writers, but they had been directed by a couple of Hungarians [producers Alexander and Ilya Salkind] who saw it as a comic book rather than a piece of history. Their script didn’t have any respect for what the character stood for, since I was a little kid. Tom Mankiewicz and I had known each other for years, and we’d always talked about working together, so I presented him with the problem, I asked him to bring a sense of reality, or verisimilitude, to the story. I wanted to be able to prove that a man could fly. Tom rewrote the entire script. Years before, there had been a French film called 'Jules and Jim' (1962, Truffaut), a great film. Two guys fall in love with the same woman. That’s what Superman was: two guys in love with the same woman. It happened to be that the two guys were the same guy, but not in the woman’s eyes. I asked Tom ‘How do we make that into a love story?’ He just fell right into it." I was trying to let the audience know that they were not looking at a comic book, or what had been done with Superman over the ages. This was the true story of Superman. In my eyes, when I was a kid, he was real. And he was in Tom’s eyes, too. We decided that’s the way we wanted the movie to be." (Richard Donner's interview with Michael P Coleman, 2020)

DepressedBergman

36,100 views • 7 months ago

“So originally, Paint by Numbers was like track one of the album. And at that time, the album was very different. It was like sonically sounding very different. It was like very introspective. I think I was really starting to feel like, you know, I think I loved the idea of opening the album with, oh, what a gift it is to be noticed, but it's nothing to do with me. I just loved, I was like so dedicated to that being the opening line. And I felt so like powerful in a lot of ways to be able to acknowledge that it's not really about me, you know. I mean the opening, the whole opening of the song is, oh, what a gift is to be noticed, but it's nothing to do with me. You've got to wonder if there's a reason to believe it's a lifetime of learning to Paint By Numbers and watching colors run.” - Harry about ‘Paint by Numbers’ on Q

“So originally, Paint by Numbers was like track one of the album. And at that time, the album was very different. It was like sonically sounding very different. It was like very introspective. I think I was really starting to feel like, you know, I think I loved the idea of opening the album with, oh, what a gift it is to be noticed, but it's nothing to do with me. I just loved, I was like so dedicated to that being the opening line. And I felt so like powerful in a lot of ways to be able to acknowledge that it's not really about me, you know. I mean the opening, the whole opening of the song is, oh, what a gift is to be noticed, but it's nothing to do with me. You've got to wonder if there's a reason to believe it's a lifetime of learning to Paint By Numbers and watching colors run.” - Harry about ‘Paint by Numbers’ on Q

HSNews

179,234 views • 5 months ago

Trump: "Frankly, had covid not come along, because that was another thing -- we had to fix it, it was very destructive to the whole world but we had to fix it -- and yet I handed back the reins of a company, a country, that was better, think of it. The stock market was higher than it was just prior to covid coming in."

Trump: "Frankly, had covid not come along, because that was another thing -- we had to fix it, it was very destructive to the whole world but we had to fix it -- and yet I handed back the reins of a company, a country, that was better, think of it. The stock market was higher than it was just prior to covid coming in."

Aaron Rupar

586,248 views • 1 year ago

Dyanne Thorne on how she felt when she read the script of "Ilsa: She Wolf of the SS" (1975): "When I read the original script I was appalled. It was just awful. But this was typical of the 1970s. Sometimes you’d just get a script outline, make yourself available and then everything would get filled in later. So I was a little worried initially signing on, but a friend at the time told me that he knew the director, Don Edmonds personally and that I shouldn’t worry ‘cause I would be in good hands." When the movie opened in New York in the fall of 1975, it was a massive hit. It was screened on 42nd Street for 6 months. ("The Strange History and Surprising Resilience of the 1970s’ Most Notorious Nazi S**ploitation Film", Tim Grierson, MelMagazine, 2018)

Dyanne Thorne on how she felt when she read the script of "Ilsa: She Wolf of the SS" (1975): "When I read the original script I was appalled. It was just awful. But this was typical of the 1970s. Sometimes you’d just get a script outline, make yourself available and then everything would get filled in later. So I was a little worried initially signing on, but a friend at the time told me that he knew the director, Don Edmonds personally and that I shouldn’t worry ‘cause I would be in good hands." When the movie opened in New York in the fall of 1975, it was a massive hit. It was screened on 42nd Street for 6 months. ("The Strange History and Surprising Resilience of the 1970s’ Most Notorious Nazi S**ploitation Film", Tim Grierson, MelMagazine, 2018)

DepressedBergman

38,704 views • 2 months ago

Kevin Durant was on Bobbi Althoff’s podcast and said he regrets starring in the ‘Thunderstuck’ movie: “I did this cheesy movie when I was like 23… Kids still come up to me and say, ‘I loved that movie.’ It was so cheesy that you like it.”

Kevin Durant was on Bobbi Althoff’s podcast and said he regrets starring in the ‘Thunderstuck’ movie: “I did this cheesy movie when I was like 23… Kids still come up to me and say, ‘I loved that movie.’ It was so cheesy that you like it.”

Clemente Almanza

283,513 views • 9 months ago