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Buffalo Springfield 🎩🪄 For What It’s Worth (1967) Released December 23rd, 1967. Stephen Stills’ quiet warning turned anthem. This Monterey Pop live cut freezes the moment, folk-rock tension, harmonies tight, message louder than the amps. A candle that still flickers.

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This was the moment students from Butere Girls walked to the stage, sang the national anthem and stood in silence for a minute. Then, without performing, they turned and walked away. A quiet act of defiance that spoke louder than any skit they could have perfomed.
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This was the moment students from Butere Girls walked to the stage, sang the national anthem and stood in silence for a minute. Then, without performing, they turned and walked away. A quiet act of defiance that spoke louder than any skit they could have perfomed.

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💿This is Tommy James & The Shondells performing “I Think We’re Alone Now” live in 1967. 🎶🎶🎶 Most people today know the song from Tiffany’s 1987 version, but this is the original. The live performance has that clean, upbeat 1960s pop-rock energy that made the track a hit the first time around. It’s a good reminder of how many big 80s hits started life two decades earlier. The original still holds up really well. Do you prefer the 1967 Tommy James version or Tiffany’s 80s cover? 👇 #TommyJames #IThinkWereAloneNow #60sMusic #ClassicRock #MusicHistory
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💿This is Tommy James & The Shondells performing “I Think We’re Alone Now” live in 1967. 🎶🎶🎶 Most people today know the song from Tiffany’s 1987 version, but this is the original. The live performance has that clean, upbeat 1960s pop-rock energy that made the track a hit the first time around. It’s a good reminder of how many big 80s hits started life two decades earlier. The original still holds up really well. Do you prefer the 1967 Tommy James version or Tiffany’s 80s cover? 👇 #TommyJames #IThinkWereAloneNow #60sMusic #ClassicRock #MusicHistory

BiffBifford™ 🇺🇸

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For What It's Worth is from the album Buffalo Springfield (1966). Stephen Stills wrote the lyrics after driving across the Sunset Strip in Los Angeles in November 1966 and seeing police violently cracking down on a peaceful protest by young people against curfew and nightclub closures. Released as a single in December 1966, it reached #7 on the Billboard Hot 100 (the biggest hit of the band's short career), even though it did not directly address the Vietnam War, radio and the public adopted the song as a cry against police repression and injustice.
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For What It's Worth is from the album Buffalo Springfield (1966). Stephen Stills wrote the lyrics after driving across the Sunset Strip in Los Angeles in November 1966 and seeing police violently cracking down on a peaceful protest by young people against curfew and nightclub closures. Released as a single in December 1966, it reached #7 on the Billboard Hot 100 (the biggest hit of the band's short career), even though it did not directly address the Vietnam War, radio and the public adopted the song as a cry against police repression and injustice.

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“For What It’s Worth” was written by Stephen Stills in late 1966 after witnessing the unrest surrounding the Sunset Strip curfew riots in Los Angeles, where clashes had broken out between young protesters and police over new restrictions on nightlife around clubs such as Pandora’s Box. Released as a single in December 1966, the song quickly became Buffalo Springfield’s breakthrough hit reaching #7 on the Billboard Hot 100 in early 1967. Although it is often remembered today as a Vietnam-era protest anthem, the song was not originally written about the war. Its tense, understated lyrics instead captured the atmosphere of confusion, suspicion and generational conflict in America at the time, which is precisely why it later came to symbolize the wider turbulence of the late 1960s.
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“For What It’s Worth” was written by Stephen Stills in late 1966 after witnessing the unrest surrounding the Sunset Strip curfew riots in Los Angeles, where clashes had broken out between young protesters and police over new restrictions on nightlife around clubs such as Pandora’s Box. Released as a single in December 1966, the song quickly became Buffalo Springfield’s breakthrough hit reaching #7 on the Billboard Hot 100 in early 1967. Although it is often remembered today as a Vietnam-era protest anthem, the song was not originally written about the war. Its tense, understated lyrics instead captured the atmosphere of confusion, suspicion and generational conflict in America at the time, which is precisely why it later came to symbolize the wider turbulence of the late 1960s.

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Vegans over reacting to eating meat again😂 The intensity of these first-bite reactions after years of intentional avoidance reveals something deeper than preference. Dietary identity can become so tightly woven into self-image that the sensory experience of meat triggers a full emotional cascade — shock, guilt, curiosity, even reluctant pleasure — all in the same moment. What we’re watching isn’t just “overreaction.” It’s the collision between a carefully constructed moral framework and the ancient, hard-wired human response to concentrated protein and fat. The longer the abstention, the stronger the rebound. Some people process it with laughter, others with visible distress. Both are authentic. These clips capture a quiet cultural tension playing out in real time: how far personal ethics can stretch against biology, and what happens the second that tension snaps. Worth watching less for the punchline and more for what it quietly says about belief, habit, and the stubborn body that refuses to forget.
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Vegans over reacting to eating meat again😂 The intensity of these first-bite reactions after years of intentional avoidance reveals something deeper than preference. Dietary identity can become so tightly woven into self-image that the sensory experience of meat triggers a full emotional cascade — shock, guilt, curiosity, even reluctant pleasure — all in the same moment. What we’re watching isn’t just “overreaction.” It’s the collision between a carefully constructed moral framework and the ancient, hard-wired human response to concentrated protein and fat. The longer the abstention, the stronger the rebound. Some people process it with laughter, others with visible distress. Both are authentic. These clips capture a quiet cultural tension playing out in real time: how far personal ethics can stretch against biology, and what happens the second that tension snaps. Worth watching less for the punchline and more for what it quietly says about belief, habit, and the stubborn body that refuses to forget.

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1960s Czech movies are crazy, as well as crazy good. Here's a few I've seen that YOU ought to watch as well: Fantastic Planet (1967 Franco-Czech co-production; better science fiction film than any anime I've seen) Prague Nights (1969) horror/fantasy anthology Invention For Destruction (1958) the most amazing "animation" I've ever seen, based on a strange combination of cardboard cut-outs, stop-motion, and live-action. Everyone ought to see this. The trailer is shown below. Also, Karel Zeman, the director of Invention For Destruction, did a bunch of other crazy fantasy movies all worth watching. One's about some boy scouts who sail down a river into the past and meet prehistoric monsters.
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1960s Czech movies are crazy, as well as crazy good. Here's a few I've seen that YOU ought to watch as well: Fantastic Planet (1967 Franco-Czech co-production; better science fiction film than any anime I've seen) Prague Nights (1969) horror/fantasy anthology Invention For Destruction (1958) the most amazing "animation" I've ever seen, based on a strange combination of cardboard cut-outs, stop-motion, and live-action. Everyone ought to see this. The trailer is shown below. Also, Karel Zeman, the director of Invention For Destruction, did a bunch of other crazy fantasy movies all worth watching. One's about some boy scouts who sail down a river into the past and meet prehistoric monsters.

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🚨 ON LIVE TV: THE ESTABLISHMENT GETS CALLED OUT 🚨 That moment when the polite façade finally cracks. On air, Julia Hartley-Brewer refused to dance around the issue — and Adam Boulton had nowhere to hide. When pressed on his friendliness with Peter Mandelson, the exchange turned explosive: “He’s a nasty piece of work, a proven liar, best mates with a paedophile — and you’re happy to be mates with him?” No euphemisms. No deflection. Just the question the public keeps asking — what did people know, and why was he still protected? This wasn’t gossip. It was about vetting failures, judgment, and a political class that keeps recycling the same figures no matter the baggage. While others tried to reframe it as a “risk” or a “gamble,” Julia cut straight through the fog: some risks should never be taken — especially at the highest levels of public office. Credit where it’s due This is what accountability looks like when someone finally says the quiet part out loud. The public isn’t asking for spin anymore. They’re asking for answers.

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THIS WEEKEND, IT’S NOT ABOUT YOU. IT’S ABOUT THEM. Memorial Day isn’t a day of sadness—It’s a day of honor. It’s a day to pay respect to the men and women who gave everything. Not just for a flag. Not for glory. But for the person to their left and their right. For this country—for something greater than themselves. We get to live with the benefits of their sacrifice. The freedoms. The opportunities. The respect that the uniform still commands. But make no mistake—we didn’t earn that. THEY did. Say their names. Say them proud. Say them with honor. Say them with respect. As bad as it hurts, it’s what THEY would want. If any of us gave our lives for this country wouldn’t want a single tear, a single moment of sadness. We’d want the world to know: we died with honor and dignity, for something greater than ourselves. And don’t you dare tell others to honor them, to respect them, or to live a life worthy of their sacrifice—if you’re not doing the same. Don’t post for attention. Don’t make it about your feelings. Don’t turn it into a day about you. Make it about them. Live in a way that’s worthy of what they gave up. Make this weekend an act of honor. Because they gave their tomorrows for our todays. Happy Memorial Day. GYSGT KENEFICK LT JOHNSON GYSGT JOHNSON DOC LAYTON DOC CANNON SGT WRIGHTSMAN

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🇮🇱 BIBI AT THE WALL Prime Minister Benjamin Netanyahu prayed at the Western Wall, carrying the weight of Israel, the region, and much of the world on his shoulders. In a moment when every eye is on Israel, it’s powerful to see a leader who remembers he’s just a vessel, one who still turns to God for strength. Behind the quiet moment: rising tension on every front. • Iran has regrouped with help from Russia, China, and North Korea. • Hezbollah is re-arming through Syria. • The Houthis continue their attacks from Yemen. Israel’s past victories were real, but like cancer, if even one cell remains, it grows back. And that’s exactly what we’re seeing now. Let’s pray that this time, when the world demands Israel stop “before it’s done,” we don’t stop. Stay connected. Follow, Subscribe Mossad Commentary.
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🇮🇱 BIBI AT THE WALL Prime Minister Benjamin Netanyahu prayed at the Western Wall, carrying the weight of Israel, the region, and much of the world on his shoulders. In a moment when every eye is on Israel, it’s powerful to see a leader who remembers he’s just a vessel, one who still turns to God for strength. Behind the quiet moment: rising tension on every front. • Iran has regrouped with help from Russia, China, and North Korea. • Hezbollah is re-arming through Syria. • The Houthis continue their attacks from Yemen. Israel’s past victories were real, but like cancer, if even one cell remains, it grows back. And that’s exactly what we’re seeing now. Let’s pray that this time, when the world demands Israel stop “before it’s done,” we don’t stop. Stay connected. Follow, Subscribe Mossad Commentary.

Mossad Commentary

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THOMAS SANKARA BLAST THE IMF In 1987, Thomas Sankara, the revolutionary president of Burkina Faso spoke about the IMF, food aid, and the quiet violence of dependency that keeps nations poor. He warned that aid without dignity is another form of control, and that the debt imposed on Africa was nothing less than a new kind of colonization. Just five months after that interview, he was assassinated. His killers were backed by France and the United States—the very powers whose global order he had challenged. Sankara dreamed of a self-sufficient Africa, feeding itself, making its own clothes, and refusing to be dictated to by foreign hands. They silenced his voice, but not his vision. Today, his words echo louder than ever, as new forms of “aid,” “loans,” and “partnerships” arrive wearing the same old masks. Sankara’s message remains a warning and a call: that liberation means nothing if we are still forced to beg for what we already own. VoxUmmah Venezuelanalysis Qiao Collective Progressive International Kawsachun News Orinoco Tribune @blkagendareport Soberanía: The Mexican Politics Podcast
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THOMAS SANKARA BLAST THE IMF In 1987, Thomas Sankara, the revolutionary president of Burkina Faso spoke about the IMF, food aid, and the quiet violence of dependency that keeps nations poor. He warned that aid without dignity is another form of control, and that the debt imposed on Africa was nothing less than a new kind of colonization. Just five months after that interview, he was assassinated. His killers were backed by France and the United States—the very powers whose global order he had challenged. Sankara dreamed of a self-sufficient Africa, feeding itself, making its own clothes, and refusing to be dictated to by foreign hands. They silenced his voice, but not his vision. Today, his words echo louder than ever, as new forms of “aid,” “loans,” and “partnerships” arrive wearing the same old masks. Sankara’s message remains a warning and a call: that liberation means nothing if we are still forced to beg for what we already own. VoxUmmah Venezuelanalysis Qiao Collective Progressive International Kawsachun News Orinoco Tribune @blkagendareport Soberanía: The Mexican Politics Podcast

Sovereign Media

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US export-control disable Claude Fable 5 overnight. Not for what it said - for what one trader did with it. He turned an $11,000 wreck into $300,000 profit in five days. Then they pulled Claude Fable 5 from public hands. Too late - his bot's still running. His wallet: Every other Claude model still works. The two best ones don't. Anthropic's calling it a misunderstanding. Maybe. But think about what gets a model killed by export control overnight, no warning. Here's what Fable 5 actually did for him. It doesn't predict price. It computes the whole probability surface of a market - every outcome, weighted, faster than the market can correct itself. It finds the bets the crowd writes off as impossible, runs the real math, and buys them for pennies when the math disagrees. One of those just paid x205. A regular guy, a model this sharp, a market no regulator polices. They closed that door overnight - one night too late. He's holding one of the last builds that ever touched a live market. It's still on Polymarket right now, hunting the same mispriced tails. Fable 5 is locked. The algorithm it wrote is loose. You can't open the model anymore. You can still copy the wallet it built in two clicks:
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US export-control disable Claude Fable 5 overnight. Not for what it said - for what one trader did with it. He turned an $11,000 wreck into $300,000 profit in five days. Then they pulled Claude Fable 5 from public hands. Too late - his bot's still running. His wallet: Every other Claude model still works. The two best ones don't. Anthropic's calling it a misunderstanding. Maybe. But think about what gets a model killed by export control overnight, no warning. Here's what Fable 5 actually did for him. It doesn't predict price. It computes the whole probability surface of a market - every outcome, weighted, faster than the market can correct itself. It finds the bets the crowd writes off as impossible, runs the real math, and buys them for pennies when the math disagrees. One of those just paid x205. A regular guy, a model this sharp, a market no regulator polices. They closed that door overnight - one night too late. He's holding one of the last builds that ever touched a live market. It's still on Polymarket right now, hunting the same mispriced tails. Fable 5 is locked. The algorithm it wrote is loose. You can't open the model anymore. You can still copy the wallet it built in two clicks:

cvxv666

77,366 görüntüleme • 2 ay önce

There’s a village in the Netherlands that never needed roads. Giethoorn was built on swampy peatland, where carts sank, paths disappeared, and water made more sense than asphalt. So instead of forcing the land to become something else, people adapted to it. They dug canals. Then they built homes on small islands and connected them with wooden bridges. And over time, what began as survival became one of the most peaceful villages in Europe. That’s what makes Giethoorn so fascinating. It wasn’t designed to be pretty for tourists. Giethoorn became beautiful because people lived slowly, worked hard, and built around the landscape instead of fighting it. Before the boats arrive, the village still has that feeling. Water sitting still. Ducks drifting past houses. Bicycles crossing small bridges. Nothing pushing you forward, except the slow pull of the water. Just a village waking up at its own pace. Giethoorn is easy to admire from a distance, but the real story is in the people who shaped it: peat cutters, boatmen, families living in thatched cottages, and residents now trying to protect a quiet village the world keeps showing up to see. That tension is what makes it worth writing about. The sobering reality is that Giethoorn isn’t perfect. It’s crowded in summer. Tourism has changed it. Quiet mornings are harder to find than they used to be. And yet, it still holds onto something rare. A way of life built around patience. I wrote about why Giethoorn never built roads, how it became famous, what it feels like to visit, when to go, and why this little Dutch village still matters. Check it out here:
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There’s a village in the Netherlands that never needed roads. Giethoorn was built on swampy peatland, where carts sank, paths disappeared, and water made more sense than asphalt. So instead of forcing the land to become something else, people adapted to it. They dug canals. Then they built homes on small islands and connected them with wooden bridges. And over time, what began as survival became one of the most peaceful villages in Europe. That’s what makes Giethoorn so fascinating. It wasn’t designed to be pretty for tourists. Giethoorn became beautiful because people lived slowly, worked hard, and built around the landscape instead of fighting it. Before the boats arrive, the village still has that feeling. Water sitting still. Ducks drifting past houses. Bicycles crossing small bridges. Nothing pushing you forward, except the slow pull of the water. Just a village waking up at its own pace. Giethoorn is easy to admire from a distance, but the real story is in the people who shaped it: peat cutters, boatmen, families living in thatched cottages, and residents now trying to protect a quiet village the world keeps showing up to see. That tension is what makes it worth writing about. The sobering reality is that Giethoorn isn’t perfect. It’s crowded in summer. Tourism has changed it. Quiet mornings are harder to find than they used to be. And yet, it still holds onto something rare. A way of life built around patience. I wrote about why Giethoorn never built roads, how it became famous, what it feels like to visit, when to go, and why this little Dutch village still matters. Check it out here:

The Timeless Traveler 🇺🇸

98,320 görüntüleme • 1 ay önce

Girl math sometimes puts up walls between her and her goals… who knew it could build bridges? This treehouse needed a proper suspension bridge, but the original plan (running cable straight through each plank) wasn’t going to cut it. So I shifted gears: mounted everything beneath the walkway with eyelets, rerouted the main support lines, and wove in safety netting for the kids. Every knot, every tension adjustment, every “this might not hold but let’s try” moment was done by these two hands. Took longer than expected. Used way more carabiners than planned. But it’s up, it’s solid, and it swings just right when the wind hits. And guess what? Her very capable husband was right there… offering tools and moral support. Still she did every bit of the build herself. Because sometimes girl math isn’t about shortcuts. It’s about proving you can engineer your own way across. Treehouse dreams: unlocked.
1:29

Girl math sometimes puts up walls between her and her goals… who knew it could build bridges? This treehouse needed a proper suspension bridge, but the original plan (running cable straight through each plank) wasn’t going to cut it. So I shifted gears: mounted everything beneath the walkway with eyelets, rerouted the main support lines, and wove in safety netting for the kids. Every knot, every tension adjustment, every “this might not hold but let’s try” moment was done by these two hands. Took longer than expected. Used way more carabiners than planned. But it’s up, it’s solid, and it swings just right when the wind hits. And guess what? Her very capable husband was right there… offering tools and moral support. Still she did every bit of the build herself. Because sometimes girl math isn’t about shortcuts. It’s about proving you can engineer your own way across. Treehouse dreams: unlocked.

🚫👁️Drinks on Saturday🇺🇸

123,290 görüntüleme • 3 ay önce

🚨ALL OF THIS, EVERY WORD OF IT! “I was raised to stand when the anthem played, hand over heart, eyes on the flag, not out of habit, but out of honor, because I knew what it meant to live in a place where freedom wasn't just a word, but a sacrifice. America was never promised easy. She was promised free, and freedom has never been cheap. It's been bought in battlefield silence and folded flags, in tears on tarmacs and names etched in stone. This country is stitched together with stories of people who kept showing up even when it got hard: farmers, soldiers, mothers working two jobs, kids who believed they could be anything, because here, you still can. We are small towns and big cities, steel mills and skyscrapers, languages that sound different but still say, "This is home." And no, we're not perfect. We never have been. But perfection was never the goal. Progress was. Unity, even in the tension. Freedom, even in the mess. Somewhere along the way, we started forgetting, started tearing down what generations before us gave everything to build. We argue louder than we listen. We cancel quicker than we understand. We treat patriotism like it's a problem when it's the very reason we get to speak at all. This isn't about politics. This is about principle, about remembering that laws matter, that order matters, that borders mean something, that a country that stands for nothing will fall for anything. But yet we still rise every time, because when the world shakes, we don't run. We rebuild. That's the America I know, the one that opens its arms but doesn't forget what it holds up, the one that bends but does not break. So no, I won't apologize for being proud, for believing in the flag and what it stands for, for choosing country over chaos, honor over noise, hope over fear, because I've seen what this country can be when we stop fighting each other and start fighting for one another. "We the people" still means all of us, but only if we act like it. So I'll keep standing, even if I'm standing alone, because America wasn't just built on power. She was built on resolve, and this is the country that I still believe in”
1:56

🚨ALL OF THIS, EVERY WORD OF IT! “I was raised to stand when the anthem played, hand over heart, eyes on the flag, not out of habit, but out of honor, because I knew what it meant to live in a place where freedom wasn't just a word, but a sacrifice. America was never promised easy. She was promised free, and freedom has never been cheap. It's been bought in battlefield silence and folded flags, in tears on tarmacs and names etched in stone. This country is stitched together with stories of people who kept showing up even when it got hard: farmers, soldiers, mothers working two jobs, kids who believed they could be anything, because here, you still can. We are small towns and big cities, steel mills and skyscrapers, languages that sound different but still say, "This is home." And no, we're not perfect. We never have been. But perfection was never the goal. Progress was. Unity, even in the tension. Freedom, even in the mess. Somewhere along the way, we started forgetting, started tearing down what generations before us gave everything to build. We argue louder than we listen. We cancel quicker than we understand. We treat patriotism like it's a problem when it's the very reason we get to speak at all. This isn't about politics. This is about principle, about remembering that laws matter, that order matters, that borders mean something, that a country that stands for nothing will fall for anything. But yet we still rise every time, because when the world shakes, we don't run. We rebuild. That's the America I know, the one that opens its arms but doesn't forget what it holds up, the one that bends but does not break. So no, I won't apologize for being proud, for believing in the flag and what it stands for, for choosing country over chaos, honor over noise, hope over fear, because I've seen what this country can be when we stop fighting each other and start fighting for one another. "We the people" still means all of us, but only if we act like it. So I'll keep standing, even if I'm standing alone, because America wasn't just built on power. She was built on resolve, and this is the country that I still believe in”

Gunther Eagleman™

67,637 görüntüleme • 6 ay önce