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Built an interactive 3D particle system with Grok 4.1 that morphs between Mobius strips, toroidal vortices, spherical harmonics, Lissajous curves and fractal branches, with a sci fi HUD, live stats, trails, and smooth camera controls.

Techartist

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83,844 просмотров • 8 месяцев назад •via X (Twitter)

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Math and Music: An animated Halvorsen attractor rendered in 3D with glowing lines and smooth motion. Supports camera movement, dynamic lighting, and three visual themes that shift the mood and color of the form. Coded with Grok. 🔊

Math and Music: An animated Halvorsen attractor rendered in 3D with glowing lines and smooth motion. Supports camera movement, dynamic lighting, and three visual themes that shift the mood and color of the form. Coded with Grok. 🔊

Techartist

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👀 Ever see a 3D sci-fi energy shield like this? Realtime, interactive (per-tile), procedurally animated, and has layers of shaders with particle effects - I wanted to make something unique and "technically advanced", but also modular for performance scaling. It's straightforward to address individual tiles and hook in your own effects and calls with custom events. I'll be posting this very soon (for Unity URP).

👀 Ever see a 3D sci-fi energy shield like this? Realtime, interactive (per-tile), procedurally animated, and has layers of shaders with particle effects - I wanted to make something unique and "technically advanced", but also modular for performance scaling. It's straightforward to address individual tiles and hook in your own effects and calls with custom events. I'll be posting this very soon (for Unity URP).

Mirza Beig

99,240 просмотров • 1 год назад

Hi #PitchYaGame Lie of Caelum: Spirit is a JRPG heavily inspired by Xenogears and Phantasy Star Online. Pilot mechas in combat that blends turn-based decisions with fighting-game execution: combo strings, timing parries, and three attack types you rotate between. Step into a world where sci-fi philosophy meets cosmic religion in a story that questions what civilization is built on.

Hi #PitchYaGame Lie of Caelum: Spirit is a JRPG heavily inspired by Xenogears and Phantasy Star Online. Pilot mechas in combat that blends turn-based decisions with fighting-game execution: combo strings, timing parries, and three attack types you rotate between. Step into a world where sci-fi philosophy meets cosmic religion in a story that questions what civilization is built on.

Lie of Caelum: Spirit - Wishlist Us!

21,368 просмотров • 1 месяц назад

this guy 3D printed and vibe coded a tiny Claude robot for his desk it's called "Clawd Mochi." runs on an ESP32 chip with a tiny display that shows animated expressions. > hosts its own WiFi hotspot. zero cloud and zero internet required. fully offline > live-switch between animated faces, a terminal emulator, and a drawing canvas from your browser > total cost: under $8 > takes less than an hour to build 3D print files AND the full build are both open source too this is the greatest thing anyone has built with vibe coding

this guy 3D printed and vibe coded a tiny Claude robot for his desk it's called "Clawd Mochi." runs on an ESP32 chip with a tiny display that shows animated expressions. > hosts its own WiFi hotspot. zero cloud and zero internet required. fully offline > live-switch between animated faces, a terminal emulator, and a drawing canvas from your browser > total cost: under $8 > takes less than an hour to build 3D print files AND the full build are both open source too this is the greatest thing anyone has built with vibe coding

Om Patel

153,804 просмотров • 4 месяцев назад

Start your 3D engines 🏎️ Learn how to build a 3D racing experience in less than an hour in Unity Studio, our web-based editor designed for industries like manufacturing, automotive, healthcare, architecture, and more. Join us live on June 3, 2026, at 9:00 AM PDT / 12:00 PM EDT to follow along step-by-step with Unity experts as we take pre-built assets and turn them into an interactive racing environment. You’ll learn how to: 🏎️ Build and customize interactive 3D scenes 💡 Add lighting, materials, and interactions quickly 🛠️ Assemble and iterate using Studio workflows 🎉 Publish and share your experience Register here:

Start your 3D engines 🏎️ Learn how to build a 3D racing experience in less than an hour in Unity Studio, our web-based editor designed for industries like manufacturing, automotive, healthcare, architecture, and more. Join us live on June 3, 2026, at 9:00 AM PDT / 12:00 PM EDT to follow along step-by-step with Unity experts as we take pre-built assets and turn them into an interactive racing environment. You’ll learn how to: 🏎️ Build and customize interactive 3D scenes 💡 Add lighting, materials, and interactions quickly 🛠️ Assemble and iterate using Studio workflows 🎉 Publish and share your experience Register here:

Unity

34,004 просмотров • 2 месяцев назад

From fear to unstoppable power 🌙 A cinematic AI transformation brought to life with epic storytelling stunning visuals and blockbuster energy Created with seedance 2.0 Prompt: A cinematic, high-budget live-action sequence. An injured young East Asian woman is crawling on a city plaza floor as terrifying, faceless dark-skinned monsters close in on her. She raises a glowing, metallic sci-fi crescent amulet and screams "Moonlight awaken!". A sudden flash of white light transitions to night, where she is suspended in the air beneath a massive, glowing full moon. Energy surges up her body, transforming her casual clothes into a sleek white and silver sci-fi battle uniform with a flowing cape and a glowing crescent tiara. Her eyes open, glowing entirely bright white. She lands dynamically, wielding a glowing crescent staff, and releases a powerful energy wave that disintegrates all surrounding monsters into dust. Ultra-realistic, hyper-detailed, epic sci-fi fantasy, dramatic lighting, 8k resolution.

From fear to unstoppable power 🌙 A cinematic AI transformation brought to life with epic storytelling stunning visuals and blockbuster energy Created with seedance 2.0 Prompt: A cinematic, high-budget live-action sequence. An injured young East Asian woman is crawling on a city plaza floor as terrifying, faceless dark-skinned monsters close in on her. She raises a glowing, metallic sci-fi crescent amulet and screams "Moonlight awaken!". A sudden flash of white light transitions to night, where she is suspended in the air beneath a massive, glowing full moon. Energy surges up her body, transforming her casual clothes into a sleek white and silver sci-fi battle uniform with a flowing cape and a glowing crescent tiara. Her eyes open, glowing entirely bright white. She lands dynamically, wielding a glowing crescent staff, and releases a powerful energy wave that disintegrates all surrounding monsters into dust. Ultra-realistic, hyper-detailed, epic sci-fi fantasy, dramatic lighting, 8k resolution.

Zyrella

29,403 просмотров • 28 дней назад

I tested Seedance 2.0 on Yapper with a rough idea and no structure. What happened next surprised me: • Built frames automatically • Connected them into smooth motion • Refined the style iteratively • No restarts needed between changes The breakthrough isn't better AI outputs it's workflow intelligence. Instead of hunting for the perfect prompt, you collaborate with a system that develops ideas alongside you.

I tested Seedance 2.0 on Yapper with a rough idea and no structure. What happened next surprised me: • Built frames automatically • Connected them into smooth motion • Refined the style iteratively • No restarts needed between changes The breakthrough isn't better AI outputs it's workflow intelligence. Instead of hunting for the perfect prompt, you collaborate with a system that develops ideas alongside you.

AIMATRIX

10,628 просмотров • 2 месяцев назад

This guy built a visual scanner that reads 468 points on his face and 42 points on his hands from a regular webcam and turns them into a cloud of thousands of particles right between his palms. Inside, MediaPipe and TouchDesigner are linked: the first captures hands and face from the webcam with high accuracy, the second turns those coordinates into a live plane and feeds it into a POP system that instantly generates a swarm of particles in the shape of a head. No studio, no render farmer, no VR headset. Just a laptop, a webcam, and 1 TouchDesigner session. And traditional VJ studios keep teams of 5 people on a setup with lighting, custom hardware, and commercial plugins, while his expenses are only a TouchDesigner subscription and a regular USB camera. One laptop runs MediaPipe and TouchDesigner simultaneously, holds the camera stream at 60 FPS without drops, and in parallel processes 468 face points + 21 points on each hand. The camera captures frame after frame, MediaPipe in real time sends TouchDesigner the finger coordinates and face geometry, and the POP operator inside the engine translates those numbers into thousands of particle points with colors from bright pink to gold. This setup immediately defines the role of the tool and the limits of its autonomy. It knows where the fingertips are at every moment of the frame. It knows how to read the face geometry at any angle to the camera. It knows how to draw a swarm of particles between them with the right color and contour. → MediaPipe pulls 468 points from the face and 21 points from each hand, 60 times per second → TouchDesigner receives those coordinates, builds a virtual rectangle between the fingertips, and feeds it into the POP system → POP generates thousands of particle points in the shape of a head, coloring them in a gradient from bright pink to gold → The HUD layer adds green corners and a blue neon frame, styling the image like an AR interface → All layers assemble into 1 real-time frame that projects back onto the video in the camera window → The final image is recorded to a file or broadcast to a projector for a live installation And only when the guy spreads his hands wider does the plane between the palms stretch; brings them together, it narrows. Otherwise the system runs on its own. And when he moves from his home room to a concert hall, the same laptop with the same webcam launches the same TouchDesigner session in just 5 minutes, without reconfiguration, without a new team, and without a single line of new code. In his work setup there is no studio of his own and no team for assembly. On the desk sits a laptop with a webcam, on top run MediaPipe and TouchDesigner with POP operators, and the same setup through a USB camera moves to any concert without a new configuration. Out of everything I have seen this year, this is the cleanest Creative Coding setup on 1 laptop: 0 render farms, 0 studio lighting, and between them 3 libraries, thousands of particle points, and 1 webcam.

This guy built a visual scanner that reads 468 points on his face and 42 points on his hands from a regular webcam and turns them into a cloud of thousands of particles right between his palms. Inside, MediaPipe and TouchDesigner are linked: the first captures hands and face from the webcam with high accuracy, the second turns those coordinates into a live plane and feeds it into a POP system that instantly generates a swarm of particles in the shape of a head. No studio, no render farmer, no VR headset. Just a laptop, a webcam, and 1 TouchDesigner session. And traditional VJ studios keep teams of 5 people on a setup with lighting, custom hardware, and commercial plugins, while his expenses are only a TouchDesigner subscription and a regular USB camera. One laptop runs MediaPipe and TouchDesigner simultaneously, holds the camera stream at 60 FPS without drops, and in parallel processes 468 face points + 21 points on each hand. The camera captures frame after frame, MediaPipe in real time sends TouchDesigner the finger coordinates and face geometry, and the POP operator inside the engine translates those numbers into thousands of particle points with colors from bright pink to gold. This setup immediately defines the role of the tool and the limits of its autonomy. It knows where the fingertips are at every moment of the frame. It knows how to read the face geometry at any angle to the camera. It knows how to draw a swarm of particles between them with the right color and contour. → MediaPipe pulls 468 points from the face and 21 points from each hand, 60 times per second → TouchDesigner receives those coordinates, builds a virtual rectangle between the fingertips, and feeds it into the POP system → POP generates thousands of particle points in the shape of a head, coloring them in a gradient from bright pink to gold → The HUD layer adds green corners and a blue neon frame, styling the image like an AR interface → All layers assemble into 1 real-time frame that projects back onto the video in the camera window → The final image is recorded to a file or broadcast to a projector for a live installation And only when the guy spreads his hands wider does the plane between the palms stretch; brings them together, it narrows. Otherwise the system runs on its own. And when he moves from his home room to a concert hall, the same laptop with the same webcam launches the same TouchDesigner session in just 5 minutes, without reconfiguration, without a new team, and without a single line of new code. In his work setup there is no studio of his own and no team for assembly. On the desk sits a laptop with a webcam, on top run MediaPipe and TouchDesigner with POP operators, and the same setup through a USB camera moves to any concert without a new configuration. Out of everything I have seen this year, this is the cleanest Creative Coding setup on 1 laptop: 0 render farms, 0 studio lighting, and between them 3 libraries, thousands of particle points, and 1 webcam.

Blaze

38,242 просмотров • 2 месяцев назад

70s Sci-fi Space Battle Prompt:A 1970s-style retro sci-fi spaceship battle with practical model energy, cutting between the hero ship outside and the pilot inside a flashing analog cockpit. Shot 1 (0–4s) Exterior miniature-style shot of the ship banking through a starfield while enemy craft fire bright bolts behind it. Shot 2 (4–7s) Interior cockpit with chunky flashing buttons and the pilot being thrown around dramatically in the seat. Shot 3 (7–11s) Exterior shot of the ship dodging an explosion and swinging around to attack. Shot 4 (11–15s) Interior close-up of the pilot shouting, then cut outside as the ship charges straight toward camera into battle. Pilot: “Hang on, this is gonna get rough!”

70s Sci-fi Space Battle Prompt:A 1970s-style retro sci-fi spaceship battle with practical model energy, cutting between the hero ship outside and the pilot inside a flashing analog cockpit. Shot 1 (0–4s) Exterior miniature-style shot of the ship banking through a starfield while enemy craft fire bright bolts behind it. Shot 2 (4–7s) Interior cockpit with chunky flashing buttons and the pilot being thrown around dramatically in the seat. Shot 3 (7–11s) Exterior shot of the ship dodging an explosion and swinging around to attack. Shot 4 (11–15s) Interior close-up of the pilot shouting, then cut outside as the ship charges straight toward camera into battle. Pilot: “Hang on, this is gonna get rough!”

Captain HaHaa

28,984 просмотров • 3 месяцев назад

I built a full 3D #lego brick builder using Claude 4.6. Took 12 iterations. Runs entirely in the browser. You pick a brick size, pick a color, and click to place. Snap-to-grid, collision detection, ghost preview, it feels like building with real bricks. But the fun part? Hit one of the template buttons and watch it auto-build a pyramid, a rocket, a house, or an Eiffel Tower. Bricks fly in from random directions, spin through the air, and snap into place with particle bursts. tech stack: → #Threejs for the full 3D scene → #Raycasting for click-to-place → Custom wedge geometry for slope bricks → Quadratic Bézier curves for the fly-in animations → #2d canvas particle system layered on top of the 3D scene → #InstancedMesh for the base plate studs The product potential: this could become a real educational toy. Kids (or adults) building in the browser, sharing creations, loading custom templates. No install, no app store. ( LEGO you may like this one! ) Want to try it? Link in the first comment 👇

I built a full 3D #lego brick builder using Claude 4.6. Took 12 iterations. Runs entirely in the browser. You pick a brick size, pick a color, and click to place. Snap-to-grid, collision detection, ghost preview, it feels like building with real bricks. But the fun part? Hit one of the template buttons and watch it auto-build a pyramid, a rocket, a house, or an Eiffel Tower. Bricks fly in from random directions, spin through the air, and snap into place with particle bursts. tech stack: → #Threejs for the full 3D scene → #Raycasting for click-to-place → Custom wedge geometry for slope bricks → Quadratic Bézier curves for the fly-in animations → #2d canvas particle system layered on top of the 3D scene → #InstancedMesh for the base plate studs The product potential: this could become a real educational toy. Kids (or adults) building in the browser, sharing creations, loading custom templates. No install, no app store. ( LEGO you may like this one! ) Want to try it? Link in the first comment 👇

Hasan Aboul Hasan

13,762 просмотров • 4 месяцев назад

Grok Imagine Cinematic Prompt A cinematic, wide-angle shot of a massive, heavily armored mecha sniper emerging from a thick layer of ice and snow in a desolate arctic tundra. The mecha is pristine white and industrial, featuring a colossal railgun-style sniper rifle with glowing blue energy components. It shifts into a stable firing stance, shedding chunks of ice as it moves. The Shot Sequence: The Activation: Close-up on the barrel as blue electrical arcs and a swirling energy vortex charge up at the muzzle. A high-tech digital HUD overlay flickers across the screen with targeting data. The Firing: The railgun fires a powerful kinetic blast, creating a massive sonic boom and shockwave that clears the snow. The Impact: The camera follows a high-speed projectile or a jet-propelled craft streaking across the frozen plains at ground level, leaving a dual trail of displaced snow behind it, culminating in a massive explosion against a distant ice wall. Environment & Atmosphere: Setting: A vast, wind-swept arctic landscape with towering icebergs and a heavy, overcast grey sky. Lighting: Cold, diffused natural light with high-contrast glowing blue accents from the mecha’s sensors and weaponry. VFX: Realistic particle effects for falling snow, shattering ice, and swirling mist. Heavy motion blur on the high-speed chase sequence. Style: * Ultra-realistic 3D animation, 8k resolution, cinematic sci-fi aesthetic, reminiscent of Armored Core or Metal Gear Solid. Quick Tips for AI Generation: Keywords: "Mecha," "Railgun," "Arctic Tundra," "Energy Vortex," and "Cinematic HUD" are your best friends here. Lighting: Specifying "Cold lighting" or "Overcast" helps maintain that desolate, frosty mood.

Grok Imagine Cinematic Prompt A cinematic, wide-angle shot of a massive, heavily armored mecha sniper emerging from a thick layer of ice and snow in a desolate arctic tundra. The mecha is pristine white and industrial, featuring a colossal railgun-style sniper rifle with glowing blue energy components. It shifts into a stable firing stance, shedding chunks of ice as it moves. The Shot Sequence: The Activation: Close-up on the barrel as blue electrical arcs and a swirling energy vortex charge up at the muzzle. A high-tech digital HUD overlay flickers across the screen with targeting data. The Firing: The railgun fires a powerful kinetic blast, creating a massive sonic boom and shockwave that clears the snow. The Impact: The camera follows a high-speed projectile or a jet-propelled craft streaking across the frozen plains at ground level, leaving a dual trail of displaced snow behind it, culminating in a massive explosion against a distant ice wall. Environment & Atmosphere: Setting: A vast, wind-swept arctic landscape with towering icebergs and a heavy, overcast grey sky. Lighting: Cold, diffused natural light with high-contrast glowing blue accents from the mecha’s sensors and weaponry. VFX: Realistic particle effects for falling snow, shattering ice, and swirling mist. Heavy motion blur on the high-speed chase sequence. Style: * Ultra-realistic 3D animation, 8k resolution, cinematic sci-fi aesthetic, reminiscent of Armored Core or Metal Gear Solid. Quick Tips for AI Generation: Keywords: "Mecha," "Railgun," "Arctic Tundra," "Energy Vortex," and "Cinematic HUD" are your best friends here. Lighting: Specifying "Cold lighting" or "Overcast" helps maintain that desolate, frosty mood.

Thoughts Creator

23,678 просмотров • 3 месяцев назад

Claude Opus 4.8 + OpenClaw now turns a restaurant's menu photos into 3D models guests can view, customize and order, then mails the owner a postcard with the QR…on autopilot. here's how agencies can land recurring contracts with this system: - scans every restaurant in a city in real time - pulls their real reviews, ratings, and reviewer-uploaded food photos - turns each dish photo into an interactive 3D model - samples the brand color straight from the restaurant's photos - guests can view each dish, customize it, and order on the spot - writes a printed postcard about their best dish - mails it to the registered office, addressed to the owner, with a QR to the live 3D menu every step from the scrape to the 3D models to the mailbox is automated reply "3D" + RT and i'll send you a free guide so you can build this too (must be following so i can DM you)

Chris

11,717 просмотров • 1 месяц назад

Single video → a reframeable 4D Gaussian Splatting scene. Not a sequence of separately built 3D frames played back like a video. This is one continuous space-time scene, reconstructed from a single clip shot on an iPhone 16. We combine feed-forward Gaussian generation, 3D tracking, and 4D Gaussian Splatting, aiming to deliver it as a compact 4D video file that runs on your phone. Still early R&D. The goal: make 4DGS something anyone can create and experience, not just researchers with a camera rig.

Single video → a reframeable 4D Gaussian Splatting scene. Not a sequence of separately built 3D frames played back like a video. This is one continuous space-time scene, reconstructed from a single clip shot on an iPhone 16. We combine feed-forward Gaussian generation, 3D tracking, and 4D Gaussian Splatting, aiming to deliver it as a compact 4D video file that runs on your phone. Still early R&D. The goal: make 4DGS something anyone can create and experience, not just researchers with a camera rig.

KIRI Engine - 3D Scanner App

30,136 просмотров • 11 дней назад

HE BUILT A $10,000-TIER ANIMATED SITE WITH CLAUDE CODE - FOR THE COST OF A SUBSCRIPTION What's on screen isn't a landing page with a parallax background It's a fully interactive, scroll-driven site with real-time 3D rendered in the browser What's actually on the page: > 3D product models rotating and reacting to scroll in real time via WebGL > Smooth hover interactions and transitions - no hand-coded keyframes > Cinematic minimal aesthetic that got featured on Awwwards > Typography layering, editorial layouts, everything assembled in one session What it normally takes: > A 3D artist, a motion designer, and a frontend developer > Weeks of handoffs - modelling, exporting, wiring animations, layout, copy > Six separate systems integrated by hand That pipeline was the moat. It's what justified the invoice The price gap: > Studio build at this level: $5,000-10,000+ > Your cost: a Claude subscription Timeline: weeks of production -> a single session Full walkthrough in the article below

HE BUILT A $10,000-TIER ANIMATED SITE WITH CLAUDE CODE - FOR THE COST OF A SUBSCRIPTION What's on screen isn't a landing page with a parallax background It's a fully interactive, scroll-driven site with real-time 3D rendered in the browser What's actually on the page: > 3D product models rotating and reacting to scroll in real time via WebGL > Smooth hover interactions and transitions - no hand-coded keyframes > Cinematic minimal aesthetic that got featured on Awwwards > Typography layering, editorial layouts, everything assembled in one session What it normally takes: > A 3D artist, a motion designer, and a frontend developer > Weeks of handoffs - modelling, exporting, wiring animations, layout, copy > Six separate systems integrated by hand That pipeline was the moat. It's what justified the invoice The price gap: > Studio build at this level: $5,000-10,000+ > Your cost: a Claude subscription Timeline: weeks of production -> a single session Full walkthrough in the article below

monokern

699,566 просмотров • 29 дней назад

How I built with Claude 👇 Prompt: "Design an agency site where services are presented as supermarket product packaging in 3D" Use Three.js with WebGL to render all products in real time in the browser Use Blender to model the packaging then export as GLTF to load in Three.js Use GSAP for the smooth product rotation and hover interactions Save this if you want a portfolio that makes clients feel they are buying something premium 🛒

How I built with Claude 👇 Prompt: "Design an agency site where services are presented as supermarket product packaging in 3D" Use Three.js with WebGL to render all products in real time in the browser Use Blender to model the packaging then export as GLTF to load in Three.js Use GSAP for the smooth product rotation and hover interactions Save this if you want a portfolio that makes clients feel they are buying something premium 🛒

FHILY👑

76,151 просмотров • 2 месяцев назад

Created with seedance 2.0 on Yapper by using the prompt: Create a 15-second ultra-smooth anime-style gameplay cinematic inspired by a futuristic Japanese city exploration game. A young anime girl character with white/silver hair, wearing a stylish black-and-white futuristic outfit with short skirt, thigh-high socks, and combat-style shoes, is running and climbing across red rooftop houses in a dense modern Tokyo-inspired city. Environment: Bright sunny daytime, blue sky with soft clouds, realistic anime lighting, modern skyscrapers in background, cherry blossom trees near houses, urban Japanese neighborhood mixed with futuristic city towers. Rooftops have realistic red metal textures with sunlight reflections. Character movement: Fast agile parkour movement across rooftops. Smooth running → jump → wall climb → rooftop landing. Natural anime body physics, cloth movement, hair bounce, accurate foot placement. Movement should feel like real gameplay captured live from a AAA anime open-world action game. Camera style: Third-person gameplay camera positioned slightly behind character. Dynamic camera follow with slight handheld motion. Smooth tracking movement. Minor motion blur during jumps. Game HUD/UI visible on screen like a real anime action RPG. Mini-map top left, action buttons on right side, health/stamina bar bottom center. Sequence: 0–4s Character runs across rooftop while camera follows behind smoothly. 4–8s She jumps between rooftops with cinematic slow-motion mid-air moment. 8–12s Character grabs edge of higher rooftop and climbs upward naturally. 12–15s Wide gameplay shot showing futuristic city skyline behind her while she stops briefly on rooftop edge. Wind moves hair and clothes naturally. Style & Quality: Ultra detailed anime rendering, high-end cel shading mixed with realistic lighting, smooth gameplay animation, modern gacha game aesthetic, polished textures, soft bloom, sharp shadows, immersive open-world atmosphere, 60fps feeling, cinematic gameplay trailer quality. Negative Prompt: low quality, broken anatomy, floating body, extra limbs, blurry textures, bad hands, static camera, unrealistic movement, low fps, distorted face, glitch effects, ugly lighting, oversaturated colors, missing UI, stiff animation.

Created with seedance 2.0 on Yapper by using the prompt: Create a 15-second ultra-smooth anime-style gameplay cinematic inspired by a futuristic Japanese city exploration game. A young anime girl character with white/silver hair, wearing a stylish black-and-white futuristic outfit with short skirt, thigh-high socks, and combat-style shoes, is running and climbing across red rooftop houses in a dense modern Tokyo-inspired city. Environment: Bright sunny daytime, blue sky with soft clouds, realistic anime lighting, modern skyscrapers in background, cherry blossom trees near houses, urban Japanese neighborhood mixed with futuristic city towers. Rooftops have realistic red metal textures with sunlight reflections. Character movement: Fast agile parkour movement across rooftops. Smooth running → jump → wall climb → rooftop landing. Natural anime body physics, cloth movement, hair bounce, accurate foot placement. Movement should feel like real gameplay captured live from a AAA anime open-world action game. Camera style: Third-person gameplay camera positioned slightly behind character. Dynamic camera follow with slight handheld motion. Smooth tracking movement. Minor motion blur during jumps. Game HUD/UI visible on screen like a real anime action RPG. Mini-map top left, action buttons on right side, health/stamina bar bottom center. Sequence: 0–4s Character runs across rooftop while camera follows behind smoothly. 4–8s She jumps between rooftops with cinematic slow-motion mid-air moment. 8–12s Character grabs edge of higher rooftop and climbs upward naturally. 12–15s Wide gameplay shot showing futuristic city skyline behind her while she stops briefly on rooftop edge. Wind moves hair and clothes naturally. Style & Quality: Ultra detailed anime rendering, high-end cel shading mixed with realistic lighting, smooth gameplay animation, modern gacha game aesthetic, polished textures, soft bloom, sharp shadows, immersive open-world atmosphere, 60fps feeling, cinematic gameplay trailer quality. Negative Prompt: low quality, broken anatomy, floating body, extra limbs, blurry textures, bad hands, static camera, unrealistic movement, low fps, distorted face, glitch effects, ugly lighting, oversaturated colors, missing UI, stiff animation.

Anissa

20,332 просмотров • 2 месяцев назад

🎄SANTA CAME EARLY FOR TESLA OWNERS Tesla rolling out its 2025 Holiday Release with a laundry list of awesome features. The headline: Grok now controls your navigation. Tell the AI where you want to go and it handles the rest. Your car's assistant is now actually... an assistant. Dog Mode gets a major upgrade for iPhone users. Leave your good boy in the car and get live cabin snapshots, temperature readings, and climate updates straight to your phone. Pet parents, rejoice. For the practical stuff: Navigation now automatically routes you through HOV lanes when eligible. Supercharger maps show 3D site layouts with real-time availability. You can save different charge limits for different locations. And your car will actually remind you if you left your phone behind. The fun stuff: Tesla Photobooth turns your cabin into a selfie studio with filters and stickers. Santa Mode now includes snowmen, trees, and 3D snow effects. New "Jingle Rush" light show you can sync with your friends' Teslas. Custom wraps and license plates for your vehicle avatar. And because it's Tesla: There's now a SpaceX ISS Docking Simulator game using actual NASA astronaut controls. Other carmakers are celebrating if their infotainment doesn't crash. Tesla's out here adding space station simulators. Source: Tesla TeslaCharging Nic Cruz Patane

Mario Nawfal

391,303 просмотров • 7 месяцев назад

Can a handcuff made of paper really lock your heart in place? 回帖里还有另一版，哪个更好？ Seedance prompt: 👉👉👊👊Presented in a style that resembles real video footage captured with an unprocessed iPhone handheld camera. All camera settings are automated. The footage features noticeable handheld shake and operator breathing sounds. Autofocus operates quickly in dim environments, frequently searching for targets among colored lights, with delays. Automatic white balance changes dramatically with the shift between purple-blue lighting on the stage and skin highlights. The image is generally dark and noisy, but retains real lens flares, overexposure in high-light areas, motion blur, and severe background blurring. Only in-built environmental sounds are used: low-frequency electronic music from the nightclub (severely distorted through the phone microphone), noise from crowds, and drumbeats with a sense of vibration. The microphone also has significant distortion at low frequencies. The footage is captured from the perspective of real people/audience members. The composition is occasionally imperfect, with slight tilts or cropping at the edges. A young Asian woman is used as a reference for the appearance of the character. She has long black wavy hair, and she is wearing… She wore a golden sequined dress, standing on the stage of the nightclub. At 0-3 seconds, the camera pans slightly within the crowd at the nightclub, with the image being slightly dark, focusing on the stage. In front of her, a black-clothed person wearing a mask handed her several folded white strips of paper. She took the papers, then slowly wrapped them around her wrists, simulating the effect of being tied with ropes. Her movements were deliberate and slow. The white paper left obvious marks on her wrists. From time to time, she would look up at the camera, with a playful smile on her lips. The stage was illuminated by purple-blue lights, with the camera adjusting its exposure between the lights and the person in front of it, resulting in slight overexposure and noise in the image. In the background, we could see the stage lights reflecting off the crowd and equipment, with noisy environmental sounds in the background. At 3-7 seconds, the camera moves forward, switching to a closer handheld perspective.She wore white strips around her wrists (simulating ropes), and began to perform in a seductive dance pose before the first-person camera. Her body moved slowly, with her hands “bound” by the strips, either overlapping or raised forward. Her waist and hips swayed gently to the rhythm of the music, her eyes fixed straight at the camera, with a hint of teasing and inviting gaze. Occasionally, she would look down at her wrists, then raise her head again, her eyes casting an even more suggestive light toward the camera. She leaned forward, her movements full of seduction yet elegant. The golden sequin dress shimmered under the colored lights, and the camera quickly locked onto her image. The male singer and stage lighting in the background were heavily blurred, creating a strong mobile phone-style background blur and light spots. The low-frequency music was severely distorted through the microphone, and the camera shook slightly due to the operator’s proximity, along with the sound of breathing.The entire scene depicts a dark, noisy, and unstable environment, reminiscent of a real nightclub setting. At the end of the scene, the camera focuses on her hands, wrapped in white paper, as she maintains a seductive dancing posture. Her eyes are fixed straight ahead, and the camera moves slightly back and forth.

Can a handcuff made of paper really lock your heart in place? 回帖里还有另一版，哪个更好？ Seedance prompt: 👉👉👊👊Presented in a style that resembles real video footage captured with an unprocessed iPhone handheld camera. All camera settings are automated. The footage features noticeable handheld shake and operator breathing sounds. Autofocus operates quickly in dim environments, frequently searching for targets among colored lights, with delays. Automatic white balance changes dramatically with the shift between purple-blue lighting on the stage and skin highlights. The image is generally dark and noisy, but retains real lens flares, overexposure in high-light areas, motion blur, and severe background blurring. Only in-built environmental sounds are used: low-frequency electronic music from the nightclub (severely distorted through the phone microphone), noise from crowds, and drumbeats with a sense of vibration. The microphone also has significant distortion at low frequencies. The footage is captured from the perspective of real people/audience members. The composition is occasionally imperfect, with slight tilts or cropping at the edges. A young Asian woman is used as a reference for the appearance of the character. She has long black wavy hair, and she is wearing… She wore a golden sequined dress, standing on the stage of the nightclub. At 0-3 seconds, the camera pans slightly within the crowd at the nightclub, with the image being slightly dark, focusing on the stage. In front of her, a black-clothed person wearing a mask handed her several folded white strips of paper. She took the papers, then slowly wrapped them around her wrists, simulating the effect of being tied with ropes. Her movements were deliberate and slow. The white paper left obvious marks on her wrists. From time to time, she would look up at the camera, with a playful smile on her lips. The stage was illuminated by purple-blue lights, with the camera adjusting its exposure between the lights and the person in front of it, resulting in slight overexposure and noise in the image. In the background, we could see the stage lights reflecting off the crowd and equipment, with noisy environmental sounds in the background. At 3-7 seconds, the camera moves forward, switching to a closer handheld perspective.She wore white strips around her wrists (simulating ropes), and began to perform in a seductive dance pose before the first-person camera. Her body moved slowly, with her hands “bound” by the strips, either overlapping or raised forward. Her waist and hips swayed gently to the rhythm of the music, her eyes fixed straight at the camera, with a hint of teasing and inviting gaze. Occasionally, she would look down at her wrists, then raise her head again, her eyes casting an even more suggestive light toward the camera. She leaned forward, her movements full of seduction yet elegant. The golden sequin dress shimmered under the colored lights, and the camera quickly locked onto her image. The male singer and stage lighting in the background were heavily blurred, creating a strong mobile phone-style background blur and light spots. The low-frequency music was severely distorted through the microphone, and the camera shook slightly due to the operator’s proximity, along with the sound of breathing.The entire scene depicts a dark, noisy, and unstable environment, reminiscent of a real nightclub setting. At the end of the scene, the camera focuses on her hands, wrapped in white paper, as she maintains a seductive dancing posture. Her eyes are fixed straight ahead, and the camera moves slightly back and forth.

John

15,923 просмотров • 1 месяц назад

"Some aircraft don't just fly — they carry history with them." The aircraft in this video is a Douglas DC-6, a four-engine, piston-powered airliner built by the Douglas Aircraft Company between 1946 and 1958. Originally created for long-range commercial routes, the DC-6 soon demonstrated its versatility, serving both major airlines and the U.S. military. With a top speed of about 315 mph and a range near 2,600 miles, it stood as a technological heavyweight of its time. Even today, a few DC-6s remain in service in specialized operations—most notably with Everts Air Fuel in Alaska, where durability and dependability outweigh luxury. And that “slow-motion” look from the propellers? It’s simply a camera frame-rate illusion, giving this vintage aircraft an almost otherworldly appearance.

"Some aircraft don't just fly — they carry history with them." The aircraft in this video is a Douglas DC-6, a four-engine, piston-powered airliner built by the Douglas Aircraft Company between 1946 and 1958. Originally created for long-range commercial routes, the DC-6 soon demonstrated its versatility, serving both major airlines and the U.S. military. With a top speed of about 315 mph and a range near 2,600 miles, it stood as a technological heavyweight of its time. Even today, a few DC-6s remain in service in specialized operations—most notably with Everts Air Fuel in Alaska, where durability and dependability outweigh luxury. And that “slow-motion” look from the propellers? It’s simply a camera frame-rate illusion, giving this vintage aircraft an almost otherworldly appearance.

Historic Vids

266,050 просмотров • 5 месяцев назад