Loading video...
Video Failed to Load
Grok Imagine 0.9 The model will follow your instructions if you write the prompt correctly, keep your prompt short and focus on every word 🔥. This is the beginning 🔥 1. Noir Detective Sequence Extreme closeup: detective's eyes reflecting neon. Rain streaks down fedora brim. Slow dolly back reveals... show more
23,659 views • 11 months ago •via X (Twitter)
0 Comments
No comments available
Comments from the original post will appear here
Related Videos
![Turned ONE perfume bottle photo into a full cinematic commercial, sunset, silk, and sparkle included. No film crew. No expensive shoot. No studio booking. Just a photo, a prompt, and AI doing the rest. Made with Seedance 2.5 on Fish Creative Prompt: LOUIS VUITTON "CALIFORNIA DREAM" EDP 100ML — 30-Second Commercial Video Prompt Phase 1: Visual & Sensory Asset Definition Product: Louis Vuitton California Dream flacon. Clear heavy-base glass bottle with a signature ombré fragrance liquid — aqua-teal at the shoulder melting into soft blush-pink at the base. Glossy black stepped cylindrical stopper. Crisp black debossed/printed lettering "CALIFORNIA DREAM" above "LOUIS VUITTON." Packaging box in matching teal-to-coral-pink gradient with pink "CALIFORNIA DREAM" script and black "LOUIS VUITTON" wordmark. Subject (Heroine): A tall, slim, high-fashion model with an editorial runway physique. Sun-kissed, dewy, luminous skin — fresh and glowing, never matte. Sparkling emerald-green eyes that catch and hold the light in every close-up. Soft waved hair loose and wind-swept. She wears a flowing, silk sunset-coral/burnt-orange halter gown — a color chosen to sit in warm contrast against the bottle's cool blue-to-pink palette — with delicate gold ring hardware at the waist. Environment: California pier/boardwalk at golden hour into dusk — weathered wood planks, a pale wooden cross-beam silhouette in the background, soft lavender-peach sky, distant hazy shoreline, gentle sea breeze. Pacing: 30-second fluid runtime, continuous camera glides, soft cross-blur transitions, zero jitter, rhythmic build to a hero close on the final beat. Phase 2: Shot-by-Shot Timeline しーと is the visual truth for product and subject in every shot: [PRODUCT LOCK — clear glass flacon, thick base, teal-to-pink ombré liquid, glossy black stepped stopper, black lettering "CALIFORNIA DREAM" above "LOUIS VUITTON"]. [SUBJECT LOCK — tall, slim, fashion-model heroine, glowing fresh skin, sparkling emerald-green eyes, wind-swept waved hair, flowing coral-orange silk halter gown with gold ring hardware]. Keep flacon and subject identical across all shots. [00:00.0] Wide establishing shot, low angle from the boardwalk planks. Golden-pink sunset sky, silhouette of the wooden pier cross-beam. Camera glides slowly forward along the weathered wood toward a soft focal point in the distance. [00:02.5] Medium shot, eye-level. The しーと heroine walks barefoot along the sun-warmed boardwalk, coral gown catching the breeze, her emerald eyes glinting as she glances toward camera. Camera tracks alongside her in a smooth lateral glide. [00:05.0] Close-up, eye-level. Her face in profile, dewy skin lit by warm rim light, green eyes sparkling as she closes them briefly, a small content smile. Loose hair drifts across her cheek. Camera holds with a gentle micro push-in. [00:07.5] Extreme close-up, flat-on. The しーと flacon cradled in her hand, sunlight refracting through the teal-to-pink ombré liquid, "CALIFORNIA DREAM" lettering crisp and legible. Camera drifts in a slow arc around the glass. [00:10.0] Medium-wide, three-quarter angle. The heroine lifts the bottle toward the horizon, coral fabric billowing against the blue-pink sky — a striking color contrast between gown and bottle. Camera pulls back with continuous fluid motion. [00:12.5] Macro shot, high angle looking down. Sea mist droplets and a scatter of citrus slices and pink sand grains resting beside the flacon on wet wooden planks. Soft golden side light. Camera glides right to left. [00:14.5] Ultra-macro, flat-on. A slow-motion burst of the ombré liquid — teal swirling into blush-pink with fine suspended micro-bubbles, fully backlit and glowing. Camera holds with a subtle rotating drift. [00:17.0] Close-up, eye-level. The heroine's green eyes open directly to camera, sparkling with warm sunset catchlight, a soft exhale of confidence. Camera tilts up slowly from her collarbone to her gaze. [00:19.5] Medium shot. She spritzes the しーと perfume into the golden air, fine mist catching the light like scattered gold dust, coral gown swaying. Camera circles smoothly around her. [00:22.0] Wide shot, horizon at eye-level. The heroine stands tall and poised on the reflective wet boardwalk as dusk deepens, sky shifting into lavender and deep ocean blue, her silhouette elegant and slim. Camera holds a slow cinematic push-in. [00:24.5] Abstract transitional shot. Coral silk fabric flutters in slow motion intercut with liquid-glass light refractions, streaking softly into blue and pink. Camera whips gently sideways. [00:26.0] Medium hero shot, centered, eye-level. The full しーと flacon held in sharp focus in the foreground, heroine soft-focus behind it, emerald eyes still catching light, radiant sunset halo behind her. "CALIFORNIA DREAM" and "LOUIS VUITTON" lettering perfectly crisp and legible. Camera glides slowly forward. [00:28.5–00:30.0] Final settle. Glow builds gently around the bottle, light flare blooms softly across frame, then fades to warm black. No text overlay, no end card — clean cinematic fade. Phase 3: Audio & Sound Design Background Music: Warm, airy ambient pop-electronic score — soft piano arpeggios layered over a mellow analog synth pad, gentle four-on-the-floor pulse building from :00 to :22, then a light emotional swell with a soft string layer into the hero shot, resolving on a warm sustained chord at :30. Sound Effects: Gentle ocean waves and boardwalk creak ambience throughout Soft breeze/fabric flutter sound synced to gown movement (:02.5, :10.0, :24.5) Crisp glass-chime "ting" as the bottle catches light (:07.5) Light citrus-fizz/bubble sound layered under the liquid macro shot (:14.5) Airy perfume mist spray sound, crisp and high-fidelity (:19.5) Soft ambient hush and gentle low sub-swell on the final glow (:28.5–:30.0) Aspect Ratio: 16:9 Total Duration: 30 seconds Style: Continuous fluid camera glides, seamless cross-blur transitions, cinematic warm-golden color grade, no jitter cuts.](https://image.24vids.com/tw-2093133619883913232/amplify_video_thumb/2093126817763020800/img/8kMVFJ6QY1uCkcu3.jpg)
![Step 4: I use Claude to help me write the prompt Here's the one I used for my video INK INDUSTRIES : GAME TRAILER CHARACTERYoung athletic male, dark curly hair, shirtless, full chest and back tattoos, gold hoop earring, cigarette in mouth, black cybernetic prosthetic arms with cyan LED nodes at joints. Black shorts with white stripe, white socks, beige chunky sneakers. Seated cross-legged on white void floor. CINEMATIC SETUPOpens on clean white void environment with minimal game UI. Camera high angle looking down at character. Hyper-realistic CGI rendering, clean white background transitioning to dense cyberpunk favela environment. SEQUENCE [0s–15s] [0s–2s] High angle shot looking down. Character seated on white floor, looking up at camera with cigarette smoke rising. Game menu UI on left: START NEW GAME, CONTINUE highlighted, SETTINGS, EXIT GAME. Player profile top right showing INK_NOMAD LVL 23. A cursor clicks CONTINUE. The button pulses. Subtle bass hit. [2s–4s] Smooth zoom-in toward his left arm. UI panels slide in from left LEFT ARM EQUIPMENT panel appears. Selection highlights PHANTOM GRIP, then slides to CHRONOS CLAW. His left hand mechanically reconfigures fingers split apart, new claw-like digits lock into place, cyan LEDs pulse brighter. Stats bars animate on right panel. Servo click sounds. [4s–7s] Camera orbits smoothly around to his right side. New UI slides in ARMAMENT CUSTOMIZATION grid showing HAND, FOREARM, ELBOW, UPPER ARM components. Selection cycles through parts rapidly. His right arm disassembles section by section forearm plates detach, new plating slides on, elbow joint swaps, hand reconfigures with exposed wiring and pistons visible mid-swap. Each component locks with a mechanical snap. Tech Points counter ticks up. [7s–8.5s] Camera pulls back to medium shot. CONFIRM CONFIG button pulses. Click. All UI panels collapse inward. Character uncrosses legs, shifts position, now sitting relaxed, one knee up, cybernetic hand bringing cigarette to mouth. Smoke curls. [8.5s–10s] LOADING bar appears at bottom. Fills rapidly 0 to 100%. White environment begins darkening shadows creep in from edges, warm golden light bleeds through. The white void dissolves like fog burning off. Character starts standing up in one fluid motion. [10s–15s] Full environment loads around him as he rises to his feet. Dense cyberpunk favela materializes, neon signs flickering on, wet streets reflecting light, crowds populating, motorcycles, tangled power lines, stacked buildings climbing toward futuristic skyscrapers in the distance. Camera settles into third-person view behind him, showing his full tattooed back. HUD elements fade in, minimap top left, health bar, ammo counter bottom right. Quest marker appears. He takes a step forward into the street, puddle splashing under his shoe. Golden hour light cuts through the alley. Ambient city noise floods in, chatter, distant music, neon buzz. STYLEHyper-realistic CGI. White void sections: clean, minimal, studio-lit. Gameplay section: dense Cyberpunk 2077 / Assassin's Creed open-world density, golden hour lighting, wet reflections, volumetric haze. Seamless transition from sterile UI to living world. No cuts, one continuous camera move. SOUNDUI sections: clean digital clicks, mechanical servo sounds, subtle electronic hum. Loading transition: rising bass drone. Gameplay reveal: full ambient soundscape floods in city noise, distant bass music, footstep splashes. I also used DaVinci for editing and Topaz to enhance the quality and increase the frame rate](https://image.24vids.com/tw-2048811200981709149/amplify_video_thumb/2048810139046842368/img/oHNHO-RPzrCBobZs.jpg)
 is the face and identity reference. A young Korean woman in her early twenties with EXACTLY the face of @[Image 1](image_1) — same facial structure, same features, natural Korean skin, no glasses. Long pastel pink hair, wearing a 1940s teal-orange wool coat-dress with white collar, a brown leather satchel worn cross-body, grey knee socks, black leather shoes, holding a folded yellow envelope. Every shot of her matches @[Image 1](image_1). 1940s Venice at golden hour. Amber and teal cinematic grade, anamorphic 35mm film look, shallow depth of field, volumetric god rays, fine film grain. Inception-style folding architecture — the Venetian city curls upward and hangs inverted overhead like a mirrored ceiling. The woman always stays under normal gravity while the world folds around her. Continuous camera motion, no hard cuts. [TIMELINE PROMPT] 0–3s: Lateral tracking shot along a stone quay by the Grand Canal at sunset. The young woman @[Image 1](image_1) in a teal coat sprints past camera, clutching a yellow envelope. Above her the entire city hangs upside down, mirrored — a man in a bowler hat walks a dachshund across the inverted street. A red umbrella drifts weightlessly between the two worlds. Pigeons scatter through the amber light. 3–6s: Camera follows behind her into a narrow Venetian alley, dry leaves swirling in her wake. At the far end the street peels upward into the sky, buildings stacking vertically like a wall of windows. Her footsteps echo between the stone walls. 6–9s: The camera slowly rolls 90 degrees. The alley wall becomes the ground beneath her feet; she keeps running, unfazed. The roll continues into a wide orbit as she races up a floating spiral stone staircase suspended in mid-air, fragments of terracotta Venetian rooftops rotating around her like a kaleidoscope. 9–12s: Extreme wide silhouette. She runs across the top of an arched stone bridge over a wide canal against the blazing setting sun. The mirrored city hangs both above and below the arch. On the inverted plane, a lone pedestrian walks the opposite direction. Birds burst across the frame in slow motion. 12–15s: Low angle looking straight up between two towering building walls, the sky a thin bright strip. She leaps across the vertical chasm, arms spread wide, coat and hair flying, satchel swinging. Camera holds on her against the sky. Wind roars. 15–18s: Handheld push-in through a crowded 1940s Rialto market street — vendors stacking crates of apples, laundry strung overhead between the buildings. She weaves between blurred foreground shoppers, running away from camera. An apple rolls loose across the cobblestones. 18–21s: Camera tilts up a grand brick bell tower — a Venetian campanile — as the surrounding city folds and curls around it. The woman appears tiny on the tower ledge, pauses against the sun, then steps off toward the rooftops. Bells begin to ring. 21–24s: Rooftop terrace garden framed by a rose-covered arbor. An elderly woman in a grey cardigan waters a bed of vivid flowers with a tin can. Behind her, Venice and the domes of St Mark's Basilica glow at sunset over the lagoon while the inverted city hangs overhead. The young woman balances along the stone balustrade, arms out, then jumps down onto the terrace. 24–27s: She holds out the yellow envelope. The old woman turns, sets down the watering can, and takes it. Both smile warmly at each other. Rose petals drift upward past them, falling toward the inverted sky. 27–30s: Camera pulls back and rises fast. The whole city folds and rotates until it becomes a top-down aerial of Venice's canals and streets curling into a sphere. The two tiny figures remain on the terrace. Slow fade to warm light.](https://image.24vids.com/tw-2100541954685895043/amplify_video_thumb/2100541136922464256/img/VDcTk6SRbCZa8fEm.jpg)
![Made with seedance 2.5 SUBJECT: Young Korean woman, early 20s, natural refined everyday look. Oversized cream cardigan over a white tee, wide-leg light denim, plain leather loafers, small canvas tote on her shoulder, hair in a low loose ponytail with a few soft strands framing her face. Minimal makeup, dewy realistic skin, calm and warm reflective presence. Keep her identity, clothing, and hair consistent all the way through. SETTING: A quiet old hillside neighborhood in Seoul, soft overcast late afternoon into early golden hour. Narrow sloping alleys between low brick-and-tile houses, blue and green painted metal gates, potted plants and styrofoam garden boxes along the doorsteps, a shallow stone-lined stream with a low footbridge, tangled power lines overhead, a parked bicycle with a wire basket, an old zelkova tree with a small wooden pavilion beneath it, a red post box on the corner, laundry drying on a rooftop, rooftop water tanks in the distance. Lived-in and peaceful — no stores, no crowds, no tourists. LOOK: Cinematic slice-of-life vlog. Composed, intentional framing, quiet and observational. Soft muted natural tones, cool and gentle, realistic skin. Shallow depth of field, fine film grain, soft natural light. Smooth cinematic camera movement throughout — calm, unhurried, letting each moment breathe. SEQUENCE: **[0–4s]** Wide establishing shot of the empty sloping alley, power lines crossing overhead, potted plants along the walls. She enters frame from the far end, walking her bicycle slowly toward the camera. The camera holds still, then begins a slow push in. *sound: distant cicadas / gentle wind / faint neighborhood ambience* **[4–8s]** She rides the bicycle slowly down the lane, cardigan and loose strands drifting in the breeze. The camera travels beside her at an even pace, walls and blue gates sliding past. *sound: soft bicycle wheels / cicadas / wind / a faraway train* **[8–12s]** She stops at the low footbridge over the stream, leans her bicycle against the railing, rests her arms on it, and gazes down at the shallow water moving over the stones. The camera drifts gently toward her, then past her shoulder down to the water. *sound: quiet running water / cicadas / soft wind* **[12–16s]** She sits on the edge of the wooden pavilion under the old zelkova tree, opens a small notebook, and writes slowly, pausing to think and look up at the branches. The camera moves evenly around her, focus soft on her hands, then rising to her face. *sound: pen on paper / cicadas softening / wind through leaves / distant wind bell* **[16–20s]** She crouches by a doorway beside a row of potted plants and gently lifts a small brass wind bell hanging from the eaves, watching it turn in her fingers. The camera rises slowly from the bell up to her face, catching a small smile. *sound: single clear wind bell / soft breeze / cicadas / faint chatter from a nearby house* **[20–24s]** She walks up the lane holding a cold canned barley tea, condensation on the can, the red post box passing softly behind her. The camera moves ahead of her at a steady pace, keeping her centered as the light warms. *sound: unhurried footsteps / cicadas / distant bicycle bell / wind* **[24–27s]** She pauses at a low wall overlooking the neighborhood, tiled rooftops and water tanks layered below, and takes a slow sip. The camera drifts sideways past her, revealing the view opening out beneath the hill. *sound: soft wind over rooftops / cicadas / a faraway train horn* **[27–30s]** She reaches a long stone stairway between the houses, climbs the first steps, and glances back over her shoulder with a small calm smile before continuing up into the softening golden light. The camera holds low at the base of the stairs, letting her walk out of frame. *sound: footsteps on stone / cicadas / soft wind / slow fade* **AUDIO:** Natural ambient only — summer cicadas, shallow stream water, a distant train, wind through the power lines, a single brass wind bell, unhurried footsteps, faint neighborhood ambience. No music. **FEEL:** A serene, composed afternoon in an old Seoul hillside neighborhood — smooth, warm in feeling but cool in tone, an unhurried and beautiful slice of everyday life.](https://image.24vids.com/tw-2090319420849639533/amplify_video_thumb/2090319314247450624/img/O7_g69dUQxIHt7vW.jpg)
0:30
Sensitive content
I like this. You gotta watch it with the sound on. ---prompt--- 9:16 vertical, 30-second ultra-photorealistic live-action cinematic portrait film, ancient Chinese aesthetic, intimate historical portrait photography / classical Chinese beauty MV. Strictly preserve the same clearly adult woman from the reference image, maintaining consistent facial identity, facial features, proportions, long black hair, skin tone, and her soft, cool, subtly alluring presence throughout the entire video. She is the only character in the film. No other people appear. The setting is a quiet traditional Chinese boudoir at night, filled with carved wooden lattice windows, an antique bronze mirror and vanity, a silk-covered bed, layers of translucent gauze curtains, folding screens, and warm candlelight. Pale blue moonlight enters through the window and blends naturally with the warm amber candlelight. She wears a flowing ancient Chinese dress in muted rouge pink and moonlight white, layered with delicate translucent fabrics and a long lightweight silk shawl draped loosely around her arms. Her long black hair is loosely pinned up, with several fine strands falling naturally across her cheeks and neck. Shot 1 — First Glimpse Through the Gauze The camera is hidden behind layers of translucent gauze curtains, creating large areas of soft, dreamy foreground blur. She initially sits on the edge of the bed with her back toward the camera, quietly adjusting the loose sleeve and silk shawl resting around her arms. A gentle breeze moves the strands of hair beside her face. As if she suddenly senses someone watching her, her hands pause first. Her shoulders slowly begin to turn, and only afterward does her head follow. She looks back over her shoulder. Her eyes briefly pass across the camera before finally meeting the lens. The camera slowly moves closer during the entire motion, ending on an intimate close-up of her face framed naturally by loose hair and translucent gauze. Shot 2 — Walking Through the Curtains Continuing naturally from the previous eye contact, she slowly looks away, places one hand on the bed, and rises naturally to her feet. Her long dress gradually slips from the edge of the bed and unfolds toward the floor, while the silk shawl gently trails across the bedding. She turns sideways and begins walking through several layers of hanging gauze. With one hand, she gently pushes aside the curtain in front of her. The camera moves backward on the opposite side of the gauze, continuously following her movement as translucent fabric repeatedly drifts across the lens. As she approaches the camera, she briefly turns her face toward the lens. She then naturally walks past the camera. The camera smoothly pivots and follows her from behind, allowing the entire movement to finish before the next cut. Shot 3 — At the Bronze Mirror She arrives at the antique bronze vanity and sits down naturally. Her silk shawl softly slips beside the chair. She quietly studies her reflection, gently tucking a loose strand of hair beside her temple. She picks up a wooden comb and slowly brushes her hair from beside the ear toward the ends. The camera gradually moves laterally from behind her shoulder, allowing both her real silhouette and her reflected face to exist within the same composition. After finishing, she gently places the comb back onto the vanity. She does not turn around. Instead, her eyes slowly lift inside the bronze mirror until she is looking directly toward the camera through her reflection. She holds the gaze for a moment. A barely noticeable, almost ambiguous smile appears at the corner of her lips. Shot 4 — Moonlight by the Window She leaves the vanity and slowly walks toward the wooden lattice window while the camera follows from slightly behind her. She reaches forward and gently pushes open one side of the window. Cool pale-blue moonlight immediately enters the room. A soft night breeze moves through her long hair, silk shawl, and the gauze curtains behind her. One hand remains resting naturally against the wooden window frame as she quietly looks outside. She slowly closes her eyes and allows the breeze to pass across her face. After a moment, she opens them again. Without fully turning around, she slightly tilts her head and glances toward the camera from the corner of her eyes. The camera gradually arcs from behind her toward her profile, moving from a medium shot into a soft close-up. Moonlight gently traces the bridge of her nose, lips, cheekbones, and loose strands of hair. Shot 5 — Turning in Candlelight She leaves the window and walks toward the center of the room. When she reaches the warm candlelight, she naturally stops. As if hearing something behind her, she turns again. Her torso begins the movement first, while her long hair and lightweight silk shawl follow a fraction of a second later, creating a soft natural arc through the air. The camera performs a restrained half-orbit around her. She naturally follows the movement of the camera with her body. The silk shawl begins slipping from her shoulder. She gently catches it between her fingers for a moment, then allows the fabric to slowly fall again. This is not a choreographed dance. It should feel like an unconscious, graceful private gesture captured by chance. Shot 6 — Final Gaze She slowly walks back toward the bed. The complete action is visible: approaching the bed, turning her body, gathering part of her dress, and naturally sitting sideways on the edge. One hand rests loosely behind her for support while the other casually adjusts the long hair falling over her shoulder. At first, her eyes remain lowered. The camera slowly approaches from behind another translucent foreground curtain. Only when the camera reaches an intimate close-up does she slowly raise her eyes and look directly into the lens. Her expression remains quiet, languid, slightly distant, and subtly mysterious. She holds the gaze. A gentle breeze gradually pushes the foreground gauze across the camera. The translucent white fabric slowly covers more and more of the frame until her face becomes barely visible through the soft blur. The image naturally fades into the moving gauze and ends. Visual Language & Cinematography Soft-light CCD, 1990s Asian photobook aesthetic, intimate ancient Chinese portrait photography. 35–50mm lens language, subtle handheld movement, shallow depth of field, soft diffusion filter, blooming highlights, gentle halation, low contrast, slightly muted saturation, warm pink skin tones against cool blue-gray shadows, delicate film grain, subtle CCD digital noise, occasional natural focus breathing and slight imperfect focus. Frequently use translucent gauze as foreground obstruction, bronze-mirror reflections, over-the-shoulder framing, slow push-ins, gentle tracking shots, restrained camera orbits, and subtle handheld drifting. Do not divide the film into equal-duration shots. Every action must be allowed to fully develop and naturally finish before cutting. A turn completes before the edit. She fully reaches and settles at the vanity before transitioning. The window-opening gesture finishes naturally before the next movement begins. Connect shots organically through gauze passing across the lens, her body walking past the camera, flowing silk briefly obscuring the frame, turning movements, and mirror reflections, creating natural visual match cuts. The final result should feel like a continuous collection of intimate moments captured from the same night rather than six separately staged poses. No dialogue, no subtitles, no text, no modern objects, no additional characters, no rigid posing, no fixed five-second cuts, no rapid montage, no exaggerated visual effects. Keep her identity and facial features stable throughout. All movements are slow, complete, natural, and physically coherent. Hair, silk fabric, sleeves, shawl, and gauze curtains respond realistically to movement and wind.
BubbleBrain
66,744 views • 11 days ago
