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Continuing with Kikuyu folklore creatures. Today are creatures that aren't part of the giants/ogres. First up, Ndamathia. A colossal, prehistoric river dragon or giant serpent covered in dark, heavy, armored scales. It is so immense that its body is said to match the length of the rainbows it creates,...

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So, my opinion on what the Antarctic (Antarctica) Anomaly is that it's a type of frequency technology. It must be way more powerful than HAARP, as many have claimed it to be, because we would see these anomalies at other HAARP sites, and we don't, not like this. With that said, and I'm very much trying to avoid letting what I want it to be not play a part here, I think it is a technology that is being used either off the coast of Antarctica itself or Bouvet Island. A third possibility is an area just to the northwest of the island that looks odd. It's possible it is a sonar scan from a ship, but why in that remote location? It looks like an antenna set up or rows of something that is out of place. I also believe that the weather events and fires that have taken place in Africa could possibly have been because of this. Each time we saw the anomaly, it was followed by a destructive weather event in Africa. A weird connection to that is we have been told and warned of a very busy 2024 Atlantic hurricane season. This is in part because of the above-average Atlantic ocean temperatures, which is the fuel to Hurricanes. With all this info, it's possible to see how the Anomaly could be a frequency tech that can manipulate or create weather, And or WARM up the Ocean temps to purposely enhance the Hurricane season and Storm growth. Keep in mind that many of our hurricanes and many of the biggest hurricanes have come from the west coast of Africa and form over the Cape Verde islands before heading towards the Caribbean and the United States. This is all of course speculation, and I'm learning many new things every day, so this idea may morph over time as we learn more. In the end, it is very hard to ignore all these findings. #antarctica #anonaly #AntarcticaAnomaly #BouvetIsland

In2ThinAir

442,580 Aufrufe • vor 2 Jahren

A Roman emperor ate his meals in a sea cave, a few feet from a massive marble sculpture of the moment Odysseus blinds the Cyclops. Eventually it lay shattered in thousands of pieces on the floor of that cave, and stayed there until 1957... The emperor was Tiberius, who ruled Rome after Augustus, and the cave is at Sperlonga, on the coast between Rome and Naples. It was a natural grotto opening onto the sea, and he turned it into a private dining hall, with pools of water reaching into the mouth of the cave and a platform where he and his guests reclined to eat, the waves echoing off the rock around them... Definitely not a bad place to host dinner. The sculpture stood at the deepest point of the cave and it showed the most terrifying scene in Homer's poem, when Odysseus and his men are trapped inside the cave of Polyphemus, a one-eyed man-eating giant who has sealed them in with a boulder too heavy to move and is eating the crew alive, one by one. Odysseus cannot simply kill him in his sleep, or they will be entombed with the corpse forever. So he gets the giant drunk, waits for him to pass out, hardens the tip of an olive-wood stake in the fire, and drives it into the Cyclops's single eye. The sculptors depicted the instant just before the stake goes in... The colossal figure of Polyphemus sprawls backward, drunk and unaware. Odysseus, the one closest to the Cyclops, and three of his men strain upward with the spike. It was carved larger than life and set in shadow at the back of the grotto, so that as the lamplight shifted, the whole scene seemed to move over the emperor's dinner. The Roman historians Tacitus and Suetonius both record that in the year 26 AD, while Tiberius was dining there, rocks fell from the roof of the grotto, crushing several of his attendants and nearly killing the emperor, who was shielded and dragged out. In that collapse, or in a later one, the great marble scenes were smashed into thousands of fragments. There they lay, at the bottom of the cave, until 1957, when workers building a coastal road cut into the ground and found them. Among the rubble they pulled out the colossal head of the giant himself, and slowly, piece by piece, the scene was put back together. The cave gave up two more secrets: the first was an inscription, ten lines of Latin verse, praising the grotto and saying that only a new Virgil could do justice to its statues of Scylla and the blinding of the monster by the man from Ithaca. It told the archaeologists exactly what they had found. The second was carved into the base of the neighbouring ship: three names, Athenodoros, Agesander, and Polydorus, the same sculptors the Roman writer Pliny had named as the creators of the Laocoön, the statue I wrote about yesterday. Homer's Odyssey is one of the oldest stories in the world, and it has outlived the emperor, the civilization that first told it, and every person who has ever loved it. Nearly three thousand years later, we are still telling the story of a man lost far from home, because some part of us always is... I started my newsletter because the past is full of stories like this one, and so few people ever stop to tell us why they matter. Every week I try to. If that is something you'd like to be part of, you can join through the link in my bio, and if you'd like to support my work, a paid subscription is what makes it possible. Thanks for reading.

James Lucas

399,527 Aufrufe • vor 1 Monat

There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.

James Lucas

69,389 Aufrufe • vor 3 Monaten

The best-preserved warship in the world is also one of the most catastrophic failures in naval history. It sank on its maiden voyage, after sailing barely 1300 meters, in front of thousands of horrified spectators... It is called the Vasa, and it was meant to be the most magnificent warship ever built. Constructed between 1626 and 1628 on the orders of King Gustavus Adolphus of Sweden, it bristled with 64 bronze cannons and was covered, from bow to stern, in hundreds of gilded and painted sculptures of lions, warriors, and mythological figures, all designed to announce the power of the Swedish crown. It was a floating palace built for war. On the 10th of August 1628, the Vasa set sail from Stockholm harbour on a calm day with a light breeze. The gun ports were open, the cannons run out to fire a ceremonial salute. A first gust of wind heeled the ship over, and it slowly righted itself. Then a second gust struck. The ship leaned hard to one side, water poured in through the open lower gun ports, and within minutes the pride of the Swedish navy rolled over and sank, less than a mile from where it had begun. Around 30 people died, in full view of the crowds who had gathered to watch it depart. But the disaster became a miracle: the Vasa sank into the cold, oxygen-poor, low-salt water of the Baltic Sea, where the shipworm that devours wooden wrecks in most of the world's oceans cannot survive. So the ship did not rot. It waited... For 333 years it lay on the harbor floor, almost perfectly intact, until it was raised in 1961. Today, more than 95 percent of what you see is the original seventeenth-century timber. It is the only preserved ship of its century anywhere on Earth. The thing that should have erased the Vasa from history is the very thing that saved it. Had it sailed successfully, it would have served its years, worn out, and been broken up for scrap centuries ago, like every other warship of its time. Because it failed so completely, and so quickly, it survived. We can stand before it now, an extraordinary relic of the seventeenth century frozen in time, only because, on its very first day, everything went wrong... If this kind of history fascinates you, I send out a piece like this every week to readers who love finding the extraordinary stories the past left behind. You can join at the link below, and if you'd like to support the work, a paid subscription is what makes it possible: Thanks for reading.

James Lucas

30,841 Aufrufe • vor 2 Monaten

Murder, Transgenderism, and the Objective Standard of Satanic Evil Ladies and gentlemen, let us strip away the smokescreens and evasions. We are not dealing here with a matter of opinion, preference, or private taste. We are dealing with evil—real, objective, and knowable. The modern skeptic loves to pretend that evil is subjective—that murder is a matter of circumstance, that mutilating one’s body is a matter of personal expression, that words like Satanic are nothing more than medieval insults hurled by the ignorant. This is false, cowardly, and beneath the dignity of serious men. The Catholic standard is not opinion. It is not relative. It is objective truth, revealed by God, reasoned by the Church, and confirmed by the bloody consequences of rebellion played out before our eyes. Murder is not a “choice.” It is not a “right.” It is the deliberate destruction of innocent life. Christ Himself declared the devil “a murderer from the beginning.” When children are slaughtered in schools, in churches, or in the womb, we are not witnessing a “social issue.” We are seeing Satan’s hand at work. Transgenderism is not harmless. It is not compassion. It is mutilation of the body, desecration of God’s image, and rejection of creation itself. To say “I can change my sex” is to spit in the face of the Creator and to echo the serpent’s first lie: “You shall be as gods.” It is anti-Christic at its core because it denies Christ, who is Truth and who is Logos, order itself. You may sneer and call this rhetoric. You may flatter yourself with relativism. But relativism is not sophistication; it is rebellion dressed up as philosophy. The Church has never wavered: murder and the willful defacement of God’s creation are grave offenses, condemned not by my opinion, but by eternal law. They are Satanic because they participate in the same rebellion that cast Lucifer from heaven and continues in every age to drag souls into hell. To call murder and transgender ideology Satanic is not an exaggeration. It is accuracy. It is fidelity to the truth that does not bend to fashion, ideology, or your skepticism. If this offends you, it is not because the standard is false. It is because you are standing against it. Evil exists. Its fruits are visible. Its rebellion is named. The only question left is whether you will recognize it and stand against it, or excuse it and be consumed by it.

Joe McBride

184,871 Aufrufe • vor 1 Jahr