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Day 1✨Say hello to the incredible dynamic lighting in Wan2.2! Master any mood with different lighting type. We've got: Sunny🌞, Overcast, Moonlight🌛, Fluorescent, Firelight🔥, Mixed, Soft, Hard, Top, Side, Back, Under, Edge, Silhouette... Which light will you try first? Explore Wan2.2 in now!

34,469 görüntüleme • 1 yıl önce •via X (Twitter)

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I've been recommending incandescent light bulbs. But what about your kitchen? Your bathroom? Incandescents don't fit most of those fixtures. The answer: halogen bulbs. Glen Jeffery, UCL: "In the kitchen I have got a halogen lamp. When you get up in the morning and you're spending that 45 minutes doing stuff — there's a halogen lamp there on at the right time." Halogen is a type of incandescent. Almost identical full spectrum output. Infrared included. The key difference: Halogen bulbs contain halogen gas that redeposits tungsten back onto the filament as it evaporates — longer lifespan, same full spectrum output. The result: longer lifespan than a standard incandescent, higher operating temperature, and slightly whiter light — but still full spectrum with significant infrared output. Like incandescents, halogen bulbs have been phased out and banned across much of Europe and the UK. But they can still be found — Amazon, specialist lighting suppliers, some hardware stores still carry stock. And if you can dim them: "If you just turn the power down — which increases the amount of infrared light — the bulb will last almost forever." Jeffery's team ran a study in a windowless UCL building under harsh LED lighting. They replaced desk lamps with 40W incandescent bulbs — not aimed at eyes, just supplementing the environment. Two weeks later: color perception improved significantly — more than anything they'd seen with long-wavelength LEDs. They removed the bulbs. Came back six days later. The improvement was maintained. A month later — still maintained. Jeffery: "We are suffering from a suppression of our physiology via mitochondria that is just being produced by the built environment." The fix doesn't have to be complicated. Incandescent bulbs where you can. Halogen in the kitchen and bathroom where you can't. Indoor lighting environment sorted.

no.mind

16,042 görüntüleme • 3 ay önce

Ivan Passer on the reason why 'Intimate Lighting' (1965) was banned by the communist government in Czechoslovakia for 20 years: "Interviewer: It seems inconceivable that 'Intimate Lighting' (1965), an almost plotless comedy about the everyday pleasures of life, should have been banned for 20 years. Can you explain it? Passer: I believe that the Party was worried when they saw ordinary people, with all their weaknesses and strengths, depicted on screen. I think they also preferred to be attacked directly rather than to be ignored completely. Before the clampdown, Milos and I got together to discuss how in this godforsaken country we could make good movies. We took a piece of paper and we wrote down several points like “it should be a comedy,” because the Communist Party and the censorship were more tolerant with comedies. “It should be shot outside of the studio, in the streets,” because they would not look over our shoulder that much. “We will use non actors” and “We will use natural light.” My first film, using these precepts, was a 20-minute short, 'A Boring Afternoon' (1964), about all the things that happen when, ostensibly, nothing is happening. Miroslav Ondricek, who shot it, was a soccer fan. He believed that his filming a number of matches made him more able to work with non-actors who could not be expected to hit their marks for lighting. When casting Intimate Lighting, which was about a group of friends who play music together, I had to decide whether to have actors pretending to play instruments, or musicians who I could get to act. I settled for non-actors. We were at a music school, and I literally grabbed the principal in the corridor and asked him if he would play the lead role of the cellist. At first he didn’t want to do it, but after he read the script, he said, “It’s about me.”" (Ivan Passer's interview with Ronald Bergan, Film Comment, 2016) P.S: On this day, 61 years ago, 'Intimate Lighting' (1965) was released in Czechoslovakia.

DepressedBergman

17,774 görüntüleme • 4 ay önce

💬: is your eye color genetic? 👑: well my mother's eyes are very light, too. i guess, i take after my mom’s eyes. actually, my mom told me about these light eyes—i don’t know if it’s true or not, but she said having light eyes isn't always a good thing. it’s something i heard when i was a kid. i don't mean to boast, but people told me my eyes were pretty when i was a kid. my mom's eyes are also light, so she’d tell me, “your eyes are just like mine”. she also said having light eyes isn't always a good thing. when i asked why, she told me it’s because when it’s sunny— it's harder for light eyes to deal with the glare. so she said that when the sun is beaming down, it’s probably hard to keep your eyes open 💬: your noona? 👑: my noona doesn’t have light eyes 👑: no wonder i’m always squinting in the summer when the sun is super bright. meanwhile my friends could keep their eyes wide open like this. so i was like, “is it just me who's blinded by the sun?”. i guess it might just be me. 💬: omg i pretty much walk around with my eyes squinting too 👑: right. for people who struggle to open their eyes in the sun, it must be really tough 👑: for example if we’re shooting an album cover or some important photos outdoors in the sun—for someone like me who can barely open their eyes in the light, the photographers will be like—i just stand there with my eyes closed, and the photographer will be like, “okay, one, two, three”, and i open my eyes, hold it for like two seconds, and then close them again. and then, when they go “one, two, three” again, i open my eyes, try so hard to hold it like *eunngggh* and then close them right back up. that’s how i do my photoshoots 💬: is studio lights/lighting okay? 👑: i’ve gotten used to studio lights/lighting now. i’m totally fine with studio lights/lighting. but i just can't get used to the sun! seriously sunlight is really hard

yeopamine

57,895 görüntüleme • 6 ay önce

Jocko Willink says the answer to tasks piling up is a small notebook, two consolidations a day, and 15 minutes of list review scheduled like an appointment. "First, first of all, definitely write the things down in one place." "It sounds like, since you're moving all the time or you're going to meetings, carry just a nice little notebook with you and write the things down as you get tasked with them." "Then on top of that, you have to have a master list of some kind, either paper or digital." "So if you get tasked something in a meeting in your little notebook, you come back, you put it in the right place in the master task list." "And then like twice a day to consolidate the information that's in the little notebook you have into the big master list." "Before you go to bed at night, you organize those things by priority on the master list. You put the most important thing at the top and that's what you're going to attack the next day." "That's part one on how you get these things organized. Now the part two is you got to schedule this stuff. And actually, I always say this when people have trouble with tasks, put them on the calendar." "Jamie does that for me. When Jamie's got something for me to do, she just doesn't email me and say, hey, you need to do this. She puts it on the calendar. So I look at my calendar, boom, there it is." "Put these things on your calendar. And that includes scheduling time on your calendar so that you can have time to consolidate your list and do a review of your lists." There is no "try harder" anywhere in his answer. The notebook catches it, the list ranks it, the calendar gives it a time, and the fifteen-minute review keeps the whole thing honest, so his head never has to hold any of it. That is the real fix for the kind of overload where none of the tasks are hard but they never stop coming: everything gets a place and a time, and whatever is still floating in your head is the thing taxing you. - Jocko Willink (Jocko Willink) on the Jocko Podcast (Jocko Willink)

Jay McHale

209,386 görüntüleme • 21 gün önce

#GMMTVFANDAY31 #JoongDunk #จุงดัง live ~ : not long ago the 2 of you released a photobook. in it you drove around played with goats and even did some archery right? so i’d like to ask if there were any fun stories or memorable moments during the photobook shoot that you’d like to share with everyone 🌞: let (Dunk) speak first 🌻: first of all this photobook comes about four to five years after our first one which is a very long time. i really enjoyed every single concept in this shoot. like you mentioned there were moments when we met goats and took photos with them scenes inside a car, archery sessions and many different concepts all packed into one day. i honestly enjoyed every moment of the experience 🌞as for me i have to say that the company was very thoughtful. they gave us the opportunity to share our ideas from the beginning .. asking what kind of concept we wanted .. what style of photos we wanted to shoot and what overall look and atmosphere we were aiming for. cause of that we had the chance to create mood boards and send the team our ideas regarding locations - outfits - concepts and other details so i feel that this is a photobook in which we were involved quite heavily throughout the creative process : …. and in the end “eyes on you” was completed and released. so Joong feels that this is a project in which he was deeply involved throughout the creative process. his level of participation in this work was exceptionally high 🌞that’s right. we hope everyone will enjoy and love this photobook

🇻🇳Jaidee’s aunt Bamnie🐣

16,318 görüntüleme • 2 ay önce

Seedance 2.5 Forged in Fire text to video prompt is below 👇 Reality TV bladesmith competition testing segment, multi-camera documentary production, bright industrial workshop lighting, sharp HD broadcast look, practical forge practicals, natural handheld shake on action cams, clean documentary texture, no cinematic film look. 0-4s: [Medium Two-Shot] Martial arts master of clear Asian ancestry in black tactical shirt stands facing the young female bladesmith in her early 20s (work apron, focused). He holds her forged machete, turns the blade once under the lights. Looks her in the eye: “Are you ready?” She answers firmly “Yes.” Quick cut to her determined face, then to three classic ceramic garden gnomes lined up on sturdy stands behind them. 4-7s: [Low-Angle Tracking + Rapid Cuts] Master steps in, raises the machete. Hard cut to side angle as he delivers a powerful overhead chop into the first gnome. Impact explodes in slow motion: ceramic shatters into sharp fragments, paint chips and dust fly outward. Time locks at peak penetration. Camera orbits the frozen blade buried in the broken gnome for one second. Quick insert ECU of the edge biting through the ceramic body. 7-11s: [Dynamic Side Tracking] Action resumes. Master yanks the machete free, immediately follows with a heavy diagonal slash across the second gnome. Slow-motion again: the figure tears apart sideways, large colored pieces and shards scatter. Freeze at maximum destruction. Two rapid cuts: one over-shoulder from behind the master, one low angle under the flying fragments. Orbit holds for half a second on the locked impact. 11-15s: [Handheld Close Action] Third strike — short, vicious downward chop into the third gnome. Slow-mo impact, the ceramic erupts into dozens of pieces, hat and beard flying. Full freeze. Camera pushes in and circles the frozen chaos for one beat. Quick insert of the master’s focused face mid-swing, then back to the locked blade. 15-19s: [Series of Fast Cuts] Time resumes. Master pulls the machete out, turns it under the light. Tight ECU tracks along the edge: a few small nicks and rolled spots visible. Cut to his fingers testing the edge. Cut to the ruined garden gnomes still shedding fragments. Cut to the young woman’s tense expression as she watches. 19-24s: [Medium Close-Up] Master lowers the blade, looks straight at her. Calm, professional delivery: “There are a couple of nicks on the edge… but your weapon, ma’am… it kills.” Hard cut to her face — a small, controlled smile of pride breaks through. 24-28s: [Final ECU Montage] Extreme close-up of the nicked but still lethal edge catching the light. Cut to the shattered remains of the garden gnomes. Final frame holds on the young bladesmith’s quiet satisfaction as the master nods once. Realistic TV broadcast quality, detailed ceramic shatter physics, sharp edge detail, natural motion blur only on moving elements, stable characters, coherent impact timing, no artifacts, high rewatch value. I promise I didn't use any image reference for this one, use it wisely 🫡

TechHalla

124,832 görüntüleme • 13 gün önce

Announcing LUMIOS, the world's first human-friendly LED. Powered by revolutionary Ra Incandescent LED technology, Lumios addresses the problems of conventional LED lighting. 1. excess blue light -> low / optimized blue light • Conventional LEDs emit excessive blue light, threatening the eyes, chronically overstimulating the hormonal & nervous systems, and disrupting sleep and cellular repair. • Lumios uses advanced LED chips and light conversion technology to smooth the spectrum, reducing unnatural blue spikes and offering a low-blue, hormonally neutral spectrum, which supports balance and rejuvenation. 2. near-infrared absence -> near-infrared enriched • Conventional LEDs completely lack the near-infrared wavelengths which are essential for eyes, skin, and cellular health. • Lumios utilizes advanced phosphor technology to emit significant quantities of near-infrared light, comparable to a traditional incandescent bulb, and more than any broadband visible LED ever made. 3. poor color rendering -> ultra-high color rendering • Conventional LEDs emit a deficient spectrum which causes people and objects to appear pale, dull, and lifeless. • Lumios’ broad spectrum offers the highest color rendering ever achieved with an LED — almost identical to a standard incandescent bulb — so you can experience people and objects in their true colors. Everything looks and feels better. 4. AC flicker -> flicker-free • Conventional LEDs utilize cheap circuitry which carries AC voltage onto the light source, causing a rapid sub-perceptible flicker which has been linked to migraine headaches and cognitive disturbance. • Lumios utilizes high-quality circuitry to remove AC flicker, allowing your brain and nervous system to relax — while allowing you to think clearly and perform your best. 5. excessive brightness -> multi-modal design • Standard LEDs are typically far too bright, optimized for maximum brightness and efficiency rather than visual comfort. • Lumios utilizes an advanced multi-modal design — compatible with standard light switches — providing you with optimal light for every space, setting, and time of day. Lumios unifies the biological benefits of the classic incandescent spectrum with the technological capabilities of LED technology, making it the most advanced light ever created. Experience a new light. Available now.

Matt Maruca 🌞

12,385 görüntüleme • 4 ay önce

Junior full speech All the pauses/gaps are just him crying and being emotionally overwhelmed 😭 JUNIORMARK ONCE SUNNYMOON #JuniorMarkConcertD1 🌞: “Is it my turn already?” 🌞: “This concert is like my baby/child. This concert really is like my child.” 🌞: “Because I’ve constantly been asking myself how much time I have left. It’s a question I’ve asked myself again and again this year: ‘How much time do I have left?’” 🌞: “The answer is: I don’t know.” 🌞: “So I thought I would do this one as if it were the last time.” 🌞: “I know that my body has its limits. I don’t know how much time I have left, so I wanted to make this as good as I possibly could. And I put so much of myself into it.” 🌞: “There were some days when I finished rehearsing, went home, and asked myself, ‘Am I going to die?’ because I was so exhausted.” 🌞: “Normally, I don’t really like crying unless it’s for acting…. which means I’m not working right now.” 🌞: “I… I love this concert so much. Thank you so much for making this possible.” 🌞: “Something I really want to say thank you for is to every single member of the staff for putting up with all of my incredibly selfish requests.” 🌞: “I feel like I was really selfish with this concert. Whenever there was something I wanted, I felt like I had to have it. Whenever I had a certain vision in my head, I felt like I had to…” 🌞: “Thank you so much to every member of the team. I don’t know how I could ever repay all of you. Thank you so much. Thank you for being willing to work so hard for the two of us.” 🌞: “I have to admit that lately I’ve felt quite severely burned out from working.” 🌞: “I feel like I’ve used up all the resources I had within myself. Over these ten years, I feel like I’ve just kept relentlessly using them every single day, to the point where I haven’t had any time to go out and find new sources of inspiration.” 🌞: “But truly, thank you so much. If it weren’t for this concert, I don’t think I would have felt like waking up and wanting to do something again.” 🌞: “Don’t scream too loudly!” 🌞: “Thank you so much to everyone who came to see us. Thank you for loving and supporting the two of us all this time.” 🌞: “I promise that I’ll continue improving myself and put my heart into every piece of work I do, so that it will be worthy of all the love you’ve given the two of us.” 🌞: “Thank you for loving us, supporting us, and continuing to stay with both Junior and Mark—through the happiest times and through the really difficult times. Thank you, everyone. Truly.” 🌞: “Whoa, the tears just won’t stop.” 🌞: “I just need a little more time.” 🌞: “I also need to thank…” 🌞: “Thank you, GMMTV.” 🌞: “Maybe we should move on to the last song.” 🌛: “We need to take a photo first.” 🌞: “Right, photo first, photo first.” 🌞: “Thank you, GMMTV. Thank you, P’Tha. Thank you, P’X…” 🌞: “Boss, I’m tired. Could you please not rush to start filming yet? Please.” 🌞: “I’m joking… but actually, I’m serious.” 🌞: “Please don’t rush to start filming yet.” To the audience: 🌞: “Oh… okay, opening the camera now?” (1/2)

ɾαɱσɳα ❥・•🖤🤍

78,320 görüntüleme • 8 gün önce

ZELENSKYY ON HIS CONVERSATION WITH ABRAMOVICH: Ceasefire is the biggest compromise from our side to your side. ZELENSKYY: Abramovich, so he came to Kyiv,bI think that he said: "I have message direct to you, and I want to get message, and take message from you, and to give it to Putin." But he said that it has to be silently, without any kind of, public messages. I said, "Look, it's your choice. Okay, for us it doesn't matter, public or un-public." But it's always with Russians such way. If they say something has to be between us, it's mean that tomorrow not only we will know about it. But it's not a secret. He came, and he wanted to give me the message that they want to to understand what we are ready to do. I said: "The question is not about us. You are fighting against us on our territory." And I said to him about Donbas, it was the key message. And I said: "No, we will not leave, and we will not go out from our territory. No, we will not give you a victory such way. And you will not get it." And we spoke about any kind of compromises. I said that all the compromises after ceasefire. Ceasefire is the biggest compromise from our side to your side. JOURNALIST: So is he a go-between now? Between you and Vladimir Putin, he's going back and forth? ZELENSKYY: I don't know. When he got message from me, he said he will go directly to Putin. I said: "Okay, I'm ready to meet, not in Moscow, not in Belarus, and not in Minsk," and it's understandable why. I said, "You can choose any time from tomorrow. You can choose any day, any format. We can choose with President Trump. I'm sure that he will be ready to come, and we can do it with Europeans. I'm sure that everybody want to help, or we can choose the way bilateral, just bilateral meeting."

Kateryna Lisunova

25,494 görüntüleme • 2 ay önce

The Cameras ✨ Back in February I started exploring the idea of creating an art collection that doubles up as a PFP. After months of experimenting with different colour theories, art styles and AI, The Cameras are finished and ready for you to make a choice. Here’s all the info: The Cameras are built on a brand new dynamic Transient Labs contract called Collectors Choice. It works in a very similar way to now @amadon’s Doppelgänger. Each NFT points to one of multiple artworks in an array, and the collector can use the ‘ChangeURI’ function within the contract, to point to whichever artwork within the array they choose. But here’s the difference; there will be a deadline. Make as many changes as you wish, but once the deadline passes, your choice will be locked in and metadata will be frozen. To start, everyone will mint the same placeholder artwork. I will then reveal the 'Colour Series'; 70 cameras with various background colours, to choose which ever colour you want. Following that, 4 more series will be revealed sporadically, making up a total of 126 different cameras to choose from. Meaning, there’s more then enough for everyone to end up with a 1/1. However, chances are, someone will choose the same camera as you. You’ll then have a second decision to make, are you happy sharing the art and holding an edition, or will you choose different art for a 1/1? For me, once all the metadata is locked in, rarity won’t really matter. But the total number of cameras in each series, total number of 1/1s, total number of editions and total count of each edition, will all be decided by the collectors. Get ready to make your choice. - Mint Details: • Supply: 70 • Mint Price: 0.35 eth • 48hr Pre-Sale Mint: Aug 14th (7pm UTC) Collectors of 0xdgb’s 1/1 art + a few select people will get early access for 48 hours. • Public Mint: Aug 16th (7pm UTC) - Mint URL, series reveals, the deadline and instructions on how to choose your camera will be announced when needed.

dgb

45,569 görüntüleme • 3 yıl önce