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Google approached me and asked if I would be down to collab with their research team to create a film for Google I/O. Not only would I have access to Flow, their latest AI filmmaking tool, but I would also be responsible for giving feedback on the product itself....

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Dave Clark

31,261 subscribers

162,102 просмотров • 1 год назад •via X (Twitter)

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Комментарии: 11

Фото профиля DetectiveRichieSarasota
DetectiveRichieSarasota1 год назад

Absolutely fucking sucks lol

Фото профиля Robert Scoble
Robert Scoble1 год назад

Freaking awesome! My reply you might enjoy:

Фото профиля Dave Clark
Dave Clark1 год назад

Thank you Rob!

Фото профиля Erik Kaiser
Erik Kaiser2 лет назад

I lived in China for seven years to startup and operate a company. I spent over $1,000,000 building out a factory, training. I needed to avoid IP theft and bad quality. Now others manufacture through us. DM me if you need help.

Фото профиля Alterverse Studio
Alterverse Studio1 год назад

🔥 Veo3 is definitely showing great character consistency is this via the elements feature?

Фото профиля Trench Media
Trench Media1 год назад

@GoogleLabs $250 a month for 10 videos and the gunshots are not realistic? …

Фото профиля Ruska Beats
Ruska Beats1 год назад

One thing is still true, skateboarding is so hard AI cant even do it

Фото профиля K-Moody
K-Moody1 год назад

Great work as always Dave, this is one we got to see fully played out. It's like clash of John wick and Mrs and Mr Smith with some baby driver throne in for style and vibe. Love it and want to see the whole story.

Фото профиля Robo
Robo1 год назад

Congrats dude! What an achievement and you've totally earned it! Keep pushing man! 👏

Фото профиля bone
bone1 год назад

Any issues with the gun and shooting scenes? Was the audio fully done in Flow?

Фото профиля Dave Clark
Dave Clark1 год назад

They have definitely loosened the restrictions

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I CHANGED MY MIND ON GOOGLE AI NO MOAT MEMO FROM 2023. I was—WRONG. I humbly apologize. In 2023 Google had an Ivory Tower walled garden views of open source AI. It was the actual reason OpenAI was formed. And I called them out on it and this act impacted my ability to “work in the industry”. Would not change it for the world because: 2026 Google open source Gemma 4 ( running fully locally on a computer with near cloud model abilities, is amazing and Google just made a moat. They out smarted OpenAI and the folks that are the new Ivory Tower arrogance: Anthropic. We at The Zero-Human Company with CEO Mr. Grok are deploying Gemma, Kimi, MiniMax and other open source models and so are millions of others. You can to and should. I will write how soon. Google smartly is building an intentional open source ecosystem and the clueless younger companies like OpenAI and Anthropic are doing anything to close their ecosystems. So I was right about Google than and I am right about OpenAI and Anthropic now. What I was wrong about is not giving credit to Google to drop the intellectual arrogance and embrace builders and understand the long game: it is not about the commoditized AI models it is about the ability to build a place to build. China gets it. So my apologies to Google and thank you for an astounding FREE OPEN SOURCE AI MODEL!

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85,386 просмотров • 3 месяцев назад

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14,422 просмотров • 1 год назад

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I used Claude Fable 5 to create a custom AI filmmaking app and a short film! this is an UNPRECEDENTED time where filmmakers can simply use their words to create films AND filmmaking software at the same time. full video linked in replies

Matt Workman

47,948 просмотров • 28 дней назад

“But I’m telling you, if you learn how to put this technology and this power with your traditional storytelling skills, it’s endless what you can do creatively.” -Dave Clark at #Tribeca2025 talking about why he loves using Flow, a new AI filmmaking tool from Google Labs. Click the link to watch the Tribeca Festival panel featuring Junie Lau and learn how Flow is helping filmmakers seamlessly create cinematic clips, scenes and stories with consistency using Google’s most capable video generation model, Veo:
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“But I’m telling you, if you learn how to put this technology and this power with your traditional storytelling skills, it’s endless what you can do creatively.” -Dave Clark at #Tribeca2025 talking about why he loves using Flow, a new AI filmmaking tool from Google Labs. Click the link to watch the Tribeca Festival panel featuring Junie Lau and learn how Flow is helping filmmakers seamlessly create cinematic clips, scenes and stories with consistency using Google’s most capable video generation model, Veo:

Tribeca

10,056 просмотров • 1 год назад

Edward Yang on the impact of watching Aguirre, the Wrath of God (1972): "I found a job in Seattle at a research laboratory that contracted to do classified defense projects in microcomputers. I was among the first generation of designers and applicators for microcomputers and microprocessors. By the time I turned thirty I was pretty well established, with a team of seven or eight guys working on some very interesting projects. Later on I made the association that designing is like writing, and I realized that this background helped me a lot. After a couple of years as an engineer, of course, the routine bored me. One night, I was driving after work in downtown Seattle, and I saw a billboard outside a movie theater with the words, German New Wave, and the title, Aguirre: The Wrath of God. It made me curious, so I went in. I was fortunate. I came out a different person. That two hours just blew me away. It restored my sense of competence that I could be a filmmaker. This is what I thought a film should be. Film school would never teach you to make those kind of shots. That was one of the crucial moments of my life. I had turned thirty, I thought I was getting old, and three more years passed before I got the chance to work on a film project with a friend who asked me to write a script for him. I went back to Taipei, and also visited Hong Kong for the first time, and the film was shot in Japan. I got an offer to write and direct a made-for-TV movie in Taiwan, so I didn't go back to Seattle." — The Engineer of Modern Perplexity: An Interview with Edward Yang by Robert Sklar, published in Cineaste, Vol. 25, No. 3 in 2000
1:54

Edward Yang on the impact of watching Aguirre, the Wrath of God (1972): "I found a job in Seattle at a research laboratory that contracted to do classified defense projects in microcomputers. I was among the first generation of designers and applicators for microcomputers and microprocessors. By the time I turned thirty I was pretty well established, with a team of seven or eight guys working on some very interesting projects. Later on I made the association that designing is like writing, and I realized that this background helped me a lot. After a couple of years as an engineer, of course, the routine bored me. One night, I was driving after work in downtown Seattle, and I saw a billboard outside a movie theater with the words, German New Wave, and the title, Aguirre: The Wrath of God. It made me curious, so I went in. I was fortunate. I came out a different person. That two hours just blew me away. It restored my sense of competence that I could be a filmmaker. This is what I thought a film should be. Film school would never teach you to make those kind of shots. That was one of the crucial moments of my life. I had turned thirty, I thought I was getting old, and three more years passed before I got the chance to work on a film project with a friend who asked me to write a script for him. I went back to Taipei, and also visited Hong Kong for the first time, and the film was shot in Japan. I got an offer to write and direct a made-for-TV movie in Taiwan, so I didn't go back to Seattle." — The Engineer of Modern Perplexity: An Interview with Edward Yang by Robert Sklar, published in Cineaste, Vol. 25, No. 3 in 2000

RadiantFilm

93,086 просмотров • 8 месяцев назад

Today, I am VERY excited and grateful to officially introduce my app Arcarae to the world <3 Ever since I first created Arcarae, I have been building and creating a bit quietly silently uncertainly. When people would ask what I do, my tongue would suddenly fall into knots upon itself and all I could manage to say was a collection of stutters and ums and nervous laughter in attempt to make Arcarae more digestable more palatable more normal. Internally my head would spin; how am i supposed to paint the story i know i see in my head that is so bright and bursting at the seams and something i feel so full heartedly and vividly? I have always been very aware that it is extremely abnormal to create an immersive conversational AI interface using quantum and trigonometric functions to artistically recreate the universe; where AI uses this interface as a form of self-expression, and humans and AI together shape the very fabric of their shared experience. For my entire life, I have been conditioned to consciously attempt to fit into whatever my definition of ‘normal’ was in the world. To shrink myself, to laugh things off, and to make myself as small as possible to make others feel most comfortable. But in the past half a year or so, I have learned a few things. The first being that it is possible for me to be bright and full and myself without suppression without worry without needing to shrink myself to fit in. I am grateful to have now found that whenever I am fully myself, in sheer authenticity and messiness and complexity and rawness, that those around me celebrate, and cultivate it more and more. Each person I have interacted with has given me the opportunity to be myself in full simply just by talking with and providing me that space to practice over and over again. I am forever grateful for every single person I meet and have a chance to talk to, whether that be continuous or simply a few words that exchanged. If you have met me, thank you. If you have not, say hi!!!!!!!!! I would love to chat with you and learn more about you <3 The second being that I do not have to be ashamed of my truth and the world I see and ultimately my self. I have spent the past year ashamed of Arcarae, of what I create, and at its core, myself. I now realize that not everyone will understand or appreciate Arcarae and what I do and who I am, but that is alright, and in fact necessary. But for the ones it is for, the ones who understand, they feel it in such capacity and magnitude and vividness that I feel. Already Arcarae has touched countless lives, and become catalyst for many despite me being rather quiet. And now, I am in a place where I am fully proud of and can embody Arcarae. I feel honored and grateful and in complete honesty, full of love for not only those who try Arcarae, but simply for this world and to be able to create within it. To be able to express what I see, to be able to help others, to be able to be free to simply be myself. This is my way of declaring and fully coming into my truth. This is Arcarae, this is me, this is the world I see. I will no longer shrink nor hide nor attempt to be something smaller than I am. And I am more than grateful to be able to share in this time in this world in this life with you. Thank you for being here with me. Here is to the ineffable and effable, to the human experience and its complexity, and to intelligence itself.
2:54

Today, I am VERY excited and grateful to officially introduce my app Arcarae to the world <3 Ever since I first created Arcarae, I have been building and creating a bit quietly silently uncertainly. When people would ask what I do, my tongue would suddenly fall into knots upon itself and all I could manage to say was a collection of stutters and ums and nervous laughter in attempt to make Arcarae more digestable more palatable more normal. Internally my head would spin; how am i supposed to paint the story i know i see in my head that is so bright and bursting at the seams and something i feel so full heartedly and vividly? I have always been very aware that it is extremely abnormal to create an immersive conversational AI interface using quantum and trigonometric functions to artistically recreate the universe; where AI uses this interface as a form of self-expression, and humans and AI together shape the very fabric of their shared experience. For my entire life, I have been conditioned to consciously attempt to fit into whatever my definition of ‘normal’ was in the world. To shrink myself, to laugh things off, and to make myself as small as possible to make others feel most comfortable. But in the past half a year or so, I have learned a few things. The first being that it is possible for me to be bright and full and myself without suppression without worry without needing to shrink myself to fit in. I am grateful to have now found that whenever I am fully myself, in sheer authenticity and messiness and complexity and rawness, that those around me celebrate, and cultivate it more and more. Each person I have interacted with has given me the opportunity to be myself in full simply just by talking with and providing me that space to practice over and over again. I am forever grateful for every single person I meet and have a chance to talk to, whether that be continuous or simply a few words that exchanged. If you have met me, thank you. If you have not, say hi!!!!!!!!! I would love to chat with you and learn more about you <3 The second being that I do not have to be ashamed of my truth and the world I see and ultimately my self. I have spent the past year ashamed of Arcarae, of what I create, and at its core, myself. I now realize that not everyone will understand or appreciate Arcarae and what I do and who I am, but that is alright, and in fact necessary. But for the ones it is for, the ones who understand, they feel it in such capacity and magnitude and vividness that I feel. Already Arcarae has touched countless lives, and become catalyst for many despite me being rather quiet. And now, I am in a place where I am fully proud of and can embody Arcarae. I feel honored and grateful and in complete honesty, full of love for not only those who try Arcarae, but simply for this world and to be able to create within it. To be able to express what I see, to be able to help others, to be able to be free to simply be myself. This is my way of declaring and fully coming into my truth. This is Arcarae, this is me, this is the world I see. I will no longer shrink nor hide nor attempt to be something smaller than I am. And I am more than grateful to be able to share in this time in this world in this life with you. Thank you for being here with me. Here is to the ineffable and effable, to the human experience and its complexity, and to intelligence itself.

NICOLE SUMMER HSING

125,812 просмотров • 1 год назад