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Brief explanation: You create a layer, go to 'layer properties' and add a border effect. Then you choose a dark color for the border, then a light color to shade where you want. After that, merge the layer with the border effect with a clean layer, and blur the... show more

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54,110 次观看 • 5 个月前 •via X (Twitter)

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quick tutorial (?) on blur with soft edges: if you select using lasso, selection pen etc and gaussian blur, the edges of the blur are sharp but if you use an airbrush to mark the areas on a new layer and use it as selection to blur, you can get a soft effect instead

quick tutorial (?) on blur with soft edges: if you select using lasso, selection pen etc and gaussian blur, the edges of the blur are sharp but if you use an airbrush to mark the areas on a new layer and use it as selection to blur, you can get a soft effect instead

tomato🍅

147,794 次观看 • 9 个月前

Here is a breakdown (kind of) how I did this effect for live2d Vtuber model art. I’ve drawn the lips, you would have to separate top and bottom though and added a cyan layer which will be my mask and the mask for the rigger to clip on. Then I added a shiny add layer on top and used the cyan layer as a mask, just to test the effect in procreate, you would have to delete the black/white procreate mask for the rigger because this can cause issues. If you have any questions feels free to ask. 💕

Here is a breakdown (kind of) how I did this effect for live2d Vtuber model art. I’ve drawn the lips, you would have to separate top and bottom though and added a cyan layer which will be my mask and the mask for the rigger to clip on. Then I added a shiny add layer on top and used the cyan layer as a mask, just to test the effect in procreate, you would have to delete the black/white procreate mask for the rigger because this can cause issues. If you have any questions feels free to ask. 💕

Sandrina 😈🎀 | VArtist | †øм

22,969 次观看 • 11 个月前

How annoying is it when you can't find a company's logo in SVG format? I use a quick hack in Figma that lets me easily change the logo's color to whatever I need. 1. Add a rectangle layer on top of the logo layer. 2. Right-click and create a mask for the logo layer. 3. Voilà.

James McDonald

28,106 次观看 • 1 年前

🟢Substance Painter Tip With "Anchor Points" you can link layers together (e.g. use one layer as a mask for another), which makes workflows much faster. Example: You have a shadow layer and want to add an outline around it. Instead of repainting the outline every time you change the shadows, use an Anchor Point: 1. Add an Anchor Point to the shadow layer 2. Add a Fill Filter for the shadow outline layer 3. For the Fill grayscale, select the Anchor Point 4. Add a "Mask Outline" filter 5. If you paint new shadows now, the outline will adjust automatically!

🟢Substance Painter Tip With "Anchor Points" you can link layers together (e.g. use one layer as a mask for another), which makes workflows much faster. Example: You have a shadow layer and want to add an outline around it. Instead of repainting the outline every time you change the shadows, use an Anchor Point: 1. Add an Anchor Point to the shadow layer 2. Add a Fill Filter for the shadow outline layer 3. For the Fill grayscale, select the Anchor Point 4. Add a "Mask Outline" filter 5. If you paint new shadows now, the outline will adjust automatically!

Keeki | 3D Artist

38,950 次观看 • 4 个月前

🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ____________________________________________________ In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

Cohen Brawley

78,888 次观看 • 2 年前

✨Tip for artists and riggers✨ If you want to make a liquid in transparent container (vial, bottle), create a clipping layer (red) according to the shape of container, so you could attach a liquid to it. Lower the opacity for the clipping layer #Live2D #live2dtutorial #VTuber

✨Tip for artists and riggers✨ If you want to make a liquid in transparent container (vial, bottle), create a clipping layer (red) according to the shape of container, so you could attach a liquid to it. Lower the opacity for the clipping layer #Live2D #live2dtutorial #VTuber

🍉°˖✧Shiromi✧˖° 💕Live2D Rigger

380,964 次观看 • 3 年前

CSS Trick! ⚡️ You can create gradient borders by using transparent borders 👀 No extra elements 🤙 article { background: // layer them up with different origin! linear-gradient(var(--bg), var(--bg)) padding-box, var(--gradient) border-box; border: 4px solid transparent; } The trick is to layer background images using different background-origin ⭐️ Then use a transparent border to define how thick the border is! padding-box positions a background relative to an element's padding. border-box positions a background relative to the border-box 🔥 The ✨magic✨ part? You get that nested radius for free 😅 Check out the exploded view in the video and have a play with different values in the demo 🎞️ CodePen.IO link below! 👇

CSS Trick! ⚡️ You can create gradient borders by using transparent borders 👀 No extra elements 🤙 article { background: // layer them up with different origin! linear-gradient(var(--bg), var(--bg)) padding-box, var(--gradient) border-box; border: 4px solid transparent; } The trick is to layer background images using different background-origin ⭐️ Then use a transparent border to define how thick the border is! padding-box positions a background relative to an element's padding. border-box positions a background relative to the border-box 🔥 The ✨magic✨ part? You get that nested radius for free 😅 Check out the exploded view in the video and have a play with different values in the demo 🎞️ CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

647,526 次观看 • 3 年前

Created a new variant of the Border beam UI effect: Pulse. Inner and outside types, multiple color variants, dark and light mode npm install border-beam

Created a new variant of the Border beam UI effect: Pulse. Inner and outside types, multiple color variants, dark and light mode npm install border-beam

Jakub Antalik

40,766 次观看 • 3 个月前

You only need 2 layers to achieve most of the glitter effect, here is how I did it! I learned from other cool mutuals!!🩶 Blue layer: set to opacity 0% White layer: set to 100% Clip the white onto the blue, then move it XY according to the physics you want to achieve. Combined with other lights and color changing keyframes, it looks ✨✨preeeettyyyyy ✨✨

You only need 2 layers to achieve most of the glitter effect, here is how I did it! I learned from other cool mutuals!!🩶 Blue layer: set to opacity 0% White layer: set to 100% Clip the white onto the blue, then move it XY according to the physics you want to achieve. Combined with other lights and color changing keyframes, it looks ✨✨preeeettyyyyy ✨✨

Rikku リックVEXPO26✗

407,507 次观看 • 1 年前

you can easily paint in sculpted folds in Substance painter by using the following setup: (the Sculpted Folds folder) New layer with just height info. Paint effect in the black mask to paint where you want the folds. Blur Directions to create the falloff. Blur to soften it all.

you can easily paint in sculpted folds in Substance painter by using the following setup: (the Sculpted Folds folder) New layer with just height info. Paint effect in the black mask to paint where you want the folds. Blur Directions to create the falloff. Blur to soften it all.

Pilgrim

206,089 次观看 • 2 年前

Quick tip for my graphic designers, Open Photoshop to a text/s layer in a smart object. Apply a Gaussian blur (9). Then a Radial blur (6,Spin,Draft). Layer adjustments ➔ Threshold (Adjust). Ink bleed text effect.

Quick tip for my graphic designers, Open Photoshop to a text/s layer in a smart object. Apply a Gaussian blur (9). Then a Radial blur (6,Spin,Draft). Layer adjustments ➔ Threshold (Adjust). Ink bleed text effect.

Seso

256,937 次观看 • 2 年前

Quick tip for my graphic designers, In PS, overlay a photo or texture and apply a clipping masked gradient map. (Color to BLK) Open the layer options of the overlay texture, Hold ALT to split the anchor of "Blend if" Underlying layer. See-through Texture Gradient Effect.

Quick tip for my graphic designers, In PS, overlay a photo or texture and apply a clipping masked gradient map. (Color to BLK) Open the layer options of the overlay texture, Hold ALT to split the anchor of "Blend if" Underlying layer. See-through Texture Gradient Effect.

Seso

169,060 次观看 • 3 年前

🎓Learn how to create a powerful Worn Leather smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ____________________________________________________ In this video, the steps are as follows: 1. Create a fill layer with a black mask applied. Inside its mask paint a simple pill shape and use a blur slope filter to introduce some random shapes. Apply a marble veins fill layer on top with its blending mode set to color burn. Apply a warp filter as well to introduce some randomness followed by an anchorpoint. 2. Create another fill layer using the same technique to apply some dirt in the crevices of the wear. 3. Next, Inside the main fill layer apply a tiling raw leather texture to its Color and roughness channel 4. Create an additional fill layer up top and apply a black mask to it.Inside this mask retrieve the anchorpoint information followed by a blur filter with a value of 6. Use a levels to increase the spread of the mask. Apply another marble veins matching the values of the marble veins fill layer that we previously added and set its blending mode to multiply. Lastly retrieve the anchorpoint information from the previous fill layer again but this time set its blending mode to subtract. This fill layers properties should have a dark diffuse color and a matte roughness. 5. Add another fill layer with a bright diffuse and height properties with a black mask applied to it. Inside its mask retrieve the anchorpoint information again followed by a blur slope. Apply the anchorpoint information again but this time set its blending mode to subtract. Now we have a worn leather effect wherever we paint using the paint layer created inside the callout mask! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #3dartist #texturing #UE5 #unity #artstation

🎓Learn how to create a powerful Worn Leather smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. In this video, the steps are as follows: 1. Create a fill layer with a black mask applied. Inside its mask paint a simple pill shape and use a blur slope filter to introduce some random shapes. Apply a marble veins fill layer on top with its blending mode set to color burn. Apply a warp filter as well to introduce some randomness followed by an anchorpoint. 2. Create another fill layer using the same technique to apply some dirt in the crevices of the wear. 3. Next, Inside the main fill layer apply a tiling raw leather texture to its Color and roughness channel 4. Create an additional fill layer up top and apply a black mask to it.Inside this mask retrieve the anchorpoint information followed by a blur filter with a value of 6. Use a levels to increase the spread of the mask. Apply another marble veins matching the values of the marble veins fill layer that we previously added and set its blending mode to multiply. Lastly retrieve the anchorpoint information from the previous fill layer again but this time set its blending mode to subtract. This fill layers properties should have a dark diffuse color and a matte roughness. 5. Add another fill layer with a bright diffuse and height properties with a black mask applied to it. Inside its mask retrieve the anchorpoint information again followed by a blur slope. Apply the anchorpoint information again but this time set its blending mode to subtract. Now we have a worn leather effect wherever we paint using the paint layer created inside the callout mask! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #3dartist #texturing #UE5 #unity #artstation

Cohen Brawley

88,792 次观看 • 2 年前

【📢】 One thing coming with the next VTube Studio update is the "layer group" editor ✨ After creating one, a layer group can be used to bulk-set layer screen/multiply color overlays (and more!) 🌈🎨🖌️ It'll be on the VTS beta branch soon if you wanna try it out early ⏰✨

【📢】 One thing coming with the next VTube Studio update is the "layer group" editor ✨ After creating one, a layer group can be used to bulk-set layer screen/multiply color overlays (and more!) 🌈🎨🖌️ It'll be on the VTS beta branch soon if you wanna try it out early ⏰✨

VTube Studio

230,237 次观看 • 1 年前

The contrast in this race is simple: Do you want higher inflation and a wide open southern border? Then vote for Kamala Harris. If you want lower prices, a secure border and to get the fentanyl out of your community, then vote for President Trump.

The contrast in this race is simple: Do you want higher inflation and a wide open southern border? Then vote for Kamala Harris. If you want lower prices, a secure border and to get the fentanyl out of your community, then vote for President Trump.

JD Vance

1,868,904 次观看 • 2 年前

🚨 LMAO! Trump just dunked on Obama when asked if he would go visit China Trump to the South Korean President: "Do you want to go together? We'll share a plane and save energy!" "The ozone layer! Like Obama used to talk about the ozone layer, then fly to HAWAII to play a round of golf in a 747." 🤣🔥

🚨 LMAO! Trump just dunked on Obama when asked if he would go visit China Trump to the South Korean President: "Do you want to go together? We'll share a plane and save energy!" "The ozone layer! Like Obama used to talk about the ozone layer, then fly to HAWAII to play a round of golf in a 747." 🤣🔥

Nick Sortor

2,746,993 次观看 • 1 年前

🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! ____________________________________________________ In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing

🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing

Cohen Brawley

25,219 次观看 • 2 年前

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ___________________________________________________ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. _ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. __ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

Cohen Brawley

46,070 次观看 • 2 年前