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Garbage. Baggage. Cabbage. Trust Sikiru Ayinde Barrister to turn three similar sounding English words into music, and still take time to explain their different meanings and distinctions. On Fuji Garbage, Agbajelola wasn’t merely playing with words; he was showing the wit, curiosity and storytelling that made his music so... show more

Aare (Dr.) Sikiru Adeyinka Ayinde Balogun.(MFR)

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139,847 просмотров • 16 дней назад •via X (Twitter)

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Фото профиля ONOOWU of Yoruba land.

ONOOWU of Yoruba land.16 дней назад

I too love this man wallai

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When Agbajelola covered Fela… In 1978, Fela Kuti released Shuffering and Shmiling. Two years later, Sikiru Ayinde Barrister brought the song into his own musical world in the Album FUJI DISCO. It was more than a cover. Omo Agbaje took Fela’s sound, rhythm and message and reinterpreted it through the language of Fuji, making it unmistakably his own. This was AYINDE at his most adventurous; listening beyond Fuji, embracing other sounds, and showing that Fuji could absorb, adapt and speak in many musical languages. Long before “fusion” became a buzzword, Barrister was already doing it. He heard it. He understood it. He made it Fuji. #SikiruAyindeBarrister #FelaKuti #FujiMusic #MusicInnovation #FujiLegacy

When Agbajelola covered Fela… In 1978, Fela Kuti released Shuffering and Shmiling. Two years later, Sikiru Ayinde Barrister brought the song into his own musical world in the Album FUJI DISCO. It was more than a cover. Omo Agbaje took Fela’s sound, rhythm and message and reinterpreted it through the language of Fuji, making it unmistakably his own. This was AYINDE at his most adventurous; listening beyond Fuji, embracing other sounds, and showing that Fuji could absorb, adapt and speak in many musical languages. Long before “fusion” became a buzzword, Barrister was already doing it. He heard it. He understood it. He made it Fuji. #SikiruAyindeBarrister #FelaKuti #FujiMusic #MusicInnovation #FujiLegacy

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How Barrister Made Fuji Garbage Series 2 Many people love the Fuji music song, Fuji Garbage, by Sikiru Ayinde Barrister. Even non-Lukumi Yorubas. People are drawn to that golden oldie because of the beats. But it may surprise you to know that those beats that get you dancing are not made by synthesisers. Apart from the piano intro, which was played by Alhaji Agba himself using an inexpensive handheld piano that was popularly sold at Alaba International Market, and some synth sounds for about three seconds toward the end, after the Fuji rap (Barry Wonder pioneered rap fusion into Fuji), what you are listening to on that track is actually traditional Lukumi Yoruba musical instruments. The main beats come from the talking drums. The repeated percussion you can hear is actually made by a local Lukumi instrument called a shekere, which is similar to but much older than a tambourine. The gong sound you intermittently hear is made by a local Lukumi war/music instrument called a gangan. Thst instrument is the origin of the Lukumi slang, 'gangan', which is now commonly used in Nigerian Pidgin English. For example, 'I go beat you gangan'. Fuji Garbage is iconic because it shows the dexterity of Indigenous Lukumi Yoruba musical instruments and their ability to create pulsating beats without the aid of modern musical instruments. I daresay that no other ethnic nationality in Africa has a song that captured the attention of the masses on a large scale while using local instruments, like the Lukumi. For that, I am very grateful to Alhaji Sikiru Ayinde Balogun. The only other country where this has happened on such a large scale is Brazil, where Paulinho da Costa, a Brazilian of Lukumi descent, pulled a similar feat before relocating to America and adding Lukumi Yoruba beats to the song, Wanna Be Startin' Something, by Michael Jackson, on the Thriller album. You hear it at the end when Michael and his background vocalists sing Mamase Mamasa Mamacusa to only Da Costa's percussion. The Barrister song was made almost in anger, in response to a taunt by his once friend, and by that time, bitter rival, General Ayinla Kollington. The duo fell out over Salawa Abeni. Funny enough, Barrister survived death by the whiskers as a soldier in the Nigerian Army when he was caught in the Abagana ambush, in which the rebel Biafran Army killed almost 6000 Nigerian troops. Only a few survived, like Lt. Colonel Murtala Muhammed and Lance Corporal Ayinde Balogun. We thank Almighty God for preserving him. If he had died, it is unlikely that the Fuji music genre would have even existed. Reno Omokri Gospeller. Deep Thinker. #TableShaker. Ruffler of the Feathers of Obidents. #1 Bestselling author of Facts Versus Fiction: The True Story of the Jonathan Years. Hodophile. Hollywood Magazine Humanitarian of the Year, 2019. Business Insider Influencer of the Year 2022. 21st Most Talked About Person in Africa, 2024.

How Barrister Made Fuji Garbage Series 2 Many people love the Fuji music song, Fuji Garbage, by Sikiru Ayinde Barrister. Even non-Lukumi Yorubas. People are drawn to that golden oldie because of the beats. But it may surprise you to know that those beats that get you dancing are not made by synthesisers. Apart from the piano intro, which was played by Alhaji Agba himself using an inexpensive handheld piano that was popularly sold at Alaba International Market, and some synth sounds for about three seconds toward the end, after the Fuji rap (Barry Wonder pioneered rap fusion into Fuji), what you are listening to on that track is actually traditional Lukumi Yoruba musical instruments. The main beats come from the talking drums. The repeated percussion you can hear is actually made by a local Lukumi instrument called a shekere, which is similar to but much older than a tambourine. The gong sound you intermittently hear is made by a local Lukumi war/music instrument called a gangan. Thst instrument is the origin of the Lukumi slang, 'gangan', which is now commonly used in Nigerian Pidgin English. For example, 'I go beat you gangan'. Fuji Garbage is iconic because it shows the dexterity of Indigenous Lukumi Yoruba musical instruments and their ability to create pulsating beats without the aid of modern musical instruments. I daresay that no other ethnic nationality in Africa has a song that captured the attention of the masses on a large scale while using local instruments, like the Lukumi. For that, I am very grateful to Alhaji Sikiru Ayinde Balogun. The only other country where this has happened on such a large scale is Brazil, where Paulinho da Costa, a Brazilian of Lukumi descent, pulled a similar feat before relocating to America and adding Lukumi Yoruba beats to the song, Wanna Be Startin' Something, by Michael Jackson, on the Thriller album. You hear it at the end when Michael and his background vocalists sing Mamase Mamasa Mamacusa to only Da Costa's percussion. The Barrister song was made almost in anger, in response to a taunt by his once friend, and by that time, bitter rival, General Ayinla Kollington. The duo fell out over Salawa Abeni. Funny enough, Barrister survived death by the whiskers as a soldier in the Nigerian Army when he was caught in the Abagana ambush, in which the rebel Biafran Army killed almost 6000 Nigerian troops. Only a few survived, like Lt. Colonel Murtala Muhammed and Lance Corporal Ayinde Balogun. We thank Almighty God for preserving him. If he had died, it is unlikely that the Fuji music genre would have even existed. Reno Omokri Gospeller. Deep Thinker. #TableShaker. Ruffler of the Feathers of Obidents. #1 Bestselling author of Facts Versus Fiction: The True Story of the Jonathan Years. Hodophile. Hollywood Magazine Humanitarian of the Year, 2019. Business Insider Influencer of the Year 2022. 21st Most Talked About Person in Africa, 2024.

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Some songs become relevant again when life gives them a new meaning. In the Album Fuji Fantasia, Agbara Iku Medley, Sikiru Ayinde Barrister sang words that was not specifically written for Alhaji Taiwo Hassan “Ogogo”. Yet, following the passing of the veteran thespian and actor, listening to this particular passage feels remarkably poignant. As we remember Ogogo, Alhaji Agba’s words offer another moment of reflection: death comes for everyone, but the life we live and the legacy we leave behind become our enduring testimony. Our beloved Ogogo has taken his final bow. May Allah forgive his shortcomings and grant him Al-Jannah Firdaus. #SikiruAyindeBarrister #Ogogo #FatherBeforeFathers #MusicAndLife #Legacy

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That was a close one! Ọlọ́run má ko Baba wa Wasiu Ayinde yọ Ki awon náà má ṣe suru The Federal Airports Authority of Nigeria (FAAN) has confirmed that Fuji music icon, Alhaji Wasiu Ayinde Marshal (K1 De Ultimate), was found with alcohol in a flask while attempting to board a Value Jet flight at the Nnamdi Azikiwe International Airport in Abuja. According to FAAN’s Director of Public Affairs, Obiageli Orah, K1 insisted on carrying the unidentified liquid despite warnings from Aviation Security (AVSEC) officers and the flight captain. During the confrontation, he allegedly spilled the contents on a security officer and refused to comply. Following the incident, K1 reportedly moved to the front of the aircraft and refused to vacate the area until AVSEC officers intervened. He was later released after preliminary investigation. FAAN has reiterated its commitment to aviation safety and stated that the matter is still under investigation, with assurances that all involved parties will be held accountable as necessary.

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.Scott Jennings says Charlie Kirk’s gift for debate made him so threatening that his opponents believed the only way to defeat him was to end his life. “What was Charlie’s mission? To use his voice, his speech, and his talent for debating to try to engage people in American politics. And engage them he did, by the millions. And these people showed up to listen to political debates. “It’s a miracle what he was doing with his words, with his speech, with his powers of reasoning. You could disagree with him, and many did, and that’s fine. But obviously what he created in his use of speech in this political movement was so threatening to some people that they decided that, ‘Well, we’re tired of debating.’”

.Scott Jennings says Charlie Kirk’s gift for debate made him so threatening that his opponents believed the only way to defeat him was to end his life. “What was Charlie’s mission? To use his voice, his speech, and his talent for debating to try to engage people in American politics. And engage them he did, by the millions. And these people showed up to listen to political debates. “It’s a miracle what he was doing with his words, with his speech, with his powers of reasoning. You could disagree with him, and many did, and that’s fine. But obviously what he created in his use of speech in this political movement was so threatening to some people that they decided that, ‘Well, we’re tired of debating.’”

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THE bridge where something created a decade ago still feels so timeless in the present. THE bridge with just mumbling words so he can create the music & feel he wanted to convey. and you feel it. THE bridge that transcends time & space. THAT’S THE Poet | Artist KIM JONGHYUN BRIDGE, for his fellow Poet | Artists SHINee 💎✨

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RIP to Brian Wilson. The Beach Boys legend died at 82. Paul McCartney has said “God Only Knows” is the greatest song ever written and one of the few to bring him to tears. In 2000, McCartney inducted Wilson into the Songwriters Hall of Fame with a heartfelt speech: “He wrote some music that when I played it, it made me cry and I don't quite know why. It wasn't necessarily the words or the music. There was just something so deep in it. There's only certain pieces of music that can do this to me and just reach it right down in me. I think it's a sign of great genius to be able to do that with a bunch of words and a bunch of notes. This man deserves to be in the Hall of Fame that's for sure. So, thank you sir for everything you've done for me. For making me cry. For having that thing you can do with your music. You just put those notes and those harmonies together. Stick a couple of words over the top of it and you've got me any day." *** Link:

RIP to Brian Wilson. The Beach Boys legend died at 82. Paul McCartney has said “God Only Knows” is the greatest song ever written and one of the few to bring him to tears. In 2000, McCartney inducted Wilson into the Songwriters Hall of Fame with a heartfelt speech: “He wrote some music that when I played it, it made me cry and I don't quite know why. It wasn't necessarily the words or the music. There was just something so deep in it. There's only certain pieces of music that can do this to me and just reach it right down in me. I think it's a sign of great genius to be able to do that with a bunch of words and a bunch of notes. This man deserves to be in the Hall of Fame that's for sure. So, thank you sir for everything you've done for me. For making me cry. For having that thing you can do with your music. You just put those notes and those harmonies together. Stick a couple of words over the top of it and you've got me any day." *** Link:

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With a heavy heart we have to say goodbye to Roberta Flack. She was a legend, with a voice that could soothe and stir all at once...Her music wasn’t just heard—it was FELT. With timeless songs like “Killing Me Softly With His Song,” and “The First Time Ever I Saw Your Face” she gifted us music that has shaped generations. Singing “The First Time Ever I Saw Your Face” was such an incredible honor, stepping into the world Roberta created with such grace and beauty. Thank you for sharing your remarkable gift with us. -Celine xx...

With a heavy heart we have to say goodbye to Roberta Flack. She was a legend, with a voice that could soothe and stir all at once...Her music wasn’t just heard—it was FELT. With timeless songs like “Killing Me Softly With His Song,” and “The First Time Ever I Saw Your Face” she gifted us music that has shaped generations. Singing “The First Time Ever I Saw Your Face” was such an incredible honor, stepping into the world Roberta created with such grace and beauty. Thank you for sharing your remarkable gift with us. -Celine xx...

Celine Dion

171,424 просмотров • 1 год назад

Turk addressed the situation involving Boosie and B.G., saying his message was never about glorifying prison but about encouraging growth and showing the younger generation a different path after what he experienced doing time. He also said his words were taken out of context online, which led to Boosie responding and B.G. jumping into the conversation. Turk made it clear he still respects both of them, but says he doesn’t agree with the mindset being pushed and believes artists have to be careful about the message they send to the youth. Do y’all agree with Turk or nah? 👀👇 📸: B High ATL #MAGNOLIATURK🦍🔥

Turk addressed the situation involving Boosie and B.G., saying his message was never about glorifying prison but about encouraging growth and showing the younger generation a different path after what he experienced doing time. He also said his words were taken out of context online, which led to Boosie responding and B.G. jumping into the conversation. Turk made it clear he still respects both of them, but says he doesn’t agree with the mindset being pushed and believes artists have to be careful about the message they send to the youth. Do y’all agree with Turk or nah? 👀👇 📸: B High ATL #MAGNOLIATURK🦍🔥

Traps N Trunks

20,769 просмотров • 6 месяцев назад

Burna Boy's heartfelt tribute, naming me as his GOAT singer on a global stage, is a monumental moment that celebrates the soul of Fuji music and its timeless influence. This honour, not only, uplifts my journey, but also, shines a brilliant light on our rich cultural heritage, bridging generations and genres worldwide. I am profoundly grateful for this powerful acknowledgment from a true Afropop titan, the African Giant himself, of whom I am also a great fan. Together, we are redefining African music legacy and inspiring the world with authentic, vibrant sounds. To Oluwa Burna and every music lover embracing our story - thank you for believing in the magic of Fuji. Thank you for believing in Africa's ingenious creativity. I look forward to attending one of your upcoming concerts to appreciate your God-given talents and reciprocate your genuine love and affection. Keep prospering my beloved Burna Burna Boy 🙏🙏🙏. The journey continues, stronger and more radiant than ever! Oba Orin 👑👑👑

Burna Boy's heartfelt tribute, naming me as his GOAT singer on a global stage, is a monumental moment that celebrates the soul of Fuji music and its timeless influence. This honour, not only, uplifts my journey, but also, shines a brilliant light on our rich cultural heritage, bridging generations and genres worldwide. I am profoundly grateful for this powerful acknowledgment from a true Afropop titan, the African Giant himself, of whom I am also a great fan. Together, we are redefining African music legacy and inspiring the world with authentic, vibrant sounds. To Oluwa Burna and every music lover embracing our story - thank you for believing in the magic of Fuji. Thank you for believing in Africa's ingenious creativity. I look forward to attending one of your upcoming concerts to appreciate your God-given talents and reciprocate your genuine love and affection. Keep prospering my beloved Burna Burna Boy 🙏🙏🙏. The journey continues, stronger and more radiant than ever! Oba Orin 👑👑👑

King (Dr.) Saheed Osupa Akorede Okunola

462,039 просмотров • 1 год назад

D'Angelo wasn't a soul of many words, because he seemed to believe his music would speak best for him. And it will. Forever for a multitude of generations and to comfort anyone who misses his soothing tone or decadent energy. This moment is how I choose to remember him. Joyfully and excitedly playing his guitar and you can see in his face, that it was where he was most at home. You can see his full interview in the documentary 'Finding the Funk' and see what made his soul light up. And thank you to D'Angelo for lighting up our spirits with his talent and may his sound and love continue to comfort his loved ones during such a significant loss.

D'Angelo wasn't a soul of many words, because he seemed to believe his music would speak best for him. And it will. Forever for a multitude of generations and to comfort anyone who misses his soothing tone or decadent energy. This moment is how I choose to remember him. Joyfully and excitedly playing his guitar and you can see in his face, that it was where he was most at home. You can see his full interview in the documentary 'Finding the Funk' and see what made his soul light up. And thank you to D'Angelo for lighting up our spirits with his talent and may his sound and love continue to comfort his loved ones during such a significant loss.

Sassington, M.C.

78,703 просмотров • 11 месяцев назад