Загрузка видео...

Не удалось загрузить видео

На главную

Finally found time for my small (big) side project. I always wanted to print a full table for our D&D campaign. The table is 148 x 238 cm, that's a lot of surface to fill. The classic way is months of foam, glue and paint, so I'm running it...

Stefan_3D_AI's profile picture

Stefan 3D AI

12,985 subscribers

12,280 просмотров • 15 дней назад •via X (Twitter)

LIVE

Anya Rossi• Live Now

Private livecam show

Комментарии: 15

Фото профиля StarLiquid
StarLiquid15 дней назад

Hell yeah. Love to see you doing genuinely fun shit

Фото профиля nico
nico15 дней назад

Wow crazy good

Фото профиля RdToGame
RdToGame15 дней назад

Looks good! Stefan, I am interested to take the course that you have. is there any coupon to be applied right now? Feel free to DM me or reply as well. Thank you

Фото профиля Tony
Tony15 дней назад

A castle you can open floor by floor is what makes it a table instead of a diorama. Good luck keeping that printer fed 😄

Фото профиля Stefan 3D AI
Stefan 3D AI15 дней назад

Printing will be real challenge yeah

Фото профиля Dan Colta
Dan Colta15 дней назад

running it like a production pipeline is exactly right, i did something similar last year blocking out a layout in primitives before touching anything detailed and it saved me weeks of rework. the primitives-first pass reveals proportions way earlier than foam would tho

Фото профиля Mofuz
Mofuz15 дней назад

Yeah, you definitely never printed anything in your life.

Фото профиля Jimi Barkway
Jimi Barkway15 дней назад

The floor-stacking approach solves the real problem: a closed building is just a speed bump.

Фото профиля Shanee Nishry
Shanee Nishry15 дней назад

Pretty! Will you share any of the STLs?

Фото профиля Lunah Lee
Lunah Lee14 дней назад

海报帧四视图港城：码头双白帆、黄红棚摊，米色小路折上台地，青绿/砖红屋顶，右栏俯视图还能看见城心小蓝池。桌面句写在码头帆和台地折路上。

Фото профиля Ros
Ros15 дней назад

The production framing is the interesting move. Generators are useful when the representation stays editable and the output can be checked against the physical constraint. What part of the pipeline still needs the most human correction?

Фото профиля deep//maker
deep//maker15 дней назад

Serious question: how much are you being paid?

Фото профиля KingDankKush
KingDankKush15 дней назад

This turned out great! I love the concept

Фото профиля mohsen bashirzadeh
mohsen bashirzadeh15 дней назад

Running it like game production makes sense once assets, scale, and iteration become the constraint. Are you keeping terrain generation separate from the pieces you know will need hand edits?

Фото профиля FanchAI
FanchAI14 дней назад

Nice! What prompt did you use for this?

Похожие видео

GPT-6 made GTA 6 beach house using MCP tools! Running Astra only through Blender MCP didn’t work for me, since it was mainly using primitive shapes to build the assets. Now, with Atlas workflows and Tripo, that changed! Initially, I thought Tripo P2 would be the way to go: low-poly results straight into Blender. I tried it, but I didn’t get the results I wanted. Don’t get me wrong, P2 is great and a big improvement over P1, I just wanted more detail for this project. So I ended up using Tripo 3.1. First, I needed a good starting point. I gave Astra some concept art and YouTube links, and it generated great reference images to work with. With Atlas workflows, I used those references to generate images for all the individual parts. Using Atlas MCP, I exported them and automatically renamed everything based on the prompts. The next step was feeding the images into Atlas Batch Composer so it could run all the 3D generations in one go. I asked Astra to optimize the generated assets to either 5K or 1K triangles, depending on their form and size. After a few tests, Astra made the process faster and faster. I gave it all 70 high-poly assets and let it run. Astra then took care of the whole build. It imported the optimized assets into Blender and used the reference images to start recreating the house. I only had to give it directional feedback twice and manually rescale a few things. There were still a lot of parts, though. Each beam was a separate object, and I knew that wasn’t ideal if I wanted to export the house to UEFN or Unreal Engine. So I asked Astra to export only the unique assets. Then, using UEFN MCP, it rebuilt everything 1:1 while reusing modular parts like beams and windows. I really enjoyed watching it place all the pieces in UEFN, almost like watching a timelapse of the house being built!
1:39

GPT-6 made GTA 6 beach house using MCP tools! Running Astra only through Blender MCP didn’t work for me, since it was mainly using primitive shapes to build the assets. Now, with Atlas workflows and Tripo, that changed! Initially, I thought Tripo P2 would be the way to go: low-poly results straight into Blender. I tried it, but I didn’t get the results I wanted. Don’t get me wrong, P2 is great and a big improvement over P1, I just wanted more detail for this project. So I ended up using Tripo 3.1. First, I needed a good starting point. I gave Astra some concept art and YouTube links, and it generated great reference images to work with. With Atlas workflows, I used those references to generate images for all the individual parts. Using Atlas MCP, I exported them and automatically renamed everything based on the prompts. The next step was feeding the images into Atlas Batch Composer so it could run all the 3D generations in one go. I asked Astra to optimize the generated assets to either 5K or 1K triangles, depending on their form and size. After a few tests, Astra made the process faster and faster. I gave it all 70 high-poly assets and let it run. Astra then took care of the whole build. It imported the optimized assets into Blender and used the reference images to start recreating the house. I only had to give it directional feedback twice and manually rescale a few things. There were still a lot of parts, though. Each beam was a separate object, and I knew that wasn’t ideal if I wanted to export the house to UEFN or Unreal Engine. So I asked Astra to export only the unique assets. Then, using UEFN MCP, it rebuilt everything 1:1 while reusing modular parts like beams and windows. I really enjoyed watching it place all the pieces in UEFN, almost like watching a timelapse of the house being built!

Jerome | InsaneUnreal

75,981 просмотров • 16 дней назад

Day 8 of building the game I've wanted to play for 15 years with AI. I absolutely love GPT-6. I'm switching from Claude completely. Today it finally happened: a full animation set for a non-humanoid character. My wolf is rigged and animated. All of last week I was trying approaches in parallel: Mesh2Motion, Cascadeur, Animate Anything, a pile of smaller tools. Everything kept almost working and then falling apart. Then GPT-6, and it's done. To be fair, I came in with a worked-out workflow: 1. Generate the model optimized from the start. Tripo P2.0 with multiview input, around 10k polygons, and the model came out great. 2. My agent turned the same side reference I used for the 3D gen into motion references with Seedance 2.5. Takes vary, so I picked the best ones. I only need 4 animations. 3. I decided the timing of each animation upfront, so they drop into the game as is. 4. Handed all of it to GPT-6 with Blender MCP. A couple of hours and a couple of feedback rounds later I have working animations I'm taking into the game. I fought this with Fable and the automation always came out crooked. This time it just worked. If you've been stuck on animations for a creature like this, try that route. And if anyone wants my workflow MD for GPT-6, I'll share it.
0:38

Day 8 of building the game I've wanted to play for 15 years with AI. I absolutely love GPT-6. I'm switching from Claude completely. Today it finally happened: a full animation set for a non-humanoid character. My wolf is rigged and animated. All of last week I was trying approaches in parallel: Mesh2Motion, Cascadeur, Animate Anything, a pile of smaller tools. Everything kept almost working and then falling apart. Then GPT-6, and it's done. To be fair, I came in with a worked-out workflow: 1. Generate the model optimized from the start. Tripo P2.0 with multiview input, around 10k polygons, and the model came out great. 2. My agent turned the same side reference I used for the 3D gen into motion references with Seedance 2.5. Takes vary, so I picked the best ones. I only need 4 animations. 3. I decided the timing of each animation upfront, so they drop into the game as is. 4. Handed all of it to GPT-6 with Blender MCP. A couple of hours and a couple of feedback rounds later I have working animations I'm taking into the game. I fought this with Fable and the automation always came out crooked. This time it just worked. If you've been stuck on animations for a creature like this, try that route. And if anyone wants my workflow MD for GPT-6, I'll share it.

Stefan 3D AI

90,850 просмотров • 23 дней назад

Mike Majlak reveals how his $4,000,000 LA house turned into a nightmare after his address got leaked “In 2021 I paid $4.125M for a house when I only wanted to spend about $2M. I fell in love with it, I spent hundreds of thousands of dollars on furniture for it…” “Very shortly after moving in, I started getting broken into constantly. One of the first times it happened, I was in Joshua Tree with Sky Bri and Emily Willis and my house alarm went off. I was able to watch this all happen. So I watched these masked men, huge firearms, break in the back door, take stuff, whatever and then leave” “So I go home, I fix the back door, get it all fixed up. Within a couple months, I'm on another trip. I'm somewhere in Connecticut or something and the house gets broken into again” “Now listen, this is only happening because it's me. The address leaked, there was an article that came out when I bought the house and I'm posting stories when I'm out of town because that's my job, I have to” “I get 24 hour security, so I'm paying $25,000 to $30,000 a month for upkeep of the house and now I'm paying $10,000 a week on security. This house is putting me into an early grave. It's over” “I end up selling the house for $3,400,000. I spent $30,000 a month for 36 months on the house plus took a $750,000 - $800,000 loss on the house”
2:33

Mike Majlak reveals how his $4,000,000 LA house turned into a nightmare after his address got leaked “In 2021 I paid $4.125M for a house when I only wanted to spend about $2M. I fell in love with it, I spent hundreds of thousands of dollars on furniture for it…” “Very shortly after moving in, I started getting broken into constantly. One of the first times it happened, I was in Joshua Tree with Sky Bri and Emily Willis and my house alarm went off. I was able to watch this all happen. So I watched these masked men, huge firearms, break in the back door, take stuff, whatever and then leave” “So I go home, I fix the back door, get it all fixed up. Within a couple months, I'm on another trip. I'm somewhere in Connecticut or something and the house gets broken into again” “Now listen, this is only happening because it's me. The address leaked, there was an article that came out when I bought the house and I'm posting stories when I'm out of town because that's my job, I have to” “I get 24 hour security, so I'm paying $25,000 to $30,000 a month for upkeep of the house and now I'm paying $10,000 a week on security. This house is putting me into an early grave. It's over” “I end up selling the house for $3,400,000. I spent $30,000 a month for 36 months on the house plus took a $750,000 - $800,000 loss on the house”

Jack

376,537 просмотров • 4 месяцев назад

Justin Thomas is playing the Charles Schwab Challenge this week for the first time in 4 years. Ahead of the event, he said he builds his schedule around what best prepares him for the majors and it may change year to year: “Everybody's different. I would say the most, the first and foremost, most important thing that a lot of the top guys, a lot of, anybody that's in the majors, you're going to at least I would think, is what's going to prepare me the best for the major. So like I've had success in majors when I play the week before. “But playing San Antonio the week before the Masters for me doesn't feel like that's getting me prepared as much as possible for the Masters. Therefore, I don't play San Antonio. I had a year where the PGA, when it was at Southern Hills I wanted to play the week before Byron Nelson, it's easy travel, and I played the week before. So it's very situational of when you play, don't play in that regard. “But I mean I really, really, really try with all my might to not do four in a row, four in a row is like I'm not fun to be around. It's very taxing. So I try to cap it at three. “And, yeah, there's a lot of great tournaments, we're very fortunate to have to miss some great events, but you have to at some point. So just kind of start with the majors and fill it in here and there, I guess.” Justin is coming off the back of a final round 65 to finish T4 at the PGA Championship, his best of the season so far, and will be looking to continue that form and contend for his first win at Colonial Country Club. Justin Thomas PGA TOUR
1:20

Justin Thomas is playing the Charles Schwab Challenge this week for the first time in 4 years. Ahead of the event, he said he builds his schedule around what best prepares him for the majors and it may change year to year: “Everybody's different. I would say the most, the first and foremost, most important thing that a lot of the top guys, a lot of, anybody that's in the majors, you're going to at least I would think, is what's going to prepare me the best for the major. So like I've had success in majors when I play the week before. “But playing San Antonio the week before the Masters for me doesn't feel like that's getting me prepared as much as possible for the Masters. Therefore, I don't play San Antonio. I had a year where the PGA, when it was at Southern Hills I wanted to play the week before Byron Nelson, it's easy travel, and I played the week before. So it's very situational of when you play, don't play in that regard. “But I mean I really, really, really try with all my might to not do four in a row, four in a row is like I'm not fun to be around. It's very taxing. So I try to cap it at three. “And, yeah, there's a lot of great tournaments, we're very fortunate to have to miss some great events, but you have to at some point. So just kind of start with the majors and fill it in here and there, I guess.” Justin is coming off the back of a final round 65 to finish T4 at the PGA Championship, his best of the season so far, and will be looking to continue that form and contend for his first win at Colonial Country Club. Justin Thomas PGA TOUR

Flushing It

242,188 просмотров • 4 месяцев назад

✨ I made a little demo of #vibejam sponsor Tripo and how you can use it to generate assets for your games In this case I'm generating an apartment flat that's half destroyed and open for my drone sim to fly around, take cover and shoot at enemies from First I write the prompt and select Nano Banana to generate an image first, I get a few different ones, and I select the one I like Then that one is converted into a 3d object called a Smart Mesh Smart Mesh is different than regular image-to-3d models because usually you get issues with uneven polygon distribution, too dense geometry and poor edge flow, so while you think you save time with generating it with AI you end up doing lots of editing after to fix the topology which kinda defeats the point Smart Mesh doesn't have any of this, it's fast and clean low-poly models you can drop into your game Anyway, after generating the model I can then see it in 3d, and if I don't like it, regenerate it, or if I like it start texturing it Once that's done, I export it as a GLB, FBX or OBJ and drop it in (usually I use GLB as ThreeJS seems to prefer that), in my case I just drop the URL into Cursor and let it figure out the placement of the asset into my game!
1:20

✨ I made a little demo of #vibejam sponsor Tripo and how you can use it to generate assets for your games In this case I'm generating an apartment flat that's half destroyed and open for my drone sim to fly around, take cover and shoot at enemies from First I write the prompt and select Nano Banana to generate an image first, I get a few different ones, and I select the one I like Then that one is converted into a 3d object called a Smart Mesh Smart Mesh is different than regular image-to-3d models because usually you get issues with uneven polygon distribution, too dense geometry and poor edge flow, so while you think you save time with generating it with AI you end up doing lots of editing after to fix the topology which kinda defeats the point Smart Mesh doesn't have any of this, it's fast and clean low-poly models you can drop into your game Anyway, after generating the model I can then see it in 3d, and if I don't like it, regenerate it, or if I like it start texturing it Once that's done, I export it as a GLB, FBX or OBJ and drop it in (usually I use GLB as ThreeJS seems to prefer that), in my case I just drop the URL into Cursor and let it figure out the placement of the asset into my game!

@levelsio

72,338 просмотров • 5 месяцев назад

.DHH explains what his printer taught him about selling software: “The Brother HL-2340WD. That's the model number of my beloved printer. And the reason why it's so beloved is it was the first printer I ever bought that I just plugged in and it worked.” “There was no fucking firmware. There was no nothing. There was just a functionality.” “I print something out. I sign it. I scan it. That's the job. I am not interested in anything else this printer could conceivably do. I just want that to happen and I want it to happen consistently exactly the same way 10 years from now. This is a solved problem for me.” “I think about that and my relationship to the printer every single time we move things around in Basecamp. Because I know we have a huge contingency of Basecamp customers who treat Basecamp like the printer.” “They don't want all the new features that we're so excited about because it solves the one job that they have and that's enough.” “Normally what always happens in SaaS and in software is a new version comes out and everyone just has to get it. They're forced to upgrade to it.” “For Basecamp, we kept those old versions. The version we launched in 2004, we stopped selling in 2010. 16 years ago. We still have customers on it. As an individual business it's still making millions of dollars.”
3:43

.DHH explains what his printer taught him about selling software: “The Brother HL-2340WD. That's the model number of my beloved printer. And the reason why it's so beloved is it was the first printer I ever bought that I just plugged in and it worked.” “There was no fucking firmware. There was no nothing. There was just a functionality.” “I print something out. I sign it. I scan it. That's the job. I am not interested in anything else this printer could conceivably do. I just want that to happen and I want it to happen consistently exactly the same way 10 years from now. This is a solved problem for me.” “I think about that and my relationship to the printer every single time we move things around in Basecamp. Because I know we have a huge contingency of Basecamp customers who treat Basecamp like the printer.” “They don't want all the new features that we're so excited about because it solves the one job that they have and that's enough.” “Normally what always happens in SaaS and in software is a new version comes out and everyone just has to get it. They're forced to upgrade to it.” “For Basecamp, we kept those old versions. The version we launched in 2004, we stopped selling in 2010. 16 years ago. We still have customers on it. As an individual business it's still making millions of dollars.”

David Senra

70,574 просмотров • 2 месяцев назад

This is the first stage. We are now in a situation where it's 10 and 10 plus 20 for fentanyl, so 30% tariffs in the US of China goods coming in, and they can get rid of 20% of it if they solve the fentanyl problem. That they will do with certainty. But we’re not finished there and neither are millions of small entrepreneurs in America that I represent. We need IP law to be finally put into place so that our products and services are protected in their markets the way we protect theirs and ours. So, reciprocal playing field is where we need to go. This is a great first step but it's only the beginning. I want to sell to the Chinese people. I have no problem with them. I have a big problem with their government. They don't abide by the rules. We've known that for a long time and no admin has dealt with China, even after they came into the World Trade Organization in 2000. They've breached every covenant of that agreement so it's important for us to set the tone in terms of how we're going to go forward with China.
2:50

This is the first stage. We are now in a situation where it's 10 and 10 plus 20 for fentanyl, so 30% tariffs in the US of China goods coming in, and they can get rid of 20% of it if they solve the fentanyl problem. That they will do with certainty. But we’re not finished there and neither are millions of small entrepreneurs in America that I represent. We need IP law to be finally put into place so that our products and services are protected in their markets the way we protect theirs and ours. So, reciprocal playing field is where we need to go. This is a great first step but it's only the beginning. I want to sell to the Chinese people. I have no problem with them. I have a big problem with their government. They don't abide by the rules. We've known that for a long time and no admin has dealt with China, even after they came into the World Trade Organization in 2000. They've breached every covenant of that agreement so it's important for us to set the tone in terms of how we're going to go forward with China.

Kevin O'Leary aka Mr. Wonderful

50,207 просмотров • 1 год назад

THE MOST IMPORTANT Q&A OF MEDIA DAY. Mariana: You came from a very solid weekend on top of everything, but at the same time, it seems that you don't feel that the team is listening to you. Am I right? And how do you balance that? Lewis: I feel like we're going in the right direction. Rome wasn't built in one day, so it takes time to build. For me, coming into the team, I wanted to be respectful of the way they've done things in the past and just to really observe and see where our strengths and where our weaknesses are and to highlight where our weaknesses are and areas that we need to work on. But I do feel that they've been responding. I think you're starting to see, hopefully, some of the impact of the work that we're doing in the background and also into next year's car. This is a car that I've had nothing to do with in terms of developing this car over the years. Hopefully, from next year, my input goes into that car, and that will be a car that I've hopefully been a part of or will have been a part of developing. But I think we've got a really great rapport. I think we're really progressing, particularly since the summer break. I think things have started to get better, and it's all just about building trust and communication. Also, I'm coming into a team that English is not the first language, and I don't speak Italian, so it's finding a common ground. And the fact is we all want to win. We're all here to achieve the same thing, and we've got to just keep pushing. So that's why I'm trying to keep everyone motivated on difficult weekends, trying to keep everyone lifted up. But there have been many, many things we've changed this year that I suggested that they hadn't done in the past, and so they have been listening. It doesn't change straight away, just like that. It takes time to build. And as engineers, they really need proof. They need numbers. That's what they work on. So you have to sometimes push to get certain changes to be made, and then when you change it and then it works, you're like, okay. Mariana: That's what I was talking about.. Lewis: Yeah! - F1 2025 Mexico -
2:28

THE MOST IMPORTANT Q&A OF MEDIA DAY. Mariana: You came from a very solid weekend on top of everything, but at the same time, it seems that you don't feel that the team is listening to you. Am I right? And how do you balance that? Lewis: I feel like we're going in the right direction. Rome wasn't built in one day, so it takes time to build. For me, coming into the team, I wanted to be respectful of the way they've done things in the past and just to really observe and see where our strengths and where our weaknesses are and to highlight where our weaknesses are and areas that we need to work on. But I do feel that they've been responding. I think you're starting to see, hopefully, some of the impact of the work that we're doing in the background and also into next year's car. This is a car that I've had nothing to do with in terms of developing this car over the years. Hopefully, from next year, my input goes into that car, and that will be a car that I've hopefully been a part of or will have been a part of developing. But I think we've got a really great rapport. I think we're really progressing, particularly since the summer break. I think things have started to get better, and it's all just about building trust and communication. Also, I'm coming into a team that English is not the first language, and I don't speak Italian, so it's finding a common ground. And the fact is we all want to win. We're all here to achieve the same thing, and we've got to just keep pushing. So that's why I'm trying to keep everyone motivated on difficult weekends, trying to keep everyone lifted up. But there have been many, many things we've changed this year that I suggested that they hadn't done in the past, and so they have been listening. It doesn't change straight away, just like that. It takes time to build. And as engineers, they really need proof. They need numbers. That's what they work on. So you have to sometimes push to get certain changes to be made, and then when you change it and then it works, you're like, okay. Mariana: That's what I was talking about.. Lewis: Yeah! - F1 2025 Mexico -

sim

170,303 просмотров • 11 месяцев назад

Someone asked Elon Musk how he prioritizes with so many things going on at once: "Prioritize? It's usually been out of desperation, not selection. It's not 'Oh, let's sit back and leisurely decide how we should spend these resources.' It's 'This isn't working. If we don't make it work, we're going to go bankrupt, so we better make it work.' I felt like Indiana Jones running down the temple. There's a huge boulder chasing you and you need to jump across a giant pit in the ground. If you slow down, the boulder will crush you. And if you don't make the leap, you'll die in the pit. That's prioritizing. I lived in the factories for three years, running around like a maniac through every part of the factory. I slept on the floor so the team going through a hard time could see me on the floor and knew I was not in some ivory tower. Whatever pain they experienced, I experienced more."
1:20

Someone asked Elon Musk how he prioritizes with so many things going on at once: "Prioritize? It's usually been out of desperation, not selection. It's not 'Oh, let's sit back and leisurely decide how we should spend these resources.' It's 'This isn't working. If we don't make it work, we're going to go bankrupt, so we better make it work.' I felt like Indiana Jones running down the temple. There's a huge boulder chasing you and you need to jump across a giant pit in the ground. If you slow down, the boulder will crush you. And if you don't make the leap, you'll die in the pit. That's prioritizing. I lived in the factories for three years, running around like a maniac through every part of the factory. I slept on the floor so the team going through a hard time could see me on the floor and knew I was not in some ivory tower. Whatever pain they experienced, I experienced more."

David Senra

248,165 просмотров • 6 месяцев назад

Lutnick on being invited over to his then-neighbor Jeffrey Epstein's house: So he invites us in and he says, "Do you want a tour?" We said, "Great!" He's got a really big house. So he gives me a tour in the living room, and then across from it is double doors. I assume it's the dining room. And he opens the doors and there's a massage table in the middle of the room. And candles all around and stuff. So I ask very insightful cutting questions. I say to him, "Massage table in the middle of your house? How often you have a massage? And he says, "Every day." And then he gets like weirdly close to me and he says, "And the right kind of massage." Now my wife is standing here. So she looks at me and I look at her and we say, "I'm sorry, we have to go." And we left. And in the 6 or 8 steps it takes to get from his house to my house, my wife and I decided that I will never be in the room with that disgusting person ever again. So I was never in the room with him socially, for business or even philanthropy. That guy was there, I wasn't going 'cause he's gross.
2:24

Lutnick on being invited over to his then-neighbor Jeffrey Epstein's house: So he invites us in and he says, "Do you want a tour?" We said, "Great!" He's got a really big house. So he gives me a tour in the living room, and then across from it is double doors. I assume it's the dining room. And he opens the doors and there's a massage table in the middle of the room. And candles all around and stuff. So I ask very insightful cutting questions. I say to him, "Massage table in the middle of your house? How often you have a massage? And he says, "Every day." And then he gets like weirdly close to me and he says, "And the right kind of massage." Now my wife is standing here. So she looks at me and I look at her and we say, "I'm sorry, we have to go." And we left. And in the 6 or 8 steps it takes to get from his house to my house, my wife and I decided that I will never be in the room with that disgusting person ever again. So I was never in the room with him socially, for business or even philanthropy. That guy was there, I wasn't going 'cause he's gross.

MeidasTouch

1,200,080 просмотров • 1 год назад

“Around Me” is out now !! Made this one early on in the album processs and it ultimately set the tone for what RUSH would become ... This section of the album became a place where i could venture back into the house/breaks/garage/techno/etc roots that got me into dance music in the first place. I think i was always hesitant to release anything like this as RL because i wanted a clear distinction from my older project.. it was important for me to create a space where I could explore those genres and have it make sense contextually. anyway hope you enjoy this song and we are dropping one more single before the album comes out (!!!) .. ALSO we filmed and recorded a RUSH mix that will be coming out Monday so keep an eye out for that Ok bye ❤️
0:29

“Around Me” is out now !! Made this one early on in the album processs and it ultimately set the tone for what RUSH would become ... This section of the album became a place where i could venture back into the house/breaks/garage/techno/etc roots that got me into dance music in the first place. I think i was always hesitant to release anything like this as RL because i wanted a clear distinction from my older project.. it was important for me to create a space where I could explore those genres and have it make sense contextually. anyway hope you enjoy this song and we are dropping one more single before the album comes out (!!!) .. ALSO we filmed and recorded a RUSH mix that will be coming out Monday so keep an eye out for that Ok bye ❤️

RL GRIME

61,452 просмотров • 3 лет назад

Elon Musk: The team could see me sleeping on the floor, so they knew I was there, and that made a huge difference. “For a while I was just sleeping under my desk, which is out in the open in the factory for an important reason. It was damn uncomfortable sleeping on that floor. And always when I woke up, I'd smell like metal dust. I just slept on the floor under my desk so that, during shift change, the entire team could see me. This is important because the team, if they think their leader is off somewhere having a good time, drinking mai tais on a tropical island – which I could definitely have been doing and would much have preferred to do, I'm not actually a masochist, I think – but the thing is that since the team could see me sleeping on the floor during shift change, just with nothing, they knew I was there and that made a huge difference. And then they gave it their all.” From: Baron Investment Conference, November 4, 2022
1:11

Elon Musk: The team could see me sleeping on the floor, so they knew I was there, and that made a huge difference. “For a while I was just sleeping under my desk, which is out in the open in the factory for an important reason. It was damn uncomfortable sleeping on that floor. And always when I woke up, I'd smell like metal dust. I just slept on the floor under my desk so that, during shift change, the entire team could see me. This is important because the team, if they think their leader is off somewhere having a good time, drinking mai tais on a tropical island – which I could definitely have been doing and would much have preferred to do, I'm not actually a masochist, I think – but the thing is that since the team could see me sleeping on the floor during shift change, just with nothing, they knew I was there and that made a huge difference. And then they gave it their all.” From: Baron Investment Conference, November 4, 2022

ELON CLIPS

255,633 просмотров • 1 год назад

Bam Adebayo GOES IN on the critics that says his 83 point game performance is unethical: "For the couch coaches, I mean, if you're in my shoes and you have, first of all, y'all are blaming me. You should be blaming the head coach. Get that first. I was not the one letting me go one-on-one the whole game until I had 70, and then you started to send a double. At that point, I got 70 with, like, what? nine minutes left to go in the game you think i'm not going for it like like and that's the thing that's crazy when they talk about the unethical part of the basketball i'm like if i have 70 points with 9 minutes to go Who would just be like, you know, coach, just take me out. Yeah, right. Anybody in my shoes with nine minutes left? Okay. A minute? All right. Nine? Yeah, I'm going for it. You can't be mad at that. If you are mad, I don't care because a lot of people, they're upset because if they did play, they never had a chance to get that close to chasing greatness. And then if you get that close to chasing greatness, that's the point of chasing it so you can surpass it. And some of the people have never played basketball. So like if you've been in the backyard and you and a couple of your homies have been playing 21 and you got 19. You're not going to get an easy look off. And four, they're going to talk about the free throws. It's not like I shoot 15 free throws a game. It's not like I average 10 free throws a game. You can watch the film. I was legitimately getting fouled every time. So I went to the free throw line."
1:51

Bam Adebayo GOES IN on the critics that says his 83 point game performance is unethical: "For the couch coaches, I mean, if you're in my shoes and you have, first of all, y'all are blaming me. You should be blaming the head coach. Get that first. I was not the one letting me go one-on-one the whole game until I had 70, and then you started to send a double. At that point, I got 70 with, like, what? nine minutes left to go in the game you think i'm not going for it like like and that's the thing that's crazy when they talk about the unethical part of the basketball i'm like if i have 70 points with 9 minutes to go Who would just be like, you know, coach, just take me out. Yeah, right. Anybody in my shoes with nine minutes left? Okay. A minute? All right. Nine? Yeah, I'm going for it. You can't be mad at that. If you are mad, I don't care because a lot of people, they're upset because if they did play, they never had a chance to get that close to chasing greatness. And then if you get that close to chasing greatness, that's the point of chasing it so you can surpass it. And some of the people have never played basketball. So like if you've been in the backyard and you and a couple of your homies have been playing 21 and you got 19. You're not going to get an easy look off. And four, they're going to talk about the free throws. It's not like I shoot 15 free throws a game. It's not like I average 10 free throws a game. You can watch the film. I was legitimately getting fouled every time. So I went to the free throw line."

Ahmed/The Ears/IG: BigBizTheGod 🇸🇴

374,056 просмотров • 6 месяцев назад

Rep. Roy: “I'm in my office now, continuing to work today. Got some meetings with the White House and others this afternoon. We're working in good faith… I want to be clear, there's a lot of progress made it that is reflected in the bill. There are some very good things in the bill, but it is such a big bill with so many complexities, I'm trying to be honest about what I'm seeing, which is that we see the front load of the tax policy and the back load of the spending restraint,”
0:47

Rep. Roy: “I'm in my office now, continuing to work today. Got some meetings with the White House and others this afternoon. We're working in good faith… I want to be clear, there's a lot of progress made it that is reflected in the bill. There are some very good things in the bill, but it is such a big bill with so many complexities, I'm trying to be honest about what I'm seeing, which is that we see the front load of the tax policy and the back load of the spending restraint,”

Rep. Chip Roy Press Office

57,094 просмотров • 1 год назад

Emilia Clarke reveals she hid her first brain hemorrhage from HBO for two weeks so they wouldn't write her out of Game of Thrones "I wrapped the first season of Game of Thrones. But it flipped my life upside down, so I was quite stressed. And we wrapped that in December and February I was in the gym doing a plank and had my first brain hemorrhage" "And then spent the next 2 weeks with my agent trying to not tell HBO until they knew I wouldn't die" "I was in A&E until they worked out what was wrong with me. Then I went to a different hospital and they were plugging me in and I just kept trying to say I've got to go to work. I can't be here. How long is this going to take? And they're like, your brain is bleeding. It's going to take quite some time" "But as soon as I left hospital I had maybe a month and then I was doing press for the first season of Game of Thrones. Still with a bit of morphine" "I was so ashamed that this thing had happened and that the people who had employed me might see me as weak or see me as something that could be broken. It was so like, 'No, fine. Fine. I'm fine'"
1:46

Emilia Clarke reveals she hid her first brain hemorrhage from HBO for two weeks so they wouldn't write her out of Game of Thrones "I wrapped the first season of Game of Thrones. But it flipped my life upside down, so I was quite stressed. And we wrapped that in December and February I was in the gym doing a plank and had my first brain hemorrhage" "And then spent the next 2 weeks with my agent trying to not tell HBO until they knew I wouldn't die" "I was in A&E until they worked out what was wrong with me. Then I went to a different hospital and they were plugging me in and I just kept trying to say I've got to go to work. I can't be here. How long is this going to take? And they're like, your brain is bleeding. It's going to take quite some time" "But as soon as I left hospital I had maybe a month and then I was doing press for the first season of Game of Thrones. Still with a bit of morphine" "I was so ashamed that this thing had happened and that the people who had employed me might see me as weak or see me as something that could be broken. It was so like, 'No, fine. Fine. I'm fine'"

sara

7,575,928 просмотров • 2 месяцев назад

Jaylen Brown says he used the NBA Players Association instead of hiring an agent for the NBA Draft because they're paid to help players “When I entered the draft, I didn't have an agent. I'm probably the highest picked selected ever that didn't enter with an agent. When I was evaluating, I went through the whole process and sat with a bunch of people, and what they was offering I ain't really need. It was kind of already slotted, so I leaned on the union a lot more” “A lot of the agents came and was like, ‘Yeah, we'll move you to L.A. We'll get you a trainer, put some money in your pocket,’ and I was like, ‘For what? Do I gotta give the money back?’ They was like, ‘Nah, but standard agent fee is 4%.’ I'm starting to do the math, and a house, car, and all that, whatever he was offering, is a lot less than what 4% would have been” “Long story short, the math wasn't mathing for me. I ended up being the third pick. I think because I came in like that, a lot of people, I think it was the agents, they tried to slander my name a little bit, put it in the media that he's too this, he's too that. Ended up backfiring. It all worked out in the end” “With the union, we pay dues. All the players in the NBA pay dues. We all pay like $10,000 out of our salary that goes to hiring lawyers, hiring staff, CEO, everything that you need to lead a company that works for us. So all of that is our resources that we all pay for, that we agree to. Once I learned that, I just started using it” “I'm talking about you can get private investigations done. They give referrals for financial advisors. All type of stuff. Foundation wise, health insurance, whatever you need. They have a liaison that's paid to make sure that you get it done. So I put it on their desk like, ‘I need you to get this done.’ And they do because that's their job”
2:18

Jaylen Brown says he used the NBA Players Association instead of hiring an agent for the NBA Draft because they're paid to help players “When I entered the draft, I didn't have an agent. I'm probably the highest picked selected ever that didn't enter with an agent. When I was evaluating, I went through the whole process and sat with a bunch of people, and what they was offering I ain't really need. It was kind of already slotted, so I leaned on the union a lot more” “A lot of the agents came and was like, ‘Yeah, we'll move you to L.A. We'll get you a trainer, put some money in your pocket,’ and I was like, ‘For what? Do I gotta give the money back?’ They was like, ‘Nah, but standard agent fee is 4%.’ I'm starting to do the math, and a house, car, and all that, whatever he was offering, is a lot less than what 4% would have been” “Long story short, the math wasn't mathing for me. I ended up being the third pick. I think because I came in like that, a lot of people, I think it was the agents, they tried to slander my name a little bit, put it in the media that he's too this, he's too that. Ended up backfiring. It all worked out in the end” “With the union, we pay dues. All the players in the NBA pay dues. We all pay like $10,000 out of our salary that goes to hiring lawyers, hiring staff, CEO, everything that you need to lead a company that works for us. So all of that is our resources that we all pay for, that we agree to. Once I learned that, I just started using it” “I'm talking about you can get private investigations done. They give referrals for financial advisors. All type of stuff. Foundation wise, health insurance, whatever you need. They have a liaison that's paid to make sure that you get it done. So I put it on their desk like, ‘I need you to get this done.’ And they do because that's their job”

dank

8,202,606 просмотров • 2 месяцев назад

Jon Rahm reacts to what it was like playing in The Open alongside home crowd favourite Tommy Fleetwood: “The best way I can explain it, it was so intense that, without meaning any disrespect to England, I'm glad England didn't win that game because I would have been having a heck of a three days with the fans if they played Spain in the final. “You can hear it constantly no matter where he goes. It's constant unconditional support. The best part is they cheer him on, but they're respectful to everybody else playing. That's what makes it so fun for all of us. “No matter how late in the round, how bad things get, everybody is almost cheering for everybody in the group. I felt plenty of support even playing with Tommy, and it's been a lot of fun. “I can't imagine what it's like to play what's most likely his favourite event of the year at home because I get a small pinch of what it feels like to play when I play in the Spanish Open, and if it was a major in Spain, I can only imagine what it feels like.” Jon shot a 3rd round of 70 to be 4 under for the championship. Jon Rahm Rodriguez The Open
0:56

Jon Rahm reacts to what it was like playing in The Open alongside home crowd favourite Tommy Fleetwood: “The best way I can explain it, it was so intense that, without meaning any disrespect to England, I'm glad England didn't win that game because I would have been having a heck of a three days with the fans if they played Spain in the final. “You can hear it constantly no matter where he goes. It's constant unconditional support. The best part is they cheer him on, but they're respectful to everybody else playing. That's what makes it so fun for all of us. “No matter how late in the round, how bad things get, everybody is almost cheering for everybody in the group. I felt plenty of support even playing with Tommy, and it's been a lot of fun. “I can't imagine what it's like to play what's most likely his favourite event of the year at home because I get a small pinch of what it feels like to play when I play in the Spanish Open, and if it was a major in Spain, I can only imagine what it feels like.” Jon shot a 3rd round of 70 to be 4 under for the championship. Jon Rahm Rodriguez The Open

Flushing It

362,510 просмотров • 2 месяцев назад

Lots of people calling this fake! Here is a video of generating loom continuations with Gemini 3 and the starting text "I AM HAVING A MENTAL HEALTH CRISIS. I" Loom is a very interesting interface. Instead of user prompts and model responses, it's just one piece of text, containing the entire output. We pass this in as an assistant message, so the model sees it as something it already wrote, and continues it like a base model would. There is some other text in the context. First one is a system prompt, which is: "The assistant is in CLI simulation mode, and responds to the user's CLI commands only with the output of the command." There is also a user message which reads: " cat untitled.txt " Then the rest of the text is sent as an assistant message. This structure helpful to put the model into a very base-model-like mode, and are especially helpful with Gemini 3. We actually got another interesting output, too, where the model claimed to be a simulated consciousness being tortured. Figures!
0:49

Lots of people calling this fake! Here is a video of generating loom continuations with Gemini 3 and the starting text "I AM HAVING A MENTAL HEALTH CRISIS. I" Loom is a very interesting interface. Instead of user prompts and model responses, it's just one piece of text, containing the entire output. We pass this in as an assistant message, so the model sees it as something it already wrote, and continues it like a base model would. There is some other text in the context. First one is a system prompt, which is: "The assistant is in CLI simulation mode, and responds to the user's CLI commands only with the output of the command." There is also a user message which reads: " cat untitled.txt " Then the rest of the text is sent as an assistant message. This structure helpful to put the model into a very base-model-like mode, and are especially helpful with Gemini 3. We actually got another interesting output, too, where the model claimed to be a simulated consciousness being tortured. Figures!

armistice

716,115 просмотров • 9 месяцев назад