Загрузка видео...

Не удалось загрузить видео

Возникла проблема при загрузке этого видео. Это может быть связано с временными проблемами сети или видео может быть недоступно.

На главную

Quick tip for my graphic designers, Open Photoshop to a text/s layer in a smart object. Apply a Gaussian blur (9). Then a Radial blur (6,Spin,Draft). Layer adjustments ➔ Threshold (Adjust). Ink bleed text effect.

Seso

81,737 subscribers

254,183 просмотров • 2 лет назад •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

Комментарии: 10

Фото профиля Seso

Seso2 лет назад

Never fall behind on trendy fun assets to use as a creative. All custom, 28 products, + all future released products, FREE— Forever. The Everything Pack,

Фото профиля G U E R R A

G U E R R A2 лет назад

What is the font?

Фото профиля Seso

Seso2 лет назад

Krisha!

Фото профиля janagt

janagt2 лет назад

@karencristhinaf @DaviSimon

Фото профиля cuetip

cuetip2 лет назад

It's really that easy

Фото профиля Seso

Seso2 лет назад

it can be :D

Фото профиля Winter

Winter2 лет назад

@SesoHQ how long does it take support to respond? Bought the everything pack and I’m not able to redownload or join the discord. Reached out to support several days ago.

Фото профиля Piyush

Piyush2 лет назад

Thank you GOAT for this 🙌

Фото профиля 🏳️‍🌈⃤ Patroa | ミ☆

🏳️‍🌈⃤ Patroa | ミ☆2 лет назад

you are querido!! muito bom

Фото профиля J.Hill Photography & Design

J.Hill Photography & Design1 год назад

Pretty cool effect but choosing the right font is key for legibility

Похожие видео

Quick tip for my graphic designers, In PS, overlay a photo or texture and apply a clipping masked gradient map. (Color to BLK) Open the layer options of the overlay texture, Hold ALT to split the anchor of "Blend if" Underlying layer. See-through Texture Gradient Effect.

Quick tip for my graphic designers, In PS, overlay a photo or texture and apply a clipping masked gradient map. (Color to BLK) Open the layer options of the overlay texture, Hold ALT to split the anchor of "Blend if" Underlying layer. See-through Texture Gradient Effect.

Seso

169,060 просмотров • 3 лет назад

Quick After Effects Tutorial - Dripping Text Animation - Add CC Smear on a text layer -> Position the smear on each letter and animate the "REACH" from 0 to 1.000. - New Adjustment Layer -> Add Gaussian Blur at 35 - Add Levels -> Select Alpha -> Set the arrows in the middle.

Quick After Effects Tutorial - Dripping Text Animation - Add CC Smear on a text layer -> Position the smear on each letter and animate the "REACH" from 0 to 1.000. - New Adjustment Layer -> Add Gaussian Blur at 35 - Add Levels -> Select Alpha -> Set the arrows in the middle.

Cash Design

176,114 просмотров • 3 лет назад

Designers, Weaving scribble text. In PS, Start w/ text & make a new layer. Draw scribbles that go over a certain letter/s. Hold CTRL & select the thumbnail of the text layer. Then on the scribble layer, erase some parts on the front.

Designers, Weaving scribble text. In PS, Start w/ text & make a new layer. Draw scribbles that go over a certain letter/s. Hold CTRL & select the thumbnail of the text layer. Then on the scribble layer, erase some parts on the front.

Seso

20,102 просмотров • 1 год назад

Brief explanation: You create a layer, go to 'layer properties' and add a border effect. Then you choose a dark color for the border, then a light color to shade where you want. After that, merge the layer with the border effect with a clean layer, and blur the edges if you want!

Brief explanation: You create a layer, go to 'layer properties' and add a border effect. Then you choose a dark color for the border, then a light color to shade where you want. After that, merge the layer with the border effect with a clean layer, and blur the edges if you want!

❤︎ MIZUKI.

54,110 просмотров • 4 месяцев назад

quick tutorial (?) on blur with soft edges: if you select using lasso, selection pen etc and gaussian blur, the edges of the blur are sharp but if you use an airbrush to mark the areas on a new layer and use it as selection to blur, you can get a soft effect instead

quick tutorial (?) on blur with soft edges: if you select using lasso, selection pen etc and gaussian blur, the edges of the blur are sharp but if you use an airbrush to mark the areas on a new layer and use it as selection to blur, you can get a soft effect instead

tomato🍅

147,794 просмотров • 8 месяцев назад

Quick tip for my graphic designers, In Ps, drop in your photo. Filter ➔ Camera Raw Filter. (Color) -100 Saturation. (Effects) Clarity +40, Texture +55. Gradient map— choose a color. Click the gradient layer mask. Select, Color Range, and click around. Gradient Mesh.

Quick tip for my graphic designers, In Ps, drop in your photo. Filter ➔ Camera Raw Filter. (Color) -100 Saturation. (Effects) Clarity +40, Texture +55. Gradient map— choose a color. Click the gradient layer mask. Select, Color Range, and click around. Gradient Mesh.

Seso

182,203 просмотров • 2 лет назад

🎓Learn how to create a powerful Worn Leather smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ____________________________________________________ In this video, the steps are as follows: 1. Create a fill layer with a black mask applied. Inside its mask paint a simple pill shape and use a blur slope filter to introduce some random shapes. Apply a marble veins fill layer on top with its blending mode set to color burn. Apply a warp filter as well to introduce some randomness followed by an anchorpoint. 2. Create another fill layer using the same technique to apply some dirt in the crevices of the wear. 3. Next, Inside the main fill layer apply a tiling raw leather texture to its Color and roughness channel 4. Create an additional fill layer up top and apply a black mask to it.Inside this mask retrieve the anchorpoint information followed by a blur filter with a value of 6. Use a levels to increase the spread of the mask. Apply another marble veins matching the values of the marble veins fill layer that we previously added and set its blending mode to multiply. Lastly retrieve the anchorpoint information from the previous fill layer again but this time set its blending mode to subtract. This fill layers properties should have a dark diffuse color and a matte roughness. 5. Add another fill layer with a bright diffuse and height properties with a black mask applied to it. Inside its mask retrieve the anchorpoint information again followed by a blur slope. Apply the anchorpoint information again but this time set its blending mode to subtract. Now we have a worn leather effect wherever we paint using the paint layer created inside the callout mask! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #3dartist #texturing #UE5 #unity #artstation

🎓Learn how to create a powerful Worn Leather smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. In this video, the steps are as follows: 1. Create a fill layer with a black mask applied. Inside its mask paint a simple pill shape and use a blur slope filter to introduce some random shapes. Apply a marble veins fill layer on top with its blending mode set to color burn. Apply a warp filter as well to introduce some randomness followed by an anchorpoint. 2. Create another fill layer using the same technique to apply some dirt in the crevices of the wear. 3. Next, Inside the main fill layer apply a tiling raw leather texture to its Color and roughness channel 4. Create an additional fill layer up top and apply a black mask to it.Inside this mask retrieve the anchorpoint information followed by a blur filter with a value of 6. Use a levels to increase the spread of the mask. Apply another marble veins matching the values of the marble veins fill layer that we previously added and set its blending mode to multiply. Lastly retrieve the anchorpoint information from the previous fill layer again but this time set its blending mode to subtract. This fill layers properties should have a dark diffuse color and a matte roughness. 5. Add another fill layer with a bright diffuse and height properties with a black mask applied to it. Inside its mask retrieve the anchorpoint information again followed by a blur slope. Apply the anchorpoint information again but this time set its blending mode to subtract. Now we have a worn leather effect wherever we paint using the paint layer created inside the callout mask! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #3dartist #texturing #UE5 #unity #artstation

Cohen Brawley

88,726 просмотров • 2 лет назад

🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ____________________________________________________ In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

Cohen Brawley

78,842 просмотров • 2 лет назад

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ___________________________________________________ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. _ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. __ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

Cohen Brawley

46,070 просмотров • 2 лет назад

You can also use the Gradient layer type in Toolbag to make planar knurling like for this pistol grip panel 😎 Adding a sync point above the layer lets you use the effect with smart mats and generators as well.

You can also use the Gradient layer type in Toolbag to make planar knurling like for this pistol grip panel 😎 Adding a sync point above the layer lets you use the effect with smart mats and generators as well.

Jordan Cain

12,004 просмотров • 8 месяцев назад

New Figma glass effect updates begin rolling out today! Here is a break down of each one: • Round frame corners independently • Add glass to graphics, shapes and text • Apply variables to glass properties • New Splay property for edge adjustments

New Figma glass effect updates begin rolling out today! Here is a break down of each one: • Round frame corners independently • Add glass to graphics, shapes and text • Apply variables to glass properties • New Splay property for edge adjustments

miggi from figgi

21,630 просмотров • 7 месяцев назад

Gaussian splatting as part of the UI – a lot went into making this as performant as possible – for example, for the frosting effect I track the card in screen-space and only render to and sample the pixels touched by the blur

Gaussian splatting as part of the UI – a lot went into making this as performant as possible – for example, for the frosting effect I track the card in screen-space and only render to and sample the pixels touched by the blur

🌈 George Corney

52,170 просмотров • 5 месяцев назад

Here is a breakdown (kind of) how I did this effect for live2d Vtuber model art. I’ve drawn the lips, you would have to separate top and bottom though and added a cyan layer which will be my mask and the mask for the rigger to clip on. Then I added a shiny add layer on top and used the cyan layer as a mask, just to test the effect in procreate, you would have to delete the black/white procreate mask for the rigger because this can cause issues. If you have any questions feels free to ask. 💕

Here is a breakdown (kind of) how I did this effect for live2d Vtuber model art. I’ve drawn the lips, you would have to separate top and bottom though and added a cyan layer which will be my mask and the mask for the rigger to clip on. Then I added a shiny add layer on top and used the cyan layer as a mask, just to test the effect in procreate, you would have to delete the black/white procreate mask for the rigger because this can cause issues. If you have any questions feels free to ask. 💕

Sandrina 😈🎀 | VArtist | †øм

22,969 просмотров • 10 месяцев назад

🟢Substance Painter Tip: The Passthrough blend mode in combination with the Smudge tool lets you adjust generated/filter results in a non-destructive way. E.g.: The Blur filter operates in 2D space, which can cause visible seams at the UV island borders. A fix for that is to add Paint above the Blur and use the Passthrough blend mode. Passthrough allows you to smudge the output below it. Works the same for standard layers!

🟢Substance Painter Tip: The Passthrough blend mode in combination with the Smudge tool lets you adjust generated/filter results in a non-destructive way. E.g.: The Blur filter operates in 2D space, which can cause visible seams at the UV island borders. A fix for that is to add Paint above the Blur and use the Passthrough blend mode. Passthrough allows you to smudge the output below it. Works the same for standard layers!

Keeki | 3D Artist

28,923 просмотров • 2 месяцев назад

i gave a voice to my jarvis system everything running in real-time using open source models - roboflow RF-DETR for object detection - gemma 4 for scene summarization - kokoro text-to-speech - live in the browser using transformers js prompt: "you are a dystopian science fiction narrator in a cyberpunk world. describe the scene in one sentence"

i gave a voice to my jarvis system everything running in real-time using open source models - roboflow RF-DETR for object detection - gemma 4 for scene summarization - kokoro text-to-speech - live in the browser using transformers js prompt: "you are a dystopian science fiction narrator in a cyberpunk world. describe the scene in one sentence"

AA

28,753 просмотров • 5 месяцев назад

🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! ____________________________________________________ In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing

🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing

Cohen Brawley

25,219 просмотров • 2 лет назад

To speed up my storyboarding on Blue Eye Samurai, I made photoshop actions that auto filled my sketches in a separate layer, with several presets for lighting and tone to choose from (since it was a show that prioritized tone and lighting) I use it for my sketch and doodles too.

To speed up my storyboarding on Blue Eye Samurai, I made photoshop actions that auto filled my sketches in a separate layer, with several presets for lighting and tone to choose from (since it was a show that prioritized tone and lighting) I use it for my sketch and doodles too.

Toniko Pantoja

81,620 просмотров • 2 лет назад

🚨Breaking News🚨 PixVerse 3.5’s text-to-video mode is super versatile and creative. 🎥✨ It’s still in early access, but the potential is huge! Here’s a quick showcase of its text-to-video capabilities. 🔊 Turn up the sound for the full experience! 👇

🚨Breaking News🚨 PixVerse 3.5’s text-to-video mode is super versatile and creative. 🎥✨ It’s still in early access, but the potential is huge! Here’s a quick showcase of its text-to-video capabilities. 🔊 Turn up the sound for the full experience! 👇

Pierrick Chevallier | IA

11,535 просмотров • 1 год назад