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FINALLY Able To Sit On Vector! #PROLAPSE4LYFE #baddragon #hugedildo #prolapse #gape #anal #hardcore #hardcoreporn #rosebutt #fetish #solo #fisting

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Neptune

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23,950 views • 2 months ago •via X (Twitter)

NSFW#PROLAPSE4LYFE#baddragon#hugedildo#prolapse#gape#anal#hardcore#hardcoreporn#rosebutt#fetish#solo#fisting
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Jimi Hendrix performing a dazzling solo during a show in Stockholm in 1969. For over 40+ years, this footage was thought to be nonexistent. In 2018, after many years, the footage was finally released in its entirety. For the first time, fans were able to see The Experience playing a short, yet highly efficient, set for all the fans in Sweden. Hendrix particularly is on fire here - delivering a high intensity solo with the usual bag of tricks he brought to the table. The event was not meant to have been preserved at all. As Catarina Wilson of Sweden’s public television station SVT explained to the BBC, the tape should have been erased and reused because the station couldn’t afford to keep so much raw footage. Some technician at the station likely realized its value and stashed it away. Since it was unlabeled, the footage sat forgotten on the shelf for 35 years, until a team undertook a project of transferring archival material to digital and discovered the full Hendrix gig. The band played with flawless precision, ripping through all of the hits that made Hendrix a household name. The set included Killing Floor, Spanish Castle Magic, Fire, Hey Joe, Voodoo Child (Slight Return), Red House, and Sunshine Of Your Love. Enjoy! #JimiHendrix

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Admin Post: They're finally plowing our street!! Of course there's no way I'm going to skip this opportunity to do some desensitization work with Kenji. He's a very confident puppy but those plows are big and loud. From a distance they didn't bother him but as they approached the driveway he became visibly nervous. Asking him to sit and watch isn't going to help that. Neither is retreating back into the house. Instead we move a few feet back and play a game of hand targets (I hold my hand out in various positions, changing from high to low and left to right, and when cued, he pushes it with his nose) and toss his treat a few feet away he does it. He also gets paid for eye contact so when he focuses on me he gets a reward. He still watches, but he's no longer fixated on it. He offers eye contact and will stop watching it when cued for a "push". The little "wins" of getting the reward are a huge confidence builder in an uncomfortable environment. Much more than just having him stand there being fed to keep him distracted from the uncomfortable stimuli. If he can't do a hand target on cue and isn't checking in with eye contact even when his name is said, he isn't choosing to ignore me. It means the situation is too stimulating for him so we back up to give him more space. Confidence isn't approaching big scary things (or even small scary things) barking and acting like we'll chase them away or eat them. The majority of the time dogs exhibit that behavior, it's fear based. Confidence is being able to function and not become overwhelmed in situations that are different and sometimes uncomfortable. That's our goal. And on that note, I can finally get out of the driveway to get tomatoes!

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Matt Ebert was an average teenager from the Midwest when he wrecked his parent’s car, learned how to fix it, got hired to work in a garage, wrecked another car, fixed that one, opened up his own garage, and went on to launch Crash Champions, a national chain of auto-body repair shops in 38 states with over 650 locations currently worth $3 billion. I met Matt last year in Atlanta, where I was speaking at the annual Skills USA competition. Matt was there to recruit the most promising competitors right off the competition floor and get them started with an AI-proof (for now, anyway) six-figure job. (He employs 11,000 and could easily hire hundreds more today.) He was not there to buy me and my crew dinner, but when he saw us in the hotel restaurant, he couldn’t help himself. He left before I could thank him, but I tracked him down the next day and expressed my gratitude. “It’s the least I can do, Mike Rowe. I loved Dirty Jobs, and I appreciate what you’re doing to reinvigorate the skilled trades.” He said some other nice things, but I was already sufficiently flattered and invited him to come on the podcast anytime. It took a year, (Matt’s busy building an empire,) but the schedules finally lined up, and we were able to sit down for a proper chat last month, which I think you’ll enjoy. It’s a great American success story, but it’s also further proof that opportunity is alive and well in these United States, and available to anyone with a modicum of ambition, a refusal to take no for an answer, and a relentless work ethic. Our whole conversation is here.
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A drag path but it’s Nayeon who survived a near fatal car crash when she was younger, leaving her left knee permanently injured. Yet, she always tries her best on-stage. It’s Nayeon who got scared of being happy, because happiness has never been hers to keep. It’s Nayeon who kept her promise to go to university, in exchange of her becoming a trainee. It’s Nayeon who has always felt the burden of being the eldest daughter, the eldest member of the team, wondering what she can do to lead the younger ones even if she was young too. It’s Nayeon who stood firmly by the members’ sides no matter what was being said about them or her. It’s Nayeon who broke down the bathroom door to drag unconscious Sana out of the bathtub. It’s Nayeon who saved Momo from falling off a 2/3 foot stage. It’s Nayeon who bore most of the weight when 2019-2020 happened and Jihyo was not able to be there as much. It’s Nayeon who cried secretly and uncontrollably during MAMA 2019, when TWICE was struggling the most. It’s Nayeon who felt uncomfortable and burdened about going solo first, but eventually did because she wanted to ease the same burden off others. It’s Nayeon who hid all of her emotions during her solo debut period, because she didn’t want to affect the others too much. It’s Nayeon who cried at the thought of Jihyo going solo, feeling overwhelmed that Jihyo’s hard work has finally paid off. It’s Nayeon who shows up to every single event of the members no matter what, even if it means hopping on a last minute flight to Japan. It’s Nayeon who performed like nothing happened during RTB Japan even when her grandma who was diagnosed with cancer passed away. It’s Nayeon who’s family history is constantly being dissected and analysed, even if she was just a child then. It’s Nayeon who gets misunderstood for whatever she does, for being selfish and wanting to stand out. It’s Nayeon who has never missed a single schedule in these 11 years, even when she’s sick and in pain. It’s Nayeon whom the members are grateful for, whom they go to for advice. It’s Nayeon who is the eldest sister that she never had.

🍒

102,385 views • 8 months ago

The #GTA 3 port to the Sega #Dreamcast has been progressing at an incredible pace. It's been amazing to see the whole DC community come together to tag-team this "impossible" project... Here it is running on a stock DC, no longer requiring the 32MB RAM hardware modification, only a few weeks into development. Since I finally got the time to sit down, build the codebase, and look into some of what I think is the critical path for performance, let's talk about some technical shit, and some of the future steps I think can be taken to further improve performance. First of all, I want everyone to take note that this is NOT a port of the PS2 version. This is a port of the PC version, which has extra content, increased draw distance, improved textures, and other things that have actually increased the challenge here... Whether the DC version will ultimately have these additions or not will remain to be seen, but we're running into plenty of shit that the PS2 didn't have to worry about (like these big-ass PC replay saves won't fit onto a Visual Memory Unit!) Secondly, lets talk about what is and isn't currently optimized, because it's absolutely vital that the DC's hardware is fully utilized here for the sake of performance and achieving a competitive polygon count. Unlike with modern devices, where the whole graphics pipeline is handled by the GPU, both the PS2 and Dreamcast were responsible for transforming and doing lighting calculations for each vertex BEFORE they got submitted to the GPU. The PS2 had a vector coprocessor to do this, while the Dreamcast had a few extremely important SIMD and fast math assembly instructions on its CPU to do these computations. Up until literally just a few hours ago (not shown in this footage), the Dreamcast's SH4 was doing 100% of these operations in slow-ass plain C and C++ code, which is absolutely sub-optimal and is immediately bogging down its CPU with just transforming vertices, bottlenecking the entire graphics pipeline on the fist T&L stage, and also leaving less CPU time for handling other gameplay logic... this is going to absolutely have to be addressed (and already has begun to be). Another issue that is crippling performance here is the fact that the models are all using individual triangles rather than triangle strips, which the Dreamcast's PVR GPU was designed to handle better... Converting these models to use strips rather than individual triangles will result in MANY different gainz for the DC, as you're going from 3N to N+2 vertices per triangle. Converting the models to triangle strips will 1) reduce load times, since model assets will be smaller 2) reduce the amount of video memory required to hold these vertices on the GPU 3) reduce the amount of shit that must be transferred from the CPU to the GPU and 4) give us back a bunch of CPU time, since the SH4 will be less bogged down transforming redundant vertices! TL;DR: This is still EXTREMELY suboptimal in terms of fully utilizing the graphical potential of the Dreamcast. There is going to be a LOT that can be done still to both improve performance and polygon counts, so stay tuned! FINALLY: Mad respect and love to Stefanos Kornilios Mitsis Poiitidis, for doing an amazing job leading this project, and to Frogbull , Esppiral, and everyone else who is helping us stick it to the PS2 by making this happen! #gamedev #retrogaming #cplusplus
1:53

The #GTA 3 port to the Sega #Dreamcast has been progressing at an incredible pace. It's been amazing to see the whole DC community come together to tag-team this "impossible" project... Here it is running on a stock DC, no longer requiring the 32MB RAM hardware modification, only a few weeks into development. Since I finally got the time to sit down, build the codebase, and look into some of what I think is the critical path for performance, let's talk about some technical shit, and some of the future steps I think can be taken to further improve performance. First of all, I want everyone to take note that this is NOT a port of the PS2 version. This is a port of the PC version, which has extra content, increased draw distance, improved textures, and other things that have actually increased the challenge here... Whether the DC version will ultimately have these additions or not will remain to be seen, but we're running into plenty of shit that the PS2 didn't have to worry about (like these big-ass PC replay saves won't fit onto a Visual Memory Unit!) Secondly, lets talk about what is and isn't currently optimized, because it's absolutely vital that the DC's hardware is fully utilized here for the sake of performance and achieving a competitive polygon count. Unlike with modern devices, where the whole graphics pipeline is handled by the GPU, both the PS2 and Dreamcast were responsible for transforming and doing lighting calculations for each vertex BEFORE they got submitted to the GPU. The PS2 had a vector coprocessor to do this, while the Dreamcast had a few extremely important SIMD and fast math assembly instructions on its CPU to do these computations. Up until literally just a few hours ago (not shown in this footage), the Dreamcast's SH4 was doing 100% of these operations in slow-ass plain C and C++ code, which is absolutely sub-optimal and is immediately bogging down its CPU with just transforming vertices, bottlenecking the entire graphics pipeline on the fist T&L stage, and also leaving less CPU time for handling other gameplay logic... this is going to absolutely have to be addressed (and already has begun to be). Another issue that is crippling performance here is the fact that the models are all using individual triangles rather than triangle strips, which the Dreamcast's PVR GPU was designed to handle better... Converting these models to use strips rather than individual triangles will result in MANY different gainz for the DC, as you're going from 3N to N+2 vertices per triangle. Converting the models to triangle strips will 1) reduce load times, since model assets will be smaller 2) reduce the amount of video memory required to hold these vertices on the GPU 3) reduce the amount of shit that must be transferred from the CPU to the GPU and 4) give us back a bunch of CPU time, since the SH4 will be less bogged down transforming redundant vertices! TL;DR: This is still EXTREMELY suboptimal in terms of fully utilizing the graphical potential of the Dreamcast. There is going to be a LOT that can be done still to both improve performance and polygon counts, so stay tuned! FINALLY: Mad respect and love to Stefanos Kornilios Mitsis Poiitidis, for doing an amazing job leading this project, and to Frogbull , Esppiral, and everyone else who is helping us stick it to the PS2 by making this happen! #gamedev #retrogaming #cplusplus

Falco Girgis

88,356 views • 2 years ago

🚨 BREAKING: Slain 18YO white male Henry Nowak's father just WENT OFF, saying the killer stabbed his son and police did NOTHING despite his imminent death "Henry told officers he could not breathe **9 times**." 😢 He says the police FAILED and refused to believe him. The killer is now jailed. WHERE IS THE OUTRAGE?! BARBARIAN. "Henry was pulled across the gravel his hands forced behind his back and he was placed in handcuffs. Instead of being treated as a dying victim the police formally arrested Henry for assault and read in his rights. That was the last thing he heard." "Henry had been stabbed multiple times and as his chest filled with blood he tried to escape. He was chased, abused and filmed...when police arrived Henry was lying on the floor fairly able to sit up and plainly in severe medical distress. With his final words he told officers that he could not breathe. He told them he had been stabbed." "The police have said they were misled by the murderers and that the scene when they arrived was complex." "Unfortunately it seems to us the truth is much simpler. The police were told by our son himself and by a member of the public...but the police did not believe that." "As a family we will not let this go. No other family should experience the heartbreak and horror of losing a child to knife crime." "Finally, I want Henry to know. We are so proud of him and we love him." 🙏🏻
6:47

🚨 BREAKING: Slain 18YO white male Henry Nowak's father just WENT OFF, saying the killer stabbed his son and police did NOTHING despite his imminent death "Henry told officers he could not breathe **9 times**." 😢 He says the police FAILED and refused to believe him. The killer is now jailed. WHERE IS THE OUTRAGE?! BARBARIAN. "Henry was pulled across the gravel his hands forced behind his back and he was placed in handcuffs. Instead of being treated as a dying victim the police formally arrested Henry for assault and read in his rights. That was the last thing he heard." "Henry had been stabbed multiple times and as his chest filled with blood he tried to escape. He was chased, abused and filmed...when police arrived Henry was lying on the floor fairly able to sit up and plainly in severe medical distress. With his final words he told officers that he could not breathe. He told them he had been stabbed." "The police have said they were misled by the murderers and that the scene when they arrived was complex." "Unfortunately it seems to us the truth is much simpler. The police were told by our son himself and by a member of the public...but the police did not believe that." "As a family we will not let this go. No other family should experience the heartbreak and horror of losing a child to knife crime." "Finally, I want Henry to know. We are so proud of him and we love him." 🙏🏻

Eric Daugherty

1,355,460 views • 3 months ago

Back in 2015, in Zutter, he wrote an incredibly brutal line: “나는 어릴 적에 살쪄봐서 돈(豚) 맛을 알아” (“I used to be fat as a kid, so I know the taste of money/pig”) The lyric plays on the Korean word “돈” (don), which can mean both “money” and “pig”. And the way “맛을 알아” flows in pronunciation subtly hints at the English word “slaughter”. In the MV, he holds a kitchen knife, and the blood spraying out is green ~ the color of U.S. dollars. Back then, he thought success meant cutting off the weak, clumsy, not-good-enough version of himself. Killing that kid so “T.O.P” could sit on the throne. He really believed that killing was the only way. Eleven years later, in Desperado, he writes something completely different: “Your angle and mine” Now he’s no longer holding a knife. Instead, he wants to face the other version of himself, talk to him, reach the same angle as him. That “you” is Tempo, the person he was before debut. He doesn’t want to kill him anymore. He wants to fully absorb him back into himself, to love him “like crazy, like it’s the last time”. After going in circles for more than a decade, he finally understood something: real wholeness doesn’t come from killing your past self. It comes from letting him return and learning to coexist with him. The two “burials” mean completely different things. In Zutter (2015), he buried the “not good enough” version of himself so he could become a god in other people’s eyes. In Desperado (2026), he buries the version of himself that was once “T.O.P” so he can become a human being again in his own eyes. It took him eleven years to go from attacking himself to finally being able to calmly hold a ceremony for the person he used to be. He’s no longer trying to kill the overweight, insecure, not-shiny-enough Choi Seunghyun. Instead, he lets that person live on in his music, as Tempo. That’s the real meaning of T.O.P stepping down from the throne and returning to being human. #탑 #TOP #최승현 #CHOISEUNGHYUN #TTTOP #ANOTHER_DIMENSION
0:21

Back in 2015, in Zutter, he wrote an incredibly brutal line: “나는 어릴 적에 살쪄봐서 돈(豚) 맛을 알아” (“I used to be fat as a kid, so I know the taste of money/pig”) The lyric plays on the Korean word “돈” (don), which can mean both “money” and “pig”. And the way “맛을 알아” flows in pronunciation subtly hints at the English word “slaughter”. In the MV, he holds a kitchen knife, and the blood spraying out is green ~ the color of U.S. dollars. Back then, he thought success meant cutting off the weak, clumsy, not-good-enough version of himself. Killing that kid so “T.O.P” could sit on the throne. He really believed that killing was the only way. Eleven years later, in Desperado, he writes something completely different: “Your angle and mine” Now he’s no longer holding a knife. Instead, he wants to face the other version of himself, talk to him, reach the same angle as him. That “you” is Tempo, the person he was before debut. He doesn’t want to kill him anymore. He wants to fully absorb him back into himself, to love him “like crazy, like it’s the last time”. After going in circles for more than a decade, he finally understood something: real wholeness doesn’t come from killing your past self. It comes from letting him return and learning to coexist with him. The two “burials” mean completely different things. In Zutter (2015), he buried the “not good enough” version of himself so he could become a god in other people’s eyes. In Desperado (2026), he buries the version of himself that was once “T.O.P” so he can become a human being again in his own eyes. It took him eleven years to go from attacking himself to finally being able to calmly hold a ceremony for the person he used to be. He’s no longer trying to kill the overweight, insecure, not-shiny-enough Choi Seunghyun. Instead, he lets that person live on in his music, as Tempo. That’s the real meaning of T.O.P stepping down from the throne and returning to being human. #탑 #TOP #최승현 #CHOISEUNGHYUN #TTTOP #ANOTHER_DIMENSION

ashlms⁵💗

22,097 views • 4 months ago