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Cutback has launched Selects, an AI editing assistant for long-form that can video sync, organize, and cut raw footage. Selects analyzes both transcript and video to build a storyline from a prompt in minutes, with Cutback reporting around 60% less editing time per project. In testing by 5 professional...

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.Cardboard is an agentic video editor where you upload raw footage and edit it with AI. Unicorns, media agencies, and creators with millions of followers are already using Cardboard. It lives in your browser and helps you go from a sea of raw clips into a finished video in minutes. Congrats on the launch Saksham and Ishan!
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.Cardboard is an agentic video editor where you upload raw footage and edit it with AI. Unicorns, media agencies, and creators with millions of followers are already using Cardboard. It lives in your browser and helps you go from a sea of raw clips into a finished video in minutes. Congrats on the launch Saksham and Ishan!

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I Tried 6 AI Video Editors. NemoVideo Is the Only One I Actually Kept Using. I've been creating short-form content for almost two years. In that time, I've tested CapCut, OpenClaw, and a handful of other tools that claimed to be the "best AI video editor" on the market. Most of them were either too complicated, too expensive, or just… not built for real creators. NemoVideo is different. It doesn't try to do everything. It focuses on one thing: taking your raw footage and turning it into a polished, publish-ready video — fast. The AI rough cut feature alone saves me 60%+ of my editing time. I upload my clips, the AI finds the best moments, trims the dead air, and hands me something I can actually work with. No manual scrubbing through hours of footage. The auto-caption tool is just as good. Accurate, fast, and it exports cleanly without watermarks — even on the free plan. If you're a creator who's tired of spending more time editing than actually creating, give NemoVideo a shot. →
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I Tried 6 AI Video Editors. NemoVideo Is the Only One I Actually Kept Using. I've been creating short-form content for almost two years. In that time, I've tested CapCut, OpenClaw, and a handful of other tools that claimed to be the "best AI video editor" on the market. Most of them were either too complicated, too expensive, or just… not built for real creators. NemoVideo is different. It doesn't try to do everything. It focuses on one thing: taking your raw footage and turning it into a polished, publish-ready video — fast. The AI rough cut feature alone saves me 60%+ of my editing time. I upload my clips, the AI finds the best moments, trims the dead air, and hands me something I can actually work with. No manual scrubbing through hours of footage. The auto-caption tool is just as good. Accurate, fast, and it exports cleanly without watermarks — even on the free plan. If you're a creator who's tired of spending more time editing than actually creating, give NemoVideo a shot. →

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WHY DOES EPSTEIN'S SUIC*DE VIDEO HAVE A 60 SECOND CUT IN THE OFFICIAL RELEASED VIDEO? The DOJ has some serious explaining to do with a near full 60 seconds missing from the newly released 10+ hour Epstein surveillance footage of his cell that was allegedly missing/erased in the first place. The doors and pattern on the walls also do not match the video from the official photos after Epstein's alleged suic*de. There is an obvious clean cut, an edit of the video was clearly done to the footage. It cuts off at then resumes with over a full minute missing. The DOJ has not responded or given any explanation for the gap in the footage.
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WHY DOES EPSTEIN'S SUIC*DE VIDEO HAVE A 60 SECOND CUT IN THE OFFICIAL RELEASED VIDEO? The DOJ has some serious explaining to do with a near full 60 seconds missing from the newly released 10+ hour Epstein surveillance footage of his cell that was allegedly missing/erased in the first place. The doors and pattern on the walls also do not match the video from the official photos after Epstein's alleged suic*de. There is an obvious clean cut, an edit of the video was clearly done to the footage. It cuts off at then resumes with over a full minute missing. The DOJ has not responded or given any explanation for the gap in the footage.

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One Prompt, One Video Meet Usuals AI, an editing tool that 10x your creativity. Drop a sentence, doc, or raw footage It finds the story, writes the script Builds the shots, matches your vibe, and cuts the final video. Reels, ads, films whatever you’re dreaming up. Signup below 👇
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One Prompt, One Video Meet Usuals AI, an editing tool that 10x your creativity. Drop a sentence, doc, or raw footage It finds the story, writes the script Builds the shots, matches your vibe, and cuts the final video. Reels, ads, films whatever you’re dreaming up. Signup below 👇

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There's a GitHub tool that lets AI agents edit videos like a professional editor. Color grading, trimming, transitions, subtitles, animation overlays all of it. Give the repo to Claude Code and it starts editing in real time. Free. Local. No API keys. One prompt to set up. Video editors are cooked. Credits: m0h Github:
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There's a GitHub tool that lets AI agents edit videos like a professional editor. Color grading, trimming, transitions, subtitles, animation overlays all of it. Give the repo to Claude Code and it starts editing in real time. Free. Local. No API keys. One prompt to set up. Video editors are cooked. Credits: m0h Github:

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64,092 просмотров • 3 дней назад

The "editors are dead" posts flooding my timeline are nonsense. Pure hype. None of those tools are changing real editing. Most of what's being hyped isn't editing intelligence. It's a transcript, silence detection, captions, and a chatbot calling ffmpeg. That's useful but calling it the future of editing is like calling autocomplete the future of writing. The hard part isn't exporting final.mp4. The hard part is making video understandable at scale. A real AI editor has to understand an entire library, not one clip. Scenes, people, dialogue, mood, story beats, continuity, missing coverage, what the editor already tried. It has to find exact moments across thousands of scenes without hallucinating. It has to live inside the real workflow, not a toy prompt box pretending to be a studio. That's why we built Firassa around the Universal Video Knowledge Graph. UVKG turns raw footage into persistent, timecoded memory. Not a transcript. Not tags. Not a search index pretending to understand video. A living graph of what exists, how moments relate, where the story is hiding. Firassa turns that memory into action. Organize the library. Ask the footage questions. Find exact shots. Build first-pass sequences. Generate only when the story needs coverage that doesn't exist. The future of editing isn't an AI that spits out a file. It's an AI that understands the footage well enough to become part of the editorial process. We're not replacing editors. We are making them faster, sharper, and freer to do the part only humans can do: tell the story. Pro editors from Netflix and Beast Games are already using it and love it. 93% on the Long Video MME benchmark. Link to the waitlist below.
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The "editors are dead" posts flooding my timeline are nonsense. Pure hype. None of those tools are changing real editing. Most of what's being hyped isn't editing intelligence. It's a transcript, silence detection, captions, and a chatbot calling ffmpeg. That's useful but calling it the future of editing is like calling autocomplete the future of writing. The hard part isn't exporting final.mp4. The hard part is making video understandable at scale. A real AI editor has to understand an entire library, not one clip. Scenes, people, dialogue, mood, story beats, continuity, missing coverage, what the editor already tried. It has to find exact moments across thousands of scenes without hallucinating. It has to live inside the real workflow, not a toy prompt box pretending to be a studio. That's why we built Firassa around the Universal Video Knowledge Graph. UVKG turns raw footage into persistent, timecoded memory. Not a transcript. Not tags. Not a search index pretending to understand video. A living graph of what exists, how moments relate, where the story is hiding. Firassa turns that memory into action. Organize the library. Ask the footage questions. Find exact shots. Build first-pass sequences. Generate only when the story needs coverage that doesn't exist. The future of editing isn't an AI that spits out a file. It's an AI that understands the footage well enough to become part of the editorial process. We're not replacing editors. We are making them faster, sharper, and freer to do the part only humans can do: tell the story. Pro editors from Netflix and Beast Games are already using it and love it. 93% on the Long Video MME benchmark. Link to the waitlist below.

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So Runway Aleph 2.0 just dropped, and it introduces a pretty interesting workflow for AI video footage editing. Rather than repeatedly prompting a video model and hoping it makes the change you want, you can edit a specific frame first, then use that frame to guide the video generation. For this test, I take an existing footage inside Runway: • Picked a frame from the original video • Used Nano Banana Pro to add a new effect/object • Brought that frame into Aleph 2.0 to generate the updated video It feels like a more controllable and potentially cheaper way to make targeted edits to existing footage than current AI video omni models available like Seedance and Gemini.
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So Runway Aleph 2.0 just dropped, and it introduces a pretty interesting workflow for AI video footage editing. Rather than repeatedly prompting a video model and hoping it makes the change you want, you can edit a specific frame first, then use that frame to guide the video generation. For this test, I take an existing footage inside Runway: • Picked a frame from the original video • Used Nano Banana Pro to add a new effect/object • Brought that frame into Aleph 2.0 to generate the updated video It feels like a more controllable and potentially cheaper way to make targeted edits to existing footage than current AI video omni models available like Seedance and Gemini.

Curious Refuge

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Rod Laver was so good for his time that you can watch footage from almost 60 years ago in black and white and still think that he could cut it in today's era with a modern racket. What a player.
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Rod Laver was so good for his time that you can watch footage from almost 60 years ago in black and white and still think that he could cut it in today's era with a modern racket. What a player.

Swish 🍒 Tennis

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Reporter: You mentioned yesterday that the Interior Department has video and photos. We reached out to them and they haven't shared it with us. Trump: Somebody went in with a knife and cut it. They cut it up good and then they cut a 200-350 ft slips in the form of lots of little slips. And they destroyed the grass.
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Reporter: You mentioned yesterday that the Interior Department has video and photos. We reached out to them and they haven't shared it with us. Trump: Somebody went in with a knife and cut it. They cut it up good and then they cut a 200-350 ft slips in the form of lots of little slips. And they destroyed the grass.

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✨ Added Gemini 2's AI new experimental edit functionality to Photo AI! It's the state of the art model for editing photos with prompts I think It's just one button in Photo AI called [ 📝 AI Edit ] then you type a prompt in a JS prompt() window and just a few seconds later your edit is done Here I took an AI photo of myself, and then added 1000s of puppies to it with [ 📝 AI Edit ] and then turned it into a video with [ 🎞️ Make video ] Gemini 2 isn't perfect btw, the quality of faces reduces a bit with every edit. A short term fix would pressing Remix and then getting the resemblance back.

@levelsio

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Grok Imagine API now supports built-in video editing on top of powerful video generation You can feed in your own videos and edit them directly with Grok Imagine, transforming or enhancing footage without traditional timeline editing Developers can generate high-quality videos at scale with fast iteration and simple integration into existing workflows One API does it all: • Text-to-video • Image-to-video • Edit existing videos directly • Replace, remove, or add objects inside a video • Built-in audio sync for every clip Turn your ideas into finished videos – at scale, through a single API
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Grok Imagine API now supports built-in video editing on top of powerful video generation You can feed in your own videos and edit them directly with Grok Imagine, transforming or enhancing footage without traditional timeline editing Developers can generate high-quality videos at scale with fast iteration and simple integration into existing workflows One API does it all: • Text-to-video • Image-to-video • Edit existing videos directly • Replace, remove, or add objects inside a video • Built-in audio sync for every clip Turn your ideas into finished videos – at scale, through a single API

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If you know me, you know I have been thinking about ways to improve video storytelling forever. I am excited to launch Eddie AI - 'ChatGPT for video editing' as our early users say. Eddie is the AI storytelling partner for video pros. Craft rough cuts from your interview footage with a prompt. *In seconds.* Try it: And check out the launch video. And watch it to the end. Like the end end. 😉
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If you know me, you know I have been thinking about ways to improve video storytelling forever. I am excited to launch Eddie AI - 'ChatGPT for video editing' as our early users say. Eddie is the AI storytelling partner for video pros. Craft rough cuts from your interview footage with a prompt. *In seconds.* Try it: And check out the launch video. And watch it to the end. Like the end end. 😉

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The 60 Minutes interview with Kamala Harris that prompted President Trump to sue CBS was just nominated for an Emmy in the category of Outstanding Edited Interview. In February, CBS released the unedited footage in the face of a firestorm about the edits made to Harris’s responses. We’ve put together the unedited footage, and then what appeared in 60 Minutes and in a promo. Trump says this editing was a “giant FRAUD.” The Emmys has nominated it for an award. What do you think?
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The 60 Minutes interview with Kamala Harris that prompted President Trump to sue CBS was just nominated for an Emmy in the category of Outstanding Edited Interview. In February, CBS released the unedited footage in the face of a firestorm about the edits made to Harris’s responses. We’ve put together the unedited footage, and then what appeared in 60 Minutes and in a promo. Trump says this editing was a “giant FRAUD.” The Emmys has nominated it for an award. What do you think?

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The best AI filmmaking workflow is here. This new AI film generator can turn your idea into a complete 10-minute film with one simple prompt The best part? You have full control over the script, storyboard, video generation, editing and lip-sync. It’s insane. Let's dive in:
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The best AI filmmaking workflow is here. This new AI film generator can turn your idea into a complete 10-minute film with one simple prompt The best part? You have full control over the script, storyboard, video generation, editing and lip-sync. It’s insane. Let's dive in:

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16-year-old American launched his own marketing agency and replaced a team of four with one Claude and two tools. ChatGPT writes a video prompt - a hyper-realistic scene of a house after storm damage to the roof. Pastes it into Google Gemini VEO 3. Two minutes and a finished video that didn't exist before. Drops it into CapCut with real footage from the client. Under an hour of editing and a complete ad ready to launch. Then he connected a repo with 139 marketing tactics, 12 SEO playbooks, a CRO framework and a pricing system to Claude - everything a marketing agency charges $10,000 a month to do by hand Claude executes in an hour. While competitors invoice for weeks of work he delivers in a day and charges the client $3,000. An entire agency replaced by one 16-year-old and two tools.
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16-year-old American launched his own marketing agency and replaced a team of four with one Claude and two tools. ChatGPT writes a video prompt - a hyper-realistic scene of a house after storm damage to the roof. Pastes it into Google Gemini VEO 3. Two minutes and a finished video that didn't exist before. Drops it into CapCut with real footage from the client. Under an hour of editing and a complete ad ready to launch. Then he connected a repo with 139 marketing tactics, 12 SEO playbooks, a CRO framework and a pricing system to Claude - everything a marketing agency charges $10,000 a month to do by hand Claude executes in an hour. While competitors invoice for weeks of work he delivers in a day and charges the client $3,000. An entire agency replaced by one 16-year-old and two tools.

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$2,000 to $10,000 off the World Cup from football clips that were never filmed, generated from one sentence The World Cup is feeding 3 billion eyeballs into short-form video right now, and she's filling that demand with footage no camera ever shot > Claude writes the prompt, an AI playground generates a 10-second clip > it looks like real broadcast footage, no stadium, no crew > under 3 minutes per clip, posted as Shorts > rip real footage and it gets claimed, generate it and you keep every dollar 3 billion people are searching, the real highlights can't meet that she's not competing with the broadcasters, she's filling the gap they can't, with clips nobody can claim
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$2,000 to $10,000 off the World Cup from football clips that were never filmed, generated from one sentence The World Cup is feeding 3 billion eyeballs into short-form video right now, and she's filling that demand with footage no camera ever shot > Claude writes the prompt, an AI playground generates a 10-second clip > it looks like real broadcast footage, no stadium, no crew > under 3 minutes per clip, posted as Shorts > rip real footage and it gets claimed, generate it and you keep every dollar 3 billion people are searching, the real highlights can't meet that she's not competing with the broadcasters, she's filling the gap they can't, with clips nobody can claim

Woody

13,366 просмотров • 1 месяц назад

These girls just revealed the AI workflow they use to monetize YouTube while living in Bali Here’s how they explain their workflow in the video: > They find viral kids’ videos on YouTube (in niches where creators can earn anywhere from $1,000 to $5,000 per million views) > They open the video’s transcript and copy it > They paste it into ChatGPT and ask it to generate a prompt for creating a similar video > They take that prompt, paste it into Picsart Flow, choose a video model (they use Sora 2 Pro in the video) and generate the content > They publish the finished video and collect the views They simply took a format that had already proven to work and turned ChatGPT plus an AI video generator into their own content production studio If you want to learn another way to create YouTube videos with AI, check out the article I linked below The author uses a completely different set of tools, so it’s worth a read Save this so you can find it later
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These girls just revealed the AI workflow they use to monetize YouTube while living in Bali Here’s how they explain their workflow in the video: > They find viral kids’ videos on YouTube (in niches where creators can earn anywhere from $1,000 to $5,000 per million views) > They open the video’s transcript and copy it > They paste it into ChatGPT and ask it to generate a prompt for creating a similar video > They take that prompt, paste it into Picsart Flow, choose a video model (they use Sora 2 Pro in the video) and generate the content > They publish the finished video and collect the views They simply took a format that had already proven to work and turned ChatGPT plus an AI video generator into their own content production studio If you want to learn another way to create YouTube videos with AI, check out the article I linked below The author uses a completely different set of tools, so it’s worth a read Save this so you can find it later

Bonsai 🌳

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Do not work with DarkViperAU. After going through 4 1/2 hours of footage and editing that down into a 27 minute video, waiting over a week for him to respond, he told me the edit was unusable. And not worth either of our time to try and fix. Then told me he would not pay me.
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Do not work with DarkViperAU. After going through 4 1/2 hours of footage and editing that down into a 27 minute video, waiting over a week for him to respond, he told me the edit was unusable. And not worth either of our time to try and fix. Then told me he would not pay me.

kdence.

820,466 просмотров • 2 лет назад

Introducing Faceless Clipping Channel, a fully autonomous content business powered by agents on Naive. One prompt unlocks an entire AI driven short form media machine that runs end to end without human input: •Continuously researches your niche and detects emerging trends •Ingests long-form content and identifies high-performing moments •Scores and selects clips with the highest viral potential •Auto-edits for TikTok, Reels, and YouTube Shorts in platform-ready format •Learns from performance data and optimizes for compounding reach. No cameras, no editing, no hiring, no manual workflow. Just launch a prompt and watch a faceless media empire scale itself. naïve
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Introducing Faceless Clipping Channel, a fully autonomous content business powered by agents on Naive. One prompt unlocks an entire AI driven short form media machine that runs end to end without human input: •Continuously researches your niche and detects emerging trends •Ingests long-form content and identifies high-performing moments •Scores and selects clips with the highest viral potential •Auto-edits for TikTok, Reels, and YouTube Shorts in platform-ready format •Learns from performance data and optimizes for compounding reach. No cameras, no editing, no hiring, no manual workflow. Just launch a prompt and watch a faceless media empire scale itself. naïve

Leonardo

26,053 просмотров • 1 месяц назад

Woot woot! THE BIG DAY IS HERE. Eddie AI v2! Download it: It’s been a sprint pace to cover a marathon distance. We launched Eddie AI v1 in October last year. Thousands of new users. Lots of feature requests. Learned a ton. (Yes, Paul Graham is right: ship early and often!) Eddie AI v2 releases three big advancements. And underpinning those decisions are the learnings baked in. 1. Eddie now runs locally on Macs and Windows. Our native apps are out of beta and available to everyone. Video is large. The video files used by video professionals are even larger. No one wants to wait around uploading. Native applications make it MUCH MUCH faster to import and thus much faster to get on with editing. One of the challenges with Eddie is how do we *quickly* get the user to aha – that moment where they can see the magic of this assistant AI video editor – if it takes awhile to upload files. These native applications are a big step towards getting to aha, swiftly, and help deliver on our promise to save customers time. 2. Analyze raw footage, aka logging interviews and B-rolls. Eddie v1 only created edits. But users were asking for a step before the edit too. They want their footage logged – what happened in this shot, who said what, etc – and grouped logically with this metadata back in their video editing application. We released a test of this a month ago. Users were blown away by the accuracy of the AI, the rich descriptions, and how the metadata seamlessly is sent to their video editing application where they can find the right shot when they need. We were blown away by the usage of this feature. Logging is now updated and released to all in v2. 3. Rough cut mode. This is the big dream: Eddie is the AI assistant video editor. There’s a lot of tedious work in video editing. Eddie takes it on. And helps you get to a great story faster. Sorting through hours of interviews and finding great soundbites that can be cut together to form a coherent story is a big step toward this dream. We attempted to do this in v1. But the prompt box was too open ended. People were typing in things like “Cut me a great story” and the subjectivity of the statement led to variable results. So we re-thought the story crafting process. We added friction. YES you read that correctly. We added friction into the product that slows the customer down. BUT they get much better results, reliably. And that trade-off is well worth it. Eddie now takes a step-by-step approach with you on crafting your story. It aligns with you on the story framework and then cuts chapter by chapter with your feedback. What used to take days, now takes minutes. We spent months hacking at LLMs to make them able to provide coherent edits over a longer duration and handle a large amount of source material (aka context-window problem). It’s ready for release. Version 2.0 is here. Download Eddie at
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Woot woot! THE BIG DAY IS HERE. Eddie AI v2! Download it: It’s been a sprint pace to cover a marathon distance. We launched Eddie AI v1 in October last year. Thousands of new users. Lots of feature requests. Learned a ton. (Yes, Paul Graham is right: ship early and often!) Eddie AI v2 releases three big advancements. And underpinning those decisions are the learnings baked in. 1. Eddie now runs locally on Macs and Windows. Our native apps are out of beta and available to everyone. Video is large. The video files used by video professionals are even larger. No one wants to wait around uploading. Native applications make it MUCH MUCH faster to import and thus much faster to get on with editing. One of the challenges with Eddie is how do we *quickly* get the user to aha – that moment where they can see the magic of this assistant AI video editor – if it takes awhile to upload files. These native applications are a big step towards getting to aha, swiftly, and help deliver on our promise to save customers time. 2. Analyze raw footage, aka logging interviews and B-rolls. Eddie v1 only created edits. But users were asking for a step before the edit too. They want their footage logged – what happened in this shot, who said what, etc – and grouped logically with this metadata back in their video editing application. We released a test of this a month ago. Users were blown away by the accuracy of the AI, the rich descriptions, and how the metadata seamlessly is sent to their video editing application where they can find the right shot when they need. We were blown away by the usage of this feature. Logging is now updated and released to all in v2. 3. Rough cut mode. This is the big dream: Eddie is the AI assistant video editor. There’s a lot of tedious work in video editing. Eddie takes it on. And helps you get to a great story faster. Sorting through hours of interviews and finding great soundbites that can be cut together to form a coherent story is a big step toward this dream. We attempted to do this in v1. But the prompt box was too open ended. People were typing in things like “Cut me a great story” and the subjectivity of the statement led to variable results. So we re-thought the story crafting process. We added friction. YES you read that correctly. We added friction into the product that slows the customer down. BUT they get much better results, reliably. And that trade-off is well worth it. Eddie now takes a step-by-step approach with you on crafting your story. It aligns with you on the story framework and then cuts chapter by chapter with your feedback. What used to take days, now takes minutes. We spent months hacking at LLMs to make them able to provide coherent edits over a longer duration and handle a large amount of source material (aka context-window problem). It’s ready for release. Version 2.0 is here. Download Eddie at

Shamir Allibhai

57,672 просмотров • 1 год назад