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Donkey Kong Country looked impossible in 1994 because Rare built its visuals on Silicon Graphics workstations. The same kind of computers used for movie CGI like Jurassic Park and Terminator 2 were helping create sprites for a 16-bit SNES game.

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Donkey Kong Country on SNES 🦍 Rare made a 16-bit game look like it belonged to the next generation... How impressive was this for 1994?

Donkey Kong Country on SNES 🦍 Rare made a 16-bit game look like it belonged to the next generation... How impressive was this for 1994?

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Did you know? Donkey Kong Country (SNES) was so advanced that the UK Ministry of Defence contacted Rare to ask why a tiny game studio owned more high-end Silicon Graphics workstations than the British military!

Did you know? Donkey Kong Country (SNES) was so advanced that the UK Ministry of Defence contacted Rare to ask why a tiny game studio owned more high-end Silicon Graphics workstations than the British military!

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Donkey Kong Country (🇬🇧Rare/Nintendo/1994) for the SNES was a huge commercial and critical success, selling over 9.3 million copies. Coded almost entirely in assembly, the coders brought their 8-bit mindset from ZX Spectrum and NES era to optimize the game. E.g. managing to compress massive 3D-rendered graphics onto a 32-megabit cartridge. The core movement and physics were designed with high efficiency, which was a hallmark of 8-bit coding.

Donkey Kong Country (🇬🇧Rare/Nintendo/1994) for the SNES was a huge commercial and critical success, selling over 9.3 million copies. Coded almost entirely in assembly, the coders brought their 8-bit mindset from ZX Spectrum and NES era to optimize the game. E.g. managing to compress massive 3D-rendered graphics onto a 32-megabit cartridge. The core movement and physics were designed with high efficiency, which was a hallmark of 8-bit coding.

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SKYBLAZER for the SNES (Sony Imagesoft/1994) is an action-platformer with excellent 16-bit graphics. Praised as a hidden gem, the game features fast-paced combat, wall-climbing and magic abilities. It's heavily based on Hindu mythology, though these elements were slightly altered for the Western release.

SKYBLAZER for the SNES (Sony Imagesoft/1994) is an action-platformer with excellent 16-bit graphics. Praised as a hidden gem, the game features fast-paced combat, wall-climbing and magic abilities. It's heavily based on Hindu mythology, though these elements were slightly altered for the Western release.

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X-Men: Mutant Apocalypse for the SNES is among the best superhero games of the 16-bit era. Developed by Capcom and released in 1994, it's a system exclusive that features fast-paced combat, gorgeous comic-book graphics, and a fantastic soundtrack. The playable characters are Wolverine, Cyclops, Psylocke, Gambit, and Beast, featuring distinct playstyles for each hero.

X-Men: Mutant Apocalypse for the SNES is among the best superhero games of the 16-bit era. Developed by Capcom and released in 1994, it's a system exclusive that features fast-paced combat, gorgeous comic-book graphics, and a fantastic soundtrack. The playable characters are Wolverine, Cyclops, Psylocke, Gambit, and Beast, featuring distinct playstyles for each hero.

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We've got a JURASSIC piece of news to share with you! The Jurassic Park Classic Games Collection gets tougher, faster and more dangerous than ever with the inclusion of MORE classic titles from the 16-bit era! Jurassic Park & Jurassic Park: Rampage Edition, both originally released on the Genesis, are coming to the collection with all the bonus Carbon Engine features of the previously announced titles, like save states and in-game maps! Pre-order the physical edition today at Limited Run:

We've got a JURASSIC piece of news to share with you! The Jurassic Park Classic Games Collection gets tougher, faster and more dangerous than ever with the inclusion of MORE classic titles from the 16-bit era! Jurassic Park & Jurassic Park: Rampage Edition, both originally released on the Genesis, are coming to the collection with all the bonus Carbon Engine features of the previously announced titles, like save states and in-game maps! Pre-order the physical edition today at Limited Run:

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PRESIDENT TRUMP on Chinese President: If you went to Hollywood and you looked for a leader of China to play a role in a movie... you couldn't find a guy like him. He's tall, very tall, and especially for this country because they tend to be a little bit shorter.

PRESIDENT TRUMP on Chinese President: If you went to Hollywood and you looked for a leader of China to play a role in a movie... you couldn't find a guy like him. He's tall, very tall, and especially for this country because they tend to be a little bit shorter.

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Donkey Kong Land isn't just a port of the SNES version, although that would be kind of awesome on the Game Boy. While the opening stage is Jungle Japes Lite, the rest of the game is pretty original. It even features new worlds like Big Ape City, a nod to DK's construction roots. It's also novel to see the Big Guy himself platforming on a ship with Gangplank Galleon playing. The 8-bit version of the tune is awesome for what it is. I keep waiting for the beat to drop, but it stays energetic and adventurous. #RetroGaming

Donkey Kong Land isn't just a port of the SNES version, although that would be kind of awesome on the Game Boy. While the opening stage is Jungle Japes Lite, the rest of the game is pretty original. It even features new worlds like Big Ape City, a nod to DK's construction roots. It's also novel to see the Big Guy himself platforming on a ship with Gangplank Galleon playing. The 8-bit version of the tune is awesome for what it is. I keep waiting for the beat to drop, but it stays energetic and adventurous. #RetroGaming

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Brace yourself for a serious 🤯 moment. Hollywood took some major creative liberties with Velociraptors in “Jurassic Park.” Turns out the real ones were smaller and fluffier. The legendary Dr. Kenneth Lacovara sets the record straight on what Velociraptors actually looked like.

Brace yourself for a serious 🤯 moment. Hollywood took some major creative liberties with Velociraptors in “Jurassic Park.” Turns out the real ones were smaller and fluffier. The legendary Dr. Kenneth Lacovara sets the record straight on what Velociraptors actually looked like.

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$Did you know the futuristic underwater effects in the 1993–96 sci-fi series SeaQuest DSV were mostly created on… Commodore Amiga 2000? Yes, really! While Hollywood movies were spending hundreds of thousands on Silicon Graphics workstations, the seaQuest VFX team (Amblin Imaging) used a fleet of souped-up Amiga 2000s with Video Toaster, LightWAVE 3D, and 68040 accelerator cards. These machines cost a fraction of an SGI Crimson or Indigo² (which easily ran $50k–$100k+ each in the early ’90s). The Amiga rendered all the CGI submarines, sea creatures, holographic displays, and that amazing opening title sequence you still remember. Proof that in the right hands, affordable tools can create television magic. Only Amiga Makes It Possible!$

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Id have zero sympathy for a side that doesn’t take its kicks in a 3 point game whether its arrogance or incompetence. Prendergast and Barrett on the park, 5 mins to play, 3 points down and 2 penalties in the 22. Game management and lack of leadership was the losing of it

Id have zero sympathy for a side that doesn’t take its kicks in a 3 point game whether its arrogance or incompetence. Prendergast and Barrett on the park, 5 mins to play, 3 points down and 2 penalties in the 22. Game management and lack of leadership was the losing of it

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Macross: Scrambled Valkyrie (Winkysoft/1993) is a visually stunning and fast-paced 2D horizontal shoot 'em up for the Super Famicom. It stands out for pushing the hardware to its limits, offering gorgeous 16-bit graphics and smooth scaling effects. Remains Japan-exclusive primarily due to decades of international copyright gridlock, but can be easily played on SNES simply by removing the two small plastic tabs inside the console's cartridge slot (most 2nd hand consoles in my country had them already removed, we don't even ask or think about it).

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Twice failed congressional candidate and lying leaker, Joe Kent, went on Alex Jones’s Infowars with advice for President Trump: “Trump's gotta start listening to his base which used to be one of the strong suits. I hope he returns to the old Trump that could like basically hang out on Twitter for a bit and understand like the general vibe and kind of create a movement based on that.”

Twice failed congressional candidate and lying leaker, Joe Kent, went on Alex Jones’s Infowars with advice for President Trump: “Trump's gotta start listening to his base which used to be one of the strong suits. I hope he returns to the old Trump that could like basically hang out on Twitter for a bit and understand like the general vibe and kind of create a movement based on that.”

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Steven Spielberg explains why he felt resentment and anger while he was working on "Jurassic Park" (1993) & "Schindler's List" (1993) simultaneously: "It was the best draft [Schindler’s List writer Steven Zaillian] had written after [writing] multiple drafts, [So my wife] Kate said, ‘You’re making this movie right now, aren’t you?’ And I said, ‘Yeah, right now!'” However, I was making 'Jurassic Park' right now, That was the problem. [But] I didn’t want to miss the winter. I knew I had to be shooting [Schindler’ List] in January [on location] in Poland, so it came together awfully quickly." By the time Steven Spielberg had assembled his cast and crew — including Liam Neeson, Embeth Davidtz, Sir Ben Kingsley, and Caroline Goodall, all of whom were also present at the reunion panel — he was deep into production on Jurassic Park. "When I finally started shooting…in Poland, I had to go home about two or three times a week and get on a very crude satellite feed to Northern California…to be able to approve T-Rex shots. And it built a tremendous amount of resentment and anger that I had to do this, that I had to actually go from [the emotional weight of Schindler’s List] to dinosaurs chasing jeeps, and all I could express was how angry that made me at the time. I was grateful later in June, though, but until then it was a burden." ("Steven Spielberg felt 'resentment and anger' making Schindler's List, Jurassic Park simultaneously", Joey Nolfi. Entertainment Weekly, 2018) "For me, honestly, if I had the choice, I would not have chosen to bifurcate my attention between Schindler’s List and Jurassic Park, because that in itself was a very bipolar experience for me. To be shooting the story of the Holocaust and at the same time, getting these effects of dinosaurs from an entirely different kind of motion picture genre to look believable to audiences." ("Jurassic Park: Still the Best Use of CGI in a Movie", David Crow, Den of Geek, 2019) P.S: On this day, 33 years ago, "Jurassic Park" (1993) premiered in Washington, D.C, USA.

Steven Spielberg explains why he felt resentment and anger while he was working on "Jurassic Park" (1993) & "Schindler's List" (1993) simultaneously: "It was the best draft [Schindler’s List writer Steven Zaillian] had written after [writing] multiple drafts, [So my wife] Kate said, ‘You’re making this movie right now, aren’t you?’ And I said, ‘Yeah, right now!'” However, I was making 'Jurassic Park' right now, That was the problem. [But] I didn’t want to miss the winter. I knew I had to be shooting [Schindler’ List] in January [on location] in Poland, so it came together awfully quickly." By the time Steven Spielberg had assembled his cast and crew — including Liam Neeson, Embeth Davidtz, Sir Ben Kingsley, and Caroline Goodall, all of whom were also present at the reunion panel — he was deep into production on Jurassic Park. "When I finally started shooting…in Poland, I had to go home about two or three times a week and get on a very crude satellite feed to Northern California…to be able to approve T-Rex shots. And it built a tremendous amount of resentment and anger that I had to do this, that I had to actually go from [the emotional weight of Schindler’s List] to dinosaurs chasing jeeps, and all I could express was how angry that made me at the time. I was grateful later in June, though, but until then it was a burden." ("Steven Spielberg felt 'resentment and anger' making Schindler's List, Jurassic Park simultaneously", Joey Nolfi. Entertainment Weekly, 2018) "For me, honestly, if I had the choice, I would not have chosen to bifurcate my attention between Schindler’s List and Jurassic Park, because that in itself was a very bipolar experience for me. To be shooting the story of the Holocaust and at the same time, getting these effects of dinosaurs from an entirely different kind of motion picture genre to look believable to audiences." ("Jurassic Park: Still the Best Use of CGI in a Movie", David Crow, Den of Geek, 2019) P.S: On this day, 33 years ago, "Jurassic Park" (1993) premiered in Washington, D.C, USA.

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The cut DDR 3rd Mix song Total Recall. Byul sacrificed its position on the songlist for this. All graphics and chart files were already in the game data on the filesystem so it was just a matter of changing the music database entry and swapping out the MP3s on the CD.

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Chris Finch on the Anthony Edwards and Julius Randle pairing this season “I hoped that it would be a little bit better. There’s no basketball reason why we shouldn’t be able to be a little bit better there. I think they kind of both play in the same rhythm, but I feel like it kind of feels like it’s maybe ‘your turn-my turn’ a bit rather than having like a two-man game such as Denver has with Murray and Jokic, but they both have the ability to create for each other, which I think came and went at times. I think that could’ve been a little bit more consistent, but I don’t think it’s a bad fit... But yeah, they both kind of play fairly ball-dominant. They like to create a lot of their own offense, and that sometimes makes it a bit of a tough partnership just because you’ve got to remember to also have that ability to keep the music playing as we like to say, keep the ball moving.”

Chris Finch on the Anthony Edwards and Julius Randle pairing this season “I hoped that it would be a little bit better. There’s no basketball reason why we shouldn’t be able to be a little bit better there. I think they kind of both play in the same rhythm, but I feel like it kind of feels like it’s maybe ‘your turn-my turn’ a bit rather than having like a two-man game such as Denver has with Murray and Jokic, but they both have the ability to create for each other, which I think came and went at times. I think that could’ve been a little bit more consistent, but I don’t think it’s a bad fit... But yeah, they both kind of play fairly ball-dominant. They like to create a lot of their own offense, and that sometimes makes it a bit of a tough partnership just because you’ve got to remember to also have that ability to keep the music playing as we like to say, keep the ball moving.”

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