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But what about hair? Dynamic 3D Gaussian Splatting can impressively reconstruct it. I find it fascinating how accurately a bunch of ellipsoids can capture the complexity of hair. Amazing!

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MrNeRF

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30,608 görüntüleme • 1 yıl önce •via X (Twitter)

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How can we reconstruct 3D objects under *extreme lighting variations*? 🌤️🌥️🌆🌃🌉 How about ... 🤔 appearance embedding? BUT it cannot capture view-dependent appearances. 🤔 inverse rendering? BUT it suffers from ambiguities. 💡 Our idea: Relighting comes to the rescue!
0:10

How can we reconstruct 3D objects under *extreme lighting variations*? 🌤️🌥️🌆🌃🌉 How about ... 🤔 appearance embedding? BUT it cannot capture view-dependent appearances. 🤔 inverse rendering? BUT it suffers from ambiguities. 💡 Our idea: Relighting comes to the rescue!

Jia-Bin Huang

33,151 görüntüleme • 1 yıl önce

Meet 3D Gaussian Splatting - a 3D AI breakthrough that’s changing the game for real-time 3D rendering. It generates 3D world with state-of-the-art visuals at fast speeds: 100+ fps at 1080p. Here’s the magic behind it:
0:13

Meet 3D Gaussian Splatting - a 3D AI breakthrough that’s changing the game for real-time 3D rendering. It generates 3D world with state-of-the-art visuals at fast speeds: 100+ fps at 1080p. Here’s the magic behind it:

el.cine

60,115 görüntüleme • 1 yıl önce

I am really super happy to show you my research that transform 3D volumetric capture of man capture with Kartel.ai and with env gaussian splatting generated with World Labs in a three.js player . And all that is "upscale" using Hunyuan vid2vid model with a Lora train on videos on the main actor. Hope the future of movie is here :) . Still need some work, but you can get the idea
0:12

I am really super happy to show you my research that transform 3D volumetric capture of man capture with Kartel.ai and with env gaussian splatting generated with World Labs in a three.js player . And all that is "upscale" using Hunyuan vid2vid model with a Lora train on videos on the main actor. Hope the future of movie is here :) . Still need some work, but you can get the idea

Lovis Odin

23,004 görüntüleme • 1 yıl önce

Fake hair can fool the crowd, but it can’t fool airport security
0:13

Fake hair can fool the crowd, but it can’t fool airport security

iam_jayboy 𝕏 ❄️

13,208 görüntüleme • 23 gün önce

Gaussian splats don't simulate light. They capture it. I took one photograph of this room and generated it as a fully walkable 3D world in Mint. The volumetric rays, the shadow play on the rug, all preserved. This is what real-time 3D is becoming
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Gaussian splats don't simulate light. They capture it. I took one photograph of this room and generated it as a fully walkable 3D world in Mint. The volumetric rays, the shadow play on the rug, all preserved. This is what real-time 3D is becoming

mint

15,446 görüntüleme • 2 ay önce

We act casual about it, but the hair genetics are doing quite a bit of the heavy lifting.
0:14

We act casual about it, but the hair genetics are doing quite a bit of the heavy lifting.

Sovey

36,983 görüntüleme • 4 ay önce

I made a 3D Gaussian Splatting renderer for WebGL! The following scene renders 1.3M splats in real time. I wanted to understand a bit more how gaussian splats were rasterized, reimplementing the original paper seemed to be the best approach. I will publish it on github soon!
0:17

I made a 3D Gaussian Splatting renderer for WebGL! The following scene renders 1.3M splats in real time. I wanted to understand a bit more how gaussian splats were rasterized, reimplementing the original paper seemed to be the best approach. I will publish it on github soon!

kishimisu

84,532 görüntüleme • 2 yıl önce

“got a new wig on what tf is up” CATCH IT. now everybody can stop talking about her hair #loveislandusa
0:13

“got a new wig on what tf is up” CATCH IT. now everybody can stop talking about her hair #loveislandusa

jolt

806,089 görüntüleme • 1 ay önce

When you find that the character's hair is a bit sparse, leading to baldness and you don't want to redo it, you can try using shallow depth of field to avoid awkwardness.😆 PS ：trying a new addon for hair simulation , works great!!! #b3d #Hair
0:18

When you find that the character's hair is a bit sparse, leading to baldness and you don't want to redo it, you can try using shallow depth of field to avoid awkwardness.😆 PS ：trying a new addon for hair simulation , works great!!! #b3d #Hair

Sun Somei

60,084 görüntüleme • 1 yıl önce

Single video → a reframeable 4D Gaussian Splatting scene. Not a sequence of separately built 3D frames played back like a video. This is one continuous space-time scene, reconstructed from a single clip shot on an iPhone 16. We combine feed-forward Gaussian generation, 3D tracking, and 4D Gaussian Splatting, aiming to deliver it as a compact 4D video file that runs on your phone. Still early R&D. The goal: make 4DGS something anyone can create and experience, not just researchers with a camera rig.
0:16

Single video → a reframeable 4D Gaussian Splatting scene. Not a sequence of separately built 3D frames played back like a video. This is one continuous space-time scene, reconstructed from a single clip shot on an iPhone 16. We combine feed-forward Gaussian generation, 3D tracking, and 4D Gaussian Splatting, aiming to deliver it as a compact 4D video file that runs on your phone. Still early R&D. The goal: make 4DGS something anyone can create and experience, not just researchers with a camera rig.

KIRI Engine - 3D Scanner App

30,603 görüntüleme • 1 ay önce

3DGS render blender add-on v3.0 ( was just open-sourced! With KIRI tools, you can use "3DGS to mesh" function to get a mesh from Gaussian splatting, and now you can convert the mesh back to Gaussian splatting. It's kind of ironic, but we just try to bring handy tools to everyone. #GaussianSplatting #Blender
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3DGS render blender add-on v3.0 ( was just open-sourced! With KIRI tools, you can use "3DGS to mesh" function to get a mesh from Gaussian splatting, and now you can convert the mesh back to Gaussian splatting. It's kind of ironic, but we just try to bring handy tools to everyone. #GaussianSplatting #Blender

Chris make some 3D scans

39,221 görüntüleme • 1 yıl önce

ok but can we talk about how megan actually did the jump really accurately. she is a woman of many many talents
0:14

ok but can we talk about how megan actually did the jump really accurately. she is a woman of many many talents

ave HOTD SPOILERS

142,049 görüntüleme • 8 ay önce

5 min video from an insta360 camera turned into a big ass 3d gaussian splat using the new niantic scaniverse app it’s kinda wild how well we can model the complexity of reality, and run in realtime in a browser at 100fps
0:19

5 min video from an insta360 camera turned into a big ass 3d gaussian splat using the new niantic scaniverse app it’s kinda wild how well we can model the complexity of reality, and run in realtime in a browser at 100fps

Bilawal Sidhu

62,988 görüntüleme • 4 ay önce

I hate the heat of summer but there's one BIG positive thing about it that I love. Can you guess what it is?
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I hate the heat of summer but there's one BIG positive thing about it that I love. Can you guess what it is?

Charchutwo

11,151 görüntüleme • 1 yıl önce

HOW DOES HE FIT HIS HAIR UNDER THE MASK? I CAN BARLEY WEAR A HAT WHEN MY HAIR IS PUFFY 🤣
0:17

HOW DOES HE FIT HIS HAIR UNDER THE MASK? I CAN BARLEY WEAR A HAT WHEN MY HAIR IS PUFFY 🤣

Edits That Goes Hard 🔥

15,936 görüntüleme • 7 gün önce

Two weeks ago I fixed one of my teeth with algorithms I wrote a couple of years ago! I got hooked by 3D scanning when I started to work for a software shop in Zurich that was programming 3D computational geometry algorithms for denture scanning to produce crowns (and more). Back then, a typical reconstruction pipeline was like: scan the patient’s teeth using an intraoral scanner, reconstruct the surface mesh, design the restoration digitally, and finally mill the crown out of ceramic. We were working mostly with point clouds and meshes, but it wasn’t just math, it was craftsmanship translated into a digital process. Every micron mattered. You could literally see how a good algorithm meant a better fit in someone’s mouth. Gaussian Splatting isn’t about surface reconstruction, it’s about appearance reconstruction. It doesn’t care about explicit topology, it captures how light interacts with the scene. In a sense, it’s the opposite philosophy of the dental world: instead of modeling what the object is, it models how the object looks. 3D Gaussian Splatting enables applications like training self driving cars, teaching robots to understand their environment, creating virtual worlds, or monitoring real sites. It represents scenes as millions of small Gaussians rendered in real time without the need for meshes or textures. Coming from a world where precision geometry was everything, this shift felt natural. It’s still about reconstruction, but with a different goal: not manufacturing a perfect object, but reproducing how the world actually looks. Two weeks ago I got my first dental crown, made with the same software, reconstruction algorithms, and Swiss precision I once helped develop. I haven’t worked there in two years, but sitting in that chair and seeing the process from the other side was a proud moment. It reminded me why I love this field.
0:18

Two weeks ago I fixed one of my teeth with algorithms I wrote a couple of years ago! I got hooked by 3D scanning when I started to work for a software shop in Zurich that was programming 3D computational geometry algorithms for denture scanning to produce crowns (and more). Back then, a typical reconstruction pipeline was like: scan the patient’s teeth using an intraoral scanner, reconstruct the surface mesh, design the restoration digitally, and finally mill the crown out of ceramic. We were working mostly with point clouds and meshes, but it wasn’t just math, it was craftsmanship translated into a digital process. Every micron mattered. You could literally see how a good algorithm meant a better fit in someone’s mouth. Gaussian Splatting isn’t about surface reconstruction, it’s about appearance reconstruction. It doesn’t care about explicit topology, it captures how light interacts with the scene. In a sense, it’s the opposite philosophy of the dental world: instead of modeling what the object is, it models how the object looks. 3D Gaussian Splatting enables applications like training self driving cars, teaching robots to understand their environment, creating virtual worlds, or monitoring real sites. It represents scenes as millions of small Gaussians rendered in real time without the need for meshes or textures. Coming from a world where precision geometry was everything, this shift felt natural. It’s still about reconstruction, but with a different goal: not manufacturing a perfect object, but reproducing how the world actually looks. Two weeks ago I got my first dental crown, made with the same software, reconstruction algorithms, and Swiss precision I once helped develop. I haven’t worked there in two years, but sitting in that chair and seeing the process from the other side was a proud moment. It reminded me why I love this field.

MrNeRF

290,202 görüntüleme • 9 ay önce

Shane Wighton, an engineer built a robotic barber that can cut his hair. The robot uses scissors to cut his hair, and it is programmed with “a variety of haircut styles”.
0:17

Shane Wighton, an engineer built a robotic barber that can cut his hair. The robot uses scissors to cut his hair, and it is programmed with “a variety of haircut styles”.

Brian Roemmele

4,831,425 görüntüleme • 1 yıl önce

[SIGGRAPH ASIA '25] Detail-Enhanced Gaussian Splatting for Large-Scale Volumetric Capture Contributions: - A two-stage approach to performance capture, combining a scene-scale capture rig and a single-actor facial capture rig. - A novel high-quality scene-scale volumetric performance capture rig, incorporating both static and dynamic cameras to track the performance of multiple actors. - A reconstruction pipeline for dynamic performance capture, featuring stable calibration of moving cameras and 4DGS with improved dynamic range and color fidelity. - A detail enhancement Diffusion Model, which supports 4K, RGB, and Alpha, with improved temporal stability.
0:20

[SIGGRAPH ASIA '25] Detail-Enhanced Gaussian Splatting for Large-Scale Volumetric Capture Contributions: - A two-stage approach to performance capture, combining a scene-scale capture rig and a single-actor facial capture rig. - A novel high-quality scene-scale volumetric performance capture rig, incorporating both static and dynamic cameras to track the performance of multiple actors. - A reconstruction pipeline for dynamic performance capture, featuring stable calibration of moving cameras and 4DGS with improved dynamic range and color fidelity. - A detail enhancement Diffusion Model, which supports 4K, RGB, and Alpha, with improved temporal stability.

MrNeRF

42,456 görüntüleme • 9 ay önce

Is anyone a fan of my blue hair era? It’s only temporary I can wash it out anytime lol #denisefrazier #knotty #k9girl #zoogirl
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Is anyone a fan of my blue hair era? It’s only temporary I can wash it out anytime lol #denisefrazier #knotty #k9girl #zoogirl

Denise Frazier

38,359 görüntüleme • 5 ay önce