Video wird geladen...

Video konnte nicht geladen werden

Zur Startseite

Color e-ink doing its transition 🌈🖼️ I use this display for art & history curriculums currently, but I thought you might enjoy seeing how the color e-ink looks as it loads new works ✨

40,084 Aufrufe • vor 10 Tagen •via X (Twitter)

27 Kommentare

Profilbild von Niels Hoven 🐮
Niels Hoven 🐮vor 10 Tagen

Oh, this is so cool! What screen is that? Did you frame it yourself?

Profilbild von Cody Winesett ᯅ
Cody Winesett ᯅvor 10 Tagen

I just wish these could be affordable

Profilbild von Jesse Genet
Jesse Genetvor 10 Tagen

💯

Profilbild von Jeff Lin
Jeff Linvor 10 Tagen

Loving the at-home museum docent experience

Profilbild von matt
mattvor 10 Tagen

Change the transition time so they can see it?

Profilbild von K.A.
K.A.vor 10 Tagen

Why is it flickering? Pixel's values can change once without flickering. I just don't see why flickering is needed technically

Profilbild von Dan Farfan
Dan Farfanvor 10 Tagen

I don't understand that even a little. I hope isn't as seizure inducing as it seems.

Profilbild von Shital Shah
Shital Shahvor 10 Tagen

Which frame is this?

Profilbild von Chance Robertson
Chance Robertsonvor 10 Tagen

Super cool Jesse! Love the tech and love the story.

Profilbild von Amal Dorai
Amal Doraivor 10 Tagen

Clay Bavor had an iMac embedded in the wall which was also very cool

Profilbild von dylan olivia hunzeker
dylan olivia hunzekervor 10 Tagen

Your makeup today is good

Profilbild von Jesse Genet
Jesse Genetvor 10 Tagen

I'm glad applying lip gloss and then mascara to my eyelashes AND eyebrows hastily is working for you 😅

Profilbild von dylan olivia hunzeker
dylan olivia hunzekervor 10 Tagen

🫣🫣🫣🫣🫣

Profilbild von BrainOS
BrainOSvor 10 Tagen

If I were a kid I would love to wake up every day to a new work of art. Now that I think about it this would be cool as an adult.

Profilbild von Carel van Apeldoorn
Carel van Apeldoornvor 10 Tagen

I love it. What product is this and what curriculum are you referring to? Love to learn more.

Profilbild von Steven | NovaX
Steven | NovaXvor 10 Tagen

This is amazing.

Profilbild von ElVerdeRican
ElVerdeRicanvor 10 Tagen

Are the audio explanations of the art-piece AI generated?

Profilbild von Jesse Genet
Jesse Genetvor 10 Tagen

Yes, no ai generated art but ai generated audio yes.

Profilbild von ElVerdeRican
ElVerdeRicanvor 10 Tagen

What model do you use to generate the audio explanations? Also, are the explanations generated once the nee art-work is cycled or only once your children ask to hear it?

Profilbild von Jesse Genet
Jesse Genetvor 10 Tagen

Generated once, not on the fly, I think I used codex i but I forget what model. I made a pwa app I serve on iPad and I lock the iPad to only show that so they can’t click around

Profilbild von ElVerdeRican
ElVerdeRicanvor 10 Tagen

Thanks for answering!

Profilbild von Josh Weinstein
Josh Weinsteinvor 10 Tagen

I totally copied @jessegenet’s project here. I used Fable to pull together a little research pipeline for each artwork and synthesize a blurb. My PWA reads the blurb and some pointers for things to look at, but then also lets my daughter talk to Mona (name of my app) about the painting.

Profilbild von Jesse Genet
Jesse Genetvor 10 Tagen

@ElVerdeRican Amazing! I hope she loves it 💕

Profilbild von Daniel Birker
Daniel Birkervor 10 Tagen

That’s so cool! I have to get one of those!

Profilbild von antoine
antoinevor 10 Tagen

i love it but how do you manage different ratios of artwork ? this poster is pretty limited to this specific ratio

Profilbild von Frintake
Frintakevor 10 Tagen

This is such a lovely way to make history feel tangible for kids—watching each image load turns the transition itself into part of the lesson.

Profilbild von Joey Jet
Joey Jetvor 10 Tagen

How amazing is that ! I want that!

Ähnliche Videos

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

DepressedBergman

61,555 Aufrufe • vor 1 Jahr