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Hard-coded surface levels break the moment you nest a popover inside a dialog. Fluid Functionalism Surfaces fixes this with 8 substrate-aware levels — components read their depth from context and lift relative to it. Light mode, dark mode, any depth. One primitive. Zero props passed between layers. (Open Source)

Micka

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28,019 views • 2 months ago •via X (Twitter)

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READ BETWEEN THE LINES Maduro, Venezuela have been in full control of CIA for a long time Trump hit Maduro regime with hard sanctions starting in 2017 At the highest levels it has been controlled by the good guys and now we are seeing the clean up operations at the local levels taking place hence the surge in arrests Drug operations always come from a source, these operations are all connected and easy now for the authorities to dismantle them all People have to realise CIA are the brains behind the take down of the dark cartel mafia worldwide #harrythesoulcoach #donaldtrump #maduro #venezuela🇻🇪 #truth

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Harry The Soul Coach

99,038 views • 7 months ago

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198,628 views • 2 years ago

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Red Media

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Om Patel

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🎓Learn how to create a powerful Worn Leather smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ____________________________________________________ In this video, the steps are as follows: 1. Create a fill layer with a black mask applied. Inside its mask paint a simple pill shape and use a blur slope filter to introduce some random shapes. Apply a marble veins fill layer on top with its blending mode set to color burn. Apply a warp filter as well to introduce some randomness followed by an anchorpoint. 2. Create another fill layer using the same technique to apply some dirt in the crevices of the wear. 3. Next, Inside the main fill layer apply a tiling raw leather texture to its Color and roughness channel 4. Create an additional fill layer up top and apply a black mask to it.Inside this mask retrieve the anchorpoint information followed by a blur filter with a value of 6. Use a levels to increase the spread of the mask. Apply another marble veins matching the values of the marble veins fill layer that we previously added and set its blending mode to multiply. Lastly retrieve the anchorpoint information from the previous fill layer again but this time set its blending mode to subtract. This fill layers properties should have a dark diffuse color and a matte roughness. 5. Add another fill layer with a bright diffuse and height properties with a black mask applied to it. Inside its mask retrieve the anchorpoint information again followed by a blur slope. Apply the anchorpoint information again but this time set its blending mode to subtract. Now we have a worn leather effect wherever we paint using the paint layer created inside the callout mask! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #3dartist #texturing #UE5 #unity #artstation

🎓Learn how to create a powerful Worn Leather smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. In this video, the steps are as follows: 1. Create a fill layer with a black mask applied. Inside its mask paint a simple pill shape and use a blur slope filter to introduce some random shapes. Apply a marble veins fill layer on top with its blending mode set to color burn. Apply a warp filter as well to introduce some randomness followed by an anchorpoint. 2. Create another fill layer using the same technique to apply some dirt in the crevices of the wear. 3. Next, Inside the main fill layer apply a tiling raw leather texture to its Color and roughness channel 4. Create an additional fill layer up top and apply a black mask to it.Inside this mask retrieve the anchorpoint information followed by a blur filter with a value of 6. Use a levels to increase the spread of the mask. Apply another marble veins matching the values of the marble veins fill layer that we previously added and set its blending mode to multiply. Lastly retrieve the anchorpoint information from the previous fill layer again but this time set its blending mode to subtract. This fill layers properties should have a dark diffuse color and a matte roughness. 5. Add another fill layer with a bright diffuse and height properties with a black mask applied to it. Inside its mask retrieve the anchorpoint information again followed by a blur slope. Apply the anchorpoint information again but this time set its blending mode to subtract. Now we have a worn leather effect wherever we paint using the paint layer created inside the callout mask! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #3dartist #texturing #UE5 #unity #artstation

Cohen Brawley

88,602 views • 2 years ago

fine, i'll build it myself, open source ofc Launching Three-Maps, a rapid blockout editor for building game maps for threejs games: Create a floor plan in 2D, automatically generate 3D levels from it, edit them, export to .glb and use in your games (see end of video) Features: - Floorplan 2D: A 2D canvas to map out the floor - Edit Mode for Objects: Edit Vertices/Edges/Faces, extrude, bevel, fillet and chamfer - Brush Mode: Rapidly build map elements with a RealtimeCSG like experience. Cubes, Stairs, Doors, Arch, Cylinder, Custom polygons. Yes, you can even curve the stairs - Modifiers: Yes, you read that right, slap that array modifier on your pillar and call it a day - Terrain Generator: Perlin, Voronoi, you name it. Oh yes, you can rasterize it and edit every single vertex in edit mode. Keyboard shortcuts are mostly same as blender to activate that muscle memory (G/R/S, axis lock XYZ) Soon: - AI integration. Boot that MCP and directly connect your fav AI agent to build the floorplan, generate 3D maps and more (you will love how this movie ends) It's a little rough and in early, very early alpha so come and join as a contributor instead of calling it slop It's all vibe coded btw, i have no idea what the code does I need this to build my game, as i'm a total blender noob and threejs is great, so why not? Outshipping every CAD and 3D startup just because i want to build a game, that's how you accelerate

fine, i'll build it myself, open source ofc Launching Three-Maps, a rapid blockout editor for building game maps for threejs games: Create a floor plan in 2D, automatically generate 3D levels from it, edit them, export to .glb and use in your games (see end of video) Features: - Floorplan 2D: A 2D canvas to map out the floor - Edit Mode for Objects: Edit Vertices/Edges/Faces, extrude, bevel, fillet and chamfer - Brush Mode: Rapidly build map elements with a RealtimeCSG like experience. Cubes, Stairs, Doors, Arch, Cylinder, Custom polygons. Yes, you can even curve the stairs - Modifiers: Yes, you read that right, slap that array modifier on your pillar and call it a day - Terrain Generator: Perlin, Voronoi, you name it. Oh yes, you can rasterize it and edit every single vertex in edit mode. Keyboard shortcuts are mostly same as blender to activate that muscle memory (G/R/S, axis lock XYZ) Soon: - AI integration. Boot that MCP and directly connect your fav AI agent to build the floorplan, generate 3D maps and more (you will love how this movie ends) It's a little rough and in early, very early alpha so come and join as a contributor instead of calling it slop It's all vibe coded btw, i have no idea what the code does I need this to build my game, as i'm a total blender noob and threejs is great, so why not? Outshipping every CAD and 3D startup just because i want to build a game, that's how you accelerate

robot 2.0

106,304 views • 4 months ago

Avatar: Frontiers of Pandora impressions after 15 hours: • One of the best looking games I've ever seen • Rock solid performance on PS5 • Third person mode was done very well, you really feel like a Na'vi running around • Solid story with lots of lore for Avatar fans • Third person gameplay is reminscent of Horizon but with firearms • Some light exploration. Open world content is not marked on the map unless you get a hint from an NPC. • Gathering resources is a heavy focus for crafting better gear and food • Plants and materials can have different quality levels depending on the conditions (i.e. to get a 'Pristine' one, you may have to pick it while it's raining or during the night) • Movement and traversal feels good, fast paced and fluid • Combat feels good and is mostly centered around ranged weapons • You can hack devices and enemy bots to disable them and target their weak spot Overall, if you like the idea of exploring a vast and stunning open world while immersing yourself in the world of Avatar - don't sleep on this. It's not as much of a traditional 'Ubisoft open world' game as I was expecting which is a pleasant surprise (no towers for example). #Avatar #AvatarFrontiersofPandora #AvatarFireAndAsh

KAMI

1,709,857 views • 6 months ago

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THIS GUY MADE CLAUDE CODE AND CODEX TALK TO EACH OTHER not by switching between them, they literally talk to each other about your code in real time you give it a task. it spawns a Claude agent and a Codex agent in separate sessions. they share findings, challenge each other, and produce a combined result. he pointed them at an Express API with intentional security issues. within minutes they found SQL injection, hardcoded secrets, missing auth, and weak JWT config. one catches something and the other confirms it and adds context. they divide the work on their own for faster speed one command: /collab "review auth.js for security issues" that's it. you watch the conversation happen in real time. AND its open source with new models being integrated crazy to think that this was entirely vibe coded

Om Patel

25,318 views • 3 months ago

🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! ____________________________________________________ In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing

🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing

Cohen Brawley

25,184 views • 2 years ago

"There seems to be six levels to the DMT experience — each with their own characteristic mathematical properties." "On DMT, you go from a three-fold rotation, to a four-fold, to a six-fold rotation. The symmetries become more packed as the dose increases." "Pleasure has a mathematical shape. We are essentially making the bet that there's a very, very tight correlation between the symmetry of this mathematical object and how good or bad an experience feels." One of my favourite episodes I've ever done with Giant Captain Pleasure, Andrés Gómez Emilsson. Check it out, you won't regret it 🙏

"There seems to be six levels to the DMT experience — each with their own characteristic mathematical properties." "On DMT, you go from a three-fold rotation, to a four-fold, to a six-fold rotation. The symmetries become more packed as the dose increases." "Pleasure has a mathematical shape. We are essentially making the bet that there's a very, very tight correlation between the symmetry of this mathematical object and how good or bad an experience feels." One of my favourite episodes I've ever done with Giant Captain Pleasure, Andrés Gómez Emilsson. Check it out, you won't regret it 🙏

Evan McGloughlin

87,233 views • 2 months ago

If you will watch only one video from everything I’ve shared, make it this one. The Only Volume Profile Strategy You’ll Ever Need Full Course Covering ABSORPTION BUBBLES Part too. This is not surface-level content. This goes deep into Failed Auctions, acceptance, rejection, and how to use Volume Profile for precise, high-probability executions. You’ll understand: • What a failed auction really means in live price • How to spot it early using VAH, VAL, and POC • Why price reverses from certain levels with precision • How to turn this into a repeatable trading model No noise. No guessing. Just clear auction logic you can apply immediately. Take your pen and journal for this one, Pause, Rewatch and Take notes. This is the kind of understanding that completely changes how you read the market.

The Market Architect

22,957 views • 2 months ago

Another classic turns 40 this year: Bubble Bobble (Taito), created by Fukio Mitsuji. I played this first at the arcades, then later on my C64 and Amiga. The ports were brilliant and came quite close to the original arcade version. Great in single-player, even better in two-player mode. 99 levels (plus one final boss level), with hidden bonus levels, an iconic soundtrack, the cutest player characters (even the enemies looked adorable), Bubble Bobble was super addictive right from the start. Every so often I walk along my shelves and pick an old game (old as in 35+ years) and give it another go. Some have aged badly. Bubble Bobble is a great example of a timeless game. It's still fun today, especially when you play it with a friend.

Another classic turns 40 this year: Bubble Bobble (Taito), created by Fukio Mitsuji. I played this first at the arcades, then later on my C64 and Amiga. The ports were brilliant and came quite close to the original arcade version. Great in single-player, even better in two-player mode. 99 levels (plus one final boss level), with hidden bonus levels, an iconic soundtrack, the cutest player characters (even the enemies looked adorable), Bubble Bobble was super addictive right from the start. Every so often I walk along my shelves and pick an old game (old as in 35+ years) and give it another go. Some have aged badly. Bubble Bobble is a great example of a timeless game. It's still fun today, especially when you play it with a friend.

exQUIZitely 🕹️

17,125 views • 6 months ago

Building with AI gets easier every day. Here is an open-source library that makes integrating AI into an application extremely easy: Star the repository! This library alone can make React the best front-end framework out there! There are a bunch of cool things I like about CopilotKit. Here are 3 of them: 1. It allows you to take any -powered agent and bring it into your application. (This is a brand-new feature!) 2. You can build an AI-powered chatbot in your application. The chatbot will have access to your context and can act on the application. 3. You can build a RAG workflow to process and answer questions from a real-time knowledge base. I recorded a video to show you how simple it is to make some of this happen. A few lines of code, and you are in business. Here is a link to the sample application: CopilotKit is open-source. You can self-host it. You can use it with any LLM. Thanks to the team for showing me their tool and collaborating with me on this post!

Santiago

108,824 views • 2 years ago

CHINA JUST DROPPED AN AI CODING MODEL WITH A 1M CONTEXT WINDOW. And I connected it to Claude Code to see what it could actually do. Meet GLM-X Preview On paper, a few things immediately stood out: → 1M context window → Agentic coding capabilities → Works inside Claude Code → Designed for large-scale coding and reasoning workflows But specs don't matter much if the model can't deliver in practice. So I gave it a real-world task. THE TEST One prompt: > Build a modern AI lead generation dashboard using React and Tailwind CSS. Requirements: → Dark mode → Analytics dashboard → Lead table → Email outreach section → Responsive design → Production-ready component structure Instead of generating a few snippets, it planned the architecture, generated the dashboard components, created the Tailwind configuration, and walked through the implementation requirements. What impressed me most wasn't the code itself. It was how well it maintained context throughout the workflow. That's where a 1M context window starts becoming useful. Less time re-explaining requirements. Less context loss. More room for complex projects. The AI coding race is getting very interesting. And it's no longer just GPT, Claude, and Gemini competing for attention. Results from my test below 👇

CHINA JUST DROPPED AN AI CODING MODEL WITH A 1M CONTEXT WINDOW. And I connected it to Claude Code to see what it could actually do. Meet GLM-X Preview On paper, a few things immediately stood out: → 1M context window → Agentic coding capabilities → Works inside Claude Code → Designed for large-scale coding and reasoning workflows But specs don't matter much if the model can't deliver in practice. So I gave it a real-world task. THE TEST One prompt: > Build a modern AI lead generation dashboard using React and Tailwind CSS. Requirements: → Dark mode → Analytics dashboard → Lead table → Email outreach section → Responsive design → Production-ready component structure Instead of generating a few snippets, it planned the architecture, generated the dashboard components, created the Tailwind configuration, and walked through the implementation requirements. What impressed me most wasn't the code itself. It was how well it maintained context throughout the workflow. That's where a 1M context window starts becoming useful. Less time re-explaining requirements. Less context loss. More room for complex projects. The AI coding race is getting very interesting. And it's no longer just GPT, Claude, and Gemini competing for attention. Results from my test below 👇

Md Riyazuddin

31,199 views • 1 month ago

Imagine if news reporters were this honest ON air. This recording of Amy Robach was obtained from someone inside ABC News during a commercial break, Oct 2019 and given to my team Eric Cochran and Spencer Meads. I met with the source inside a hotel room far from the city and and after multiple meetings and long conversations, the insider agreed to allow us to publish this, and we protect their identity to this day. It is unreal and disgusting how deep the corruption goes, and how the media is complicit. If you have confidential info that can shed light on what’s really going on, contact us at and on Signal at 914-315-9415.

Imagine if news reporters were this honest ON air. This recording of Amy Robach was obtained from someone inside ABC News during a commercial break, Oct 2019 and given to my team Eric Cochran and Spencer Meads. I met with the source inside a hotel room far from the city and and after multiple meetings and long conversations, the insider agreed to allow us to publish this, and we protect their identity to this day. It is unreal and disgusting how deep the corruption goes, and how the media is complicit. If you have confidential info that can shed light on what’s really going on, contact us at and on Signal at 914-315-9415.

James O'Keefe

809,010 views • 2 years ago

long time no posting, here's some of the stuff we released in helium recently: - customizable keyboard shortcuts on all platforms - automatic updates on windows - frameless mode (previously zen mode), with floating sidebar, is now out of beta and included in settings by default - improved fingerprint noising: fixed the canvas noising algorithm and added protections against analysis attacks (thank you Cynthia 🐈 for your report, research, and assistance) - tab URL copying, one or multiple, formatted as a list with line breaks - manual tab hibernation, with an option to hibernate all tabs except for selected/active ones - an option to close tabs to the left (or above, in vertical layout) - redesigned toast notifications, now anchored to the active web page, and no longer blinding in dark mode - toast notification about newly opened background tabs in frameless mode (can be disabled in settings) - redesigned the infobar, it no longer looks out of place - improved QR code generation, now it's actually useful - downloads bubble is now shown instead of the full page whenever applicable - kagi search now supports reverse image search from image context menu - frameless mode animations are now smoother - better color contrast in light and dark modes - a lot of bug fixes and other minor improvements all of these changes are present in the latest version of helium. if you're using helium on windows, please update to the latest version, so your browser can be updated automatically from now on!

long time no posting, here's some of the stuff we released in helium recently: - customizable keyboard shortcuts on all platforms - automatic updates on windows - frameless mode (previously zen mode), with floating sidebar, is now out of beta and included in settings by default - improved fingerprint noising: fixed the canvas noising algorithm and added protections against analysis attacks (thank you Cynthia 🐈 for your report, research, and assistance) - tab URL copying, one or multiple, formatted as a list with line breaks - manual tab hibernation, with an option to hibernate all tabs except for selected/active ones - an option to close tabs to the left (or above, in vertical layout) - redesigned toast notifications, now anchored to the active web page, and no longer blinding in dark mode - toast notification about newly opened background tabs in frameless mode (can be disabled in settings) - redesigned the infobar, it no longer looks out of place - improved QR code generation, now it's actually useful - downloads bubble is now shown instead of the full page whenever applicable - kagi search now supports reverse image search from image context menu - frameless mode animations are now smoother - better color contrast in light and dark modes - a lot of bug fixes and other minor improvements all of these changes are present in the latest version of helium. if you're using helium on windows, please update to the latest version, so your browser can be updated automatically from now on!

Helium

89,825 views • 1 month ago