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GS^3: Efficient Relighting with Triple Gaussian Splatting Abstract: We present a spatial and angular Gaussian based representation and a triple splatting process, for real-time, high-quality novel lighting-and-view synthesis from multi-view point-lit input images. To describe complex ap pearance, we employ a Lambertian plus a mixture of angular Gaussians as...

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MrNeRF

16,808 subscribers

17,786 次观看 • 2 年前 •via X (Twitter)

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6 条评论

MrNeRF 的头像
MrNeRF2 年前

Paper (link to pdf): Project:

α 的头像
α2 年前

Spectacular.

Sam Dutter 的头像
Sam Dutter2 年前

Wow! 90 fps is impressive. Is this something that could be implemented in an engine like Unity? I'd love to play with it!

TheSeanLavery 的头像
TheSeanLavery2 年前

Honestly, you are one of my favorite accounts to view posts from. You give me a true glimpse into the future. :)

MrNeRF 的头像
MrNeRF2 年前

Thank you! I really appreciate it!

Oleg Pavlov 的头像
Oleg Pavlov2 年前

That's impressive. How is performance on consumer hardware if you have a hundred of these on screen?

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Gaussian Garments: Reconstructing Simulation-Ready Clothing with Photorealistic Appearance from Multi-View Video Contribution quote from the paper: In summary, our main contributions are • a comprehensive pipeline for reconstructing the shape, appearance, and behavior of real-world garments using Gaussian splatting, • an algorithm for registering garment meshes to multi- view videos with an optimization procedure based on Gaussian splatting, and • a Gaussian Garment representation that combines triangle meshes with Gaussian textures to capture photorealistic appearance and can be used as a fully controllable 3D asset.
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Gaussian Garments: Reconstructing Simulation-Ready Clothing with Photorealistic Appearance from Multi-View Video Contribution quote from the paper: In summary, our main contributions are • a comprehensive pipeline for reconstructing the shape, appearance, and behavior of real-world garments using Gaussian splatting, • an algorithm for registering garment meshes to multi- view videos with an optimization procedure based on Gaussian splatting, and • a Gaussian Garment representation that combines triangle meshes with Gaussian textures to capture photorealistic appearance and can be used as a fully controllable 3D asset.

MrNeRF

27,354 次观看 • 1 年前

SqueezeMe: Efficient Gaussian Avatars for VR TL;DR: Three of these Gaussian Splatting avatars can be run at 72 frames per second. It runs locally on a Meta Quest 3 VR headset. Abstract (excerpt): While previous methods require a desktop GPU for real-time inference of a single avatar, we aim to squeeze multiple Gaussian avatars onto a portable virtual reality headset with real-time drivable inference. We begin by training a previous work, Animatable Gaussians, on a high-quality dataset captured with 512 cameras. The Gaussians are animated by controlling a base set of Gaussians with linear blend skinning (LBS) motion, and then further adjusting them with a neural network decoder to correct their appearance. When deploying the model on a Meta Quest 3 VR headset, we find two major computational bottlenecks: the decoder and the rendering. To accelerate the decoder, we train the Gaussians in UV-space instead of pixel-space and distill the decoder to a single neural network layer. Further, we discover that neighborhoods of Gaussians can share a single corrective from the decoder, providing an additional speedup. To accelerate the rendering, we develop a custom pipeline in Vulkan that runs on the mobile GPU. Putting it all together, we run 3 Gaussian avatars concurrently at 72 FPS on a VR headset.
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SqueezeMe: Efficient Gaussian Avatars for VR TL;DR: Three of these Gaussian Splatting avatars can be run at 72 frames per second. It runs locally on a Meta Quest 3 VR headset. Abstract (excerpt): While previous methods require a desktop GPU for real-time inference of a single avatar, we aim to squeeze multiple Gaussian avatars onto a portable virtual reality headset with real-time drivable inference. We begin by training a previous work, Animatable Gaussians, on a high-quality dataset captured with 512 cameras. The Gaussians are animated by controlling a base set of Gaussians with linear blend skinning (LBS) motion, and then further adjusting them with a neural network decoder to correct their appearance. When deploying the model on a Meta Quest 3 VR headset, we find two major computational bottlenecks: the decoder and the rendering. To accelerate the decoder, we train the Gaussians in UV-space instead of pixel-space and distill the decoder to a single neural network layer. Further, we discover that neighborhoods of Gaussians can share a single corrective from the decoder, providing an additional speedup. To accelerate the rendering, we develop a custom pipeline in Vulkan that runs on the mobile GPU. Putting it all together, we run 3 Gaussian avatars concurrently at 72 FPS on a VR headset.

MrNeRF

27,104 次观看 • 1 年前

1000+ FPS 4D Gaussian Splatting for Dynamic Scene Rendering Contributions: • We delve into the temporal redundancy of 4D Gaussian Splatting and explain the main reason for the storage pressure and suboptimal rendering speed. • We introduce 4DGS-1K, a compact and memory-efficient framework to address these issues. It consists of two key components: a spatial-temporal variation score-based pruning strategy and a temporal filter. • Extensive experiments demonstrate that 4DGS-1K not only achieves a substantial storage reduction of approximately 41× but also accelerates rasterization to 1000+ FPS while maintaining high-quality reconstruction.
0:25

1000+ FPS 4D Gaussian Splatting for Dynamic Scene Rendering Contributions: • We delve into the temporal redundancy of 4D Gaussian Splatting and explain the main reason for the storage pressure and suboptimal rendering speed. • We introduce 4DGS-1K, a compact and memory-efficient framework to address these issues. It consists of two key components: a spatial-temporal variation score-based pruning strategy and a temporal filter. • Extensive experiments demonstrate that 4DGS-1K not only achieves a substantial storage reduction of approximately 41× but also accelerates rasterization to 1000+ FPS while maintaining high-quality reconstruction.

MrNeRF

12,366 次观看 • 1 年前

Nvidia announces GAvatar: Animatable 3D Gaussian Avatars with Implicit Mesh Learning paper page: Gaussian splatting has emerged as a powerful 3D representation that harnesses the advantages of both explicit (mesh) and implicit (NeRF) 3D representations. In this paper, we seek to leverage Gaussian splatting to generate realistic animatable avatars from textual descriptions, addressing the limitations (e.g., flexibility and efficiency) imposed by mesh or NeRF-based representations. However, a naive application of Gaussian splatting cannot generate high-quality animatable avatars and suffers from learning instability; it also cannot capture fine avatar geometries and often leads to degenerate body parts. To tackle these problems, we first propose a primitive-based 3D Gaussian representation where Gaussians are defined inside pose-driven primitives to facilitate animation. Second, to stabilize and amortize the learning of millions of Gaussians, we propose to use neural implicit fields to predict the Gaussian attributes (e.g., colors). Finally, to capture fine avatar geometries and extract detailed meshes, we propose a novel SDF-based implicit mesh learning approach for 3D Gaussians that regularizes the underlying geometries and extracts highly detailed textured meshes. Our proposed method, GAvatar, enables the large-scale generation of diverse animatable avatars using only text prompts. GAvatar significantly surpasses existing methods in terms of both appearance and geometry quality, and achieves extremely fast rendering (100 fps) at 1K resolution.
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Nvidia announces GAvatar: Animatable 3D Gaussian Avatars with Implicit Mesh Learning paper page: Gaussian splatting has emerged as a powerful 3D representation that harnesses the advantages of both explicit (mesh) and implicit (NeRF) 3D representations. In this paper, we seek to leverage Gaussian splatting to generate realistic animatable avatars from textual descriptions, addressing the limitations (e.g., flexibility and efficiency) imposed by mesh or NeRF-based representations. However, a naive application of Gaussian splatting cannot generate high-quality animatable avatars and suffers from learning instability; it also cannot capture fine avatar geometries and often leads to degenerate body parts. To tackle these problems, we first propose a primitive-based 3D Gaussian representation where Gaussians are defined inside pose-driven primitives to facilitate animation. Second, to stabilize and amortize the learning of millions of Gaussians, we propose to use neural implicit fields to predict the Gaussian attributes (e.g., colors). Finally, to capture fine avatar geometries and extract detailed meshes, we propose a novel SDF-based implicit mesh learning approach for 3D Gaussians that regularizes the underlying geometries and extracts highly detailed textured meshes. Our proposed method, GAvatar, enables the large-scale generation of diverse animatable avatars using only text prompts. GAvatar significantly surpasses existing methods in terms of both appearance and geometry quality, and achieves extremely fast rendering (100 fps) at 1K resolution.

AK

141,051 次观看 • 2 年前

[NeurIPS '24] DreamMesh4D: Video-to-4D Generation with Sparse-Controlled Gaussian-Mesh Hybrid Representation Abstract (excerpt) We introduce DreamMesh4D, a novel framework that combines mesh representation with sparse-controlled deformation technique to generate high-quality 4D object from a monocular video. To overcome the limitation of classical texture representation, we bind Gaussian splats to the surface of the triangular mesh for differentiable optimization of both the texture and mesh vertices. In particular, DreamMesh4D begins with a coarse mesh provided by a single image based 3D generation method. Sparse points are then uniformly sampled across the surface of the mesh, and are used to build a deformation graph to drive the motion of the 3D object for the sake of computational efficiency and providing additional constraint. For each step, transformations of sparse control points are predicted using a deformation network, and the mesh vertices as well as the bound surface Gaussians are deformed via a geometric skinning algorithm. The skinning algorithm is a hybrid approach combining LBS (linear blending skinning) and DQS (dual-quaternion skinning), mitigating drawbacks associated with both approaches. The static surface Gaussians and mesh vertices as well as the dynamic deformation network are learned via reference view photometric loss, score distillation loss as well as other regularization losses in a two-stage manner. Extensive experiments demonstrate that our method outperforms prior video-to-4D generation methods in terms of rendering quality and spatial-temporal consistency.
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[NeurIPS '24] DreamMesh4D: Video-to-4D Generation with Sparse-Controlled Gaussian-Mesh Hybrid Representation Abstract (excerpt) We introduce DreamMesh4D, a novel framework that combines mesh representation with sparse-controlled deformation technique to generate high-quality 4D object from a monocular video. To overcome the limitation of classical texture representation, we bind Gaussian splats to the surface of the triangular mesh for differentiable optimization of both the texture and mesh vertices. In particular, DreamMesh4D begins with a coarse mesh provided by a single image based 3D generation method. Sparse points are then uniformly sampled across the surface of the mesh, and are used to build a deformation graph to drive the motion of the 3D object for the sake of computational efficiency and providing additional constraint. For each step, transformations of sparse control points are predicted using a deformation network, and the mesh vertices as well as the bound surface Gaussians are deformed via a geometric skinning algorithm. The skinning algorithm is a hybrid approach combining LBS (linear blending skinning) and DQS (dual-quaternion skinning), mitigating drawbacks associated with both approaches. The static surface Gaussians and mesh vertices as well as the dynamic deformation network are learned via reference view photometric loss, score distillation loss as well as other regularization losses in a two-stage manner. Extensive experiments demonstrate that our method outperforms prior video-to-4D generation methods in terms of rendering quality and spatial-temporal consistency.

MrNeRF

12,323 次观看 • 1 年前

[SIGGRAPH Asia '24 (TOG)] Representing Long Volumetric Video with Temporal Gaussian Hierarchy Contributions: • We introduce a novel, efficient, and expressive Temporal Gaussian Hierarchy representation for long volumetric video. To our knowledge, our method is the first approach capable of handling minutes of volumetric video data. • We propose a Compact Appearance Model and a new rasterization implementation to facilitate real-time, high-quality dynamic view synthesis while maintaining a compact size. • We propose a system to efficiently model long volumetric videos for the first time and demonstrate state-of-the-art dynamic view synthesis quality on the Neural3DV [Li et al. 2022], ENeRF-Outdoor [Lin et al. 2022], and MobileStage [Xu et al. 2024b] datasets, while also achieving the best rendering speed with reduced training cost and memory usage.
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[SIGGRAPH Asia '24 (TOG)] Representing Long Volumetric Video with Temporal Gaussian Hierarchy Contributions: • We introduce a novel, efficient, and expressive Temporal Gaussian Hierarchy representation for long volumetric video. To our knowledge, our method is the first approach capable of handling minutes of volumetric video data. • We propose a Compact Appearance Model and a new rasterization implementation to facilitate real-time, high-quality dynamic view synthesis while maintaining a compact size. • We propose a system to efficiently model long volumetric videos for the first time and demonstrate state-of-the-art dynamic view synthesis quality on the Neural3DV [Li et al. 2022], ENeRF-Outdoor [Lin et al. 2022], and MobileStage [Xu et al. 2024b] datasets, while also achieving the best rendering speed with reduced training cost and memory usage.

MrNeRF

79,465 次观看 • 1 年前

GPS-Gaussian+: Generalizable Pixel-wise 3D Gaussian Splatting for Real-Time Human-Scene Rendering from Sparse Views TL;DR: Are we witnessing the first steps towards 3DGS live streaming? Contributions: • We introduce a generalizable 3D Gaussian Splatting methodology that employs pixel-wise Gaussian parameter maps defined on 2D source image planes to formulate 3D Gaussians in a feed-forward manner. • We propose a fully differentiable framework composed of an iterative depth estimation module and a Gaussian parameter regression module. The intermediate depth prediction bridges the two components and allows them to benefit from joint training. • We introduce a regularization term and an epipolar attention mechanism to preserve geometry consistency between the two source views when using only rendering loss. Our method generalizes well to unseen characters even in complicated scenes. • We develop a real-time FVV system that achieves high-resolution rendering of characters in the scene without any geometry supervision.
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GPS-Gaussian+: Generalizable Pixel-wise 3D Gaussian Splatting for Real-Time Human-Scene Rendering from Sparse Views TL;DR: Are we witnessing the first steps towards 3DGS live streaming? Contributions: • We introduce a generalizable 3D Gaussian Splatting methodology that employs pixel-wise Gaussian parameter maps defined on 2D source image planes to formulate 3D Gaussians in a feed-forward manner. • We propose a fully differentiable framework composed of an iterative depth estimation module and a Gaussian parameter regression module. The intermediate depth prediction bridges the two components and allows them to benefit from joint training. • We introduce a regularization term and an epipolar attention mechanism to preserve geometry consistency between the two source views when using only rendering loss. Our method generalizes well to unseen characters even in complicated scenes. • We develop a real-time FVV system that achieves high-resolution rendering of characters in the scene without any geometry supervision.

MrNeRF

25,862 次观看 • 1 年前

Spatial AI is increasingly important, and the newest papers from #NVIDIAResearch, 3DGRT and 3DGUT, represent significant advancements in enabling researchers and developers to explore and innovate with 3D Gaussian Splatting techniques. 💎 3DGRT (Gaussian Ray Tracing) ➡️ - Enables secondary lighting effects such as refractions, shadows, depth of field, and mirrors. - Provides a foundation for further research in ray tracing-based rendering of Gaussian representations. - Achieves real-time rendering performance on modern GPUs. ✨ 3DGUT (Gaussain Unscented Transform) ➡️ - Support for distorted camera models and time-dependent effects like rolling shutter. - Enables phenomena such as reflections and refractions while retaining real-time efficiency. 📥 Code:
0:27

Spatial AI is increasingly important, and the newest papers from #NVIDIAResearch, 3DGRT and 3DGUT, represent significant advancements in enabling researchers and developers to explore and innovate with 3D Gaussian Splatting techniques. 💎 3DGRT (Gaussian Ray Tracing) ➡️ - Enables secondary lighting effects such as refractions, shadows, depth of field, and mirrors. - Provides a foundation for further research in ray tracing-based rendering of Gaussian representations. - Achieves real-time rendering performance on modern GPUs. ✨ 3DGUT (Gaussain Unscented Transform) ➡️ - Support for distorted camera models and time-dependent effects like rolling shutter. - Enables phenomena such as reflections and refractions while retaining real-time efficiency. 📥 Code:

NVIDIA AI Developer

27,782 次观看 • 1 年前

Drivable 3D Gaussian Avatars paper page: present Drivable 3D Gaussian Avatars (D3GA), the first 3D controllable model for human bodies rendered with Gaussian splats. Current photorealistic drivable avatars require either accurate 3D registrations during training, dense input images during testing, or both. The ones based on neural radiance fields also tend to be prohibitively slow for telepresence applications. This work uses the recently presented 3D Gaussian Splatting (3DGS) technique to render realistic humans at real-time framerates, using dense calibrated multi-view videos as input. To deform those primitives, we depart from the commonly used point deformation method of linear blend skinning (LBS) and use a classic volumetric deformation method: cage deformations. Given their smaller size, we drive these deformations with joint angles and keypoints, which are more suitable for communication applications. Our experiments on nine subjects with varied body shapes, clothes, and motions obtain higher-quality results than state-of-the-art methods when using the same training and test data.
6:20

Drivable 3D Gaussian Avatars paper page: present Drivable 3D Gaussian Avatars (D3GA), the first 3D controllable model for human bodies rendered with Gaussian splats. Current photorealistic drivable avatars require either accurate 3D registrations during training, dense input images during testing, or both. The ones based on neural radiance fields also tend to be prohibitively slow for telepresence applications. This work uses the recently presented 3D Gaussian Splatting (3DGS) technique to render realistic humans at real-time framerates, using dense calibrated multi-view videos as input. To deform those primitives, we depart from the commonly used point deformation method of linear blend skinning (LBS) and use a classic volumetric deformation method: cage deformations. Given their smaller size, we drive these deformations with joint angles and keypoints, which are more suitable for communication applications. Our experiments on nine subjects with varied body shapes, clothes, and motions obtain higher-quality results than state-of-the-art methods when using the same training and test data.

AK

327,236 次观看 • 2 年前

FAU Erlangen-Nürnberg presents TRIPS Trilinear Point Splatting for Real-Time Radiance Field Rendering paper page: Point-based radiance field rendering has demonstrated impressive results for novel view synthesis, offering a compelling blend of rendering quality and computational efficiency. However, also latest approaches in this domain are not without their shortcomings. 3D Gaussian Splatting [Kerbl and Kopanas et al. 2023] struggles when tasked with rendering highly detailed scenes, due to blurring and cloudy artifacts. On the other hand, ADOP [R\"uckert et al. 2022] can accommodate crisper images, but the neural reconstruction network decreases performance, it grapples with temporal instability and it is unable to effectively address large gaps in the point cloud. In this paper, we present TRIPS (Trilinear Point Splatting), an approach that combines ideas from both Gaussian Splatting and ADOP. The fundamental concept behind our novel technique involves rasterizing points into a screen-space image pyramid, with the selection of the pyramid layer determined by the projected point size. This approach allows rendering arbitrarily large points using a single trilinear write. A lightweight neural network is then used to reconstruct a hole-free image including detail beyond splat resolution. Importantly, our render pipeline is entirely differentiable, allowing for automatic optimization of both point sizes and positions. Our evaluation demonstrate that TRIPS surpasses existing state-of-the-art methods in terms of rendering quality while maintaining a real-time frame rate of 60 frames per second on readily available hardware. This performance extends to challenging scenarios, such as scenes featuring intricate geometry, expansive landscapes, and auto-exposed footage.
0:21

FAU Erlangen-Nürnberg presents TRIPS Trilinear Point Splatting for Real-Time Radiance Field Rendering paper page: Point-based radiance field rendering has demonstrated impressive results for novel view synthesis, offering a compelling blend of rendering quality and computational efficiency. However, also latest approaches in this domain are not without their shortcomings. 3D Gaussian Splatting [Kerbl and Kopanas et al. 2023] struggles when tasked with rendering highly detailed scenes, due to blurring and cloudy artifacts. On the other hand, ADOP [R\"uckert et al. 2022] can accommodate crisper images, but the neural reconstruction network decreases performance, it grapples with temporal instability and it is unable to effectively address large gaps in the point cloud. In this paper, we present TRIPS (Trilinear Point Splatting), an approach that combines ideas from both Gaussian Splatting and ADOP. The fundamental concept behind our novel technique involves rasterizing points into a screen-space image pyramid, with the selection of the pyramid layer determined by the projected point size. This approach allows rendering arbitrarily large points using a single trilinear write. A lightweight neural network is then used to reconstruct a hole-free image including detail beyond splat resolution. Importantly, our render pipeline is entirely differentiable, allowing for automatic optimization of both point sizes and positions. Our evaluation demonstrate that TRIPS surpasses existing state-of-the-art methods in terms of rendering quality while maintaining a real-time frame rate of 60 frames per second on readily available hardware. This performance extends to challenging scenarios, such as scenes featuring intricate geometry, expansive landscapes, and auto-exposed footage.

AK

45,489 次观看 • 2 年前

URAvatar: Universal Relightable Gaussian Codec Avatars Contributions (cited): (1) We introduce a universal relightable avatar prior model learned from hundreds of dynamic performance captures with a multi-view and multi-light system. (2) We build a drivable head avatar from a phone scan that can be rendered and relit with global light transport in real-time. (3) A capture system and evaluation protocol to measure the accuracy of relighting under continuous illuminations.
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URAvatar: Universal Relightable Gaussian Codec Avatars Contributions (cited): (1) We introduce a universal relightable avatar prior model learned from hundreds of dynamic performance captures with a multi-view and multi-light system. (2) We build a drivable head avatar from a phone scan that can be rendered and relit with global light transport in real-time. (3) A capture system and evaluation protocol to measure the accuracy of relighting under continuous illuminations.

MrNeRF

50,088 次观看 • 1 年前

[SIGGRAPH 2025] Photoreal Scene Reconstruction from an Egocentric Device Contributions: 1. We address the importance of employing visual-inertial bundle adjustment (VIBA) that accounts for the rolling-shutter behavior of the RGB camera. This provides a continuous camera trajectory to model pixel movement in neural reconstruction. Our experiments demonstrate that using VIBA consistently improves the novel view quality in Gaussian Splatting by +1 dB in PSNR. 2. We introduce a rasterization-based image formulation pipeline that addresses common artifacts in physical image formation, including rolling shutter, lens shading, exposure, and gain compensation. Our approach is distinct in that we represent image poses as posed pixel arrays sampled from a continuous trajectory, rather than assigning a single camera pose per image, and preserve the merit of Gaussian rasterization. Unlike existing methods that require ray-tracing Gaussians, e.g., [Moenne-Loccoz et al. 2024], our formulation is applicable to general-purpose rasterization-based Gaussian splatting. When applied to 3D Gaussian Splatting (3DGS) [Kerbl et al. 2023], our approach can further enhance reconstruction quality by +1 dB. We outperform existing baselines and demonstrate a substantial quality improvement in handling complex scenes observed by egocentric devices. 3. To reduce the effect of blur from rapid head motion in darker indoor scenes, we propose a strategy of deliberately underexposing input videos during capture, inspired by HDR+ [Hasinoff et al. 2016]. We demonstrate that we can reconstruct high-quality, noise-free scene radiance from noisy, dim input videos, and further render sharp, blur-free videos at a higher dynamic range.
1:00

[SIGGRAPH 2025] Photoreal Scene Reconstruction from an Egocentric Device Contributions: 1. We address the importance of employing visual-inertial bundle adjustment (VIBA) that accounts for the rolling-shutter behavior of the RGB camera. This provides a continuous camera trajectory to model pixel movement in neural reconstruction. Our experiments demonstrate that using VIBA consistently improves the novel view quality in Gaussian Splatting by +1 dB in PSNR. 2. We introduce a rasterization-based image formulation pipeline that addresses common artifacts in physical image formation, including rolling shutter, lens shading, exposure, and gain compensation. Our approach is distinct in that we represent image poses as posed pixel arrays sampled from a continuous trajectory, rather than assigning a single camera pose per image, and preserve the merit of Gaussian rasterization. Unlike existing methods that require ray-tracing Gaussians, e.g., [Moenne-Loccoz et al. 2024], our formulation is applicable to general-purpose rasterization-based Gaussian splatting. When applied to 3D Gaussian Splatting (3DGS) [Kerbl et al. 2023], our approach can further enhance reconstruction quality by +1 dB. We outperform existing baselines and demonstrate a substantial quality improvement in handling complex scenes observed by egocentric devices. 3. To reduce the effect of blur from rapid head motion in darker indoor scenes, we propose a strategy of deliberately underexposing input videos during capture, inspired by HDR+ [Hasinoff et al. 2016]. We demonstrate that we can reconstruct high-quality, noise-free scene radiance from noisy, dim input videos, and further render sharp, blur-free videos at a higher dynamic range.

MrNeRF

15,244 次观看 • 1 年前

Fast View Synthesis of Casual Videos paper page: Novel view synthesis from an in-the-wild video is difficult due to challenges like scene dynamics and lack of parallax. While existing methods have shown promising results with implicit neural radiance fields, they are slow to train and render. This paper revisits explicit video representations to synthesize high-quality novel views from a monocular video efficiently. We treat static and dynamic video content separately. Specifically, we build a global static scene model using an extended plane-based scene representation to synthesize temporally coherent novel video. Our plane-based scene representation is augmented with spherical harmonics and displacement maps to capture view-dependent effects and model non-planar complex surface geometry. We opt to represent the dynamic content as per-frame point clouds for efficiency. While such representations are inconsistency-prone, minor temporal inconsistencies are perceptually masked due to motion. We develop a method to quickly estimate such a hybrid video representation and render novel views in real time. Our experiments show that our method can render high-quality novel views from an in-the-wild video with comparable quality to state-of-the-art methods while being 100x faster in training and enabling real-time rendering.
0:24

Fast View Synthesis of Casual Videos paper page: Novel view synthesis from an in-the-wild video is difficult due to challenges like scene dynamics and lack of parallax. While existing methods have shown promising results with implicit neural radiance fields, they are slow to train and render. This paper revisits explicit video representations to synthesize high-quality novel views from a monocular video efficiently. We treat static and dynamic video content separately. Specifically, we build a global static scene model using an extended plane-based scene representation to synthesize temporally coherent novel video. Our plane-based scene representation is augmented with spherical harmonics and displacement maps to capture view-dependent effects and model non-planar complex surface geometry. We opt to represent the dynamic content as per-frame point clouds for efficiency. While such representations are inconsistency-prone, minor temporal inconsistencies are perceptually masked due to motion. We develop a method to quickly estimate such a hybrid video representation and render novel views in real time. Our experiments show that our method can render high-quality novel views from an in-the-wild video with comparable quality to state-of-the-art methods while being 100x faster in training and enabling real-time rendering.

AK

20,668 次观看 • 2 年前

4DGT: Learning a 4D Gaussian Transformer Using Real-World Monocular Videos Abstract: We propose 4DGT, a 4D Gaussian-based Transformer model for dynamic scene reconstruction, trained entirely on real-world monocular posed videos. Using 4D Gaussian as an inductive bias, 4DGT unifies static and dynamic components, enabling the modeling of complex, time-varying environments with varying object lifespans. We introduced a novel density control strategy in training, which allows our 4DGT to handle longer space-time input while maintaining efficient rendering at runtime. Our model processes 64 consecutive posed frames in a rolling-window fashion, predicting consistent 4D Gaussians in the scene. Unlike optimization-based methods, 4DGT performs purely feed-forward inference, reducing reconstruction time from hours to seconds and scaling effectively to long video sequences. Trained only on large-scale monocular posed video datasets, 4DGT can significantly outperform prior Gaussian-based networks in real-world videos and achieve on-par accuracy with optimization-based methods on cross-domain videos.
5:19

4DGT: Learning a 4D Gaussian Transformer Using Real-World Monocular Videos Abstract: We propose 4DGT, a 4D Gaussian-based Transformer model for dynamic scene reconstruction, trained entirely on real-world monocular posed videos. Using 4D Gaussian as an inductive bias, 4DGT unifies static and dynamic components, enabling the modeling of complex, time-varying environments with varying object lifespans. We introduced a novel density control strategy in training, which allows our 4DGT to handle longer space-time input while maintaining efficient rendering at runtime. Our model processes 64 consecutive posed frames in a rolling-window fashion, predicting consistent 4D Gaussians in the scene. Unlike optimization-based methods, 4DGT performs purely feed-forward inference, reducing reconstruction time from hours to seconds and scaling effectively to long video sequences. Trained only on large-scale monocular posed video datasets, 4DGT can significantly outperform prior Gaussian-based networks in real-world videos and achieve on-par accuracy with optimization-based methods on cross-domain videos.

MrNeRF

34,782 次观看 • 1 年前

Whilst we figure out a solution for temporal filtering on 3D Gaussian Splatting input frames. We can use a temporal filtering plugin on the screen captures or rendered images to act as a visualization tool to check what the future results might look like. "Processing and rendering a digital human with 3D Gaussian Splatting with a post process to simulate temporal filtering." Left video no temporal filtering. Right video with temporal filtering. R&D for archviz projects. #GaussianSplatting #ir #inria #sibr #aftereffects #temporalfiltering
0:42

Whilst we figure out a solution for temporal filtering on 3D Gaussian Splatting input frames. We can use a temporal filtering plugin on the screen captures or rendered images to act as a visualization tool to check what the future results might look like. "Processing and rendering a digital human with 3D Gaussian Splatting with a post process to simulate temporal filtering." Left video no temporal filtering. Right video with temporal filtering. R&D for archviz projects. #GaussianSplatting #ir #inria #sibr #aftereffects #temporalfiltering

Infinite-Realities

58,383 次观看 • 3 年前

MaterialFusion Enhancing Inverse Rendering with Material Diffusion Priors discuss: Recent works in inverse rendering have shown promise in using multi-view images of an object to recover shape, albedo, and materials. However, the recovered components often fail to render accurately under new lighting conditions due to the intrinsic challenge of disentangling albedo and material properties from input images. To address this challenge, we introduce MaterialFusion, an enhanced conventional 3D inverse rendering pipeline that incorporates a 2D prior on texture and material properties. We present StableMaterial, a 2D diffusion model prior that refines multi-lit data to estimate the most likely albedo and material from given input appearances. This model is trained on albedo, material, and relit image data derived from a curated dataset of approximately ~12K artist-designed synthetic Blender objects called BlenderVault. we incorporate this diffusion prior with an inverse rendering framework where we use score distillation sampling (SDS) to guide the optimization of the albedo and materials, improving relighting performance in comparison with previous work. We validate MaterialFusion's relighting performance on 4 datasets of synthetic and real objects under diverse illumination conditions, showing our diffusion-aided approach significantly improves the appearance of reconstructed objects under novel lighting conditions. We intend to publicly release our BlenderVault dataset to support further research in this field.
0:43

MaterialFusion Enhancing Inverse Rendering with Material Diffusion Priors discuss: Recent works in inverse rendering have shown promise in using multi-view images of an object to recover shape, albedo, and materials. However, the recovered components often fail to render accurately under new lighting conditions due to the intrinsic challenge of disentangling albedo and material properties from input images. To address this challenge, we introduce MaterialFusion, an enhanced conventional 3D inverse rendering pipeline that incorporates a 2D prior on texture and material properties. We present StableMaterial, a 2D diffusion model prior that refines multi-lit data to estimate the most likely albedo and material from given input appearances. This model is trained on albedo, material, and relit image data derived from a curated dataset of approximately ~12K artist-designed synthetic Blender objects called BlenderVault. we incorporate this diffusion prior with an inverse rendering framework where we use score distillation sampling (SDS) to guide the optimization of the albedo and materials, improving relighting performance in comparison with previous work. We validate MaterialFusion's relighting performance on 4 datasets of synthetic and real objects under diverse illumination conditions, showing our diffusion-aided approach significantly improves the appearance of reconstructed objects under novel lighting conditions. We intend to publicly release our BlenderVault dataset to support further research in this field.

AK

22,959 次观看 • 1 年前

📢Happy to present Convex Splatting, a novel way for 3D reconstruction based on 3D smooth convexes. For the first time, a splatting-based method reaches the quality of NeRF sota methods but with real-time rendering and few primitives!! I expect this to replace Gaussian splatting for 3D in the coming months. CODE RELEASED TODAY! joint work with collaborators from Université de Liège Visual Geometry Group (VGG) , KAUST Computer Vision Lab (IVUL) a thread 🧵 1/n
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📢Happy to present Convex Splatting, a novel way for 3D reconstruction based on 3D smooth convexes. For the first time, a splatting-based method reaches the quality of NeRF sota methods but with real-time rendering and few primitives!! I expect this to replace Gaussian splatting for 3D in the coming months. CODE RELEASED TODAY! joint work with collaborators from Université de Liège Visual Geometry Group (VGG) , KAUST Computer Vision Lab (IVUL) a thread 🧵 1/n

Abdullah Hamdi

71,661 次观看 • 1 年前