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Creator seungho__yeo ( IG ) has been architecting a workflow that doesn't just generate images - it builds an entire visual universe. Environment Board → Fashion Board → Depth Extraction → Seedance Animation → Kinetic Edit One workflow. One visual language. A full New York sequence - Manhattan streets,... show more

ComfyUI

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Creator seungho__yeo ( IG ) built an entire anime-inspired 2D motion sequence - storyboard to final render inside Comfy. seungho__yeo created this workflow while creator whatzuwant ( IG ) created the fully AI generated anime + sound design. pipeline: → Poster art → Storyboard frames → Transitions + animation → Edit + final render What usually takes multiple apps was built in one tool.

Creator seunghoyeo ( IG ) built an entire anime-inspired 2D motion sequence - storyboard to final render inside Comfy. seunghoyeo created this workflow while creator whatzuwant ( IG ) created the fully AI generated anime + sound design. pipeline: → Poster art → Storyboard frames → Transitions + animation → Edit + final render What usually takes multiple apps was built in one tool.

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The next frontier in AI video isn't better motion - it's better perspective. What used to require a full production setup, camera rig, location scout, multi-shot choreography - now starts with a single image inside Comfy. Creator seungho__yeo ( IG ) used Hyper POV + Seedance 2 to build a complete cinematic space traversal from one still frame: → Aggressive first-person orbit through the full environment → Fly-through movement that inhabits the space, not just records it → Motion blur and single-take continuity that holds the cinematic feel end to end → No cuts. No rig. One image as the source of truth. This is what perspective design looks like at the new baseline.

The next frontier in AI video isn't better motion - it's better perspective. What used to require a full production setup, camera rig, location scout, multi-shot choreography - now starts with a single image inside Comfy. Creator seungho__yeo ( IG ) used Hyper POV + Seedance 2 to build a complete cinematic space traversal from one still frame: → Aggressive first-person orbit through the full environment → Fly-through movement that inhabits the space, not just records it → Motion blur and single-take continuity that holds the cinematic feel end to end → No cuts. No rig. One image as the source of truth. This is what perspective design looks like at the new baseline.

ComfyUI

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Create a storyboard, feed it into Seedance 2.0, and let an LLM analyze the storyboard to generate better prompts. A practical way to turn visual planning into more controlled and consistent video generation. To try this workflow, link below 👇

Create a storyboard, feed it into Seedance 2.0, and let an LLM analyze the storyboard to generate better prompts. A practical way to turn visual planning into more controlled and consistent video generation. To try this workflow, link below 👇

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Using Blender camera animation with Seedance 2.0 gives you a lot more control over your shots. By keyframing the camera in Blender, you can precisely define movement, rotation, and framing, then bring that motion into Seedance. It's a great workflow for previs-style blockouts or any shot where intentional camera movement matters. To try this workflow, link below 👇

Using Blender camera animation with Seedance 2.0 gives you a lot more control over your shots. By keyframing the camera in Blender, you can precisely define movement, rotation, and framing, then bring that motion into Seedance. It's a great workflow for previs-style blockouts or any shot where intentional camera movement matters. To try this workflow, link below 👇

ComfyUI

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Turn a simple idea into a storyboard, then generate the video with Seedance 2.0. This ComfyUI workflow uses LLMs to structure prompts into storyboard-ready scenes that define how the video should play out. The storyboard can be paired with reference images and sent directly into Seedance for video generation. To try this workflow, link below 👇

Turn a simple idea into a storyboard, then generate the video with Seedance 2.0. This ComfyUI workflow uses LLMs to structure prompts into storyboard-ready scenes that define how the video should play out. The storyboard can be paired with reference images and sent directly into Seedance for video generation. To try this workflow, link below 👇

ComfyUI

33,901 Aufrufe • vor 2 Monaten

Turn one idea into a complete storyboard, then animate it in Seedance 2.0 using a reference image. This ComfyUI workflow uses LLMs to build storyboard scenes and prepare them for Seedance, making the jump from concept to animation much easier. Link below 👇

Turn one idea into a complete storyboard, then animate it in Seedance 2.0 using a reference image. This ComfyUI workflow uses LLMs to build storyboard scenes and prepare them for Seedance, making the jump from concept to animation much easier. Link below 👇

ComfyUI

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Creator seungho__yeo ( IG ) built a morphing transition workflow on ComfyUI Cloud + Seedance 2 → seamless frame blending → character consistency preserved → cinematic This is pretty sick! 🔥

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ComfyUI

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Depth video workflows have been getting a lot of attention lately, so I tested one myself. Combined with Seedance 2.0, it produced more natural motion-transfer results than using Kling Motion Control directly. Why use a depth video? 1. It removes the original character and scene details, reducing copyright and sensitive-content risks. 2. It preserves the original motion, timing, and spatial structure. This separates motion extraction from visual generation, allowing you to recreate the movement with better models and any reference character. We’ve also launched a free online tool that converts regular videos into depth videos—no local setup required: In the example below, we converted a dance video from Douyin into a depth video, then regenerated it with a reference character using Seedance 2.0. The original choreography and timing are preserved, while the lighting adapts naturally to the new character and scene.

Depth video workflows have been getting a lot of attention lately, so I tested one myself. Combined with Seedance 2.0, it produced more natural motion-transfer results than using Kling Motion Control directly. Why use a depth video? 1. It removes the original character and scene details, reducing copyright and sensitive-content risks. 2. It preserves the original motion, timing, and spatial structure. This separates motion extraction from visual generation, allowing you to recreate the movement with better models and any reference character. We’ve also launched a free online tool that converts regular videos into depth videos—no local setup required: In the example below, we converted a dance video from Douyin into a depth video, then regenerated it with a reference character using Seedance 2.0. The original choreography and timing are preserved, while the lighting adapts naturally to the new character and scene.

underwood

15,968 Aufrufe • vor 17 Tagen

Seedance 2.5 hits ComfyUI today 30 seconds. One pass. No stitching, no seams to hide. → up to 50 reference assets per run (30 images, 10 videos, 10 audio) → second-level shot control - write the prompt as a timeline and it holds the schedule → edit or extend existing footage in plain language → native dialogue + lip sync in 10+ languages

Seedance 2.5 hits ComfyUI today 30 seconds. One pass. No stitching, no seams to hide. → up to 50 reference assets per run (30 images, 10 videos, 10 audio) → second-level shot control - write the prompt as a timeline and it holds the schedule → edit or extend existing footage in plain language → native dialogue + lip sync in 10+ languages

ComfyUI

17,862 Aufrufe • vor 11 Tagen

MiniMax H3 is now 50% OFF on Magnific for 2K video, only until September 1. 🔥 I’ve been trying MiniMax H3 on Magnific, and it feels like a big upgrade for AI video creation. It’s not just about turning text into videos. You can use text, images, videos, and audio together in one prompt, giving you more control over the final video. Here’s what makes it stand out: - Multimodal: Use text, images, video, and audio in one prompt. - Multiple references: Add up to 9 images, 3 videos, and 3 audio files. - 2K video: Create videos up to 15 seconds long. - Built-in sound: Generate voice, music, and sound effects with the video. - Easy editing: Remove objects or transfer motion easily. - More control: Control the camera, characters, and voice. You can use it to turn posters into videos, moodboards into short films, and product images into ads. It also helps bring your ideas to life with realistic movement, lighting, reflections, and sound. The workflow is simple: give it your references → generate → edit → refine. Try MiniMax H3 on Magnific:

MiniMax H3 is now 50% OFF on Magnific for 2K video, only until September 1. 🔥 I’ve been trying MiniMax H3 on Magnific, and it feels like a big upgrade for AI video creation. It’s not just about turning text into videos. You can use text, images, videos, and audio together in one prompt, giving you more control over the final video. Here’s what makes it stand out: - Multimodal: Use text, images, video, and audio in one prompt. - Multiple references: Add up to 9 images, 3 videos, and 3 audio files. - 2K video: Create videos up to 15 seconds long. - Built-in sound: Generate voice, music, and sound effects with the video. - Easy editing: Remove objects or transfer motion easily. - More control: Control the camera, characters, and voice. You can use it to turn posters into videos, moodboards into short films, and product images into ads. It also helps bring your ideas to life with realistic movement, lighting, reflections, and sound. The workflow is simple: give it your references → generate → edit → refine. Try MiniMax H3 on Magnific:

Markandey Sharma

96,964 Aufrufe • vor 3 Tagen

1/ We've all been aware of the hype surrounding Dreamina Seedance 2.0, and I finally got early access to the tool. And wow, I'm blown away. This is by far the best. It is starting to make AI video feel less like "generate a clip" and more like "direct a scene." What stood out to me is the level of control: camera motion, pacing, visual consistency, and the ability to build from multiple references inside one workflow. Some of the prompt directions that feel especially strong: - a busy modern city square during daytime. Suddenly, time freezes completely - a single continuous camera movement through a natural landscape that transitions through all four seasons in one shot - an underwater bioluminescent city waking up at dawn The big shift is this: One Prompt, Viral Remade. Edit Videos as Easy as Editing Photos. Dreamina Seedance 2.0 feels like a real step toward AI-native directing rather than just AI generation. Here are some examples 🧵:

1/ We've all been aware of the hype surrounding Dreamina Seedance 2.0, and I finally got early access to the tool. And wow, I'm blown away. This is by far the best. It is starting to make AI video feel less like "generate a clip" and more like "direct a scene." What stood out to me is the level of control: camera motion, pacing, visual consistency, and the ability to build from multiple references inside one workflow. Some of the prompt directions that feel especially strong: - a busy modern city square during daytime. Suddenly, time freezes completely - a single continuous camera movement through a natural landscape that transitions through all four seasons in one shot - an underwater bioluminescent city waking up at dawn The big shift is this: One Prompt, Viral Remade. Edit Videos as Easy as Editing Photos. Dreamina Seedance 2.0 feels like a real step toward AI-native directing rather than just AI generation. Here are some examples 🧵:

Chubby♨️

76,142 Aufrufe • vor 4 Monaten

Rita AI now supports Seedance 2.0. If you're looking for a platform that combines AI image generation, AI video generation, and workflow orchestration, this one is worth checking out. In addition to Seedance 2.0, it also supports Kling 3.0 and Motion Control, making dynamic camera moves, controllable motion, and video generation much easier. Link: I tested it with the following prompt, and the result felt very cinematic: A fearless young woman rides a skateboard at high speed through the crowded streets of New York City, weaving through pedestrians, darting past street vendors, yellow taxis, and cyclists with breathtaking agility. She rockets through intersections, skims past towering skyscrapers and iconic storefronts, and launches over curbs, street cracks, and scattered obstacles with stylish precision. Every movement feels bold, controlled, and exhilarating. Shot like a cinematic action sequence, the scene features fast-paced tracking shots, dramatic low-angle close-ups of the skateboard wheels scraping the asphalt, sweeping side-follow shots, and occasional slow-motion hero moments as she lands tricks and cuts through traffic. Dynamic motion blur heightens the sensation of speed, while golden hour sunlight bathes the city in a warm glow, reflecting off glass facades, metal surfaces, and the street below. Steam drifts from subway vents, traffic lights flicker, and the soundless visual energy of New York creates a pulsing urban backdrop. Ultra-realistic, intense, stylish, and immersive, with the visual tone of a high-end action film, capturing speed, confidence, danger, and freedom in the heart of the city.

Rita AI now supports Seedance 2.0. If you're looking for a platform that combines AI image generation, AI video generation, and workflow orchestration, this one is worth checking out. In addition to Seedance 2.0, it also supports Kling 3.0 and Motion Control, making dynamic camera moves, controllable motion, and video generation much easier. Link: I tested it with the following prompt, and the result felt very cinematic: A fearless young woman rides a skateboard at high speed through the crowded streets of New York City, weaving through pedestrians, darting past street vendors, yellow taxis, and cyclists with breathtaking agility. She rockets through intersections, skims past towering skyscrapers and iconic storefronts, and launches over curbs, street cracks, and scattered obstacles with stylish precision. Every movement feels bold, controlled, and exhilarating. Shot like a cinematic action sequence, the scene features fast-paced tracking shots, dramatic low-angle close-ups of the skateboard wheels scraping the asphalt, sweeping side-follow shots, and occasional slow-motion hero moments as she lands tricks and cuts through traffic. Dynamic motion blur heightens the sensation of speed, while golden hour sunlight bathes the city in a warm glow, reflecting off glass facades, metal surfaces, and the street below. Steam drifts from subway vents, traffic lights flicker, and the soundless visual energy of New York creates a pulsing urban backdrop. Ultra-realistic, intense, stylish, and immersive, with the visual tone of a high-end action film, capturing speed, confidence, danger, and freedom in the heart of the city.

underwood

61,800 Aufrufe • vor 3 Monaten

The Grok Imagine updates keep accelerating. Reference-to-Video + Video Extend just landed! Live in ComfyUI on Day 0. The generation speed alone makes it worth trying. Reference-to-Video: add up to 7 reference images to generate consistent characters and scenes Video Extend: seamlessly extend any video with smooth, natural motion Workflows and more details about the Grok updates below ⬇️

The Grok Imagine updates keep accelerating. Reference-to-Video + Video Extend just landed! Live in ComfyUI on Day 0. The generation speed alone makes it worth trying. Reference-to-Video: add up to 7 reference images to generate consistent characters and scenes Video Extend: seamlessly extend any video with smooth, natural motion Workflows and more details about the Grok updates below ⬇️

ComfyUI

34,555 Aufrufe • vor 4 Monaten

You don't understand... Higgsfield MCP + Claude just automated AI film making. Every single step you used to grind through to make an AI movie, you can now do 10x faster. Drop the script into Claude Opus 4.8 and say: "Here's my script. Break it into a full shotlist. Shot number, scene, shot type, camera move and the action in each frame." Now the whole film is mapped, shot by shot. - Pull your assets. Ask Claude: "From this shotlist, list every character, every location and every prop across the whole film." That's your build list. The stuff you would need to generate and give as references in next steps. - Build the character sheets. Higgsfield MCP is connected, so Claude has hands now to do stuff directly. It generates the images itself. Have the full body, back view and close up in the character sheet. One per character. Each sheet becomes the locked reference for that face. Same move for locations, generate the empty plate for each one before anyone steps into it. - Generate the frames. Feed Claude the references plus the shot and have it write and fire the Seedance 2.0 prompt. "Using the lead's character sheet and the alley plate, generate shot 4 in Seedance 2.0. Low angle, slow push-in, rain." Claude builds the prompt, calls Seedance 2.0 and the frame lands back in chat. Use a Seedance 2.0 skill to teach Claude how to prompt it properly. Now, there are 3 ways to make the shots. Pick one per scene. - Pure prompting. Fastest one. You describe the action in words and let Seedance interpret it. For consistency across a sequence, feed it a frame from the previous shot so the look carries. - Storyboarding. You hand it a panel and it matches that composition exactly. Way more control over how the shot is framed. The tradeoff is that it can introduce more cuts than you actually want. - Path Control System This is the latest technique Seedance 2.0 technique. Generate a still base plate of the scene. Draw a red line across it to mark the exact path of the movement, then describe what's happening. Seedance follows that line for the action. Also ask Claude to remove the red line when animating. This is the one for anything where motion has to land precisely. The output reads like real live action. - Lastly, generate every clip you need, then cut them together. Get it to Capcut for editing and audio design. And that's it. The pipeline that used to need a full crew and a studio can now run from one Claude chat. 2026 is gonna be wild

You don't understand... Higgsfield MCP + Claude just automated AI film making. Every single step you used to grind through to make an AI movie, you can now do 10x faster. Drop the script into Claude Opus 4.8 and say: "Here's my script. Break it into a full shotlist. Shot number, scene, shot type, camera move and the action in each frame." Now the whole film is mapped, shot by shot. - Pull your assets. Ask Claude: "From this shotlist, list every character, every location and every prop across the whole film." That's your build list. The stuff you would need to generate and give as references in next steps. - Build the character sheets. Higgsfield MCP is connected, so Claude has hands now to do stuff directly. It generates the images itself. Have the full body, back view and close up in the character sheet. One per character. Each sheet becomes the locked reference for that face. Same move for locations, generate the empty plate for each one before anyone steps into it. - Generate the frames. Feed Claude the references plus the shot and have it write and fire the Seedance 2.0 prompt. "Using the lead's character sheet and the alley plate, generate shot 4 in Seedance 2.0. Low angle, slow push-in, rain." Claude builds the prompt, calls Seedance 2.0 and the frame lands back in chat. Use a Seedance 2.0 skill to teach Claude how to prompt it properly. Now, there are 3 ways to make the shots. Pick one per scene. - Pure prompting. Fastest one. You describe the action in words and let Seedance interpret it. For consistency across a sequence, feed it a frame from the previous shot so the look carries. - Storyboarding. You hand it a panel and it matches that composition exactly. Way more control over how the shot is framed. The tradeoff is that it can introduce more cuts than you actually want. - Path Control System This is the latest technique Seedance 2.0 technique. Generate a still base plate of the scene. Draw a red line across it to mark the exact path of the movement, then describe what's happening. Seedance follows that line for the action. Also ask Claude to remove the red line when animating. This is the one for anything where motion has to land precisely. The output reads like real live action. - Lastly, generate every clip you need, then cut them together. Get it to Capcut for editing and audio design. And that's it. The pipeline that used to need a full crew and a studio can now run from one Claude chat. 2026 is gonna be wild

Rez Karim

10,951 Aufrufe • vor 2 Monaten

Music video test in MiniMax H3. Five generated reference stills, one subject, four locations,j plus an audio track, all in a single context. It returned the location cuts already in the clip. To try this workflow, comment 'Comfy' and we'll send it to you! 🔗

Music video test in MiniMax H3. Five generated reference stills, one subject, four locations,j plus an audio track, all in a single context. It returned the location cuts already in the clip. To try this workflow, comment 'Comfy' and we'll send it to you! 🔗

ComfyUI

25,184 Aufrufe • vor 6 Tagen

This ComfyUI workflow lets you draw lines and annotations to guide motion, define where actions should happen, and influence movement throughout a scene. An integrated LLM translates those annotations into prompt instructions, making it easier to direct motion visually instead of relying entirely on text prompts. The workflow works best with clear, intentional paths, while more complex routes with frequent direction changes can be harder to follow consistently. To try this workflow, link below 👇

This ComfyUI workflow lets you draw lines and annotations to guide motion, define where actions should happen, and influence movement throughout a scene. An integrated LLM translates those annotations into prompt instructions, making it easier to direct motion visually instead of relying entirely on text prompts. The workflow works best with clear, intentional paths, while more complex routes with frequent direction changes can be harder to follow consistently. To try this workflow, link below 👇

ComfyUI

44,319 Aufrufe • vor 1 Monat

MiniMax H3 is really impressive for commercial creation. Creating ads with AI is becoming a completely different experience. With multimodal references, you can combine images, videos, audio, and text to build more consistent and controllable visuals. Up to 12 references + native 2K generation makes H3 a powerful tool for bringing advertising ideas to life. prompt： - Create a premium 9:16 fashion-eyewear commercial. Match the reference video’s shot rhythm, edit speed, white-cyclorama look, and severe fashion attitude. Use a seamless minimal white studio with clean, bold, avant-garde art direction worthy of a global luxury campaign. - Use Image 1 for the key visual: two full-body female models, one Black and one white, preserving their elevated wardrobe, body language, studio lighting, runway presence, and cool attitude. Use Image 2 for facial details. Both models wear futuristic luxury eyewear based on Image 3: wraparound curved lenses, a sharp cat-eye/goggle hybrid silhouette, mirrored reflections, streamlined temples, and the finish of a premium fashion accessory. #hailuoai #hailuo #MiniMaxH3 #H3 Hailuo AI (MiniMax)

MiniMax H3 is really impressive for commercial creation. Creating ads with AI is becoming a completely different experience. With multimodal references, you can combine images, videos, audio, and text to build more consistent and controllable visuals. Up to 12 references + native 2K generation makes H3 a powerful tool for bringing advertising ideas to life. prompt： - Create a premium 9:16 fashion-eyewear commercial. Match the reference video’s shot rhythm, edit speed, white-cyclorama look, and severe fashion attitude. Use a seamless minimal white studio with clean, bold, avant-garde art direction worthy of a global luxury campaign. - Use Image 1 for the key visual: two full-body female models, one Black and one white, preserving their elevated wardrobe, body language, studio lighting, runway presence, and cool attitude. Use Image 2 for facial details. Both models wear futuristic luxury eyewear based on Image 3: wraparound curved lenses, a sharp cat-eye/goggle hybrid silhouette, mirrored reflections, streamlined temples, and the finish of a premium fashion accessory. #hailuoai #hailuo #MiniMaxH3 #H3 Hailuo AI (MiniMax)

Leo Martin

39,714 Aufrufe • vor 20 Tagen

Using Seedance 2.0 for video-to-video transformations opens up some interesting possibilities: change the setting, restyle the wardrobe, and shift the entire mood of a scene without reshooting. This example reimagines a simple clip as a classic noir bar sequence. 🥃🎥 To try this workflow, link below 👇

Using Seedance 2.0 for video-to-video transformations opens up some interesting possibilities: change the setting, restyle the wardrobe, and shift the entire mood of a scene without reshooting. This example reimagines a simple clip as a classic noir bar sequence. 🥃🎥 To try this workflow, link below 👇

ComfyUI

21,227 Aufrufe • vor 2 Monaten

Midjourney sref + Sora 2 Pro is the sauce. With one Midjourney style image, you can give a specific style for your entire project. I created two different 12-second clips and edited them together. Some details aren’t fully consistent, like the iPod or AirPods because the clips were made separately from a single image (Character in a specific style). It could be fixed in post-production, but that would take more time, and this was more of an experimental test. It would be great to add the actual product image with the current one to maintain product consistency. I feel like if there were a way to add 2–4 images into this workflow, it could open up a lot more possibilities and consistency. With an API, it could be possible. Or let’s see what Veo 3.1 has to offer.

Midjourney sref + Sora 2 Pro is the sauce. With one Midjourney style image, you can give a specific style for your entire project. I created two different 12-second clips and edited them together. Some details aren’t fully consistent, like the iPod or AirPods because the clips were made separately from a single image (Character in a specific style). It could be fixed in post-production, but that would take more time, and this was more of an experimental test. It would be great to add the actual product image with the current one to maintain product consistency. I feel like if there were a way to add 2–4 images into this workflow, it could open up a lot more possibilities and consistency. With an API, it could be possible. Or let’s see what Veo 3.1 has to offer.

Allar Haltsonen

10,141 Aufrufe • vor 10 Monaten

gemini omniflash is actually f*cking cracked. you can animate/edit any video with a text prompt. character swaps, object transforms, full environment changes without regenerating/rotoscoping. everyone using AI to to animate and edit videos right now hits the same wall. the clip comes out 90% right and you regenerate from scratch hoping the 10% fixes itself. it never does. the fix is using your video as the input. omniflash edits what's already there instead of rolling the dice again. here's what's in the system: > the two-layer premiere trick: generate the same shot twice (one with background removed), stack them, cut at one frame, instant scene change > character swap with a single reference image (plus the one line you need or the model keeps the original's features) > object transforms that leave the rest of the frame untouched: stone into glowing sphere, candles into flowers > style transfer from an image reference instead of text, way more accurate > why stacking edits in one prompt breaks everything and the exact step order that doesn't > the audio limitation nobody mentions and how to work around it i packaged every prompt, the edit sequence, and the premiere layering setup. RT + reply "OMNI" and i'll send it over.

gemini omniflash is actually f*cking cracked. you can animate/edit any video with a text prompt. character swaps, object transforms, full environment changes without regenerating/rotoscoping. everyone using AI to to animate and edit videos right now hits the same wall. the clip comes out 90% right and you regenerate from scratch hoping the 10% fixes itself. it never does. the fix is using your video as the input. omniflash edits what's already there instead of rolling the dice again. here's what's in the system: > the two-layer premiere trick: generate the same shot twice (one with background removed), stack them, cut at one frame, instant scene change > character swap with a single reference image (plus the one line you need or the model keeps the original's features) > object transforms that leave the rest of the frame untouched: stone into glowing sphere, candles into flowers > style transfer from an image reference instead of text, way more accurate > why stacking edits in one prompt breaks everything and the exact step order that doesn't > the audio limitation nobody mentions and how to work around it i packaged every prompt, the edit sequence, and the premiere layering setup. RT + reply "OMNI" and i'll send it over.

Sulfur

36,390 Aufrufe • vor 1 Monat