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Excited to share a new vibe coded prototype: an interactive lesson on ants and their habitat, designed for elementary school students. AI allowed me to finalize this demo quickly. Some educational details still need review, but the main chambers of an anthill are all represented. Everything was made in... show more

Joseph Azar

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19,890 views • 2 months ago •via X (Twitter)

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Wild what's possible now: I can ship a 3D experience prototype to a museum in a single afternoon. Everything coded and generated with Omma, leveraging AI to iterate fast. 3D models generated in Omma. Scene built on top of Three.js. Prompted for dissolving shaders + particle systems?

Wild what's possible now: I can ship a 3D experience prototype to a museum in a single afternoon. Everything coded and generated with Omma, leveraging AI to iterate fast. 3D models generated in Omma. Scene built on top of Three.js. Prompted for dissolving shaders + particle systems?

Joseph Azar

93,485 views • 2 months ago

Introducing Omma Studio, a full suite of AI tools to generate 3d, video/image, and audio with SOTA models. Everything made in Studio can integrate directly with your Omma's chat code projects to deploy/publish to the web. Content can be generated in parallel alongside your code generation in Omma, too. Studio -> Code -> Deploy

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Omma AI

22,864 views • 2 months ago

Still experimenting with hand tracking 🖐️ using a webcam and the dear Carlo. The 3D model was generated from a single image in Omma AI Studio, and I remixed an Octopus demo to take advantage of the physics simulation. Building with AI these days is so much fun. Music also generated from the Studio (Fan Art) #threeJS

Still experimenting with hand tracking 🖐️ using a webcam and the dear Carlo. The 3D model was generated from a single image in Omma AI Studio, and I remixed an Octopus demo to take advantage of the physics simulation. Building with AI these days is so much fun. Music also generated from the Studio (Fan Art) #threeJS

Joseph Azar

74,357 views • 1 month ago

working on some simulated corals reefs using #tsl compute shaders, I think I got the simulation somehow right. I vibe-coded this in Omma AI, it was useful for the prototype to generate the models as well with a prompt. I am trying to replicate the anemone whre the clown fish lives, will need some more polish on the rendering then we're there ✌️

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Marco Fugaro

28,341 views • 2 months ago

Explore the shallow seas as a stingray, vibe coded on ThreeJs using Cursor. I made a similar game more than a year ago, but I hit a roadblock because the models back then (I think I was using Sonnet 3.5) struggled with handling 3D models, but now, it's a different story. All 3D models were made with Tripo3D and I was able to put this together in less than 8 hours worth of work. I mainly used Composer 2.5 and Opus 4.8 to make this. Will try to find the original game I made a while ago and put it into the replies section.

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35,197 views • 2 months ago

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18,218 views • 2 months ago

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TechHalla

28,396 views • 7 months ago

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Martin Nebelong

48,259 views • 2 years ago

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𝔹𝕃𝕍ℂ𝕂𝕃!𝔾ℍ𝕋

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SCOTTY BEAM

17,209 views • 2 months ago

My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare

My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare

Chikai

21,517 views • 2 years ago

I've been working on web projects with Three.js more and more lately — 2D, 3D, XR — and the one thing I've noticed is the lack of tools compared to game engines. That's why I decided to start building on the side a library of 3D assets that are actually little programs, AI-native, and fully customizable. I called this Polyfork , and it's already being used by dozens of people that have an AI centric workflow, since the website can be fully understood and used by agents. Assets are being built each day, at a rate of 100+ a week, and I'm planning to make it the biggest programmatic-3D library on the internet. Almost half of the models are free, and I opened slots for "founding" members, who can make a one-time payment for lifetime access, with access to all current models and kits, plus everything built from now on. Get one before they run out.

I've been working on web projects with Three.js more and more lately — 2D, 3D, XR — and the one thing I've noticed is the lack of tools compared to game engines. That's why I decided to start building on the side a library of 3D assets that are actually little programs, AI-native, and fully customizable. I called this Polyfork , and it's already being used by dozens of people that have an AI centric workflow, since the website can be fully understood and used by agents. Assets are being built each day, at a rate of 100+ a week, and I'm planning to make it the biggest programmatic-3D library on the internet. Almost half of the models are free, and I opened slots for "founding" members, who can make a one-time payment for lifetime access, with access to all current models and kits, plus everything built from now on. Get one before they run out.

Lucas Martinic

25,084 views • 10 days ago