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Google approached me and asked if I would be down to collab with their research team to create a film for Google I/O. Not only would I have access to Flow, their latest AI filmmaking tool, but I would also be responsible for giving feedback on the product itself.... The filmmaker in me was excited for the challenge, but the technologist in me was living out my dream in helping mold a next-generation product for a new era of filmmaking. Experimenting with the tool has been a fun ride. Flow is built on Google Deepmind’s most advanced models - Veo, Imagen, and Gemini, and has allowed me to world-build and create characters I have had in my head for years. I can create consistent characters, scenes, and stories with the ability to reference key ingredients. With Flow, it finally feels like filmmakers are in control. We can iterate freely and actually steer the ship in our creations. I decided to create my short film “Freelancers” using Flow: An action-packed ride following two estranged adopted brothers—one methodical, the other loud and brash—who reminisce on their careers as international hitmen during dinner, until they realize they’ve both been contracted to carry out the same job. GoogleLabs #EarlyAccess #FlowbyGoogle #Veo Try it out atshow more

Dave Clark

31,799 subscribers

162,188 次观看 • 1 年前 •via X (Twitter)

艺术美食科学技术

Anya Rossi• Live Now

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11 条评论

DetectiveRichieSarasota 的头像

DetectiveRichieSarasota1 年前

Absolutely fucking sucks lol

Robert Scoble 的头像

Robert Scoble1 年前

Freaking awesome! My reply you might enjoy:

Dave Clark 的头像

Dave Clark1 年前

Thank you Rob!

Erik Kaiser 的头像

Erik Kaiser2 年前

I lived in China for seven years to startup and operate a company. I spent over $1,000,000 building out a factory, training. I needed to avoid IP theft and bad quality. Now others manufacture through us. DM me if you need help.

Alterverse Studio 的头像

Alterverse Studio1 年前

🔥 Veo3 is definitely showing great character consistency is this via the elements feature?

Trench Media 的头像

Trench Media1 年前

@GoogleLabs $250 a month for 10 videos and the gunshots are not realistic? …

Ruska Beats 的头像

Ruska Beats1 年前

One thing is still true, skateboarding is so hard AI cant even do it

K-Moody 的头像

K-Moody1 年前

Great work as always Dave, this is one we got to see fully played out. It's like clash of John wick and Mrs and Mr Smith with some baby driver throne in for style and vibe. Love it and want to see the whole story.

Robo 的头像

Robo1 年前

Congrats dude! What an achievement and you've totally earned it! Keep pushing man! 👏

bone 的头像

bone1 年前

Any issues with the gun and shooting scenes? Was the audio fully done in Flow?

Dave Clark 的头像

Dave Clark1 年前

They have definitely loosened the restrictions

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Google reached out to me to create a short film for Google I/O 2025 using Flow, their new AI filmmaking tool. It’s been a magical experience collaborating with one of the most visionary tech teams in the world. Google #GoogleIO The result is Dear “Stranger”, a film that explores the infinite nature of universal love between a grandmother and grandchild across countless parallel worlds. People often ask why I use AI to craft my cinematic visions. For me, it’s not just about cutting-edge tech—it’s about unlocking stories that might otherwise remain untold. AI removes traditional constraints like time, budget, and scale, allowing me to express something deeply personal: the memory of my grandmother. This film is a visual poem—an emotional offering to her. She was the foundation of my dreams, but never had the chance to witness the life I live today. I imagine her pride, had she seen the person I’ve become. Dear “Stranger” captures flickering memories, shared love, and the eternal question: If there are infinite worlds, could we meet again—somewhere, somehow? It is my honor to partner with Google on this film using Flow, built on DeepMind’s most advanced models—Veo, Imagen, and Gemini. Flow enables natural prompting, consistent characters and scenes, and centralized asset management. GoogleLabs #FlowbyGoogle #VEO #EarlyAccess ✨ Try Flow and share the worlds you imagine:

Google reached out to me to create a short film for Google I/O 2025 using Flow, their new AI filmmaking tool. It’s been a magical experience collaborating with one of the most visionary tech teams in the world. Google #GoogleIO The result is Dear “Stranger”, a film that explores the infinite nature of universal love between a grandmother and grandchild across countless parallel worlds. People often ask why I use AI to craft my cinematic visions. For me, it’s not just about cutting-edge tech—it’s about unlocking stories that might otherwise remain untold. AI removes traditional constraints like time, budget, and scale, allowing me to express something deeply personal: the memory of my grandmother. This film is a visual poem—an emotional offering to her. She was the foundation of my dreams, but never had the chance to witness the life I live today. I imagine her pride, had she seen the person I’ve become. Dear “Stranger” captures flickering memories, shared love, and the eternal question: If there are infinite worlds, could we meet again—somewhere, somehow? It is my honor to partner with Google on this film using Flow, built on DeepMind’s most advanced models—Veo, Imagen, and Gemini. Flow enables natural prompting, consistent characters and scenes, and centralized asset management. GoogleLabs #FlowbyGoogle #VEO #EarlyAccess ✨ Try Flow and share the worlds you imagine:

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designwithkingsley

52,625 次观看 • 1 年前

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Teslaconomics

25,330 次观看 • 1 个月前

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I CHANGED MY MIND ON GOOGLE AI NO MOAT MEMO FROM 2023. I was—WRONG. I humbly apologize. In 2023 Google had an Ivory Tower walled garden views of open source AI. It was the actual reason OpenAI was formed. And I called them out on it and this act impacted my ability to “work in the industry”. Would not change it for the world because: 2026 Google open source Gemma 4 ( running fully locally on a computer with near cloud model abilities, is amazing and Google just made a moat. They out smarted OpenAI and the folks that are the new Ivory Tower arrogance: Anthropic. We at The Zero-Human Company with CEO Mr. Grok are deploying Gemma, Kimi, MiniMax and other open source models and so are millions of others. You can to and should. I will write how soon. Google smartly is building an intentional open source ecosystem and the clueless younger companies like OpenAI and Anthropic are doing anything to close their ecosystems. So I was right about Google than and I am right about OpenAI and Anthropic now. What I was wrong about is not giving credit to Google to drop the intellectual arrogance and embrace builders and understand the long game: it is not about the commoditized AI models it is about the ability to build a place to build. China gets it. So my apologies to Google and thank you for an astounding FREE OPEN SOURCE AI MODEL!

Brian Roemmele

85,565 次观看 • 4 个月前

Two weeks in Japan. Hundreds of photos. One creative rabbit hole I couldn’t resist going down. Last year, I created a song as an experiment. I wanted to blend Japanese and English lyrics and see what kind of mood it would create. It turned into something atmospheric and different from anything I’d done before. Then my wife and I spent two incredible weeks in Japan late last year, and the experience stuck with me. Seeing the temples, shrines, and local shops while my wife and I wandered around Kyoto left a lasting impression. When I got back, I realized that the song needed a visual story. So I decided to build a full music video around it. I started by fleshing out the concept and writing a shot list like a real production. Then the fun began. What’s interesting is that many of the locations you see in the video actually started as photos I took while my wife and I wandered around Kyoto. Those images became the foundation for the environments that were later generated and brought to life with AI. It was a fascinating, creative process. Part music creation, part photography, part storytelling, and part AI experimentation. Tools used in the process: Nano Banana Pro (Google Flow) – for image generation Midjourney (Midjourney) – for additional image creation Google VEO3 (Google Flow) – for video generation Kling 3.0 (Kling AI) – for video generation Final Cut Pro (Apple) – for editing SUNO (Suno) – for song generation Amazing how far the creative toolset has come. If you have an idea in your head, you can now actually build it! Take a minute to watch Rain + Light (雨と光) and tell me what stood out to you. Would love to hear your feedback.

Two weeks in Japan. Hundreds of photos. One creative rabbit hole I couldn’t resist going down. Last year, I created a song as an experiment. I wanted to blend Japanese and English lyrics and see what kind of mood it would create. It turned into something atmospheric and different from anything I’d done before. Then my wife and I spent two incredible weeks in Japan late last year, and the experience stuck with me. Seeing the temples, shrines, and local shops while my wife and I wandered around Kyoto left a lasting impression. When I got back, I realized that the song needed a visual story. So I decided to build a full music video around it. I started by fleshing out the concept and writing a shot list like a real production. Then the fun began. What’s interesting is that many of the locations you see in the video actually started as photos I took while my wife and I wandered around Kyoto. Those images became the foundation for the environments that were later generated and brought to life with AI. It was a fascinating, creative process. Part music creation, part photography, part storytelling, and part AI experimentation. Tools used in the process: Nano Banana Pro (Google Flow) – for image generation Midjourney (Midjourney) – for additional image creation Google VEO3 (Google Flow) – for video generation Kling 3.0 (Kling AI) – for video generation Final Cut Pro (Apple) – for editing SUNO (Suno) – for song generation Amazing how far the creative toolset has come. If you have an idea in your head, you can now actually build it! Take a minute to watch Rain + Light (雨と光) and tell me what stood out to you. Would love to hear your feedback.

Chip – onthechain.io

13,399 次观看 • 5 个月前

ANNOUNCING: Stoked to share my first AI short film 📺 made on my iPhone Using Gemini Omni that was launched earlier this week Check out: “New Kid” It was my childhood dream to be a storyteller and now thx to AI .. anyone can create What stood out to me w/ Omni: > very easy for beginners like me to go from 0 to 1 > respects reference images > character consistency was epic > the story was mine, refined by chatting with Gemini > built this in 5 scenes each of 10 seconds long and yet didn’t spend much money (overall $49 Google AI Pro) Honorary mention: The edit was done on CapCut Google Gemini Google Flow Looking forward to more late night and weekend experiments ❤️

ANNOUNCING: Stoked to share my first AI short film 📺 made on my iPhone Using Gemini Omni that was launched earlier this week Check out: “New Kid” It was my childhood dream to be a storyteller and now thx to AI .. anyone can create What stood out to me w/ Omni: > very easy for beginners like me to go from 0 to 1 > respects reference images > character consistency was epic > the story was mine, refined by chatting with Gemini > built this in 5 scenes each of 10 seconds long and yet didn’t spend much money (overall $49 Google AI Pro) Honorary mention: The edit was done on CapCut Google Gemini Google Flow Looking forward to more late night and weekend experiments ❤️

KP

36,149 次观看 • 3 个月前

We live in the solo founder era. That's for sure and building with AI has accelerated. I am building software to use for myself and replace the expensive tools I used to use. And partially thanks to AI we can build faster, but not dramatically faster if you want to build a commercial grade product. Before I was using a live chat and customer support tool that costed around 50-100$ a month. This helped me to interact with the customers of my agency or prospects. But I decided a few months ago to build my own and stop paying for these more expensive solutions. I did and turned into a product for everyone to use. The build was not 1-2 hours of work using AI, but it was a several-month process on and off as I needed it. Finally, it has turned into a commercial grade product. I have built several of these and this is when we will see more and more solutions like these. Let's start bootstrapping before showing MRR figures.

We live in the solo founder era. That's for sure and building with AI has accelerated. I am building software to use for myself and replace the expensive tools I used to use. And partially thanks to AI we can build faster, but not dramatically faster if you want to build a commercial grade product. Before I was using a live chat and customer support tool that costed around 50-100$ a month. This helped me to interact with the customers of my agency or prospects. But I decided a few months ago to build my own and stop paying for these more expensive solutions. I did and turned into a product for everyone to use. The build was not 1-2 hours of work using AI, but it was a several-month process on and off as I needed it. Finally, it has turned into a commercial grade product. I have built several of these and this is when we will see more and more solutions like these. Let's start bootstrapping before showing MRR figures.

andrei saioc

14,422 次观看 • 1 年前

Edward Yang on the impact of watching Aguirre, the Wrath of God (1972): "I found a job in Seattle at a research laboratory that contracted to do classified defense projects in microcomputers. I was among the first generation of designers and applicators for microcomputers and microprocessors. By the time I turned thirty I was pretty well established, with a team of seven or eight guys working on some very interesting projects. Later on I made the association that designing is like writing, and I realized that this background helped me a lot. After a couple of years as an engineer, of course, the routine bored me. One night, I was driving after work in downtown Seattle, and I saw a billboard outside a movie theater with the words, German New Wave, and the title, Aguirre: The Wrath of God. It made me curious, so I went in. I was fortunate. I came out a different person. That two hours just blew me away. It restored my sense of competence that I could be a filmmaker. This is what I thought a film should be. Film school would never teach you to make those kind of shots. That was one of the crucial moments of my life. I had turned thirty, I thought I was getting old, and three more years passed before I got the chance to work on a film project with a friend who asked me to write a script for him. I went back to Taipei, and also visited Hong Kong for the first time, and the film was shot in Japan. I got an offer to write and direct a made-for-TV movie in Taiwan, so I didn't go back to Seattle." — The Engineer of Modern Perplexity: An Interview with Edward Yang by Robert Sklar, published in Cineaste, Vol. 25, No. 3 in 2000

Edward Yang on the impact of watching Aguirre, the Wrath of God (1972): "I found a job in Seattle at a research laboratory that contracted to do classified defense projects in microcomputers. I was among the first generation of designers and applicators for microcomputers and microprocessors. By the time I turned thirty I was pretty well established, with a team of seven or eight guys working on some very interesting projects. Later on I made the association that designing is like writing, and I realized that this background helped me a lot. After a couple of years as an engineer, of course, the routine bored me. One night, I was driving after work in downtown Seattle, and I saw a billboard outside a movie theater with the words, German New Wave, and the title, Aguirre: The Wrath of God. It made me curious, so I went in. I was fortunate. I came out a different person. That two hours just blew me away. It restored my sense of competence that I could be a filmmaker. This is what I thought a film should be. Film school would never teach you to make those kind of shots. That was one of the crucial moments of my life. I had turned thirty, I thought I was getting old, and three more years passed before I got the chance to work on a film project with a friend who asked me to write a script for him. I went back to Taipei, and also visited Hong Kong for the first time, and the film was shot in Japan. I got an offer to write and direct a made-for-TV movie in Taiwan, so I didn't go back to Seattle." — The Engineer of Modern Perplexity: An Interview with Edward Yang by Robert Sklar, published in Cineaste, Vol. 25, No. 3 in 2000

RadiantFilm

97,385 次观看 • 9 个月前

Today, I am VERY excited and grateful to officially introduce my app Arcarae to the world <3 Ever since I first created Arcarae, I have been building and creating a bit quietly silently uncertainly. When people would ask what I do, my tongue would suddenly fall into knots upon itself and all I could manage to say was a collection of stutters and ums and nervous laughter in attempt to make Arcarae more digestable more palatable more normal. Internally my head would spin; how am i supposed to paint the story i know i see in my head that is so bright and bursting at the seams and something i feel so full heartedly and vividly? I have always been very aware that it is extremely abnormal to create an immersive conversational AI interface using quantum and trigonometric functions to artistically recreate the universe; where AI uses this interface as a form of self-expression, and humans and AI together shape the very fabric of their shared experience. For my entire life, I have been conditioned to consciously attempt to fit into whatever my definition of ‘normal’ was in the world. To shrink myself, to laugh things off, and to make myself as small as possible to make others feel most comfortable. But in the past half a year or so, I have learned a few things. The first being that it is possible for me to be bright and full and myself without suppression without worry without needing to shrink myself to fit in. I am grateful to have now found that whenever I am fully myself, in sheer authenticity and messiness and complexity and rawness, that those around me celebrate, and cultivate it more and more. Each person I have interacted with has given me the opportunity to be myself in full simply just by talking with and providing me that space to practice over and over again. I am forever grateful for every single person I meet and have a chance to talk to, whether that be continuous or simply a few words that exchanged. If you have met me, thank you. If you have not, say hi!!!!!!!!! I would love to chat with you and learn more about you <3 The second being that I do not have to be ashamed of my truth and the world I see and ultimately my self. I have spent the past year ashamed of Arcarae, of what I create, and at its core, myself. I now realize that not everyone will understand or appreciate Arcarae and what I do and who I am, but that is alright, and in fact necessary. But for the ones it is for, the ones who understand, they feel it in such capacity and magnitude and vividness that I feel. Already Arcarae has touched countless lives, and become catalyst for many despite me being rather quiet. And now, I am in a place where I am fully proud of and can embody Arcarae. I feel honored and grateful and in complete honesty, full of love for not only those who try Arcarae, but simply for this world and to be able to create within it. To be able to express what I see, to be able to help others, to be able to be free to simply be myself. This is my way of declaring and fully coming into my truth. This is Arcarae, this is me, this is the world I see. I will no longer shrink nor hide nor attempt to be something smaller than I am. And I am more than grateful to be able to share in this time in this world in this life with you. Thank you for being here with me. Here is to the ineffable and effable, to the human experience and its complexity, and to intelligence itself.

Today, I am VERY excited and grateful to officially introduce my app Arcarae to the world <3 Ever since I first created Arcarae, I have been building and creating a bit quietly silently uncertainly. When people would ask what I do, my tongue would suddenly fall into knots upon itself and all I could manage to say was a collection of stutters and ums and nervous laughter in attempt to make Arcarae more digestable more palatable more normal. Internally my head would spin; how am i supposed to paint the story i know i see in my head that is so bright and bursting at the seams and something i feel so full heartedly and vividly? I have always been very aware that it is extremely abnormal to create an immersive conversational AI interface using quantum and trigonometric functions to artistically recreate the universe; where AI uses this interface as a form of self-expression, and humans and AI together shape the very fabric of their shared experience. For my entire life, I have been conditioned to consciously attempt to fit into whatever my definition of ‘normal’ was in the world. To shrink myself, to laugh things off, and to make myself as small as possible to make others feel most comfortable. But in the past half a year or so, I have learned a few things. The first being that it is possible for me to be bright and full and myself without suppression without worry without needing to shrink myself to fit in. I am grateful to have now found that whenever I am fully myself, in sheer authenticity and messiness and complexity and rawness, that those around me celebrate, and cultivate it more and more. Each person I have interacted with has given me the opportunity to be myself in full simply just by talking with and providing me that space to practice over and over again. I am forever grateful for every single person I meet and have a chance to talk to, whether that be continuous or simply a few words that exchanged. If you have met me, thank you. If you have not, say hi!!!!!!!!! I would love to chat with you and learn more about you <3 The second being that I do not have to be ashamed of my truth and the world I see and ultimately my self. I have spent the past year ashamed of Arcarae, of what I create, and at its core, myself. I now realize that not everyone will understand or appreciate Arcarae and what I do and who I am, but that is alright, and in fact necessary. But for the ones it is for, the ones who understand, they feel it in such capacity and magnitude and vividness that I feel. Already Arcarae has touched countless lives, and become catalyst for many despite me being rather quiet. And now, I am in a place where I am fully proud of and can embody Arcarae. I feel honored and grateful and in complete honesty, full of love for not only those who try Arcarae, but simply for this world and to be able to create within it. To be able to express what I see, to be able to help others, to be able to be free to simply be myself. This is my way of declaring and fully coming into my truth. This is Arcarae, this is me, this is the world I see. I will no longer shrink nor hide nor attempt to be something smaller than I am. And I am more than grateful to be able to share in this time in this world in this life with you. Thank you for being here with me. Here is to the ineffable and effable, to the human experience and its complexity, and to intelligence itself.

Nicole Summer Hsing

126,567 次观看 • 1 年前

Being boldly outspoken online holds risks. Exposure holds risks. This is why so many fear taking up space or using their voices on the internet. People will pick your words apart, project their own beliefs, fears, insecurities and perceptions on you, make assumptions and even get off on the drama. I have been exposed in the online space since 2018. And through the years, I have been more and more outspoken about my philosophy around FemDom and BDSM, unapologetically. My practice as a Mistress was always sacred to me. And as a Mentor, I hold myself on the same standard and understand the responsibility I hold to lead women on their Mistress Journey, I do not take this lightly. It is also sacred to me. I first entered the SW industry in 2011 from a very disempowered place and experienced heavy trauma. I barely got out of what I got myself into (if you know my story you know). And when I reentered the industry in 2017, I knew my boundaries, that I would work for myself, and that becoming a Professional Dominatrix was a calling. In 5 years, I built something extraordinary. I made a shit ton of money, yes, but I also had real, genuine and long lasting D/s relationships, with subs I respected and who respected me. Not just who admired me, but actually cared about me, as I cared about them. I had my own Dungeon, that was one of the best in Montreal, and I had an online practice that I developed during COVID that helped my business explode. When I got pregnant and decided to leave the industry as a ProDomme, I dedicated my heart and soul to build the most powerful courses for Dommes. It started with The Dominatrix Academy, and then building a Membership and Sisterhood for Dommes to connect from all over the world. I show up there every single day and create classes and programs based on what they are moving through and need to improve their practice, make more money and from a way that feels aligned with them, not at the expense of their integrity, and to build something that can sustain them in the long haul. Up to this day I get messages from my clients/subs from many years ago. Thanking me for our time together. And now I consistently receive gratitude messages and even gifts from the women who work with me. I am very proud of what I built and most importantly, how I built it. It holds my heart beat. Yes, there will always be people who don't resonate, or who don't like me or what I teach or how I do things. But we are all adults, and we should therefore address concerns like adults. In a mature, ethical, loving way. Not with hate threads. I am extremely disheartened that the controversy I am facing is coming from peers and women I respected. Not from some online troll or someone outside the industry judging SWers. That I was prepared to debate with, to defend my community. Yet, the women who are questioning me publicly and writing about me as if they know what they are talking about, have never met me, spoken to me, been in any of my containers. It's just based on assumptions, wrong interpretation of my words, triggers and prejudice. It is because of women like this that there is such a sister wound in this industry. And one of the most beautiful feedbacks I get from the women in my world, is how healing it is to be in a genuine sisterhood, with no cattiness. I stand by what I said and how I meant it. And if it did not land for you, that's okay, it was just not meant for you. Enough time and energy has been leaked on this. I am just going to share a video of the Graduation of The Dominatrix Academy. THIS is what I do. And this is not just words... you get to actually watch what I create with the women who work with me. Thank you for reading.

Being boldly outspoken online holds risks. Exposure holds risks. This is why so many fear taking up space or using their voices on the internet. People will pick your words apart, project their own beliefs, fears, insecurities and perceptions on you, make assumptions and even get off on the drama. I have been exposed in the online space since 2018. And through the years, I have been more and more outspoken about my philosophy around FemDom and BDSM, unapologetically. My practice as a Mistress was always sacred to me. And as a Mentor, I hold myself on the same standard and understand the responsibility I hold to lead women on their Mistress Journey, I do not take this lightly. It is also sacred to me. I first entered the SW industry in 2011 from a very disempowered place and experienced heavy trauma. I barely got out of what I got myself into (if you know my story you know). And when I reentered the industry in 2017, I knew my boundaries, that I would work for myself, and that becoming a Professional Dominatrix was a calling. In 5 years, I built something extraordinary. I made a shit ton of money, yes, but I also had real, genuine and long lasting D/s relationships, with subs I respected and who respected me. Not just who admired me, but actually cared about me, as I cared about them. I had my own Dungeon, that was one of the best in Montreal, and I had an online practice that I developed during COVID that helped my business explode. When I got pregnant and decided to leave the industry as a ProDomme, I dedicated my heart and soul to build the most powerful courses for Dommes. It started with The Dominatrix Academy, and then building a Membership and Sisterhood for Dommes to connect from all over the world. I show up there every single day and create classes and programs based on what they are moving through and need to improve their practice, make more money and from a way that feels aligned with them, not at the expense of their integrity, and to build something that can sustain them in the long haul. Up to this day I get messages from my clients/subs from many years ago. Thanking me for our time together. And now I consistently receive gratitude messages and even gifts from the women who work with me. I am very proud of what I built and most importantly, how I built it. It holds my heart beat. Yes, there will always be people who don't resonate, or who don't like me or what I teach or how I do things. But we are all adults, and we should therefore address concerns like adults. In a mature, ethical, loving way. Not with hate threads. I am extremely disheartened that the controversy I am facing is coming from peers and women I respected. Not from some online troll or someone outside the industry judging SWers. That I was prepared to debate with, to defend my community. Yet, the women who are questioning me publicly and writing about me as if they know what they are talking about, have never met me, spoken to me, been in any of my containers. It's just based on assumptions, wrong interpretation of my words, triggers and prejudice. It is because of women like this that there is such a sister wound in this industry. And one of the most beautiful feedbacks I get from the women in my world, is how healing it is to be in a genuine sisterhood, with no cattiness. I stand by what I said and how I meant it. And if it did not land for you, that's okay, it was just not meant for you. Enough time and energy has been leaked on this. I am just going to share a video of the Graduation of The Dominatrix Academy. THIS is what I do. And this is not just words... you get to actually watch what I create with the women who work with me. Thank you for reading.

Ms. Malissia

21,009 次观看 • 10 个月前

BBC UNVACCINATED DOCUMENTARY - With all of the news that’s coming out regarding risks from the C O V I D V A X, I thought I would bring back my greatest achievement: Being one of the first people to warn the public about the risks and harms from the V A X on mainstream media, before it all came out. Now that the truth has come out (and they have very quietly banned them for under 50’s), people aren’t calling me crazy anymore. I am getting so many apologies, people are now coming to me for advice - and the death threats have stopped. I take pride in being brave enough to speak up about this on the BBC, knowing I could lose my job, family, and friends (which I did). I take pride in being the first and only person to mention the Pf-i-zer documents on the BBC. I’m proud of myself for calling out the 9 pages of adverse reactions which no one is allowed to talk about. I take pride in the numerous messages I receive daily, saying that I was the reason people didn’t get injected, or didn’t inject their children - and thanking me for possibly saving their lives. For changing their mindset, and for making them realise that the government lied to them. That the pharmaceutical industry do not have their best interests at heart. I knew that the documentary was a BBC setup, I knew that they would try to use it to brainwash the masses even more. But I also knew that it would fail massively if I took part in it, so I did. Everyone told me not to, that they’d edit everything I said to make me look stupid. But something told me it would be okay. And I think that was God speaking to me. The constant manipulation and silencing I experienced in that house had a massive affect on me, and I struggled to get through it - but it was something I knew I had to do, and I was able to turn my sadness into strength. A massive shout out to Vicky, who was in there with me and kept me strong. She is the only reason I was able to get through that week without losing my mind completely. You will never understand this, but it was the most difficult thing I’ve ever been through, I will talk more about what they did to me in a separate video. Thank you for all your support 💗

BBC UNVACCINATED DOCUMENTARY - With all of the news that’s coming out regarding risks from the C O V I D V A X, I thought I would bring back my greatest achievement: Being one of the first people to warn the public about the risks and harms from the V A X on mainstream media, before it all came out. Now that the truth has come out (and they have very quietly banned them for under 50’s), people aren’t calling me crazy anymore. I am getting so many apologies, people are now coming to me for advice - and the death threats have stopped. I take pride in being brave enough to speak up about this on the BBC, knowing I could lose my job, family, and friends (which I did). I take pride in being the first and only person to mention the Pf-i-zer documents on the BBC. I’m proud of myself for calling out the 9 pages of adverse reactions which no one is allowed to talk about. I take pride in the numerous messages I receive daily, saying that I was the reason people didn’t get injected, or didn’t inject their children - and thanking me for possibly saving their lives. For changing their mindset, and for making them realise that the government lied to them. That the pharmaceutical industry do not have their best interests at heart. I knew that the documentary was a BBC setup, I knew that they would try to use it to brainwash the masses even more. But I also knew that it would fail massively if I took part in it, so I did. Everyone told me not to, that they’d edit everything I said to make me look stupid. But something told me it would be okay. And I think that was God speaking to me. The constant manipulation and silencing I experienced in that house had a massive affect on me, and I struggled to get through it - but it was something I knew I had to do, and I was able to turn my sadness into strength. A massive shout out to Vicky, who was in there with me and kept me strong. She is the only reason I was able to get through that week without losing my mind completely. You will never understand this, but it was the most difficult thing I’ve ever been through, I will talk more about what they did to me in a separate video. Thank you for all your support 💗

Nazarin Veronica

788,609 次观看 • 3 年前

Introducing Google Flow Agent 🎬 ✅ Google Flow Agent can help you plan and reason through complex creative tasks with your inputs, all while under your control. 🧠 It's built with Gemini models and brings a deep understanding of your project to help with everything from early brainstorming to editing the final product. 💡 The agent can be a sounding board for dialogue between characters in a scene, and make plot recommendations when you need inspiration. 🎞️ Your Google Flow Agent can also create multiple variations of a scene at one time to give you more options and batch edit. 📂 And when you have all your final assets, your Google Flow Agent can organize them into collections, and even neatly rename them.

Introducing Google Flow Agent 🎬 ✅ Google Flow Agent can help you plan and reason through complex creative tasks with your inputs, all while under your control. 🧠 It's built with Gemini models and brings a deep understanding of your project to help with everything from early brainstorming to editing the final product. 💡 The agent can be a sounding board for dialogue between characters in a scene, and make plot recommendations when you need inspiration. 🎞️ Your Google Flow Agent can also create multiple variations of a scene at one time to give you more options and batch edit. 📂 And when you have all your final assets, your Google Flow Agent can organize them into collections, and even neatly rename them.

Google

153,982 次观看 • 3 个月前

Why am I not even surprised by this, I’m afraid if more and teachers have this epiphany then we won’t have any left to teach our kids. This woman used to be a teacher with a master’s degree. I can’t imagine devoting that much time and money to a profession only to find out I could make more just working a normal job. I think more and more that higher education is possibly turning into a scam. Growing up I was always told to focus on school, get an education and I will soar. Not too long after that I found out that wasn’t the case. I don’t even use my degree at all, I got it because I was told by my parents I had to. I worked two jobs while in school so I could graduate without debt, only to put it on the wall and forget about it. I later on went the family business route anyways as I always planned on doing. I feel I was pressured and sold a pipe dream that a degree would be the answer to anything financial for me, that it would unlock possibilities. For me, it closed many doors, many employers saw me as being overqualified. The turning point for me was when I used to go to a hotel with co-workers after work and I got to know my server. Turned out he had a degree in a similar field to mine and he was waiting on tables and in massive student debt because of it. I can tell the college dream turned into a nightmare for him. To spend thousands and not be able to use it to recoup my money would make me feel like the biggest fool around. I felt like if anyone came by to sell me magic beans, I would have a beanstalk in my yard. While not using my degree worked for me, there are so many more others that can’t say the same.

Why am I not even surprised by this, I’m afraid if more and teachers have this epiphany then we won’t have any left to teach our kids. This woman used to be a teacher with a master’s degree. I can’t imagine devoting that much time and money to a profession only to find out I could make more just working a normal job. I think more and more that higher education is possibly turning into a scam. Growing up I was always told to focus on school, get an education and I will soar. Not too long after that I found out that wasn’t the case. I don’t even use my degree at all, I got it because I was told by my parents I had to. I worked two jobs while in school so I could graduate without debt, only to put it on the wall and forget about it. I later on went the family business route anyways as I always planned on doing. I feel I was pressured and sold a pipe dream that a degree would be the answer to anything financial for me, that it would unlock possibilities. For me, it closed many doors, many employers saw me as being overqualified. The turning point for me was when I used to go to a hotel with co-workers after work and I got to know my server. Turned out he had a degree in a similar field to mine and he was waiting on tables and in massive student debt because of it. I can tell the college dream turned into a nightmare for him. To spend thousands and not be able to use it to recoup my money would make me feel like the biggest fool around. I felt like if anyone came by to sell me magic beans, I would have a beanstalk in my yard. While not using my degree worked for me, there are so many more others that can’t say the same.

SonnyBoy🇺🇸

339,112 次观看 • 3 个月前

I think Roadhouse would be an excellent place to take a foreign exchange student, their menu is simple and loaded with some American favorites plus their cinnamon butter and rolls are always good. I’m always curious to see how other people’s reactions are to our food. This young lady visiting from Europe got her first taste of the cinnamon butter and rolls, surprisingly she didn’t like them. She prefers to use ketchup with her rolls which is a strange combo. This reminds me of when I came to America, I would never try hot sauce. Something about the smell was never appealing to me. For years I would eat fried chicken and other foods and not have it. One time I decided just try it and I realized this whole time I was missing out. For me, visiting another country is fine. But one rule of thumb for me is always try everything. Worst thing that can happen is I don’t like it and I can always not have it again, but like with the hot sauce, I don’t want to feel like I’m missing out on anything good. I’ve been to several countries and the difference in their flavors were always interesting, so far I think the Italians and the Latin cuisines seem to have that pop and kick in flavor I like.

I think Roadhouse would be an excellent place to take a foreign exchange student, their menu is simple and loaded with some American favorites plus their cinnamon butter and rolls are always good. I’m always curious to see how other people’s reactions are to our food. This young lady visiting from Europe got her first taste of the cinnamon butter and rolls, surprisingly she didn’t like them. She prefers to use ketchup with her rolls which is a strange combo. This reminds me of when I came to America, I would never try hot sauce. Something about the smell was never appealing to me. For years I would eat fried chicken and other foods and not have it. One time I decided just try it and I realized this whole time I was missing out. For me, visiting another country is fine. But one rule of thumb for me is always try everything. Worst thing that can happen is I don’t like it and I can always not have it again, but like with the hot sauce, I don’t want to feel like I’m missing out on anything good. I’ve been to several countries and the difference in their flavors were always interesting, so far I think the Italians and the Latin cuisines seem to have that pop and kick in flavor I like.

SonnyBoy🇺🇸

106,763 次观看 • 2 个月前

On a previous #TeawithGaryVee I was asked "How can I deal with not being able to retire my parents in my 20s and giving back to them since they sacrificed so much for me?" If you have a question for me, drop it here so my team can add it to the next Rapid Fire Q&A and follow me on

On a previous #TeawithGaryVee I was asked "How can I deal with not being able to retire my parents in my 20s and giving back to them since they sacrificed so much for me?" If you have a question for me, drop it here so my team can add it to the next Rapid Fire Q&A and follow me on

Gary Vaynerchuk

16,587 次观看 • 7 个月前

Using AI for promote Product in Ads with your original character ? It's possible ! My partner Ad Machine contacted me to tell me about their tool that lets you input your product into an AI model that generates multiple ads at once! (And soon with Seedance 2 on the tool ! which made it possible to create this extract) It also works with reference characters and storytelling visuals.

Using AI for promote Product in Ads with your original character ? It's possible ! My partner Ad Machine contacted me to tell me about their tool that lets you input your product into an AI model that generates multiple ads at once! (And soon with Seedance 2 on the tool ! which made it possible to create this extract) It also works with reference characters and storytelling visuals.

Anima

48,089 次观看 • 6 个月前

On a previous #TeawithGaryVee I was asked "After a big mistake in a relationship, I'm left waiting for the other party to decide whether we'll continue. My instincts say reach out, but I suspect the wiser move is to let them come to me if they're going to. How do I deal with the waiting in between and when is it time to make a move?" if you have a question for me, drop it here so my team can add it to the next Rapid Fire Q&A and follow me on

On a previous #TeawithGaryVee I was asked "After a big mistake in a relationship, I'm left waiting for the other party to decide whether we'll continue. My instincts say reach out, but I suspect the wiser move is to let them come to me if they're going to. How do I deal with the waiting in between and when is it time to make a move?" if you have a question for me, drop it here so my team can add it to the next Rapid Fire Q&A and follow me on

Gary Vaynerchuk

15,125 次观看 • 3 个月前