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Color e-ink doing its transition 🌈🖼️ I use this display for art & history curriculums currently, but I thought you might enjoy seeing how the color e-ink looks as it loads new works ✨

40,084 görüntüleme • 10 gün önce •via X (Twitter)

27 Yorum

Niels Hoven 🐮 profil fotoğrafı
Niels Hoven 🐮10 gün önce

Oh, this is so cool! What screen is that? Did you frame it yourself?

Cody Winesett ᯅ profil fotoğrafı
Cody Winesett ᯅ10 gün önce

I just wish these could be affordable

Jesse Genet profil fotoğrafı
Jesse Genet10 gün önce

💯

Jeff Lin profil fotoğrafı
Jeff Lin10 gün önce

Loving the at-home museum docent experience

matt profil fotoğrafı
matt10 gün önce

Change the transition time so they can see it?

K.A. profil fotoğrafı
K.A.10 gün önce

Why is it flickering? Pixel's values can change once without flickering. I just don't see why flickering is needed technically

Dan Farfan profil fotoğrafı
Dan Farfan10 gün önce

I don't understand that even a little. I hope isn't as seizure inducing as it seems.

Shital Shah profil fotoğrafı
Shital Shah10 gün önce

Which frame is this?

Chance Robertson profil fotoğrafı
Chance Robertson10 gün önce

Super cool Jesse! Love the tech and love the story.

Amal Dorai profil fotoğrafı
Amal Dorai10 gün önce

Clay Bavor had an iMac embedded in the wall which was also very cool

dylan olivia hunzeker profil fotoğrafı
dylan olivia hunzeker10 gün önce

Your makeup today is good

Jesse Genet profil fotoğrafı
Jesse Genet10 gün önce

I'm glad applying lip gloss and then mascara to my eyelashes AND eyebrows hastily is working for you 😅

dylan olivia hunzeker profil fotoğrafı
dylan olivia hunzeker10 gün önce

🫣🫣🫣🫣🫣

BrainOS profil fotoğrafı
BrainOS10 gün önce

If I were a kid I would love to wake up every day to a new work of art. Now that I think about it this would be cool as an adult.

Carel van Apeldoorn profil fotoğrafı
Carel van Apeldoorn10 gün önce

I love it. What product is this and what curriculum are you referring to? Love to learn more.

Steven | NovaX profil fotoğrafı
Steven | NovaX10 gün önce

This is amazing.

ElVerdeRican profil fotoğrafı
ElVerdeRican10 gün önce

Are the audio explanations of the art-piece AI generated?

Jesse Genet profil fotoğrafı
Jesse Genet10 gün önce

Yes, no ai generated art but ai generated audio yes.

ElVerdeRican profil fotoğrafı
ElVerdeRican10 gün önce

What model do you use to generate the audio explanations? Also, are the explanations generated once the nee art-work is cycled or only once your children ask to hear it?

Jesse Genet profil fotoğrafı
Jesse Genet10 gün önce

Generated once, not on the fly, I think I used codex i but I forget what model. I made a pwa app I serve on iPad and I lock the iPad to only show that so they can’t click around

ElVerdeRican profil fotoğrafı
ElVerdeRican10 gün önce

Thanks for answering!

Josh Weinstein profil fotoğrafı
Josh Weinstein10 gün önce

I totally copied @jessegenet’s project here. I used Fable to pull together a little research pipeline for each artwork and synthesize a blurb. My PWA reads the blurb and some pointers for things to look at, but then also lets my daughter talk to Mona (name of my app) about the painting.

Jesse Genet profil fotoğrafı
Jesse Genet10 gün önce

@ElVerdeRican Amazing! I hope she loves it 💕

Daniel Birker profil fotoğrafı
Daniel Birker10 gün önce

That’s so cool! I have to get one of those!

antoine profil fotoğrafı
antoine10 gün önce

i love it but how do you manage different ratios of artwork ? this poster is pretty limited to this specific ratio

Frintake profil fotoğrafı
Frintake10 gün önce

This is such a lovely way to make history feel tangible for kids—watching each image load turns the transition itself into part of the lesson.

Joey Jet profil fotoğrafı
Joey Jet10 gün önce

How amazing is that ! I want that!

Benzer Videolar

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

DepressedBergman

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