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GODZILLA The Game [PS4] - Ah, good times. Good times. Essentially a #Godzilla action-game simulator that emulated the classic Toho films. Originally released for the PS3 back in Dec 2014 before being ported over to the PS4 during 2015 within a next-gen definitive edition with expanded content, kaiju, and...

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GORMARU

23,406 subscribers

26,227 görüntüleme • 1 yıl önce •via X (Twitter)

Bilim & TeknolojiOyun#Godzilla
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Mecha King Ghidorah profil fotoğrafı
Mecha King Ghidorah1 yıl önce

I'd kill for a copy of it

GORMARU profil fotoğrafı
GORMARU1 yıl önce

Best bet would be to hit up either GameStop stores, or to import any affordable copy of the Japan version "Godzilla VS" PS4, which might be easier to do possibly.

👾MrFlare👾 profil fotoğrafı
👾MrFlare👾1 yıl önce

@Mr_goji54 Wish they brought this over to the Switch or maybe did a remake of Godzilla Unleashed.

InkBendy_1954 profil fotoğrafı
InkBendy_19541 yıl önce

I still have this game and it was my first Godzilla game I ever played on console and I love it to death

𝕐𝕒 𝕓𝕠𝕚𝕚 𝔻𝕚𝕘 profil fotoğrafı
𝕐𝕒 𝕓𝕠𝕚𝕚 𝔻𝕚𝕘1 yıl önce

Shame you have to mortgage your house just to buy it though 😭

Vazrick | Tiefling VTuber 😈 profil fotoğrafı
Vazrick | Tiefling VTuber 😈1 yıl önce

Still have my copy and play it from time to time

Godzilla2005 profil fotoğrafı
Godzilla20051 yıl önce

I really hope we get a new Godzilla game!

Tim 💀 profil fotoğrafı
Tim 💀1 yıl önce

still gutted that they kept this as a playstation exclusive

Ryuji Dread profil fotoğrafı
Ryuji Dread1 yıl önce

Wish they would port this to PC. Game was way ahead of it's time.

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Simon Pegg explains the comments he made last week about the Godzilla series. “Hi. I received a little blowback last week after my comments regarding my praise of Godzilla Minus One and my dismissal of non-Japanese iterations of Godzilla. Got picked up by a couple of websites and stuff, and then there was obviously discussion. I thought I'd clarify what I was saying so that the argument is just out there and with clarity, and then can be dismissed or embraced or discussed forthwith. I feel like Godzilla is a really important national symbol for Japan. I think he's a very potent psychological signifier that emerged in the wake of their experiences during World War II. Not least Hiroshima and Nagasaki, but not just those things. Obviously, he's very much a manifestation of atomic destruction. He's radioactive, he's unstable. He causes huge damage. But also, I think there is a degree of national introspection regarding the Japanese sense of guilt after World War II. It's a feeling that a lot of victims of violent abuse suffer. It's a sense of, did I deserve it? Did we bring this on ourselves? I think that's why Godzilla attacks Tokyo and Ginza and isn't on some revenge tip, destroying America. He's all about self-flagellation. He's a really complex reflection of how the national cultural subconscious was at the time of his first appearance. The Japanese were wrestling with a lot of things. In that respect, he's one of the most fertile and interesting expressions of collective introspection that there is in the entire history of cinema, I think. He's incredibly significant to that group of people. To everyone else, he's just IP. To everyone else, he's just a monster. Godzilla is a word that represents the potential for brand recognition. In anyone else's hands, he doesn't have the same power. The best way I can describe it is, imagine if someone that you really loved was hit by a bus, and in order to cope with that tragedy, you wrote a beautiful song which summed up your feelings about the situation, enabled you to have some emotional catharsis, and helped you cope with what had happened. Then somebody remixed that song into a dance hit, and it became really popular in all the clubs, and everybody was dancing to it and having a great time, not really knowing the full significance of the song or experiencing the same emotions you did when you wrote it. The sweet melody had been lost in all the… It became incredibly popular for a completely different reason. Now, imagine if that remix had been made by the bus driver.”
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Simon Pegg explains the comments he made last week about the Godzilla series. “Hi. I received a little blowback last week after my comments regarding my praise of Godzilla Minus One and my dismissal of non-Japanese iterations of Godzilla. Got picked up by a couple of websites and stuff, and then there was obviously discussion. I thought I'd clarify what I was saying so that the argument is just out there and with clarity, and then can be dismissed or embraced or discussed forthwith. I feel like Godzilla is a really important national symbol for Japan. I think he's a very potent psychological signifier that emerged in the wake of their experiences during World War II. Not least Hiroshima and Nagasaki, but not just those things. Obviously, he's very much a manifestation of atomic destruction. He's radioactive, he's unstable. He causes huge damage. But also, I think there is a degree of national introspection regarding the Japanese sense of guilt after World War II. It's a feeling that a lot of victims of violent abuse suffer. It's a sense of, did I deserve it? Did we bring this on ourselves? I think that's why Godzilla attacks Tokyo and Ginza and isn't on some revenge tip, destroying America. He's all about self-flagellation. He's a really complex reflection of how the national cultural subconscious was at the time of his first appearance. The Japanese were wrestling with a lot of things. In that respect, he's one of the most fertile and interesting expressions of collective introspection that there is in the entire history of cinema, I think. He's incredibly significant to that group of people. To everyone else, he's just IP. To everyone else, he's just a monster. Godzilla is a word that represents the potential for brand recognition. In anyone else's hands, he doesn't have the same power. The best way I can describe it is, imagine if someone that you really loved was hit by a bus, and in order to cope with that tragedy, you wrote a beautiful song which summed up your feelings about the situation, enabled you to have some emotional catharsis, and helped you cope with what had happened. Then somebody remixed that song into a dance hit, and it became really popular in all the clubs, and everybody was dancing to it and having a great time, not really knowing the full significance of the song or experiencing the same emotions you did when you wrote it. The sweet melody had been lost in all the… It became incredibly popular for a completely different reason. Now, imagine if that remix had been made by the bus driver.”

Kaiju No. 14

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Screenplayed

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exQUIZitely 🕹️

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exQUIZitely 🕹️

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Back in the ‘90s, there was one arcade game you were almost guaranteed to find: Irem’s Ninja Baseball Bat Man. It was incredibly fun, and with support for up to four players, it was one of the best games to enjoy with friends. But did you know this? While the game was a huge hit in South Korea, it received a fairly lukewarm response in Japan and was released in very limited numbers in North America, making it virtually unknown there. Pretty strange, isn’t it? One of the reasons I loved this game was that, unlike most Irem titles, it wasn’t brutally difficult. You could have a great time with just a single credit. Most Irem games were known for their gritty atmosphere, incredibly detailed pixel art, and punishing difficulty. This one, however, stood out with its bright colors and cute, round character designs, giving it a completely different feel. If you’ve never played it before, do yourself a favor and try it on an emulator.

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Pick this game up ASAP before the PSN Store shuts down for #PS3 in 2027 Had to boot up my #PS3 to play the definitive version of SFIII Third Stike called Street Fighter III Third Strike Online Edition which is based on the PS2 version back in 2004. This port featured an robust tutorial mode that taught players how to get better at the game, HD visuals filters, remastered audio, and it had enchanced online capabilities with less input lag during matches. This version known having a parry trials mode where players can learn how to parry better and had a final challenge relive the #evomoment37 match between Daigo Umehara and Justin Wong back in 2004. #retrogaming #nostalgia #reels #streetfighter #gaming

Malckie Rob

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You can't compare Cyberpunk 2077 launch to GTA 6 and here's exactly why Cyberpunk 2077 was the CDPR's first installment to feature a futuristic city with tons of NPCs and fast moving cars, something which was never done before on Witcher games. The gameplay video from Cyberpunk 2077 shown off in 2019 had a clear text showing "work in progress - does not represent the final look of the game" After the launch disaster of Cyberpunk 2077, Marcin Iwiński also explained that the reason the game had so many bugs is that the game was designed for PC first in mind, then scaled down to consoles that still had a hard drive (PS4 and Xbox One) an extremely difficult task on its own, combined with the fact that the game development progress took a major hit during the pandemic. Rockstar Games on the other hand has a much different engine and experience working on large scale open world game filled with tons of NPCs and fast moving cars, including the fact that they're developing this game for current gen consoles first, then scaling it up for a PC release not vice versa. Are we guys suddenly forgetting the fact that Rockstar Games managed to get GTA V running on a PS3 console which had 256mb of VRAM and 256mb of RAM at that time? The reason Rockstar Games has shown zero gameplay of GTA 6 is because historically they save the gameplay showcase before the game launches, GTA 6 Trailer 2 came out in 2025 and all footage for that Trailer was captured on a base PS5 with a mix of gameplay and cutscenes. They'll obviously show off more gameplay on August 27th, but comparing Cyberpunk 2077 to GTA 6 isn't exactly fair for both companies. On one hand, it was CDPR's first time making that kind of genre of a game and on the other hand, it isn't Rockstar Games first time making a Grand Theft Auto game.

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0:54

Chet Holmgren said Alex Caruso is constantly giving teammates feedback and advice. I asked Caruso how much he enjoys the team aspect of competing: "I love it. I love being able to find and pick apart little advantages that we can gain through the game. My mind, especially during the postseason, is always running and tinkering and looking for different ways to take advantage of the game. And when I see different things for guys on my team that I think can help them, I'm going to mention it to them. Sometimes it's good and it's right and it helps them. And sometimes it's just me talking to myself. But that's something that I'm okay with because it's in the pursuit of being great and it's in the pursuit of us winning games. That's what it takes. You've got to be obsessed with the game to win at a high level, and I try to be."

Justin Martinez

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NintenGOD

22,008 görüntüleme • 1 yıl önce

I think we’ll see the full creative vision of GTA 6 once the PC/PS6/Xbox Helix version comes out. As stunning as Grand Theft Auto VI currently looks, its hard to believe that the game will cut some corners to optimize for the current gen hardware. But looking back at Grand Theft Auto V releasing at the end of a console lifecycle then getting the next-gen version was a night and day difference; it showed how much corners Rockstar Games had to cut in order to optimize this game and run well for PS3 and Xbox 360 consoles. I believe it is the same situation with the current gen consoles, the GPUs may be powerful, especially on the PS5 Pro; there are going to be some CPU limitations with the Zen 2 architecture.
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I think we’ll see the full creative vision of GTA 6 once the PC/PS6/Xbox Helix version comes out. As stunning as Grand Theft Auto VI currently looks, its hard to believe that the game will cut some corners to optimize for the current gen hardware. But looking back at Grand Theft Auto V releasing at the end of a console lifecycle then getting the next-gen version was a night and day difference; it showed how much corners Rockstar Games had to cut in order to optimize this game and run well for PS3 and Xbox 360 consoles. I believe it is the same situation with the current gen consoles, the GPUs may be powerful, especially on the PS5 Pro; there are going to be some CPU limitations with the Zen 2 architecture.

NikTek

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2:15

Any animators/developers know why Ubisoft just doesn't switch to JALI to use for facial animation cutscenes in Assassin's Creed? It's what Cyberpunk 2077 uses and it's one the most impressive uses of technology i've seen. I don't think it's something licensed to CDPR, because Don't Nod uses it for Lost Records. Is it because of Ubisoft's Anvil engine having it's own internal systems and tools for character animation? JALI is 10x better than their current procedural generated process. I watched the AC Odyssey GDC 2019 cutscene presentation, and it's not good. Great from a business perspective to save on costs and time, but horrendous from the perspective of playing the game as a consumer. It started with Odyssey and has carried over since in every game, and somehow it's gotten worse with AC Shadows. It needs to change.

The Hidden One

260,113 görüntüleme • 9 ay önce

I ditched Unreal for AI. Kaiju Engine is a completely AI written replacement. To prove it was ready for production, I tested it by recreating and porting my old game, Firefall, into Kaiju, purely from the Steam download, no source. And it worked. Real game code is messy, full of difficult details and compromises. If our engine could handle a commercially released game, it proves you can ship a game with it. We're developing 2 orders of magnitude faster (93x) by lines of code and features. We have fewer bugs, and iteration is super fast. Build times have gone from 30 mins (Unreal) to 36 seconds. Feature rate is through the roof, days instead of months. Our original engine for Firefall took 2-3 years and cost over 5M to build (adjusted). Our new engine was written in 5 months for a couple grand. We built only what we needed, with none of the Unreal bloat. And we added some features: - Modern meshlet based rendering with PBR. - Vis Buffer/Forward+ with clustered lighting. - Id Tech 5 style megatexture streaming. - Planetary sized renderer (entire solar systems possible). - Seamless flight from ground to orbit and space. - No loading screens. - Procedural planet generation with plate simulation. - Client/Server at all times. - Ozz for animation. Jolt for Physics. - Companion Blender plug-in for AI directed asset exports. - 140fps currently, 200-300 projected after optimizations. You can see Firefall's assets and levels ported over into our engine in the video. Texture resolution and pop-in are limitations of the original game (high rez CDN based textures were lost when game went offline, fog hid the original's pop-in). Our meshlet renderer will be able to do much better with LOD and already supports high rez textures. I used Grok/Codex/Claude to tag team the code. This is not just a boon for indie games, it's a real game changer for game preservation. The reaction to seeing this 10 year old discontinued game revived is very emotional for Firefall fans. But we're not just preserving Firefall, we're going beyond, creating an original game that is the spiritual successor, Em-8ER. Gliding, jumpjets... it's all coming back. Moving past Unreal let us move much faster, without the bloat, and with better performance. If you want to signup to follow news on the game, sign up is free at
2:45

I ditched Unreal for AI. Kaiju Engine is a completely AI written replacement. To prove it was ready for production, I tested it by recreating and porting my old game, Firefall, into Kaiju, purely from the Steam download, no source. And it worked. Real game code is messy, full of difficult details and compromises. If our engine could handle a commercially released game, it proves you can ship a game with it. We're developing 2 orders of magnitude faster (93x) by lines of code and features. We have fewer bugs, and iteration is super fast. Build times have gone from 30 mins (Unreal) to 36 seconds. Feature rate is through the roof, days instead of months. Our original engine for Firefall took 2-3 years and cost over 5M to build (adjusted). Our new engine was written in 5 months for a couple grand. We built only what we needed, with none of the Unreal bloat. And we added some features: - Modern meshlet based rendering with PBR. - Vis Buffer/Forward+ with clustered lighting. - Id Tech 5 style megatexture streaming. - Planetary sized renderer (entire solar systems possible). - Seamless flight from ground to orbit and space. - No loading screens. - Procedural planet generation with plate simulation. - Client/Server at all times. - Ozz for animation. Jolt for Physics. - Companion Blender plug-in for AI directed asset exports. - 140fps currently, 200-300 projected after optimizations. You can see Firefall's assets and levels ported over into our engine in the video. Texture resolution and pop-in are limitations of the original game (high rez CDN based textures were lost when game went offline, fog hid the original's pop-in). Our meshlet renderer will be able to do much better with LOD and already supports high rez textures. I used Grok/Codex/Claude to tag team the code. This is not just a boon for indie games, it's a real game changer for game preservation. The reaction to seeing this 10 year old discontinued game revived is very emotional for Firefall fans. But we're not just preserving Firefall, we're going beyond, creating an original game that is the spiritual successor, Em-8ER. Gliding, jumpjets... it's all coming back. Moving past Unreal let us move much faster, without the bloat, and with better performance. If you want to signup to follow news on the game, sign up is free at

Grummz

357,432 görüntüleme • 1 ay önce

"Looks like it got a little hot out there, sir!" Wing Commander (1990) is often considered one of the earliest "AAA" games, even though the term itself didn’t exist yet. Chris Roberts’ game reportedly cost about five times more to develop than a typical hit title of its era, making it by far the most expensive game at the time, and raising eyebrows everywhere. It featured very advanced graphics, digitized speech, a cinematic story campaign with branching paths, countless cutscenes, and a “Star Wars in space” feel that made it stand out massively. At times, it genuinely felt like you were starring in an interactive movie rather than "just" playing a game. Its success raised the bar for the entire industry. Publishers were now forced to invest far more in production quality, bigger budgets, and marketing. Wing Commander sold millions of copies, and helped establish the space sim genre. The game not only paved the way for even larger budgets in its own sequels, but it also pressured other developers and publishers to keep up. Whether this was ultimately good for the industry could still debated today. On one hand, it started an era of cinematic, high-production games. On the other, it made it significantly harder for small teams and low-budget titles to compete, effectively throttling the kind of creativity that had been a hallmark of 1980s game development. With the birth of Wing Commander, the industry had entered a whole new territory.
2:42

"Looks like it got a little hot out there, sir!" Wing Commander (1990) is often considered one of the earliest "AAA" games, even though the term itself didn’t exist yet. Chris Roberts’ game reportedly cost about five times more to develop than a typical hit title of its era, making it by far the most expensive game at the time, and raising eyebrows everywhere. It featured very advanced graphics, digitized speech, a cinematic story campaign with branching paths, countless cutscenes, and a “Star Wars in space” feel that made it stand out massively. At times, it genuinely felt like you were starring in an interactive movie rather than "just" playing a game. Its success raised the bar for the entire industry. Publishers were now forced to invest far more in production quality, bigger budgets, and marketing. Wing Commander sold millions of copies, and helped establish the space sim genre. The game not only paved the way for even larger budgets in its own sequels, but it also pressured other developers and publishers to keep up. Whether this was ultimately good for the industry could still debated today. On one hand, it started an era of cinematic, high-production games. On the other, it made it significantly harder for small teams and low-budget titles to compete, effectively throttling the kind of creativity that had been a hallmark of 1980s game development. With the birth of Wing Commander, the industry had entered a whole new territory.

exQUIZitely 🕹️

23,279 görüntüleme • 4 ay önce

Fun Fact: When Punch-Out!! first came out for the NES (1987), Mike Tyson was asked if he was able to beat himself in the game. He responded that he couldn't even get past Glass Joe. So remember, whenever you laugh at Joe's 1-99 record, the one person Glass Joe beat was Mike Tyson. Whether that myth is true or not, I don't know, but one thing is for sure - this was one of the most fun games I ever played. There are a few iconic games for the NES, and to me Punch Out!! is one of those. It was the classic "Ah, one more try" type of game, trying to reach that next level and ultimately fighting against Mike Tyson. Though a single-player game, this was the most fun when you had your friends around and everyone "being in your corner" cheering you on to get the T(KO). Good times!
2:24

Fun Fact: When Punch-Out!! first came out for the NES (1987), Mike Tyson was asked if he was able to beat himself in the game. He responded that he couldn't even get past Glass Joe. So remember, whenever you laugh at Joe's 1-99 record, the one person Glass Joe beat was Mike Tyson. Whether that myth is true or not, I don't know, but one thing is for sure - this was one of the most fun games I ever played. There are a few iconic games for the NES, and to me Punch Out!! is one of those. It was the classic "Ah, one more try" type of game, trying to reach that next level and ultimately fighting against Mike Tyson. Though a single-player game, this was the most fun when you had your friends around and everyone "being in your corner" cheering you on to get the T(KO). Good times!

exQUIZitely 🕹️

439,850 görüntüleme • 9 ay önce

The most expensive game in 1990 - and up until that year in all of gaming history - was none other than Wing Commander by Origin. Chris Roberts' game reportedly cost about five times more to develop than a typical hit title of its era, making it by far the most expensive game at the time, and raising eyebrows everywhere. Its success raised the bar for the entire industry. Publishers were now forced to invest far more in production quality, bigger budgets, and marketing. Wing Commander sold millions of copies, and gave a massive boost to the space combat genre. LucasArts was one of the first to follow with its own Star Wars series and gave Origin and run for their money. Whether this new "throw money at stuff" trend was good or bad, it's hard to say. On one hand, it started an era of cinematic, high-production games. On the other, it made it significantly harder for small teams and low-budget titles to compete, effectively throttling the kind of diverse creativity that was making the 80s such a great decade. With the birth of Wing Commander, the industry had entered a whole new territory, and there was no turning back.
2:42

The most expensive game in 1990 - and up until that year in all of gaming history - was none other than Wing Commander by Origin. Chris Roberts' game reportedly cost about five times more to develop than a typical hit title of its era, making it by far the most expensive game at the time, and raising eyebrows everywhere. Its success raised the bar for the entire industry. Publishers were now forced to invest far more in production quality, bigger budgets, and marketing. Wing Commander sold millions of copies, and gave a massive boost to the space combat genre. LucasArts was one of the first to follow with its own Star Wars series and gave Origin and run for their money. Whether this new "throw money at stuff" trend was good or bad, it's hard to say. On one hand, it started an era of cinematic, high-production games. On the other, it made it significantly harder for small teams and low-budget titles to compete, effectively throttling the kind of diverse creativity that was making the 80s such a great decade. With the birth of Wing Commander, the industry had entered a whole new territory, and there was no turning back.

exQUIZitely 🕹️

25,265 görüntüleme • 1 ay önce

Happy birthday, Bubble Bobble! It was released exactly 40 years ago today, on June 16, 1986. The arcade version was absolutely brilliant, being one of the first games to have a coop-multiplayer option. It was also one of the the most ported arcade games in history, with over 20 ports to home computers and consoles, including even the legendary TI-84 Plus (primarily a calculator). The port that got the highest praise and came closest to the original arcade experience was the C64 version. Excellent graphics, one of the most recognizable tunes , and great gameplay make Bubble Bobble a timeless classic. My brother and I played the crap out of this one back in the day, and we still load it up on my old C64 when he comes for a visit. It's like riding a bike, you never forget how to play Bubble Bobble.
2:07

Happy birthday, Bubble Bobble! It was released exactly 40 years ago today, on June 16, 1986. The arcade version was absolutely brilliant, being one of the first games to have a coop-multiplayer option. It was also one of the the most ported arcade games in history, with over 20 ports to home computers and consoles, including even the legendary TI-84 Plus (primarily a calculator). The port that got the highest praise and came closest to the original arcade experience was the C64 version. Excellent graphics, one of the most recognizable tunes , and great gameplay make Bubble Bobble a timeless classic. My brother and I played the crap out of this one back in the day, and we still load it up on my old C64 when he comes for a visit. It's like riding a bike, you never forget how to play Bubble Bobble.

exQUIZitely 🕹️

17,530 görüntüleme • 3 ay önce

In an interview, Richard Garriott stated that Ultima VII: The Black Gate was "the most masterfully executed of the Ultima series". He has also stated that the game was, along with Ultima IV, his own favorite overall. It was one of the most complex and longest roleplaying games I ever played. The world is truly massive, and only if you're into deep lore and long texts/stories (and being a rather patient player), this epic classic is for you. I sometimes wonder how terrible such a game would do today, with players' attention spans maxing out after a few minutes at best. Maybe that's exactly the reason why they don't exist anymore? Back in 1992, The Black Gate was both critically acclaimed and commercially successful, being widely regarded as the high point in the series. Ultima VII is the first game in the series that runs entirely in real-time, and only pauses when the inventory, the menu, or a dialogue is open, significantly affecting combat. This was one of the bigger changes from the predecessors and something that a turn-based RPG fan had to get used to. It certainly took me some time. I'll take an educated guess and say that if you were a fan of RPGs back in the day, you played this wonderful masterpiece.
1:54

In an interview, Richard Garriott stated that Ultima VII: The Black Gate was "the most masterfully executed of the Ultima series". He has also stated that the game was, along with Ultima IV, his own favorite overall. It was one of the most complex and longest roleplaying games I ever played. The world is truly massive, and only if you're into deep lore and long texts/stories (and being a rather patient player), this epic classic is for you. I sometimes wonder how terrible such a game would do today, with players' attention spans maxing out after a few minutes at best. Maybe that's exactly the reason why they don't exist anymore? Back in 1992, The Black Gate was both critically acclaimed and commercially successful, being widely regarded as the high point in the series. Ultima VII is the first game in the series that runs entirely in real-time, and only pauses when the inventory, the menu, or a dialogue is open, significantly affecting combat. This was one of the bigger changes from the predecessors and something that a turn-based RPG fan had to get used to. It certainly took me some time. I'll take an educated guess and say that if you were a fan of RPGs back in the day, you played this wonderful masterpiece.

exQUIZitely 🕹️

15,856 görüntüleme • 3 ay önce