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Claude Code vs Blender is getting f*cking illegal Two workflows building the same complex 3D rocket assembly, but one costs nearly 19x more in the demo And the difference reveals something most AI automation demos completely ignore Claude Code can reason through geometry, generate Python scripts, assemble mechanical components,...

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64,016 görüntüleme • 6 gün önce •via X (Twitter)

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Someone used Claude Code with an open-source Blender MCP addon to create most of the 3D assets for a fishing game. → A single Claude Code session controlled both Blender and Unity through the Model Context Protocol → The developer's case study describes a 40-part, 42-bone crab model created in 53 minutes → Claude rendered images from multiple angles so the developer could review and give feedback → The MCP for Blender addon is MIT-licensed and also works with Codex, Cursor and other AI tools Repo:
0:15

Someone used Claude Code with an open-source Blender MCP addon to create most of the 3D assets for a fishing game. → A single Claude Code session controlled both Blender and Unity through the Model Context Protocol → The developer's case study describes a 40-part, 42-bone crab model created in 53 minutes → Claude rendered images from multiple angles so the developer could review and give feedback → The MCP for Blender addon is MIT-licensed and also works with Codex, Cursor and other AI tools Repo:

0xMarioNawfal - The Roundtable Show

54,879 görüntüleme • 10 gün önce

Blender just became a prompt box. Kimi K3 + Blender MCP can take a simple text prompt and build an entire 3D scene for you. terrain, buildings, lighting, materials, camera movement, animation, even the Python scripts holding everything together. but the crazy part isn’t just that it can build the scene. Kimi can inspect what it created, understand what looks wrong, then go back into Blender and fix the actual scene before rendering again. the camera can be clipping through a tree, the lighting can feel off, the city can look too artificial, and instead of starting over, Kimi can make the changes directly inside Blender. and because everything is happening in Blender, you’re not left with a locked AI-generated video. you get the actual 3D scene. every object, material, light, camera and keyframe stays editable. a few years ago, creating something like this could take weeks of modeling, scripting, lighting and animation. now you can describe the world, let Kimi build the first 90%, and spend your time making the final 10% actually look good. that’s what makes Kimi K3 + Blender MCP so interesting. it’s getting dangerously close to text-to-3D, except the result is a real Blender project you can keep editing.
0:12

Blender just became a prompt box. Kimi K3 + Blender MCP can take a simple text prompt and build an entire 3D scene for you. terrain, buildings, lighting, materials, camera movement, animation, even the Python scripts holding everything together. but the crazy part isn’t just that it can build the scene. Kimi can inspect what it created, understand what looks wrong, then go back into Blender and fix the actual scene before rendering again. the camera can be clipping through a tree, the lighting can feel off, the city can look too artificial, and instead of starting over, Kimi can make the changes directly inside Blender. and because everything is happening in Blender, you’re not left with a locked AI-generated video. you get the actual 3D scene. every object, material, light, camera and keyframe stays editable. a few years ago, creating something like this could take weeks of modeling, scripting, lighting and animation. now you can describe the world, let Kimi build the first 90%, and spend your time making the final 10% actually look good. that’s what makes Kimi K3 + Blender MCP so interesting. it’s getting dangerously close to text-to-3D, except the result is a real Blender project you can keep editing.

MIKE

10,434 görüntüleme • 2 ay önce

Grok 4.7 is seriously impressive for Blender workflows. I used it to create this fun little Starship render, and it did an incredible job handling everything from scene setup and geometry to materials, lighting, camera angles, and Blender Python scripting.
0:12

Grok 4.7 is seriously impressive for Blender workflows. I used it to create this fun little Starship render, and it did an incredible job handling everything from scene setup and geometry to materials, lighting, camera angles, and Blender Python scripting.

DogeDesigner

65,368 görüntüleme • 1 ay önce

Opus 5.5 + Blender + Remotion = your own character animation studio that you can use to earn $$$ tiny worlds. expressive characters. cinematic camera moves. character idea → editable 3D scene → animated film steal the full stack ↓ 01 / give Claude a director’s brief one character. one setting. one visual joke specify the shots, expressions, camera moves and final pose before building the scene 02 / connect Claude Code to Blender MCP for Blender lets Claude inspect the scene and write Blender Python with Blender + uv installed: - `claude mcp add blender uvx mcp-for-blender` - `uvx mcp-for-blender install-addon` enable the addon in Blender and start its server ▸MCP for Blender 03 / build + animate Blender handles the scene, rigging, keyframes and character animation block the keyboard and character first. then add the walk, eye movements, glass and close-ups ▸Blender animation tools 04 / light the world Poly Haven supplies CC0 HDRIs, textures and models give the glass something to reflect. keep the character readable against the background ▸Poly Haven 05 / finish the film Remotion assembles the rendered footage, titles and audio into a reusable composition add the official agent guidance inside your video project: `npx skills add remotion-dev/skills` ▸Remotion Skills 06 / export + check FFmpeg for the delivery file watch the actual MP4, check the sound and keep the editable scene + project ▸FFmpeg the loop: brief → scene → character → materials → light → camera → preview → render → edit → export the clip is the visual reference. the animated console breaks down a workflow for building this kind of scene save this, then read the full guide for Opus 5.5 Motion Engineering ↓
0:15

Opus 5.5 + Blender + Remotion = your own character animation studio that you can use to earn $$$ tiny worlds. expressive characters. cinematic camera moves. character idea → editable 3D scene → animated film steal the full stack ↓ 01 / give Claude a director’s brief one character. one setting. one visual joke specify the shots, expressions, camera moves and final pose before building the scene 02 / connect Claude Code to Blender MCP for Blender lets Claude inspect the scene and write Blender Python with Blender + uv installed: - `claude mcp add blender uvx mcp-for-blender` - `uvx mcp-for-blender install-addon` enable the addon in Blender and start its server ▸MCP for Blender 03 / build + animate Blender handles the scene, rigging, keyframes and character animation block the keyboard and character first. then add the walk, eye movements, glass and close-ups ▸Blender animation tools 04 / light the world Poly Haven supplies CC0 HDRIs, textures and models give the glass something to reflect. keep the character readable against the background ▸Poly Haven 05 / finish the film Remotion assembles the rendered footage, titles and audio into a reusable composition add the official agent guidance inside your video project: `npx skills add remotion-dev/skills` ▸Remotion Skills 06 / export + check FFmpeg for the delivery file watch the actual MP4, check the sound and keep the editable scene + project ▸FFmpeg the loop: brief → scene → character → materials → light → camera → preview → render → edit → export the clip is the visual reference. the animated console breaks down a workflow for building this kind of scene save this, then read the full guide for Opus 5.5 Motion Engineering ↓

beamnxw ./

65,368 görüntüleme • 5 gün önce

A reference sheet can now become a complete 3D asset and an interactive website. I generated the multi-view temple concept with GPT Image 2.0, then gave it to Codex + GPT-5.6 Ultra through Blender MCP. Blender was controlled entirely from the terminal. The model, materials, cameras, renders and exports were all generated through Python scripts. Codex then created a Three.js viewer where I can rotate the temple, switch between every angle and hide each architectural layer. The result still needs refinement, especially around the roofs and ornaments, but the complete image → Blender → web workflow is working. All from one prompt 👇
0:18

A reference sheet can now become a complete 3D asset and an interactive website. I generated the multi-view temple concept with GPT Image 2.0, then gave it to Codex + GPT-5.6 Ultra through Blender MCP. Blender was controlled entirely from the terminal. The model, materials, cameras, renders and exports were all generated through Python scripts. Codex then created a Three.js viewer where I can rotate the temple, switch between every angle and hide each architectural layer. The result still needs refinement, especially around the roofs and ornaments, but the complete image → Blender → web workflow is working. All from one prompt 👇

Givros

26,024 görüntüleme • 3 ay önce

This is not camera footage. It is a Blender character with 8K skin, detailed wrinkles, wet eyes, facial controls and enough micro-detail to make your brain keep waiting for the person to behave like a person. HumanPro packages that skin workflow into a Blender add-on instead of making artists rebuild it from scratch every time. The interesting AI angle is not “AI made a realistic girl.” A reusable 3D human can keep the same face across thousands of shots, then be relit, reposed, animated and dropped into completely different scenes without the identity drifting every six frames. Add Claude through Blender MCP and the workflow gets stranger: the model can help assemble scenes, adjust cameras and lighting, inspect renders and correct obvious visual problems, while the character system handles the skin and facial structure. It still does not remove the artist. Someone has to control expression, motion, lighting and the exact moment realism quietly turns into a very expensive mannequin. Most AI influencer projects are still fighting prompt consistency one image at a time. A rigged digital human is less magical, but probably much closer to how this becomes an actual production system.
0:18

This is not camera footage. It is a Blender character with 8K skin, detailed wrinkles, wet eyes, facial controls and enough micro-detail to make your brain keep waiting for the person to behave like a person. HumanPro packages that skin workflow into a Blender add-on instead of making artists rebuild it from scratch every time. The interesting AI angle is not “AI made a realistic girl.” A reusable 3D human can keep the same face across thousands of shots, then be relit, reposed, animated and dropped into completely different scenes without the identity drifting every six frames. Add Claude through Blender MCP and the workflow gets stranger: the model can help assemble scenes, adjust cameras and lighting, inspect renders and correct obvious visual problems, while the character system handles the skin and facial structure. It still does not remove the artist. Someone has to control expression, motion, lighting and the exact moment realism quietly turns into a very expensive mannequin. Most AI influencer projects are still fighting prompt consistency one image at a time. A rigged digital human is less magical, but probably much closer to how this becomes an actual production system.

Rina

110,239 görüntüleme • 3 ay önce

motion designers are in serious danger, here is why an AI agent can now model a 3D scene in Blender, animate a website and render a finished MP4. you describe it, the agent builds it. three repos doing exactly that: -> HyperFrames: write HTML, get a video. made by HeyGen for AI agents. ask for a 10-second product intro with a fade-in title and background music, and the agent plans it, animates it and renders the MP4 -> MCP for Blender: connects Blender to Claude or any other model. the agent creates objects, builds scenes and edits them in real 3D while you watch -> GSAP skills: the official skills that teach coding agents to animate the web properly with GSAP. timelines, scroll effects, the stuff premium landing pages are made of the setup for HyperFrames in Claude Code is two lines: claude plugin marketplace add heygen-com/hyperframes claude plugin install hyperframes@hyperframes then just type /hyperframes:hyperframes and describe your video. the stack in one line: Blender for the 3D, GSAP for the motion, HyperFrames for the final render. bookmark this before your next client asks for a promo video.
0:19

motion designers are in serious danger, here is why an AI agent can now model a 3D scene in Blender, animate a website and render a finished MP4. you describe it, the agent builds it. three repos doing exactly that: -> HyperFrames: write HTML, get a video. made by HeyGen for AI agents. ask for a 10-second product intro with a fade-in title and background music, and the agent plans it, animates it and renders the MP4 -> MCP for Blender: connects Blender to Claude or any other model. the agent creates objects, builds scenes and edits them in real 3D while you watch -> GSAP skills: the official skills that teach coding agents to animate the web properly with GSAP. timelines, scroll effects, the stuff premium landing pages are made of the setup for HyperFrames in Claude Code is two lines: claude plugin marketplace add heygen-com/hyperframes claude plugin install hyperframes@hyperframes then just type /hyperframes:hyperframes and describe your video. the stack in one line: Blender for the 3D, GSAP for the motion, HyperFrames for the final render. bookmark this before your next client asks for a promo video.

kiosa

62,425 görüntüleme • 10 gün önce

If you think this is just another silly demo made with AI, read this post. You might change your mind, because this demo is about MATH. What you see on the screen is not a render from Blender (obviously, it’s not that good). It’s a three.js app built with Toolcraft. Available on the web and rendered in real time(link in the comments). But Blender still has a lot to do with it. Blender has Geometry Nodes - a powerful node-based system for creating and manipulating procedural geometry. In other words, it’s math. And math is a universal language. And who do you think is pretty good at math? >>> AI. Now you can download or buy Blender files from marketplaces, and when they contain Geometry Nodes for procedural animations, objects, surfaces, or effects, you can transfer that logic to the web. Make it real-time, make it interactive. Materials are a separate story, of course. They can still suck unless you use the right tricks: PBR, HDRIs, material blending, displacement, and faked surface relief. So why is Blender important here? Blender is open source, and many tools around it are open source too. An AI trained on their code. That means it can translate the math from one environment to another quite accurately. If you’ve been struggling to reproduce some idea with AI that you had in your head or seen in some references, and it has something to do with Geometry Nodes, and you can find that idea or a close one in the Blender ecosystem - it means you can transfer it to the web. Thank me later.
0:11

If you think this is just another silly demo made with AI, read this post. You might change your mind, because this demo is about MATH. What you see on the screen is not a render from Blender (obviously, it’s not that good). It’s a three.js app built with Toolcraft. Available on the web and rendered in real time(link in the comments). But Blender still has a lot to do with it. Blender has Geometry Nodes - a powerful node-based system for creating and manipulating procedural geometry. In other words, it’s math. And math is a universal language. And who do you think is pretty good at math? >>> AI. Now you can download or buy Blender files from marketplaces, and when they contain Geometry Nodes for procedural animations, objects, surfaces, or effects, you can transfer that logic to the web. Make it real-time, make it interactive. Materials are a separate story, of course. They can still suck unless you use the right tricks: PBR, HDRIs, material blending, displacement, and faked surface relief. So why is Blender important here? Blender is open source, and many tools around it are open source too. An AI trained on their code. That means it can translate the math from one environment to another quite accurately. If you’ve been struggling to reproduce some idea with AI that you had in your head or seen in some references, and it has something to do with Geometry Nodes, and you can find that idea or a close one in the Blender ecosystem - it means you can transfer it to the web. Thank me later.

Alex Barashkov

28,300 görüntüleme • 3 ay önce

Blender just became a prompt box. With Kimi K3 connected through Blender MCP, you can describe a scene like this in plain English and let the model handle the ugly part: terrain, buildings, lighting, materials, camera movement, animation, and the Python scripts holding everything together. The interesting part is not the first render. Kimi can inspect the result, notice that the camera clips through a tree or the city looks suspiciously like plastic, then edit the actual Blender scene and render it again instead of restarting from zero. You still need taste, because “make it cinematic” remains one of humanity’s least useful instructions. But the distance between an empty Blender file and a fully editable 3D world just got embarrassingly small. A few years ago, creating this meant weeks of modeling, scripting, lighting, and animation. Now you can describe the world, watch Kimi build it, and spend your time fixing the final 10% instead of manually constructing the first 90%. Kimi K3 + Blender MCP is basically text-to-3D without trapping the result inside a useless generated video. Every object, material, light, camera, and keyframe stays editable.
0:12

Blender just became a prompt box. With Kimi K3 connected through Blender MCP, you can describe a scene like this in plain English and let the model handle the ugly part: terrain, buildings, lighting, materials, camera movement, animation, and the Python scripts holding everything together. The interesting part is not the first render. Kimi can inspect the result, notice that the camera clips through a tree or the city looks suspiciously like plastic, then edit the actual Blender scene and render it again instead of restarting from zero. You still need taste, because “make it cinematic” remains one of humanity’s least useful instructions. But the distance between an empty Blender file and a fully editable 3D world just got embarrassingly small. A few years ago, creating this meant weeks of modeling, scripting, lighting, and animation. Now you can describe the world, watch Kimi build it, and spend your time fixing the final 10% instead of manually constructing the first 90%. Kimi K3 + Blender MCP is basically text-to-3D without trapping the result inside a useless generated video. Every object, material, light, camera, and keyframe stays editable.

Rina

264,903 görüntüleme • 3 ay önce

This workflow is more interesting than simply “AI + Blender.” GPT-6 Astra produces the geometry → Blender constructs the composition → Dreamina’s Clay Renderer Plugin imports the clay model with one click → Seedance 2.5 renders it into the final output. The camera and layout stay unchanged during the transfer, so the original 3D setup is preserved. Plus, with competitive pricing for Seedance 2.5 and 2.0, you can explore additional looks without adding unnecessary cost. Turns out GPT-6 Astra + Dreamina Seedance 2.5 is an actual pipeline. Worth a test. #Dreamina #DreaminaPartner
0:10

This workflow is more interesting than simply “AI + Blender.” GPT-6 Astra produces the geometry → Blender constructs the composition → Dreamina’s Clay Renderer Plugin imports the clay model with one click → Seedance 2.5 renders it into the final output. The camera and layout stay unchanged during the transfer, so the original 3D setup is preserved. Plus, with competitive pricing for Seedance 2.5 and 2.0, you can explore additional looks without adding unnecessary cost. Turns out GPT-6 Astra + Dreamina Seedance 2.5 is an actual pipeline. Worth a test. #Dreamina #DreaminaPartner

Zara Khan

26,352 görüntüleme • 1 ay önce

This workflow is more interesting than simply “AI + Blender.” GPT-6 Astra handles geometry generation → Blender takes care of composition → Dreamina’s Clay Renderer Plugin brings the clay model in with a single click → Seedance 2.5 delivers the final render. The camera and layout are locked in during the handoff, meaning the original 3D setup stays intact. And thanks to competitive Seedance 2.5 and 2.0 pricing, you can try more looks without extra spending. Turns out GPT-6 Astra + Dreamina Seedance 2.5 is a genuine pipeline. Worth testing out. #Dreamina #DreaminaPartner
0:10

This workflow is more interesting than simply “AI + Blender.” GPT-6 Astra handles geometry generation → Blender takes care of composition → Dreamina’s Clay Renderer Plugin brings the clay model in with a single click → Seedance 2.5 delivers the final render. The camera and layout are locked in during the handoff, meaning the original 3D setup stays intact. And thanks to competitive Seedance 2.5 and 2.0 pricing, you can try more looks without extra spending. Turns out GPT-6 Astra + Dreamina Seedance 2.5 is a genuine pipeline. Worth testing out. #Dreamina #DreaminaPartner

Karan Singh

29,074 görüntüleme • 1 ay önce

It doesn't ask Blender and AI to do the same job. GPT-6 Astra handles geometry. Blender handles structure and composition. The Dreamina Clay Renderer Plugin handles the one-click transfer. Seedance 2.5 handles the final render. The camera and layout stay locked when the clay model moves into Dreamina, so you keep the precision of 3D while exploring new visual styles faster. The competitive pricing of Seedance 2.5 and 2.0 makes that experimentation even more accessible. Worth trying. #Dreamina #DreaminaPartner
0:10

It doesn't ask Blender and AI to do the same job. GPT-6 Astra handles geometry. Blender handles structure and composition. The Dreamina Clay Renderer Plugin handles the one-click transfer. Seedance 2.5 handles the final render. The camera and layout stay locked when the clay model moves into Dreamina, so you keep the precision of 3D while exploring new visual styles faster. The competitive pricing of Seedance 2.5 and 2.0 makes that experimentation even more accessible. Worth trying. #Dreamina #DreaminaPartner

Adam

36,064 görüntüleme • 1 ay önce

We are getting absurdly close to the point where “learning Blender” means learning how to direct an AI. A shot like this looks soft and playful on the surface, but under it is the usual 3D pain: modeling, layout, materials, lighting, atmosphere, animation, and endless tiny fixes until the frame stops looking dead. That is why Kimi K3 matters. With Blender MCP, you can describe a scene like a robotic goat walking through a dreamy field and let the model help build the environment, place the camera, shape the materials, script the motion, and iterate inside the real Blender project. The real shift is not text-to-image. It is text-to-workflow. Kimi K3 does not just give you a pretty output and disappear. It can help move the actual scene from rough setup to something that looks art-directed. Soon the hardest part of 3D will not be the software. It will be whether your imagination is good enough to deserve tools like this.
0:12

We are getting absurdly close to the point where “learning Blender” means learning how to direct an AI. A shot like this looks soft and playful on the surface, but under it is the usual 3D pain: modeling, layout, materials, lighting, atmosphere, animation, and endless tiny fixes until the frame stops looking dead. That is why Kimi K3 matters. With Blender MCP, you can describe a scene like a robotic goat walking through a dreamy field and let the model help build the environment, place the camera, shape the materials, script the motion, and iterate inside the real Blender project. The real shift is not text-to-image. It is text-to-workflow. Kimi K3 does not just give you a pretty output and disappear. It can help move the actual scene from rough setup to something that looks art-directed. Soon the hardest part of 3D will not be the software. It will be whether your imagination is good enough to deserve tools like this.

Rina

45,651 görüntüleme • 3 ay önce

K3.1 Pro works directly in the tools used by the 3D modeling and game industries - Blender, Unreal Engine, Godot, and CAD. On BenchCAD, which tests 3D reconstruction from multi-view renderings through CAD code generation, it scores 92.7% with tools, approaching Claude Opus 5.5 (96.2%) and GPT-6 Astra (95.9%). K3.1 Pro can deliver a fairly complete project, from asset construction to scene assembly, animation, and rendering.
0:19

K3.1 Pro works directly in the tools used by the 3D modeling and game industries - Blender, Unreal Engine, Godot, and CAD. On BenchCAD, which tests 3D reconstruction from multi-view renderings through CAD code generation, it scores 92.7% with tools, approaching Claude Opus 5.5 (96.2%) and GPT-6 Astra (95.9%). K3.1 Pro can deliver a fairly complete project, from asset construction to scene assembly, animation, and rendering.

Kimi.ai

155,500 görüntüleme • 4 gün önce

MiniMax H3+ GPT-6 just changed how I think about 3D creation. I described a scene in plain language. AI handled the rest: building the objects, setting up Blender, fixing the lighting, managing the camera, applying materials, and rendering the final scene. No months of mastering Blender. Just an idea → AI → finished 3D scene.
0:13

MiniMax H3+ GPT-6 just changed how I think about 3D creation. I described a scene in plain language. AI handled the rest: building the objects, setting up Blender, fixing the lighting, managing the camera, applying materials, and rendering the final scene. No months of mastering Blender. Just an idea → AI → finished 3D scene.

GrowAIHub

36,854 görüntüleme • 1 ay önce

Used Grok 4.7 to create this Colosseum render in Blender. Grok is ridiculously good at Blender and makes complex 3D work feel so much easier. The combination feels like a cheat code. Really impressed with the realism and how much of the process it handled.
0:16

Used Grok 4.7 to create this Colosseum render in Blender. Grok is ridiculously good at Blender and makes complex 3D work feel so much easier. The combination feels like a cheat code. Really impressed with the realism and how much of the process it handled.

DogeDesigner

62,755 görüntüleme • 21 gün önce

here’s how to make game models with claude opus 5.5 + blender... opus writes python and builds every model in blender, part by part. the trick is treating every model as code, but there’s a smart way to set it up: - step 1: connect opus 5.5 to blender through blender mcp - step 2: send 2-3 refs + a short brief: “copper helmet, navy suit, glass tank. keep the hose and gloves separate” - step 3: opus builds it part by part: boots > suit > helmet > gloves > tank - step 4: rig it in a separate script, with extra bones for props (a hose, a rod, a tank) - step 5: bake materials into one 1024 texture atlas - step 6: animate the clips: idle, walk, capture - step 7: export one fbx with the rig, the mesh and every clip - step 8: test it in the engine: “keep the backpack stable and the hose attached while he captures a ghost” and the rule that saves the project... pick a style that fits code i like to describe how a model should feel, not how to build it
0:15

here’s how to make game models with claude opus 5.5 + blender... opus writes python and builds every model in blender, part by part. the trick is treating every model as code, but there’s a smart way to set it up: - step 1: connect opus 5.5 to blender through blender mcp - step 2: send 2-3 refs + a short brief: “copper helmet, navy suit, glass tank. keep the hose and gloves separate” - step 3: opus builds it part by part: boots > suit > helmet > gloves > tank - step 4: rig it in a separate script, with extra bones for props (a hose, a rod, a tank) - step 5: bake materials into one 1024 texture atlas - step 6: animate the clips: idle, walk, capture - step 7: export one fbx with the rig, the mesh and every clip - step 8: test it in the engine: “keep the backpack stable and the hose attached while he captures a ghost” and the rule that saves the project... pick a style that fits code i like to describe how a model should feel, not how to build it

rewind

73,391 görüntüleme • 10 gün önce

MCode CLI + Blender + H3 = blockout to cinematic rescue Why MCode CLI fits this workflow: >Reads and edits your Blender scripts. >Runs builds, renders and checks in the terminal. >Automates workflows with `mcode exec`. >Resumes sessions for the next iteration. Set the poses and camera moves in Blender Give H3 the reference video and a prompt for the final look.
0:16

MCode CLI + Blender + H3 = blockout to cinematic rescue Why MCode CLI fits this workflow: >Reads and edits your Blender scripts. >Runs builds, renders and checks in the terminal. >Automates workflows with `mcode exec`. >Resumes sessions for the next iteration. Set the poses and camera moves in Blender Give H3 the reference video and a prompt for the final look.

Karan

35,851 görüntüleme • 1 ay önce

Nah no, this is not a pre-made or baked Blender model. It is created entirely from scratch using extruded geometry and procedural textures for the mustard hatching pattern on the model... all done with Google Gemini 3 pro AI. In fact, every Three.js 3D model you see on this website has been vibe coded with AI 😎 Live: Code:
0:13

Nah no, this is not a pre-made or baked Blender model. It is created entirely from scratch using extruded geometry and procedural textures for the mustard hatching pattern on the model... all done with Google Gemini 3 pro AI. In fact, every Three.js 3D model you see on this website has been vibe coded with AI 😎 Live: Code:

The Bugged Dev

54,391 görüntüleme • 9 ay önce