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Buffalo Springfield 🎩🪄 For What It’s Worth (1967) Released December 23rd, 1967. Stephen Stills’ quiet warning turned anthem. This Monterey Pop live cut freezes the moment, folk-rock tension, harmonies tight, message louder than the amps. A candle that still flickers.

Music Jim 🎩🪄

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This was the moment students from Butere Girls walked to the stage, sang the national anthem and stood in silence for a minute. Then, without performing, they turned and walked away. A quiet act of defiance that spoke louder than any skit they could have perfomed.

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For What It's Worth is from the album Buffalo Springfield (1966). Stephen Stills wrote the lyrics after driving across the Sunset Strip in Los Angeles in November 1966 and seeing police violently cracking down on a peaceful protest by young people against curfew and nightclub closures. Released as a single in December 1966, it reached #7 on the Billboard Hot 100 (the biggest hit of the band's short career), even though it did not directly address the Vietnam War, radio and the public adopted the song as a cry against police repression and injustice.

For What It's Worth is from the album Buffalo Springfield (1966). Stephen Stills wrote the lyrics after driving across the Sunset Strip in Los Angeles in November 1966 and seeing police violently cracking down on a peaceful protest by young people against curfew and nightclub closures. Released as a single in December 1966, it reached #7 on the Billboard Hot 100 (the biggest hit of the band's short career), even though it did not directly address the Vietnam War, radio and the public adopted the song as a cry against police repression and injustice.

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“For What It’s Worth” was written by Stephen Stills in late 1966 after witnessing the unrest surrounding the Sunset Strip curfew riots in Los Angeles, where clashes had broken out between young protesters and police over new restrictions on nightlife around clubs such as Pandora’s Box. Released as a single in December 1966, the song quickly became Buffalo Springfield’s breakthrough hit reaching #7 on the Billboard Hot 100 in early 1967. Although it is often remembered today as a Vietnam-era protest anthem, the song was not originally written about the war. Its tense, understated lyrics instead captured the atmosphere of confusion, suspicion and generational conflict in America at the time, which is precisely why it later came to symbolize the wider turbulence of the late 1960s.

“For What It’s Worth” was written by Stephen Stills in late 1966 after witnessing the unrest surrounding the Sunset Strip curfew riots in Los Angeles, where clashes had broken out between young protesters and police over new restrictions on nightlife around clubs such as Pandora’s Box. Released as a single in December 1966, the song quickly became Buffalo Springfield’s breakthrough hit reaching #7 on the Billboard Hot 100 in early 1967. Although it is often remembered today as a Vietnam-era protest anthem, the song was not originally written about the war. Its tense, understated lyrics instead captured the atmosphere of confusion, suspicion and generational conflict in America at the time, which is precisely why it later came to symbolize the wider turbulence of the late 1960s.

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1960s Czech movies are crazy, as well as crazy good. Here's a few I've seen that YOU ought to watch as well: Fantastic Planet (1967 Franco-Czech co-production; better science fiction film than any anime I've seen) Prague Nights (1969) horror/fantasy anthology Invention For Destruction (1958) the most amazing "animation" I've ever seen, based on a strange combination of cardboard cut-outs, stop-motion, and live-action. Everyone ought to see this. The trailer is shown below. Also, Karel Zeman, the director of Invention For Destruction, did a bunch of other crazy fantasy movies all worth watching. One's about some boy scouts who sail down a river into the past and meet prehistoric monsters.

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Music over time🎻

12,562 просмотров • 7 дней назад

There’s a village in the Netherlands that never needed roads. Giethoorn was built on swampy peatland, where carts sank, paths disappeared, and water made more sense than asphalt. So instead of forcing the land to become something else, people adapted to it. They dug canals. Then they built homes on small islands and connected them with wooden bridges. And over time, what began as survival became one of the most peaceful villages in Europe. That’s what makes Giethoorn so fascinating. It wasn’t designed to be pretty for tourists. Giethoorn became beautiful because people lived slowly, worked hard, and built around the landscape instead of fighting it. Before the boats arrive, the village still has that feeling. Water sitting still. Ducks drifting past houses. Bicycles crossing small bridges. Nothing pushing you forward, except the slow pull of the water. Just a village waking up at its own pace. Giethoorn is easy to admire from a distance, but the real story is in the people who shaped it: peat cutters, boatmen, families living in thatched cottages, and residents now trying to protect a quiet village the world keeps showing up to see. That tension is what makes it worth writing about. The sobering reality is that Giethoorn isn’t perfect. It’s crowded in summer. Tourism has changed it. Quiet mornings are harder to find than they used to be. And yet, it still holds onto something rare. A way of life built around patience. I wrote about why Giethoorn never built roads, how it became famous, what it feels like to visit, when to go, and why this little Dutch village still matters. Check it out here:

There’s a village in the Netherlands that never needed roads. Giethoorn was built on swampy peatland, where carts sank, paths disappeared, and water made more sense than asphalt. So instead of forcing the land to become something else, people adapted to it. They dug canals. Then they built homes on small islands and connected them with wooden bridges. And over time, what began as survival became one of the most peaceful villages in Europe. That’s what makes Giethoorn so fascinating. It wasn’t designed to be pretty for tourists. Giethoorn became beautiful because people lived slowly, worked hard, and built around the landscape instead of fighting it. Before the boats arrive, the village still has that feeling. Water sitting still. Ducks drifting past houses. Bicycles crossing small bridges. Nothing pushing you forward, except the slow pull of the water. Just a village waking up at its own pace. Giethoorn is easy to admire from a distance, but the real story is in the people who shaped it: peat cutters, boatmen, families living in thatched cottages, and residents now trying to protect a quiet village the world keeps showing up to see. That tension is what makes it worth writing about. The sobering reality is that Giethoorn isn’t perfect. It’s crowded in summer. Tourism has changed it. Quiet mornings are harder to find than they used to be. And yet, it still holds onto something rare. A way of life built around patience. I wrote about why Giethoorn never built roads, how it became famous, what it feels like to visit, when to go, and why this little Dutch village still matters. Check it out here:

The Timeless Traveler 🇺🇸

98,320 просмотров • 1 месяц назад

Girl math sometimes puts up walls between her and her goals… who knew it could build bridges? This treehouse needed a proper suspension bridge, but the original plan (running cable straight through each plank) wasn’t going to cut it. So I shifted gears: mounted everything beneath the walkway with eyelets, rerouted the main support lines, and wove in safety netting for the kids. Every knot, every tension adjustment, every “this might not hold but let’s try” moment was done by these two hands. Took longer than expected. Used way more carabiners than planned. But it’s up, it’s solid, and it swings just right when the wind hits. And guess what? Her very capable husband was right there… offering tools and moral support. Still she did every bit of the build herself. Because sometimes girl math isn’t about shortcuts. It’s about proving you can engineer your own way across. Treehouse dreams: unlocked.

Girl math sometimes puts up walls between her and her goals… who knew it could build bridges? This treehouse needed a proper suspension bridge, but the original plan (running cable straight through each plank) wasn’t going to cut it. So I shifted gears: mounted everything beneath the walkway with eyelets, rerouted the main support lines, and wove in safety netting for the kids. Every knot, every tension adjustment, every “this might not hold but let’s try” moment was done by these two hands. Took longer than expected. Used way more carabiners than planned. But it’s up, it’s solid, and it swings just right when the wind hits. And guess what? Her very capable husband was right there… offering tools and moral support. Still she did every bit of the build herself. Because sometimes girl math isn’t about shortcuts. It’s about proving you can engineer your own way across. Treehouse dreams: unlocked.

🚫👁️Drinks on Saturday🇺🇸

123,290 просмотров • 3 месяцев назад