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Captured in Paris in 1994, Rape Me came during Nirvana’s final year as a live band. The song originally appeared on In Utero in 1993, the group’s deliberately abrasive follow up to Nevermind. Written by Kurt Cobain, it was often misunderstood but intended as a confrontational anti assault statement.... show more

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"Heart-Shaped Box" was released in 1993 as the lead single from Nirvana's final studio album, In Utero. Written by Kurt Cobain, the song blends haunting lyrics and heavy, dissonant guitars, capturing the darker and more abrasive tone the band pursued after the massive success of Nevermind. Nirvana performed "Heart-Shaped Box" live on Saturday Night Live in September 1993, shortly after the album's release. The performance marked their return to SNL following their 1992 debut and showcased the band during one of their final major television appearances.

"Heart-Shaped Box" was released in 1993 as the lead single from Nirvana's final studio album, In Utero. Written by Kurt Cobain, the song blends haunting lyrics and heavy, dissonant guitars, capturing the darker and more abrasive tone the band pursued after the massive success of Nevermind. Nirvana performed "Heart-Shaped Box" live on Saturday Night Live in September 1993, shortly after the album's release. The performance marked their return to SNL following their 1992 debut and showcased the band during one of their final major television appearances.

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Recorded for the band’s debut album Bleach, “Love Buzz” was released in 1988 as Nirvana’s first single on the Sub Pop label. Written by Dutch band Shocking Blue, the track became an early calling card for Kurt Cobain’s raw vocals and the group’s heavy, sludgy sound before their mainstream breakthrough. Though it did not chart on release, the song later gained cult status as a snapshot of Nirvana’s pre-Nevermind era, capturing the band at their most abrasive and unpolished.

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Captured at Pinkpop in 1994, Cannonball documents The Breeders at the height of their mainstream breakthrough. Released in 1993, the song appeared on Last Splash, the band’s second album, and became their biggest hit, reaching the UK Top 40 and dominating alternative radio worldwide. Written by Kim Deal and built around a distinctive bass intro and stop start dynamics, Cannonball helped push Last Splash to multi platinum success. Festival performances like this showed the band translating their off kilter studio sound into a powerful live setting during the peak of their 90s run.

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Back in 1995, “(It’s Good) to Be Free” captures Oasis in their earliest surge, originally released as a B side to “Whatever” in 1994. Performed here on The White Room, the track reflects the band’s raw energy and swagger during their rapid rise.

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Captured in 1994, Blur stripped back their Britpop anthem “Parklife” for a rare acoustic performance. Originally released the same year on Parklife, the song became a defining moment of the era, pairing Damon Albarn’s wry social storytelling with Phil Daniels’ unmistakable narration. The performance showcased the band’s charm and sharp musicianship at the peak of their 90s dominance.

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Nirvana opened In Utero with one of Kurt Cobain’s most autobiographical songs. “Serve the Servants” addressed the aftermath of Nevermind, the media attention surrounding Courtney Love and Cobain’s frustration with endless discussion of his parents’ divorce. He also directly confronted his complicated relationship with his father, later explaining that he wanted him to know he no longer hated him. Recorded with Steve Albini for the band’s 1993 album In Utero, the song was performed for Italian programme Tunnel in Rome on 23 February 1994. The session became Nirvana’s final television appearance, giving this performance an unintended historical significance.

Nirvana opened In Utero with one of Kurt Cobain’s most autobiographical songs. “Serve the Servants” addressed the aftermath of Nevermind, the media attention surrounding Courtney Love and Cobain’s frustration with endless discussion of his parents’ divorce. He also directly confronted his complicated relationship with his father, later explaining that he wanted him to know he no longer hated him. Recorded with Steve Albini for the band’s 1993 album In Utero, the song was performed for Italian programme Tunnel in Rome on 23 February 1994. The session became Nirvana’s final television appearance, giving this performance an unintended historical significance.

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'When The Leeve Breaks', a song originally recorded and written by Kansas Joe McCoy and Memphis Minnie in 1929 and it's about the Great Mississippi Flood of 1927. The song was later covered by the British rock band Led Zeppelin for their 4th studio album, known as Led Zeppelin IV. The band brought a fresh air to the song with their approach, Bonham's drums, Page's heavy-driven electric boxes, John Paul Jones' unique bass lines, and Plant's unmatched vocals. It quickly became a fan favourite song. Then, in 1994, as you may know, Led Zeppelin was already a broke-up band, and Jimmy Page and Robert Plant released their live album "No Quarter Unledded". In this live album, they recorded some of the Led Zep songs and When The Leeve Breaks is one of them. The album's songs were recorded in Morocco, Wales and London occured on an MTV project called "Unledded". Robert Plant and Jimmy Page performing "When The Leeve Breaks" from Unledded in 1994.

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