Loading video...

Video Failed to Load

There was a problem loading this video. This could be due to a temporary network issue or the video might be unavailable.

Can we call this AI directing? 😂 Seedance 2.0 with the Omni Reference feature honestly feels like a total game changer. Summer Trip is one of my film which I made used Omni Reference, not only start frame anymore and for the first time, it genuinely feels like I’m... directing the AI instead of just prompting it. The reasoning in Seedance 2.0 is seriously impressive. It understands intent in a way that feels collaborative. Of course, in production it still needs proper touch-ups in post, grading, timing, polishing details, but the foundation it gives is strong. Like it or not, we’re already here. And to be honest, my workflow has to evolve too. I can’t approach this the same way I did before. It’s less about generating random shots and more about guiding, refining, and thinking like a director from the start. Personally, I see this as a shift, not replacing filmmaking, but reshaping the role of the filmmaker. Now the question isn’t “Can AI make it?” but “How well can you direct it?”show more

Dinda Prasetyo

6,512 subscribers

29,385 views • 4 months ago •via X (Twitter)

Arts Science & Technology

Anya Rossi• Live Now

Private livecam show

0 Comments

No comments available

Comments from the original post will appear here

Related Videos

Seedance 2.0 vs Gemini Omni, tested under the same conditions 👀 I was working on a new storyboard. After generating it with Seedance 2.0, I gave the exact same prompt + storyboard reference + character reference to Gemini Omni as well. Result: Gemini Omni surprised me with style quality and got closer than I expected in prompt adherence. But Seedance still feels ahead for storyboard execution, motion energy, camera language and environmental interaction. Gemini looks good. Seedance feels directed. You can see them in the video and the storyboard sheet is shown at the end. Which one do you think is more useful for this kind of work?

Seedance 2.0 vs Gemini Omni, tested under the same conditions 👀 I was working on a new storyboard. After generating it with Seedance 2.0, I gave the exact same prompt + storyboard reference + character reference to Gemini Omni as well. Result: Gemini Omni surprised me with style quality and got closer than I expected in prompt adherence. But Seedance still feels ahead for storyboard execution, motion energy, camera language and environmental interaction. Gemini looks good. Seedance feels directed. You can see them in the video and the storyboard sheet is shown at the end. Which one do you think is more useful for this kind of work?

Kōda

34,741 views • 1 month ago

“I like traveling around and talking to people about movie stuff. It doesn’t feel like I’m selling a film. It feels like I’m supporting it but not in a way that feels like my job. It’s a nice way to complete the experience of making a film.”- Kristen Stewart

“I like traveling around and talking to people about movie stuff. It doesn’t feel like I’m selling a film. It feels like I’m supporting it but not in a way that feels like my job. It’s a nice way to complete the experience of making a film.”- Kristen Stewart

Who's that lady?

10,968 views • 6 months ago

Something I am curious about and I wanted to see if the community is feeling the same way that I am. Does it feel like your ammo does nothing towards chest shots? Since there is no wipes on Escape From Tarkov anymore it feels like Ammo has become not as good and Its because everyone is running T5 and T6 plates I guess? Its not impossible to get high tier ammo but its not easy either. It feels like shooting someone in the chest just doesn't matter anymore with the ammo that you can get from traders and from crafting. So you need to headshot people instead of shooting for chest because chest shots unless you have the best ammo just isn't worth it because people take no damage from certain shots because of how the armor is done right now. I don't really know how to fix it this unless they went back to the old armor system? It just feels like things are weird right now and I wanted to make a post and see how everyone else in the community thought about it. Here is a video of me getting shot by the BTR and my armor tanked the entire round and did 0 damage to my chest.

Velion

18,257 views • 2 months ago

Ok, this is absurd. You can choreograph a complex action scene in Blender with basic shapes, then let Seedance make it real. You need to try this AI filmmaking workflow: 1. Generate a start frame in Midjourney 2. Block out the action in Blender 3. Feed both to Seedance My Blender reference was just rough timing, camera shake, and spatial choreography, and Seedance tracked the speed, motion, and action way better than I expected. This is the difference between describing a shot and directing one.

Ok, this is absurd. You can choreograph a complex action scene in Blender with basic shapes, then let Seedance make it real. You need to try this AI filmmaking workflow: 1. Generate a start frame in Midjourney 2. Block out the action in Blender 3. Feed both to Seedance My Blender reference was just rough timing, camera shake, and spatial choreography, and Seedance tracked the speed, motion, and action way better than I expected. This is the difference between describing a shot and directing one.

Reid Hannaford

515,327 views • 17 days ago

When I saw that Assassin's Creed Unity was getting a 60 FPS update for current gen consoles, I honestly could not wait to see it with my own eyes. And after playing it, I realized it is not just 60 FPS. The game also seems to be upscaled to 4K, which is absolutely insane in my opinion and the game runs incredibly smooth! Many of you know that I have never been the biggest fan of Unity. But I have to admit, maybe it is just placebo, yet it genuinely feels like the game plays better. Almost like the controller responds more precisely to what I actually want to do. I tested it properly in stealth and of course in parkour, and I have to say, it feels amazing! For PC players this might not be anything special. But for someone like me, mainly playing on console, finally being able to experience Assassin’s Creed Unity at 60 FPS is a game changer. And by the way, co op also seems to be working normally again. This is honestly crazy to see!

When I saw that Assassin's Creed Unity was getting a 60 FPS update for current gen consoles, I honestly could not wait to see it with my own eyes. And after playing it, I realized it is not just 60 FPS. The game also seems to be upscaled to 4K, which is absolutely insane in my opinion and the game runs incredibly smooth! Many of you know that I have never been the biggest fan of Unity. But I have to admit, maybe it is just placebo, yet it genuinely feels like the game plays better. Almost like the controller responds more precisely to what I actually want to do. I tested it properly in stealth and of course in parkour, and I have to say, it feels amazing! For PC players this might not be anything special. But for someone like me, mainly playing on console, finally being able to experience Assassin’s Creed Unity at 60 FPS is a game changer. And by the way, co op also seems to be working normally again. This is honestly crazy to see!

MisterAlpha444

1,406,353 views • 4 months ago

Seedance 2.0 is insane. Blender previs is having a moment in AI filmmaking for a reason. I wanted to see how far I could push the workflow beyond a simple camera move in an ambush scene. The workflow: 1. Make a start image in Midjourney 2. Block it out in Blender, animate the camera 3. Feed both to Seedance The more I test this pipeline, the more convinced I am that hybrid pipelines are the future. The conversation is moving fast but previs is one of the clearest unlocks so far. Seedance still isn't perfect at matching the reference but it's close. You can experiment with staging, timing, and camera movement before you ever touch the video model. Solve the scene before you generate the shot.

Seedance 2.0 is insane. Blender previs is having a moment in AI filmmaking for a reason. I wanted to see how far I could push the workflow beyond a simple camera move in an ambush scene. The workflow: 1. Make a start image in Midjourney 2. Block it out in Blender, animate the camera 3. Feed both to Seedance The more I test this pipeline, the more convinced I am that hybrid pipelines are the future. The conversation is moving fast but previs is one of the clearest unlocks so far. Seedance still isn't perfect at matching the reference but it's close. You can experiment with staging, timing, and camera movement before you ever touch the video model. Solve the scene before you generate the shot.

Reid Hannaford

215,313 views • 13 days ago

Might of found a way to use this mechanic in comp. I've seen people do this on the floor a couple times but not really on the wall in this way. I do think this could be used in comp because of the sharp change in trajectory of the ball and it could seriously bait out players. Not to mention it can be done on any part of the wall so even off the ceiling. I'm already getting fairly consistent at it on one side and I've practiced it for a day. It feels like doing the breezi flick for the first time but this could be a more practical mechanic. If it can be done on command consistently it has ridiculous potential for passes and other stuff Not saying this is a new mechanic btw nor is it guaranteed to become meta but I love the idea of seeing innovation and new things in the game because there isn't much of it these days so I hope people aren't closed minded about it. Would love to hear opinions on it

Might of found a way to use this mechanic in comp. I've seen people do this on the floor a couple times but not really on the wall in this way. I do think this could be used in comp because of the sharp change in trajectory of the ball and it could seriously bait out players. Not to mention it can be done on any part of the wall so even off the ceiling. I'm already getting fairly consistent at it on one side and I've practiced it for a day. It feels like doing the breezi flick for the first time but this could be a more practical mechanic. If it can be done on command consistently it has ridiculous potential for passes and other stuff Not saying this is a new mechanic btw nor is it guaranteed to become meta but I love the idea of seeing innovation and new things in the game because there isn't much of it these days so I hope people aren't closed minded about it. Would love to hear opinions on it

Breezi

372,865 views • 2 years ago

fromis_9’s Hayoung and Nagyung give a spoiler about the July comeback Hayoung: For this comeback, I personally think it’s “fromis_9’s first unveiling?” it feels like us showing something new for the first time. Nagyung: It has a slightly sexy touch, when I first heard the demo of this song, I think it was more like huh? This song is really sexy in some way. Of course it’s a bright song, and really summery though there’s about one spoon of sexiness in the song, it felt like a burn. But once we started recording, it felt like that feeling had been watered down a bit Hayoung: Right, but I like it a bit better. When put in Korean (the demo was in English before) it felt like it became more refreshing.

fromis_9’s Hayoung and Nagyung give a spoiler about the July comeback Hayoung: For this comeback, I personally think it’s “fromis_9’s first unveiling?” it feels like us showing something new for the first time. Nagyung: It has a slightly sexy touch, when I first heard the demo of this song, I think it was more like huh? This song is really sexy in some way. Of course it’s a bright song, and really summery though there’s about one spoon of sexiness in the song, it felt like a burn. But once we started recording, it felt like that feeling had been watered down a bit Hayoung: Right, but I like it a bit better. When put in Korean (the demo was in English before) it felt like it became more refreshing.

FROMIS_9 BASE

18,961 views • 17 days ago

Sora animates with this wonderful wonky, sketchy dreamlike quality that perfectly captures the nostalgic atmosphere of a hazy 90's suburban summer afternoon. While Seedance is just as sophisticated and in some aspects superior, I will miss the quality of Sora. Sora feels like 35mm film, with the nuanced way it captures lighting, color, and perspective, while Seedance feels digital - a bit too clean. I am confident that I can replicate this sketchy quality in Seedance by tweaking my prompts, but Sora has a unique way of animating that really should be preserved. There are many more bugs and mistakes with Sora, but when it gets it right, it REALLY hits a level of artful magic that sets it above all other models. I am shocked that I still appear to be the only person who is creating AI-Generated 2D animation with original characters while developing a unique Western style. Practically no one is doing 2D AI-animation at all, and when they do, it is usually an attempt to mimic an Anime style. 2D really should be attempted more by AI Filmmakers!! Especially with a Western model like Sora, before it is terminated in the fall. Really, everyone should be taking advantage of the way this model so skillfully animates, with the heart and soul of a seasoned professional. I personally feel AI-generated animation is superior to 3D/realistic AI filmmaking. While AI-generated realism is an attempt to mimic real life through a lens, 2D animation IS what it is - not a replica of anything, just a cartoon. I love all my AI filmmaker bros and all of the cutting edge work going on, but I urge all of you to give 2D animation a chance. : ) I'm still not giving up hope that we can save Sora somehow. Now that I see that Seedance is able to animate 2D brilliantly and beautifully, I know that it's not some hidden secret, and we can replicate the weights and maths of Sora. If we can't preserve Sora, we can make a comparable model. It's not just in the interest of AI-Animators like me to preserve this model, but in the interest of the entire American AI community if they want Western AI to be superior. If not, Chinese video models will dominate. And while I am perfectly happy to use a Chinese model and I am just eternally grateful that this technology exists at all, I would love to see American audiovisual models continue to be developed! #AIAnimation #AIFilmmaking #AIArt #SaveSora #SummerofSora #WillStancilShow Elon Musk Marc Andreessen 🇺🇸 Sora Bill Peebles NVIDIA Sam Altman

Sora animates with this wonderful wonky, sketchy dreamlike quality that perfectly captures the nostalgic atmosphere of a hazy 90's suburban summer afternoon. While Seedance is just as sophisticated and in some aspects superior, I will miss the quality of Sora. Sora feels like 35mm film, with the nuanced way it captures lighting, color, and perspective, while Seedance feels digital - a bit too clean. I am confident that I can replicate this sketchy quality in Seedance by tweaking my prompts, but Sora has a unique way of animating that really should be preserved. There are many more bugs and mistakes with Sora, but when it gets it right, it REALLY hits a level of artful magic that sets it above all other models. I am shocked that I still appear to be the only person who is creating AI-Generated 2D animation with original characters while developing a unique Western style. Practically no one is doing 2D AI-animation at all, and when they do, it is usually an attempt to mimic an Anime style. 2D really should be attempted more by AI Filmmakers!! Especially with a Western model like Sora, before it is terminated in the fall. Really, everyone should be taking advantage of the way this model so skillfully animates, with the heart and soul of a seasoned professional. I personally feel AI-generated animation is superior to 3D/realistic AI filmmaking. While AI-generated realism is an attempt to mimic real life through a lens, 2D animation IS what it is - not a replica of anything, just a cartoon. I love all my AI filmmaker bros and all of the cutting edge work going on, but I urge all of you to give 2D animation a chance. : ) I'm still not giving up hope that we can save Sora somehow. Now that I see that Seedance is able to animate 2D brilliantly and beautifully, I know that it's not some hidden secret, and we can replicate the weights and maths of Sora. If we can't preserve Sora, we can make a comparable model. It's not just in the interest of AI-Animators like me to preserve this model, but in the interest of the entire American AI community if they want Western AI to be superior. If not, Chinese video models will dominate. And while I am perfectly happy to use a Chinese model and I am just eternally grateful that this technology exists at all, I would love to see American audiovisual models continue to be developed! #AIAnimation #AIFilmmaking #AIArt #SaveSora #SummerofSora #WillStancilShow Elon Musk Marc Andreessen 🇺🇸 Sora Bill Peebles NVIDIA Sam Altman

Emily Youcis

18,940 views • 1 month ago

🇳🇱🗽 This is ByteDance's Seedance 2.0 with my New Amsterdam (current day New York City) Simulator prompt Unlike previous models like Seedance 1.5 (which would add windmills that didn't look Dutch), it really accurately portrays the city as it was in 1670 It's very impressive and because it takes reference image/video/audio, you can put yourself in it like I did here Only thing bad I see is some distortion in is some of the text which other video models seem to do better now, but yes it's very impressive This is purposely made to look a bit like a game, so it can do more photorealism than this actually

🇳🇱🗽 This is ByteDance's Seedance 2.0 with my New Amsterdam (current day New York City) Simulator prompt Unlike previous models like Seedance 1.5 (which would add windmills that didn't look Dutch), it really accurately portrays the city as it was in 1670 It's very impressive and because it takes reference image/video/audio, you can put yourself in it like I did here Only thing bad I see is some distortion in is some of the text which other video models seem to do better now, but yes it's very impressive This is purposely made to look a bit like a game, so it can do more photorealism than this actually

@levelsio

630,934 views • 5 months ago

Okay, this one is the Grok Imagine version. But here’s something you need to note: I uploaded the character sheet I made with Nano Banana Pro as the base image. So it feels like this fake “Omni reference” kind of style, but it works 😄 Somehow, it’s much more consistent than uploading a still image of your scene with your character, because there’s a chance your character will morph a bit. By using your character sheet as the base model, it helps maintain consistency. The only problem is that when you do the img2vid prompt, you need to retell the setting, the action, the vibe and so on. But for me, I kind of like that approach, LOL 😆 Like I said, I’m getting lazy about animating images one by one. With this approach, I can just focus on dividing the shots, like shot 1: blabla, shot 2: bliblibli, shot 3: blublu, etc. Now for the comparison: In comparison with the Kling 3.0 Omni version, I feel that Grok Imagine is much more dynamic. But in terms of the character performance, it feels a bit over the top. It’s like the AI characters are acting it out 😁 Meanwhile, Kling 3.0 Omni feels much more realistic in terms of the acting and a bit more atmospheric. I honestly love both. If I want to fool around, I guess I’ll use Grok Imagine. But if I want more subtle realism and a candid feel, I’ll go with Kling 3.0.

Okay, this one is the Grok Imagine version. But here’s something you need to note: I uploaded the character sheet I made with Nano Banana Pro as the base image. So it feels like this fake “Omni reference” kind of style, but it works 😄 Somehow, it’s much more consistent than uploading a still image of your scene with your character, because there’s a chance your character will morph a bit. By using your character sheet as the base model, it helps maintain consistency. The only problem is that when you do the img2vid prompt, you need to retell the setting, the action, the vibe and so on. But for me, I kind of like that approach, LOL 😆 Like I said, I’m getting lazy about animating images one by one. With this approach, I can just focus on dividing the shots, like shot 1: blabla, shot 2: bliblibli, shot 3: blublu, etc. Now for the comparison: In comparison with the Kling 3.0 Omni version, I feel that Grok Imagine is much more dynamic. But in terms of the character performance, it feels a bit over the top. It’s like the AI characters are acting it out 😁 Meanwhile, Kling 3.0 Omni feels much more realistic in terms of the acting and a bit more atmospheric. I honestly love both. If I want to fool around, I guess I’ll use Grok Imagine. But if I want more subtle realism and a candid feel, I’ll go with Kling 3.0.

DAN · MXVDXN

16,764 views • 4 months ago

This is the future of storytelling. Not in some distant way… but like right now. I made this using AI. It’s called PAPERCUT. A new animated film concept I'm developing. It's not perfect, but it gets the creative juices flowing. The idea came from my son. We were just talking and he said he wished there was a movie about a Blasian kid surviving a zombie apocalypse. And it hit me… that movie doesn’t exist. Not because it’s not a good idea, but because it would probably never get made. So I made it. And once I started, I couldn’t stop thinking about it. Like where did all the great zombie movies go? The ones that felt original, that had personality. The Shaun of the Deads, the George Romero classics. What if you took that energy… but made it animated? Stylized. A little fun. A little scary. Something a kid could watch, but still feel the danger. That’s what this is. Honestly… this doesn’t happen without AI. This idea just stays a conversation. But now it’s real. That’s the shift. You don’t have to wait around anymore hoping someone says yes. You can just go make the thing.

This is the future of storytelling. Not in some distant way… but like right now. I made this using AI. It’s called PAPERCUT. A new animated film concept I'm developing. It's not perfect, but it gets the creative juices flowing. The idea came from my son. We were just talking and he said he wished there was a movie about a Blasian kid surviving a zombie apocalypse. And it hit me… that movie doesn’t exist. Not because it’s not a good idea, but because it would probably never get made. So I made it. And once I started, I couldn’t stop thinking about it. Like where did all the great zombie movies go? The ones that felt original, that had personality. The Shaun of the Deads, the George Romero classics. What if you took that energy… but made it animated? Stylized. A little fun. A little scary. Something a kid could watch, but still feel the danger. That’s what this is. Honestly… this doesn’t happen without AI. This idea just stays a conversation. But now it’s real. That’s the shift. You don’t have to wait around anymore hoping someone says yes. You can just go make the thing.

Dave Clark

40,078 views • 2 months ago

I just saw the collaboration between Yang Liping and the Qwen app, and it’s honestly stunning. Usually, AI in art feels a bit gimmicky, but here it’s used more for inspirations. Yang Liping (who is a legend for a reason) used the tech to pull fresh inspiration into traditional Chinese dance. It doesn't feel like the AI is replacing the dancer; it feels like it’s helping her evolve the aesthetic into something modern but still deeply rooted in heritage. It’s one of those rare moments where tech actually makes the art feel more human, not less.

I just saw the collaboration between Yang Liping and the Qwen app, and it’s honestly stunning. Usually, AI in art feels a bit gimmicky, but here it’s used more for inspirations. Yang Liping (who is a legend for a reason) used the tech to pull fresh inspiration into traditional Chinese dance. It doesn't feel like the AI is replacing the dancer; it feels like it’s helping her evolve the aesthetic into something modern but still deeply rooted in heritage. It’s one of those rare moments where tech actually makes the art feel more human, not less.

Rohan Paul

1,323,129 views • 4 months ago

So Runway Aleph 2.0 just dropped, and it introduces a pretty interesting workflow for AI video footage editing. Rather than repeatedly prompting a video model and hoping it makes the change you want, you can edit a specific frame first, then use that frame to guide the video generation. For this test, I take an existing footage inside Runway: • Picked a frame from the original video • Used Nano Banana Pro to add a new effect/object • Brought that frame into Aleph 2.0 to generate the updated video It feels like a more controllable and potentially cheaper way to make targeted edits to existing footage than current AI video omni models available like Seedance and Gemini.

So Runway Aleph 2.0 just dropped, and it introduces a pretty interesting workflow for AI video footage editing. Rather than repeatedly prompting a video model and hoping it makes the change you want, you can edit a specific frame first, then use that frame to guide the video generation. For this test, I take an existing footage inside Runway: • Picked a frame from the original video • Used Nano Banana Pro to add a new effect/object • Brought that frame into Aleph 2.0 to generate the updated video It feels like a more controllable and potentially cheaper way to make targeted edits to existing footage than current AI video omni models available like Seedance and Gemini.

Curious Refuge

11,332 views • 1 month ago

🚨UNCANNY VALLEY | THE AI ERA FEELS LIKE LIVING DECADES IN JUST A FEW YEARS "Perplexity started off as an answer engine. That was in 2022—I think we launched in December, but we started working on it around August. That feels like ages ago in this AI era, where it seems like we’re living through decades in the span of two or three years. And I’m not saying this just because everyone else is saying it—that’s genuinely how it feels to me. I personally feel like I’ve lived a bit longer in the last two or three years.” Source: Aravind Srinivas Dr Danish

🚨UNCANNY VALLEY | THE AI ERA FEELS LIKE LIVING DECADES IN JUST A FEW YEARS "Perplexity started off as an answer engine. That was in 2022—I think we launched in December, but we started working on it around August. That feels like ages ago in this AI era, where it seems like we’re living through decades in the span of two or three years. And I’m not saying this just because everyone else is saying it—that’s genuinely how it feels to me. I personally feel like I’ve lived a bit longer in the last two or three years.” Source: Aravind Srinivas Dr Danish

Mario Nawfal

69,536 views • 1 year ago

AI video is getting wild… but THIS is on another level. 🤯🎬 My colleague Nick Lentz just dropped his submission for the Higgsfield Action Contest, and it’s honestly one of the most realistic and cinematic uses of AI video I’ve seen yet. The nuance of the characters. The action. The subtlety of the shots. It feels like something straight out of a film. If you’re into AI filmmaking or just want to see where this tech is heading, you’ve gotta check it out. If you like it, drop a comment or give it a thumbs up and show him some love. 🔥 Here's the link where you can vote:

AI video is getting wild… but THIS is on another level. 🤯🎬 My colleague Nick Lentz just dropped his submission for the Higgsfield Action Contest, and it’s honestly one of the most realistic and cinematic uses of AI video I’ve seen yet. The nuance of the characters. The action. The subtlety of the shots. It feels like something straight out of a film. If you’re into AI filmmaking or just want to see where this tech is heading, you’ve gotta check it out. If you like it, drop a comment or give it a thumbs up and show him some love. 🔥 Here's the link where you can vote:

Everett World

23,075 views • 4 months ago

Yaxel Lendeborg on how he views the significance of the Summer League: “I mean role-wise, I try to be a leader, you know, learn to be one. I was picked the highest here so I have to act like it. But not in the way where it’s like I’m acting like I’m authorized or I’m a priority or something. Just in a way where it’s like there’s going to be a lot of pressure on me and a lot of eyes on me so I have to go out there and not overdo it, but play my role, play my part.”

Yaxel Lendeborg on how he views the significance of the Summer League: “I mean role-wise, I try to be a leader, you know, learn to be one. I was picked the highest here so I have to act like it. But not in the way where it’s like I’m acting like I’m authorized or I’m a priority or something. Just in a way where it’s like there’s going to be a lot of pressure on me and a lot of eyes on me so I have to go out there and not overdo it, but play my role, play my part.”

aly ✶

58,500 views • 12 days ago

The previs workflow is still leveling up! My AI filmmaking process is starting to feel less like wrangling AI and more like animation. Still just cubes in Blender, but now I’m moving the character through space and doing a handheld camera follow. Same basic process: 1. Generate a start frame in Midjourney 2. Block out the scene in Blender, animate the camera 3. Feed both to Seedance Seedance nailed the gritty handheld feel and followed the character movement around the car way better than expected. You can get way more ambitious with your directing than I thought.

The previs workflow is still leveling up! My AI filmmaking process is starting to feel less like wrangling AI and more like animation. Still just cubes in Blender, but now I’m moving the character through space and doing a handheld camera follow. Same basic process: 1. Generate a start frame in Midjourney 2. Block out the scene in Blender, animate the camera 3. Feed both to Seedance Seedance nailed the gritty handheld feel and followed the character movement around the car way better than expected. You can get way more ambitious with your directing than I thought.

Reid Hannaford

95,421 views • 16 days ago

“It’s just a pure love for the game, I’m fascinated with it, I enjoy it, I love coaching, I love thinking about it. I think 20 years ago there was an element of anybody who played golf we pretended we weren’t golf nerds. I’m as biggest of golf nerd as you can get, I just like golf, I like everything about it, I like talking about it, I like the rules of the game, I like the etiquette of the game.” “I’m here now trying to be competitive but knowing the only way that I can be competitive is actually to enjoy my tournaments and events. I’m making much more of an effort to enjoy my life on Tour than I did when I was a young man.” 13 minutes of prime Padraig Harrington ahead of making his 500th start on the DP World Tour this week. #QatarMasters

“It’s just a pure love for the game, I’m fascinated with it, I enjoy it, I love coaching, I love thinking about it. I think 20 years ago there was an element of anybody who played golf we pretended we weren’t golf nerds. I’m as biggest of golf nerd as you can get, I just like golf, I like everything about it, I like talking about it, I like the rules of the game, I like the etiquette of the game.” “I’m here now trying to be competitive but knowing the only way that I can be competitive is actually to enjoy my tournaments and events. I’m making much more of an effort to enjoy my life on Tour than I did when I was a young man.” 13 minutes of prime Padraig Harrington ahead of making his 500th start on the DP World Tour this week. #QatarMasters

DP World Tour

54,261 views • 5 months ago

Satoru Gojo unleashes his Hollow Purple against Ryomen Sukuna — and the animation is absolutely stunning. The fluidity, the weight behind every impact, the perfect timing of each movement… it feels like something straight out of a high-budget anime production. And the craziest part: it was made with Seedance 2.0. If it already looks this good now, imagine where this technology will be in just one year. Will there even be errors anymore? Or are we witnessing the beginning of a new era where anyone can create scenes at this level in minutes? This doesn’t feel like an experiment anymore. It feels like a revolution.

Satoru Gojo unleashes his Hollow Purple against Ryomen Sukuna — and the animation is absolutely stunning. The fluidity, the weight behind every impact, the perfect timing of each movement… it feels like something straight out of a high-budget anime production. And the craziest part: it was made with Seedance 2.0. If it already looks this good now, imagine where this technology will be in just one year. Will there even be errors anymore? Or are we witnessing the beginning of a new era where anyone can create scenes at this level in minutes? This doesn’t feel like an experiment anymore. It feels like a revolution.

nachos2d

177,078 views • 4 months ago