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Macross: Scrambled Valkyrie (Winkysoft/1993) is a visually stunning and fast-paced 2D horizontal shoot 'em up for the Super Famicom. It stands out for pushing the hardware to its limits, offering gorgeous 16-bit graphics and smooth scaling effects. Remains Japan-exclusive primarily due to decades of international copyright gridlock, but can... show more

Dante retro dev 💾

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11,177 次观看 • 5 天前 •via X (Twitter)

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If I had to pick one of the greatest PC Engine games, this title simply can’t be left out: Castlevania: Rondo of Blood. Even considering that it was released in 1993, it’s still praised for its incredible level of polish, with outstanding graphics, sound, opening sequence, voice acting, controls, and multiple branching paths. The CD format played a huge role in making all of that possible, which naturally made it stand out compared to competing consoles at the time like the Super Famicom and Mega Drive. If you ever get the chance, it’s definitely a game worth playing at least once.

If I had to pick one of the greatest PC Engine games, this title simply can’t be left out: Castlevania: Rondo of Blood. Even considering that it was released in 1993, it’s still praised for its incredible level of polish, with outstanding graphics, sound, opening sequence, voice acting, controls, and multiple branching paths. The CD format played a huge role in making all of that possible, which naturally made it stand out compared to competing consoles at the time like the Super Famicom and Mega Drive. If you ever get the chance, it’s definitely a game worth playing at least once.

Gamer_lafan

31,791 次观看 • 1 个月前

If I had to pick Capcom’s greatest 2D beat ’em up, my choices would easily be Dungeons & Dragons: Shadow over Mystara and Alien vs. Predator. Capcom’s original beat ‘em ups are fantastic, but there’s something even more exciting about seeing the company work with iconic licensed franchises. The idea of humans and Predators joining forces to fight the Aliens is simply too good to fail. Everything about this game is top-notch—the graphics, sound, controls, and even its faithful recreation of the atmosphere from the films. It’s a true masterpiece of the genre. Sadly, because of licensing issues, it was never released on home consoles, making it one of Capcom’s most disappointing “what could have been” titles.

If I had to pick Capcom’s greatest 2D beat ’em up, my choices would easily be Dungeons & Dragons: Shadow over Mystara and Alien vs. Predator. Capcom’s original beat ‘em ups are fantastic, but there’s something even more exciting about seeing the company work with iconic licensed franchises. The idea of humans and Predators joining forces to fight the Aliens is simply too good to fail. Everything about this game is top-notch—the graphics, sound, controls, and even its faithful recreation of the atmosphere from the films. It’s a true masterpiece of the genre. Sadly, because of licensing issues, it was never released on home consoles, making it one of Capcom’s most disappointing “what could have been” titles.

Gamer_lafan

26,775 次观看 • 14 天前

Space Manbow for the MSX2 (Konami/1989). Considered one of the absolute greatest and most technically impressive shoot-'em-ups for the MSX2 computer. Built from the ground up for the hardware, it pushes the system to its limits and also has a stellar SCC/chip soundtrack. Originally a Japan-exclusive release, it was later digitally ported for the Wii Virtual Console in 2009 and is available on mobile platforms and Project EGG, as well as a minigame (first level) inside Ganbare Goemon DS (2005).

Space Manbow for the MSX2 (Konami/1989). Considered one of the absolute greatest and most technically impressive shoot-'em-ups for the MSX2 computer. Built from the ground up for the hardware, it pushes the system to its limits and also has a stellar SCC/chip soundtrack. Originally a Japan-exclusive release, it was later digitally ported for the Wii Virtual Console in 2009 and is available on mobile platforms and Project EGG, as well as a minigame (first level) inside Ganbare Goemon DS (2005).

Dante retro dev 💾

33,038 次观看 • 8 天前

Many have never seen chuck eyes for sale and the reason is that your meat cutters/butchers don't feel like carving them out of the chuck roasts. But I can show you how to spot them! Then you can carve them out yourself. The rest can be cooked in a crockpot and/or you can even cut up the Denver for steaks. The Denver is one of the most unknown and well marbled cuts of meat on the cow. The honeycomb marbling makes its juiciness unmatched. Cook it like you would any other steak.

Many have never seen chuck eyes for sale and the reason is that your meat cutters/butchers don't feel like carving them out of the chuck roasts. But I can show you how to spot them! Then you can carve them out yourself. The rest can be cooked in a crockpot and/or you can even cut up the Denver for steaks. The Denver is one of the most unknown and well marbled cuts of meat on the cow. The honeycomb marbling makes its juiciness unmatched. Cook it like you would any other steak.

Cary Kelly

1,750,044 次观看 • 8 个月前

JADE describes pushing for Pride Month to be celebrated in her hometown: “Me and my business played a part in trying to push for that. We’d been pushing for it for years. I think coming from a small, Northern, working-class town, it’s maybe been a bit behind on pushing LGBTQ+ projects, so we really really pushed for Pride. It didn’t happen until [2023], and it was only small but it meant the world. I got Stonewall involved, and in my bar we did some workshops. I can’t tell you how amazing it was to see young people in the community, whether that was with their parents or their friends – a couple of people were quite anxious and scared and literally came in on their own – and obviously we welcomed them in, and we held a workshop with Stonewall and taught them about the history [of Pride], and offered support. It was really special.”

JADE describes pushing for Pride Month to be celebrated in her hometown: “Me and my business played a part in trying to push for that. We’d been pushing for it for years. I think coming from a small, Northern, working-class town, it’s maybe been a bit behind on pushing LGBTQ+ projects, so we really really pushed for Pride. It didn’t happen until [2023], and it was only small but it meant the world. I got Stonewall involved, and in my bar we did some workshops. I can’t tell you how amazing it was to see young people in the community, whether that was with their parents or their friends – a couple of people were quite anxious and scared and literally came in on their own – and obviously we welcomed them in, and we held a workshop with Stonewall and taught them about the history [of Pride], and offered support. It was really special.”

JADE tea room ☕️

13,987 次观看 • 1 年前

** MEGA Parodius Scaling Effects Part 1 ** One of the big challenges with the Parodius Megadrive port is Stage 8's boss - The puffer-fish *Pooyan* with his full screen scaling effect. The goal is to be very close to the arcade (with extras on top ) so I thought lets tackle it head on to see how close we can get. I was also keen to jump into another scaling code rabit hole haha. Pyron pulled out all the stops and got me the source frames and reworked the BG tiles for this test - a big thankyou to him , Vector Orbitex is busy working on Stage 2 tracks so the team is working hard all round on this port. The MD has no sprite / background GFX scaling hardware , however the VDPs Vertical scroll can be updated per scanline to help vertical scaling on backgrounds, but there is a cpu cost to manage all the interupts so thats not free either. With the Horizontal scaling there is no help at all , apart from a semi-friendly packed pixel format for the cpu to work with, its not quite chunky format but better than planar format still for scaling. So its falls back to the 68k CPU to do all of the horizontal expansion which is the largest cpu cost. Basically drawing strips of either 1x, 2x, 3x or 4x wide columns at speed. So we are one week into this Boss's routine and you can see from the below video the horizontal scaling is implented ( vertical will be in the next update ) . We are scaling from 1x to 4x in the video below in 74 steps for testing . The column distributions are always a bit painfull to do - thankfully they are all worked out now. This is the third scaler I have built and the goal was with this one to make it really flexible for use in other projects also, sometimes when you optimise something to the last degree all the flexibility gets taken out of it. Currenty scaling at 12-25 FPS update here, I had some rules against some optimisations which I would use and some I wouldn't , thankfully we are a bit ahead of the Arcades animation frame rate here still and I may yet find optimisations that fit within the scope. We have vertical scaling and sprite spikes to add yet so Im hoping i can find a few more optimisations to offset things when they are implemented also. In a scale frame update we are processing close to 42000 pixels in ram before using DMA to send to VRAM . Using a 41x16 (656 tile scale buffer) - single buffered for now due to its size in VRAM. So thats nearly 21k in tiles ! I had to re-organise ram a bit to support a buffer of that size for the stage. The scaling function is written in 68k assembly , with a little C code handling the Vertical interupt code ( so the game logic can actually run & DMA updates etc ) . The DMA routines are in assembly also and customised for large chunk size ( big blocks of tiles ) which suits the scaler. I had some race conditions to sort out where the cpu was faster than DMA (sending tiles from RAM to VRAM ) and in some cases where it wasn't so it had to be balanced. We may be able to add more detail into the top and bottom of the background yet but its low priority for now until all the other bits are in !! #SGDK #SegaMegadrive #Genesis #Parodius

MEGA Parodius Scaling Effects Part 1 One of the big challenges with the Parodius Megadrive port is Stage 8's boss - The puffer-fish Pooyan with his full screen scaling effect. The goal is to be very close to the arcade (with extras on top ) so I thought lets tackle it head on to see how close we can get. I was also keen to jump into another scaling code rabit hole haha. Pyron pulled out all the stops and got me the source frames and reworked the BG tiles for this test - a big thankyou to him , Vector Orbitex is busy working on Stage 2 tracks so the team is working hard all round on this port. The MD has no sprite / background GFX scaling hardware , however the VDPs Vertical scroll can be updated per scanline to help vertical scaling on backgrounds, but there is a cpu cost to manage all the interupts so thats not free either. With the Horizontal scaling there is no help at all , apart from a semi-friendly packed pixel format for the cpu to work with, its not quite chunky format but better than planar format still for scaling. So its falls back to the 68k CPU to do all of the horizontal expansion which is the largest cpu cost. Basically drawing strips of either 1x, 2x, 3x or 4x wide columns at speed. So we are one week into this Boss's routine and you can see from the below video the horizontal scaling is implented ( vertical will be in the next update ) . We are scaling from 1x to 4x in the video below in 74 steps for testing . The column distributions are always a bit painfull to do - thankfully they are all worked out now. This is the third scaler I have built and the goal was with this one to make it really flexible for use in other projects also, sometimes when you optimise something to the last degree all the flexibility gets taken out of it. Currenty scaling at 12-25 FPS update here, I had some rules against some optimisations which I would use and some I wouldn't , thankfully we are a bit ahead of the Arcades animation frame rate here still and I may yet find optimisations that fit within the scope. We have vertical scaling and sprite spikes to add yet so Im hoping i can find a few more optimisations to offset things when they are implemented also. In a scale frame update we are processing close to 42000 pixels in ram before using DMA to send to VRAM . Using a 41x16 (656 tile scale buffer) - single buffered for now due to its size in VRAM. So thats nearly 21k in tiles ! I had to re-organise ram a bit to support a buffer of that size for the stage. The scaling function is written in 68k assembly , with a little C code handling the Vertical interupt code ( so the game logic can actually run & DMA updates etc ) . The DMA routines are in assembly also and customised for large chunk size ( big blocks of tiles ) which suits the scaler. I had some race conditions to sort out where the cpu was faster than DMA (sending tiles from RAM to VRAM ) and in some cases where it wasn't so it had to be balanced. We may be able to add more detail into the top and bottom of the background yet but its low priority for now until all the other bits are in !! #SGDK #SegaMegadrive #Genesis #Parodius

Shannon Birt

25,545 次观看 • 6 个月前

The new Ion Core streak in Zombies is pretty cool. It pulses a total of 4 times. It does about 5% of the Round Zombie Health for about 10 Seconds per pulse. It's capable of clearing multiple entire hordes if you don't damage them at all. But possible to get even more if you're actively shooting the zombies too. (I got ~80 kills by just using it and not damaging zombies myself, which is spot-on two hordes worth of zombies) The range is insane. Easily able to reach both ends of the street here in Paradox Junction. I think this could be great for certain Easter Egg steps like the Farm Trial in Ashes, either defense waves in Astra, or the defense phases in the boss fight of Paradox. Really cool addition to the sandbox. Something more than just "point and shoot". Could be a bit stronger, maybe last longer, and/or do a bit more damage. But overall, this is really interesting!

The new Ion Core streak in Zombies is pretty cool. It pulses a total of 4 times. It does about 5% of the Round Zombie Health for about 10 Seconds per pulse. It's capable of clearing multiple entire hordes if you don't damage them at all. But possible to get even more if you're actively shooting the zombies too. (I got ~80 kills by just using it and not damaging zombies myself, which is spot-on two hordes worth of zombies) The range is insane. Easily able to reach both ends of the street here in Paradox Junction. I think this could be great for certain Easter Egg steps like the Farm Trial in Ashes, either defense waves in Astra, or the defense phases in the boss fight of Paradox. Really cool addition to the sandbox. Something more than just "point and shoot". Could be a bit stronger, maybe last longer, and/or do a bit more damage. But overall, this is really interesting!

Doughnuts

64,986 次观看 • 3 个月前

Street Fighter II was a massive hit in arcades, but even before that, Final Fight was already incredibly popular. At the time, rumors were circulating that the game would be ported to PC, so when it was suddenly announced for the Super Famicom, it came as a huge shock. Although Guy was missing and two-player co-op wasn’t supported, the mere fact that we could play Final Fight at home felt like a blessing in itself. Looking back now, the Super Famicom version was released in December 1990, when the system’s maximum cartridge size was 8 megabits (1 megabyte). Considering that the arcade version had more than twice that amount of data, it seems clear that these limitations led to those difficult compromises. Beat ’em up games were already popular in arcades before Final Fight, but after its release, the genre truly boomed, eventually leading to Capcom’s finest belt-scrolling action titles—culminating in Dungeons & Dragons, the pinnacle of their beat ’em up legacy.

Street Fighter II was a massive hit in arcades, but even before that, Final Fight was already incredibly popular. At the time, rumors were circulating that the game would be ported to PC, so when it was suddenly announced for the Super Famicom, it came as a huge shock. Although Guy was missing and two-player co-op wasn’t supported, the mere fact that we could play Final Fight at home felt like a blessing in itself. Looking back now, the Super Famicom version was released in December 1990, when the system’s maximum cartridge size was 8 megabits (1 megabyte). Considering that the arcade version had more than twice that amount of data, it seems clear that these limitations led to those difficult compromises. Beat ’em up games were already popular in arcades before Final Fight, but after its release, the genre truly boomed, eventually leading to Capcom’s finest belt-scrolling action titles—culminating in Dungeons & Dragons, the pinnacle of their beat ’em up legacy.

Gamer_lafan

21,159 次观看 • 5 个月前

REPORTER: “You've had a deep faith for God and country…. What is your hope for America at a time such as this?” SECRETARY RUBIO: "My hope for America? It's the same as it's always been. I think it's the hope we all share. We want it to continue to be the place where anyone from anywhere can achieve anything — where you're not limited by the circumstances of your birth, the color of your skin, or your ethnicity." “But frankly, it's a place where you are able to overcome challenges and achieve your full potential. I think that should be the goal of every country in the world, frankly. “But I think in the U.S. we're not perfect. Our history is not one of perfection, but it's still better than anybody else's history.” "It is a unique and exceptional country. And as we come upon this 250 year anniversary, I think we have a lot to learn and be proud of in our history. It is one of perpetual and continuous improvement, where each generation has done its part to bring us closer to fulfilling the vision that the founders of this country had upon its founding."

REPORTER: “You've had a deep faith for God and country…. What is your hope for America at a time such as this?” SECRETARY RUBIO: "My hope for America? It's the same as it's always been. I think it's the hope we all share. We want it to continue to be the place where anyone from anywhere can achieve anything — where you're not limited by the circumstances of your birth, the color of your skin, or your ethnicity." “But frankly, it's a place where you are able to overcome challenges and achieve your full potential. I think that should be the goal of every country in the world, frankly. “But I think in the U.S. we're not perfect. Our history is not one of perfection, but it's still better than anybody else's history.” "It is a unique and exceptional country. And as we come upon this 250 year anniversary, I think we have a lot to learn and be proud of in our history. It is one of perpetual and continuous improvement, where each generation has done its part to bring us closer to fulfilling the vision that the founders of this country had upon its founding."

Fox News

335,769 次观看 • 2 个月前

I’m feeling a bit nostalgic today. I was a 70s girl and an 80s teen. My daily life consisted of softball, pitching lessons, and squabbling with my sisters once in a while. I had complete freedom and didn’t even know it. I didn’t have to ask to go out to play or hang out with my friends. I could take the bus to the mall and come home by 6 and my parents had no idea if I was okay or not. The neighbors all looked out for each other and you better not mouth off to them or your parents will hear about it. No cell phones, computers, or Uber. We were thinner because we walked or rode our bikes everywhere and fast food actually had food in it. I miss it. 😢

I’m feeling a bit nostalgic today. I was a 70s girl and an 80s teen. My daily life consisted of softball, pitching lessons, and squabbling with my sisters once in a while. I had complete freedom and didn’t even know it. I didn’t have to ask to go out to play or hang out with my friends. I could take the bus to the mall and come home by 6 and my parents had no idea if I was okay or not. The neighbors all looked out for each other and you better not mouth off to them or your parents will hear about it. No cell phones, computers, or Uber. We were thinner because we walked or rode our bikes everywhere and fast food actually had food in it. I miss it. 😢

NukeTaco ™️🇺🇸

89,113 次观看 • 5 个月前

ELON: THE PEOPLE SHOULD DECIDE WHAT'S IMPORTANT, NOT A HANDFUL OF EDITORS "I don't think there should be a gatekeeping function by a small number of individuals. For newspapers in America, there are about five editors that decide what gets put on the front page, or what to focus on, or what not to focus on. And most of the other papers just copy them, essentially. But is that really what we want? Do we want a handful of people deciding what they think is important? Or should it be the people who decide what's important? And I think it should be sort of an organic thing, where the people decide what's important and what to focus on, not just a handful of editors. They don't like the fact that this power has been taken away from them. But I think it should be." Source: European Jewish Association, January 2024

ELON: THE PEOPLE SHOULD DECIDE WHAT'S IMPORTANT, NOT A HANDFUL OF EDITORS "I don't think there should be a gatekeeping function by a small number of individuals. For newspapers in America, there are about five editors that decide what gets put on the front page, or what to focus on, or what not to focus on. And most of the other papers just copy them, essentially. But is that really what we want? Do we want a handful of people deciding what they think is important? Or should it be the people who decide what's important? And I think it should be sort of an organic thing, where the people decide what's important and what to focus on, not just a handful of editors. They don't like the fact that this power has been taken away from them. But I think it should be." Source: European Jewish Association, January 2024

Mario Nawfal

12,668,082 次观看 • 1 年前

This is the reality of our country. We preach family values and go on to call our daughters bhosdiwali and madarchod. Notice how she doesn’t even flinch when she hears those words. She hears them everyday. That’s why. It doesn’t matter if she knows or doesn’t know the meaning. The point is she is already numb to hearing them. It is already normalized for her to be called these words. All the people who said I was wrong for saying that little girls are called randi by their parents were simply privileged and tone deaf for blaming me. This is the reality of our country. The more we ignore it, the more it continues. If you want it to stop, TALK about it. I put multiple screenshots of girls being called randi in my video. But people just dismissed me and made me the villain. Stop being in denial. If you love India, you have to fix the problems that exist in it.

This is the reality of our country. We preach family values and go on to call our daughters bhosdiwali and madarchod. Notice how she doesn’t even flinch when she hears those words. She hears them everyday. That’s why. It doesn’t matter if she knows or doesn’t know the meaning. The point is she is already numb to hearing them. It is already normalized for her to be called these words. All the people who said I was wrong for saying that little girls are called randi by their parents were simply privileged and tone deaf for blaming me. This is the reality of our country. The more we ignore it, the more it continues. If you want it to stop, TALK about it. I put multiple screenshots of girls being called randi in my video. But people just dismissed me and made me the villain. Stop being in denial. If you love India, you have to fix the problems that exist in it.

awkwardgoat3 🐐

55,816 次观看 • 8 个月前

🚨NEW: Chris Murphy calls for NATIONWIDE street protests — says the “protests” in LA are “pretty small." And, of course, he blames Trump. Pretty clear to see where this is going: “My first message is to keep it peaceful. This is a moment where we have to be on the streets all over the country to protest what's happening to our immigrant community." "This is the most corrupt administration in the history of the country, and we are going to rise to this moment by being out there on the streets." "I think the country sees what Donald Trump is trying to do here. He's looking for a fight. There's nothing in what he is doing that is about peace or about restoring order." “He's trying to turn a protest that is pretty small into something that involves an even bigger confrontation."

🚨NEW: Chris Murphy calls for NATIONWIDE street protests — says the “protests” in LA are “pretty small." And, of course, he blames Trump. Pretty clear to see where this is going: “My first message is to keep it peaceful. This is a moment where we have to be on the streets all over the country to protest what's happening to our immigrant community." "This is the most corrupt administration in the history of the country, and we are going to rise to this moment by being out there on the streets." "I think the country sees what Donald Trump is trying to do here. He's looking for a fight. There's nothing in what he is doing that is about peace or about restoring order." “He's trying to turn a protest that is pretty small into something that involves an even bigger confrontation."

Western Lensman

451,882 次观看 • 1 年前

Q : what do you think is the most difficult challenge you have faced this year that has made you stronger after a long time? #CHANYEOL : "wouldn't it be my 2nd album and my japan debut album? i prepared 12 songs at the same period of time, but to be honest, i don't consider it a difficult challenge because i really had fun working on them.. ah!! i do have one! a challenge i faced this year that made me stronger.. for me, it's git it up! git it up! was it february? ah, january! at the start of january. suho hyung and i did the git it up stage together at smtown. i think it was really a difficult challenge because we never had the chance to perform as EXO, just the two of us. i really had a lot of worries. but our performance was given so much love, many people liked it. it made me feel really good and gave me the motivation to keep on showing even more different sides of me in the future!"

Q : what do you think is the most difficult challenge you have faced this year that has made you stronger after a long time? #CHANYEOL : "wouldn't it be my 2nd album and my japan debut album? i prepared 12 songs at the same period of time, but to be honest, i don't consider it a difficult challenge because i really had fun working on them.. ah!! i do have one! a challenge i faced this year that made me stronger.. for me, it's git it up! git it up! was it february? ah, january! at the start of january. suho hyung and i did the git it up stage together at smtown. i think it was really a difficult challenge because we never had the chance to perform as EXO, just the two of us. i really had a lot of worries. but our performance was given so much love, many people liked it. it made me feel really good and gave me the motivation to keep on showing even more different sides of me in the future!"

NLNL 🍒🤟

34,603 次观看 • 8 个月前

Who remembers this classic shooter from 35 years ago? SWIV (or "Silkworm IV" as called by some) from 1991. Graphics and sound effects were excellent for its time. But what I liked the most was that you could toggle through the power ups by shooting at them when they dropped. It added some extra fun and complexity, it allowed you to really improve (or mess up!) your weapons path. The game was considered a spiritual successor to Tecmo's arcade game Silkworm from 1989. The game's heritage is evident from the game design whereby one player pilots a helicopter, and the other an armoured Jeep. SWIV is not an official sequel, as noted by ex-Sales Curve producer Dan Marchant: "SWIV wasn't really a sequel to Silkworm, but it was certainly inspired by it and several other shoot-'em-ups that we had played and loved." If you listen closely to the sound effects, you will definitely hear a resemblance to "Silkworm." Sometimes I would just let the intro run endlessly - the music was simply too good!

Who remembers this classic shooter from 35 years ago? SWIV (or "Silkworm IV" as called by some) from 1991. Graphics and sound effects were excellent for its time. But what I liked the most was that you could toggle through the power ups by shooting at them when they dropped. It added some extra fun and complexity, it allowed you to really improve (or mess up!) your weapons path. The game was considered a spiritual successor to Tecmo's arcade game Silkworm from 1989. The game's heritage is evident from the game design whereby one player pilots a helicopter, and the other an armoured Jeep. SWIV is not an official sequel, as noted by ex-Sales Curve producer Dan Marchant: "SWIV wasn't really a sequel to Silkworm, but it was certainly inspired by it and several other shoot-'em-ups that we had played and loved." If you listen closely to the sound effects, you will definitely hear a resemblance to "Silkworm." Sometimes I would just let the intro run endlessly - the music was simply too good!

exQUIZitely 🕹️

22,889 次观看 • 2 个月前

First Impression About Neverness To Everness CBT This will be a long or short one and I mostly have plenty of good to say about the game so far and some bad. First I want to get out the way: Graphics In short, we already know its good! But this is definitely playing some part on performance on my end and it wasn't entirely bad experience at all just some fps drops here and there but its playable and 90% of time it was smooth so the performance issues is a easy fix (apart from some I've seen have already started having crash issues so it'll be different for all of us depending on your specs) I'm well in range of the specs so if I'm having some small issues that mean whoever has worse specs will have it worse. Performance/Optimizing the game etc is not something that should be ignored anyway and most of the time developers of recent time feel like they don't care about improving it, I hope NTE by release or during the test will fix the issues by then (crash problems etc + its day one of the test anyway) Second: Combat Just like wuthering waves, the games combat is fun (I still think it can benefit more on having more effects/impact frames etc to really nail the combat experience...) I know people have compared some characters to WuWa characters as "plagirism" but most part alot of characters in the game have their own charm and uniqueness to the combat The boss enemies also may have some unpredictable patterns and can put alot of pressure or aggression on you but isn't exactly too hard thankfully! But its still great because I like how fast pace and intense the fightings are when your in the boss fights Common enemies don't have much going on for them. Third: Story Unlike Genshin and Wuthering Waves the story for NTE or Neverness to Everness is actually more "Human" one of my viewers described it as and I actually agree, I'm not saying WuWa nor Genshin storytelling is bad but the way NTE tells its story is more morden and you can easily be engaged with it and understand everything clearly! The story is also pretty goofy and just like zenless they have great animations and (VERY) expressive with their animations which makes for great overall experience and I prefer this storytelling the most out of other games. (this is a personal preference) The gacha system is some sort of board game but the game gacha is F2P friendly?(For now for what I've seen) and there's no 50/50.. I was also almost able to max out alot of characters that aren't S rank in almost a day too Thats all so far, I'm still experiencing more as I go but this sums up my 5 hours so far into the game on stream and would love to see y'all in the next stream tomorrow. After I reach 50 hours or more I will do a video in conclusion about the game and what more I would love to see. TDLR: The game is good/great don't worry, just some small stuff that can make it better or some stuff that need fixing (despite the combat plagirism drama that was going on)

First Impression About Neverness To Everness CBT This will be a long or short one and I mostly have plenty of good to say about the game so far and some bad. First I want to get out the way: Graphics In short, we already know its good! But this is definitely playing some part on performance on my end and it wasn't entirely bad experience at all just some fps drops here and there but its playable and 90% of time it was smooth so the performance issues is a easy fix (apart from some I've seen have already started having crash issues so it'll be different for all of us depending on your specs) I'm well in range of the specs so if I'm having some small issues that mean whoever has worse specs will have it worse. Performance/Optimizing the game etc is not something that should be ignored anyway and most of the time developers of recent time feel like they don't care about improving it, I hope NTE by release or during the test will fix the issues by then (crash problems etc + its day one of the test anyway) Second: Combat Just like wuthering waves, the games combat is fun (I still think it can benefit more on having more effects/impact frames etc to really nail the combat experience...) I know people have compared some characters to WuWa characters as "plagirism" but most part alot of characters in the game have their own charm and uniqueness to the combat The boss enemies also may have some unpredictable patterns and can put alot of pressure or aggression on you but isn't exactly too hard thankfully! But its still great because I like how fast pace and intense the fightings are when your in the boss fights Common enemies don't have much going on for them. Third: Story Unlike Genshin and Wuthering Waves the story for NTE or Neverness to Everness is actually more "Human" one of my viewers described it as and I actually agree, I'm not saying WuWa nor Genshin storytelling is bad but the way NTE tells its story is more morden and you can easily be engaged with it and understand everything clearly! The story is also pretty goofy and just like zenless they have great animations and (VERY) expressive with their animations which makes for great overall experience and I prefer this storytelling the most out of other games. (this is a personal preference) The gacha system is some sort of board game but the game gacha is F2P friendly?(For now for what I've seen) and there's no 50/50.. I was also almost able to max out alot of characters that aren't S rank in almost a day too Thats all so far, I'm still experiencing more as I go but this sums up my 5 hours so far into the game on stream and would love to see y'all in the next stream tomorrow. After I reach 50 hours or more I will do a video in conclusion about the game and what more I would love to see. TDLR: The game is good/great don't worry, just some small stuff that can make it better or some stuff that need fixing (despite the combat plagirism drama that was going on)

Aruzien

55,067 次观看 • 1 年前

CNBC’s Andrew Ross Sorkin: “We just said the [Washington Post] laid off about 30% of its staff and there’s a lot of people out there who said, Jeff’s super wealthy, he’s talked about this being a public trust, it’s something that he bought early on, how much do you care about that piece of it? Why lay people up? Why fire people? Why are you subsidizing the business…” Jeff Bezos: “Because The Post needs to be a profitable enterprise that stands on its own two feet.” “What I told them, when we were planning those layoffs, I didn’t pick who was going to be laid off or which departments. I said, follow the data. Follow the data. And I said, there’s one exception to this. Don’t follow the data on investigative reporting. The heart of The Post is investigative reporting, and guess what? Our newsroom today, even after the layoffs, is still larger than when we did Watergate and the Pentagon Papers. And we just won the Pulitzer Prize for public service, the most prestigious Pulitzer for our investigation in the DOGE.” “The Post is going to continue to be an important institution. In fact, it’s going to be a more important institution because of this financial discipline. It needs to be relevant to readers. It needs stand on its own two feet. I don’t want it to be a charity. It doesn’t need to be and it shouldn’t be.” Andrew Ross Sorkin: “Do you want to own it?” Jeff Bezos: “Yes, my vision is still to make sure The Post is a, when I bought The Post, it was very unprofitable when I brought it. The newsroom was even smaller than it is today. We turned it around in two years, it was profitable for six years. I put all that money back in The Post and grew the newsroom, so we’ve shrunk it back some now. But we haven’t shrunk it back to what it was when I bought it.”

CNBC’s Andrew Ross Sorkin: “We just said the [Washington Post] laid off about 30% of its staff and there’s a lot of people out there who said, Jeff’s super wealthy, he’s talked about this being a public trust, it’s something that he bought early on, how much do you care about that piece of it? Why lay people up? Why fire people? Why are you subsidizing the business…” Jeff Bezos: “Because The Post needs to be a profitable enterprise that stands on its own two feet.” “What I told them, when we were planning those layoffs, I didn’t pick who was going to be laid off or which departments. I said, follow the data. Follow the data. And I said, there’s one exception to this. Don’t follow the data on investigative reporting. The heart of The Post is investigative reporting, and guess what? Our newsroom today, even after the layoffs, is still larger than when we did Watergate and the Pentagon Papers. And we just won the Pulitzer Prize for public service, the most prestigious Pulitzer for our investigation in the DOGE.” “The Post is going to continue to be an important institution. In fact, it’s going to be a more important institution because of this financial discipline. It needs to be relevant to readers. It needs stand on its own two feet. I don’t want it to be a charity. It doesn’t need to be and it shouldn’t be.” Andrew Ross Sorkin: “Do you want to own it?” Jeff Bezos: “Yes, my vision is still to make sure The Post is a, when I bought The Post, it was very unprofitable when I brought it. The newsroom was even smaller than it is today. We turned it around in two years, it was profitable for six years. I put all that money back in The Post and grew the newsroom, so we’ve shrunk it back some now. But we haven’t shrunk it back to what it was when I bought it.”

RedWave Press

50,354 次观看 • 2 个月前

** SEGA GENESIS / MEGADRIVE Software Scaling + Rotation *** Sega Megadrive can't scale backgrounds and rotate sprites in software at the same time ?? - hold my beer !! After Scaling I've been tinkering with Rotating sprites in software and I think it looks pretty sweet ! In the video 4 * 32x32 sprites are rotated through 64 steps at 30 FPS in software, it could be 60 FPS and more rotating objects if we were not doing the scaling at the same time but even blast processing has its limits ;-) Rotation at 30 FPS is far smoother than you typcially see in even in pre-rendered rotations anyhow ( a 64 frame 32x32 rotation is 32kb - not small ). Challenges were make it fast : very fast as this needs to work at pixel level, not double pixel like scaling. The megadrives packed pixel format (2 pixels per byte) makes that a little bit tricky . When I started the algorithm was 3x slower than now. Make it sensible : has to be usable in game , had to present a rom size reduction over pre-rendered animation. Make it flexible : so we can rotate frames in the background using up idle cycles (end of frame) and store those frames to vram for very heavy cpu scenes, so we can still have very smooth rotation with very heavy cpu demands still. Thanks to my team Carsten666 for the GFX and CYBERDEOUS - Crouzet Laurent for the marvelous tune. #SegaGenesis #SegaMegadrive #SGDK

SEGA GENESIS / MEGADRIVE Software Scaling + Rotation * Sega Megadrive can't scale backgrounds and rotate sprites in software at the same time ?? - hold my beer !! After Scaling I've been tinkering with Rotating sprites in software and I think it looks pretty sweet ! In the video 4 * 32x32 sprites are rotated through 64 steps at 30 FPS in software, it could be 60 FPS and more rotating objects if we were not doing the scaling at the same time but even blast processing has its limits ;-) Rotation at 30 FPS is far smoother than you typcially see in even in pre-rendered rotations anyhow ( a 64 frame 32x32 rotation is 32kb - not small ). Challenges were make it fast : very fast as this needs to work at pixel level, not double pixel like scaling. The megadrives packed pixel format (2 pixels per byte) makes that a little bit tricky . When I started the algorithm was 3x slower than now. Make it sensible : has to be usable in game , had to present a rom size reduction over pre-rendered animation. Make it flexible : so we can rotate frames in the background using up idle cycles (end of frame) and store those frames to vram for very heavy cpu scenes, so we can still have very smooth rotation with very heavy cpu demands still. Thanks to my team Carsten666 for the GFX and CYBERDEOUS - Crouzet Laurent for the marvelous tune. #SegaGenesis #SegaMegadrive #SGDK

Shannon Birt

19,378 次观看 • 1 年前

Did you play this New Zealand Amiga game? Skidmarks on the Commodore Amiga (1993)Skidmarks is a top-down isometric racing game developed by Acid Software and released in 1993 for the Amiga (OCS/ECS models like A500 and A1200). Key features: - Fast-paced racing with realistic drifting and skid physics — cars leave visible skidmark trails on the tracks. - Variety of vehicles, each with different handling (e.g., fast sports cars, sturdy 4x4s). - Multiple tracks featuring hazards like oil slicks, ramps, and jumps. - Supports up to 4 players: split-screen for 2 players, or full-screen Micro Machines-style view for 4 players using parallel port joystick adapters. - Two Amigas can be linked via null-modem cable for head-to-head races (up to 4 players total). - No in-race music, but strong sound effects including engine noises. The game was programmed in Blitz Basic by a small team in New Zealand called Acid Software. Acid was founded by a tight-knit team including programmer Mark Sibly, who used Blitz Basic to craft the games. Skid Marks was praised for its smooth performance and multiplayer fun on standard Amiga hardware. Amiga Format magazine rated it 90% "I would sum up Skidmarks by saying it's fast, furious and fun", and CU Amiga magazine called it "...one of the most instantly playable game I have ever played" Did you link up 2 Amigas to play Skid Marks with mates?

Did you play this New Zealand Amiga game? Skidmarks on the Commodore Amiga (1993)Skidmarks is a top-down isometric racing game developed by Acid Software and released in 1993 for the Amiga (OCS/ECS models like A500 and A1200). Key features: - Fast-paced racing with realistic drifting and skid physics — cars leave visible skidmark trails on the tracks. - Variety of vehicles, each with different handling (e.g., fast sports cars, sturdy 4x4s). - Multiple tracks featuring hazards like oil slicks, ramps, and jumps. - Supports up to 4 players: split-screen for 2 players, or full-screen Micro Machines-style view for 4 players using parallel port joystick adapters. - Two Amigas can be linked via null-modem cable for head-to-head races (up to 4 players total). - No in-race music, but strong sound effects including engine noises. The game was programmed in Blitz Basic by a small team in New Zealand called Acid Software. Acid was founded by a tight-knit team including programmer Mark Sibly, who used Blitz Basic to craft the games. Skid Marks was praised for its smooth performance and multiplayer fun on standard Amiga hardware. Amiga Format magazine rated it 90% "I would sum up Skidmarks by saying it's fast, furious and fun", and CU Amiga magazine called it "...one of the most instantly playable game I have ever played" Did you link up 2 Amigas to play Skid Marks with mates?

Commodore Computer Museum 🕹

34,793 次观看 • 7 个月前

Happy birthday, Bubble Bobble! It was released exactly 40 years ago today, on June 16, 1986. The arcade version was absolutely brilliant, being one of the first games to have a coop-multiplayer option. It was also one of the the most ported arcade games in history, with over 20 ports to home computers and consoles, including even the legendary TI-84 Plus (primarily a calculator). The port that got the highest praise and came closest to the original arcade experience was the C64 version. Excellent graphics, one of the most recognizable tunes , and great gameplay make Bubble Bobble a timeless classic. My brother and I played the crap out of this one back in the day, and we still load it up on my old C64 when he comes for a visit. It's like riding a bike, you never forget how to play Bubble Bobble.

Happy birthday, Bubble Bobble! It was released exactly 40 years ago today, on June 16, 1986. The arcade version was absolutely brilliant, being one of the first games to have a coop-multiplayer option. It was also one of the the most ported arcade games in history, with over 20 ports to home computers and consoles, including even the legendary TI-84 Plus (primarily a calculator). The port that got the highest praise and came closest to the original arcade experience was the C64 version. Excellent graphics, one of the most recognizable tunes , and great gameplay make Bubble Bobble a timeless classic. My brother and I played the crap out of this one back in the day, and we still load it up on my old C64 when he comes for a visit. It's like riding a bike, you never forget how to play Bubble Bobble.

exQUIZitely 🕹️

17,530 次观看 • 1 个月前