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He never forgot. Not for a second. 🐊 🖼️ Art: Sabba ꒦꒷ ‧₊˚ (NSFW18+) Not doing commissions! 💌 Gummigoo: 🎙VA🎙 MetallicFox0 💌 Pomni, SFX & Editing: LUCI! 🎪 #genitalcircus #funnygummy #tadcnsfw

128,374 görüntüleme • 4 ay önce •via X (Twitter)

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#Zimbabwe The Art Of War🐊🐊🐊 Rutendo Matinyarare’s CONTRADICTIONS, MISLEADING NARRATIVE & ILLEGAL RECORDING❗️ 1. WHAT THE LEAKED RECORDING ACTUALLY SHOWS🎪 The leaked audio conversation between Rutendo Matinyarare and Sabhuku Temba Mliswa Sabhuku Temba P. Mliswa does not support Rutendo Matinyarare’s public claims. In that recording, Mliswa speaks positively about Dr Kuda Tagwirei describing him as an honest person and someone worth engaging with. There is no condemnation of Dr Tagwirei. There is no allegation of corruption against him from Mliswa's side. Yet Rutendo Matinyarare now wants the public to believe that Sabhuku Sabhuku Temba P. Mliswa views Dr Tagwirei as corrupt and embarrassing to President Mnangagwa. This is a direct fabrication. The evidence Rutendo Matinyarare himself leaked contradicts his own narrative. 2. Rutendo Matinyarare ADMITTED RECEIVING MONEY FROM TAGWIREI This is the most damaging contradiction of all✅ Rutendo Matinyarare has clearly stated that he received "PR money" from Dr Kuda Tagwirei. Legal documents and his own admissions confirm: · He worked directly with Dr Tagwirei on #sanctions and legal matters✅ · He received funding from Dr Tagwirei✅ · Dr Tagwirei was his primary point of contact for Zimbabwe-related work✅ The question Rutendo Matinyarare cannot answer: "If Dr Kuda Tagwirei is truly corrupt, why did you then accept money from him🤔 If Dr Tagwirei is corrupt, then Rutendo Matinyarare: · Knowingly took money from a corrupt source✅ · Partnered with someone he now pretends to condemn✅ · Has no moral authority to accuse anyone else✅ If Dr Tagwirei is not corrupt, then Rutendo Matinyarare’s current narrative is false😒 Either way, Rutendo Matinyarare loses. His own actions completely undermine his credibility👺 3. THE ILLEGALITY OF THE RECORDING⚠️ Beyond the factual contradictions, there is a more serious issue: the recording itself is illegal. Zimbabwe Republic Police In Zimbabwe, private telephone conversations cannot be lawfully recorded without the consent of all parties involved. By leaking this recording, Rutendo Matinyarare has: · Violated the law secret recording of a private conversation is an offence under Zimbabwean legislation, including the Interception of Communications Act · Breached basic privacy rights Sabhuku Mliswa did not consent to being recorded or to having that conversation made public😒 · Acted with malicious intent the selective leak is clearly designed to mislead, not to expose truth If Rutendo Matinyarare truly believed he had evidence of wrongdoing, the proper channel would be lawful authorities not an illegal recording released to the public for political point-scoring. 4. Rutendo Matinyarare’s OWN RECORD OF FAILURE🤥 Let us not forget: this is the same Matinyarare who demanded payment for sanctions he did not remove. He presented himself as someone who could influence #sanctions relief yet nothing materialised. He wanted to be paid for a job he never delivered🥺 That alone should inform the public how much weight to give his current claims. 5. THE INESCAPABLE CONCLUSION❗️ Rutendo Matinyarare is caught in a web of contradictions: · He leaks a recording that contradicts his own narrative🤥 · He admits taking money from the very person he now calls corrupt❗️ · He breaks the law to make his point❗️ · He demanded payment for #sanctions he never removed😒 A simple question remains🧐: If the recording actually supported Matinyarare's claims, why did he have to obtain it illegally and release it selectively🤔 The answer is obvious😒😒😒😒😒😒 We should all reject this dishonest manipulation. The truth is clear: · The recording does not support the claim that Sabhuku Mliswa called Dr Tagwirei corrupt✅ · Rutendo Matinyarare personally benefited from Tagwirei✅ · His credibility is zero❌ Listen to the recording yourself. Read Rutendo Matinyarare’s own admissions. Then decide who is really corrupting the truth. Let facts lead, not fabrication✍🏿

Padare-Enkundleni

10,460 görüntüleme • 2 ay önce

‼️🚨🔵PRESSER🔵🚨‼️ 🎙 Enzo Maresca’s Full Post-Newcastle United Press Conference 🔹 Enzo Maresca on Chelsea’s performance: “After the first-half, they deserved to win the game, for sure, but after the second-half, we deserved to win the game. After the second goal was scored, we had three or four chances to win it.” ⚖️⚽ 🔹 Enzo Maresca on why the first-half was so bad: “The key for me was the goal we conceded. After three minutes, you concede a goal and the game goes in the direction they want 😓. We scored twice in the second-half and could have scored more goals. We adjusted something at half-time 🔄. It’s not easy to come back in this stadium.” 🏟️ 🔹 Enzo Maresca on James impact: “He was, once again, top performance 👏🏽. He played for an hour as a midfielder and for the last half an hour, he was as a full-back. We are happy for him.” 🔵💪🏽 🔹 Enzo Maresca on what he learned from this week: “We won against Everton, achieved a semi-final and drew with Newcastle which is always an important result. I’m happy with the reaction from the players.” 😊📈 🔹 Enzo Maresca on if they need experience at St. James’ Park: “Yeah, for sure, because they know better how to manage that sort of noise.” 🔊🏟️ 🔹 Enzo Maresca on second-half character: “For sure, in the first-half, there are things we can do better, but the character and togetherness in the second-half 💪🏽. It’s not easy with this noise and environment. Not many teams can do that.” 🔥 🔹 Enzo Maresca on if this shows the players are with him: “My last week has been good. We beat Everton, beat Cardiff and drew with Newcastle. In terms of results I’m happy.” 👍🏽🔵 🔹 Enzo Maresca on half-time team talk: “I could see from the bench that the plan we prepared was the right one 🎯. My message at half-time was to continue doing what we’re doing.” 🗣️ 🔹 Enzo Maresca on why he was booked: “I was complaining because the same foul was a yellow card for us 🟨 and they did exactly the same foul three or four times but it was no yellow card. So I asked the question and complained to the referee.” 🤦🏽‍♂️⚖️ #CFC | #Chelsea | #NEWCHE | #Interviews 📲 CFC_ChelseaFC via Telegram 📹 MightyBluesNews via Youtube

Miki Djan

63,951 görüntüleme • 8 ay önce

🚨 IMPORTANT THREAD: PLEASE READ 🚨 Hey everyone, My husband and I are still going through an incredibly difficult time financially. Right now, we have less than $200 in our bank account, and we’re struggling to find steady work despite actively searching. Money has been especially tight these past few months, and we’re doing everything we can to stay afloat. 🫠 While donations through Ko-fi or PayPal would mean the world to us, I hate asking for money outright. That’s why I’m reopening my voiceover commissions and offering something special for Valentine’s Day! 💝 Valentine’s Day Special 💝 Looking for the perfect gift? I’m offering personalized voice-over commissions! 🎙️ Whether it’s: 💌 A heartfelt custom message 🎭 An impression of your favorite character 🎤 A unique voice for your OC I’d love to bring it to life! Personalized messages are just $10 each (up to 50 words), and this offer is available until EOD February 15th CST. 🎙️ Other Voiceover Services 🎙️ I also offer a variety of voiceover work, including narration, character voices, and more. A few notes: ❌ I do not accept NSFW work. 🚫 None of my voiceover work is permitted for AI usage. Additionally, my husband specializes in video editing and sound design. If you need those services, feel free to DM us for rates and details! If you’re not in need of these services but still want to help, here’s how: ☕ Ko-fi: 📧 PayPal/Contact: [email protected] Even if you can’t commission or donate, simply sharing or RTing this post would mean so much to us. We truly appreciate anything you can do. Thank you for your kindness and support. 🫶

Meggie-Elise | Voice Actor 🎙️🌸✨

36,807 görüntüleme • 1 yıl önce

‼️🚨🔵PRESSER🔵🚨‼️ ‍ 🎙 Enzo Maresca’s Full Post-Wolves Press Conference 🐺⚽️💬 🔹 Enzo Maresca: “Happy with the clean sheet 🧤✅, and making lots of chances 🎯. I’m worried by this kind of game 😬 — you have to win these games 🏆. First half – we didn’t concede 🚫 and created chances ⚡️. Second half, we scored the goals ⚽️💪.” 🔹 Enzo Maresca on Alejandro Garnacho: “He was very good 👏. Not only on the ball ⚽️ but also off it 💨, especially when he was pressing 🔥 — and this is what we need from our wingers 💪. Garnacho is doing well 🌟, Pedro Neto is doing well 💙, Estevão is doing well 🇧🇷. We need them all to be doing well 🙌.” 🔹 Enzo Maresca: “It’s part of my job 👔, it’s part of the game 🎮 [rotation]. At the end, this is a business 💼 — when you don’t win there are problems 😤 but when you win everything is good 😌.” 🔹 Enzo Maresca on Malo Gusto’s goal: “Finally… 😅 Last season, [Marc] Cucurella scored different goals ⚽️ as an attacking full-back 🚀. Malo was close many times ⏱️ but finally he gave us the goal we needed for 1-0 🔥. Malo is one of our main players 💪 because he allows us to be versatile 🔄.” 🔹 Enzo Maresca on progress this season: “It’s more noise from outside 🔊. Inside, we are convinced 💙 that as a club and as a team we are going in the right direction 📈 and doing good things ✅. At the same time, we can do many things better 🔧.” 🔹 Enzo Maresca on Alejandro Garnacho: “He arrived here from another club 🏟️ where he was not training 100% ⚠️. He knows to play with us he has to be good on and off the ball ⚽️💨. We are very happy with him 😊🙌.” 🔹 Enzo Maresca on Estevão being valued at £100m+ 💰 by CIES Football Observatory this week: “You can see that, absolutely 👀. He is top 🌟. For this club in the next five, ten years 📅, he will be a top, top, top player 🔵💎.” 🔹 Enzo Maresca: “Moi was okay 👍 but Pedro Neto and Enzo Fernandez asked for change for groin and knee injuries 🤕🩹.” 🔹 Enzo Maresca: “Our mood is good in any case 😌💙. It’s the noise from outside 🔊 because you drop points against a team doing well ⚔️. People expect Chelsea to win all the games 🏆 but the reality is it’s not like this 🤷‍♂️.” #CFC 💙 | #Chelsea 🔵 | #CHEWOL ⚔️ | #Interviews 🎤 📲 CFC_ChelseaFC VIA TELEGRAM cc: Tom Overend , SHAYEE 𒀭 , Oluwaseun 🇳🇬

Miki Djan

27,265 görüntüleme • 9 ay önce

I remember, after 34 felony convictions, he turned around, shook my hand. We walked out together, we hopped in the car, and we were actually going to a fundraiser. We were in court by day, fundraising by night. And I remember, as soon as we got in the car, he looked at me, and he goes, “I don’t know how, but we’re gonna win.” And he wasn’t just talking about the court case, but the overall election. You had every press member in the back of those courtrooms, and they were giving him a zero percent chance. And it’s funny, in his early life, he wrote “The Art of the Deal.” Then his second book was “The Art of the Comeback,” talking about his business career in the ‘90s, when everybody thought he was down and out. And it’s the perfect parallel. I mean, this was the comeback. No one would ever have thought a guy who was just charged with 91 felony convictions—for doing nothing wrong, but because we had a system that was totally weaponized against him—could ultimately become president. And not only did he become president, he won every swing state. He won the popular vote; every state in the nation went to the right. We picked up 11 counties in California that had never been Republican. Miami Dade, which hadn’t been Republican in 37 years, we won by 11 percent. You want to talk about the art of the comeback? It was a great foreshadowing in his early life, when he named that book, of exactly where we sat a year ago. Eric Trump Opens Up About How Relentless Attacks Impacted Him and His Family

The Epoch Times

215,995 görüntüleme • 10 ay önce

Rick Rubin: "Make what you love, not what you think people will like" "If you want to live in a creative way, which will benefit everything in your life, be a better person in your family, do a better job starting a new business, it's all the same. I don't really know anything about music. It's more a way of looking at the world and wanting it to be the best it could possibly be. And doing whatever it takes to be the best it could possibly be." Rubin shares how his career happened: "From the beginning, I never thought any of the things I'm doing were possible or realistic. I just did things out of the love of them, thinking I would have real jobs. That my passion would be my hobby, and I'd have a job to support my hobby. And it just magically turned out different than that without me knowing it was possible." On why some things connect and others don't: "The stars line up at certain times for certain things to happen. Sometimes you can make something great, and it doesn't connect for whatever reason. Sometimes you make two things you think are the two best things you've ever made. One of them connects with the world. One of them doesn't. And it might not have anything to do with what's in the art. It might be that it came out the same day as something else. Or there was a bigger story at the time. There's so much to it that we don't understand." He continues: "All we can do is make something good and put it out and hope for the best. That's all there is. We never know why things work. Even if you make a piece of art and it works, you may not know why." On talent versus work ethic: "There are a lot of talented people who never make it because they don't have the work ethic. It's not just talent, talent's a piece. And you could argue for some people, the work ethic trumps the talent." Rubin explains what real collaboration is: "Having worked with a lot of bands, I see there's often this friction where people are trying to get their idea in. That's not a collaboration. A real collaboration is when everyone who's there is working together towards whatever is the best thing for the whole. Whether it's your idea or someone else's idea, it doesn't matter. If you're invested in the collaboration, you want the best idea to win. You don't want your idea to win." On what makes art great: "What makes it great is the personal. With all of its imperfections. With all of its quirkiness. That's what makes it great. How you see the world that's different from how everyone else sees the world. That's why you're an artist. That's your purpose in sharing your work with the world." He warns against being derivative: "There are these derivative voices where they're finding what they think other people want to hear, and they start saying it because they've heard other people say similar things that are now successful. Even if they have some short-term success doing that, it's not revolutionary. It doesn't change the world. It doesn't last. The people who you first see and you might not like that you come to like because you don't understand them at first, those are the ones that change the world. Those are the ones you dedicate your fandom to for life." Rubin shares his philosophy on taste: "You can't second-guess your own taste for what someone else is going to like. We're not smart enough to know what someone else is going to like. To make something thinking, 'Well, I don't really like it, but I think this group of people will like it,' it's a bad way to play the game of music or art. You have to do what's personal to you. Take it as far as you can go. Really push the boundaries. And people will resonate with it if they're supposed to resonate with it." He describes creativity as catching waves: "We're really talking about magic. The universe conspiring on our behalf if we let it. Being in this flow of catching these waves that anyone can catch. If you're trying to catch it, you're open to it, you see it coming, you take off on every chance you get. And sometimes the ride happens. It's remarkable how it happens. It doesn't come from preconception. It's not an idea. It's through the doing." Rubin explains how ideas exist in the universe: "Have you ever had that experience where you have an idea for something, you don't do it, and then six months later you see someone else has done it? It's not because they took your idea. It's that it's time for that, and you can act on it or not. The best artists are the ones who have the best antenna for this material that's available. It's coming through. The best comedians see the best jokes. They see them coming. We all live in the same world; the way you see it, you have the best joke because you see it best." He closes with how to stay open: "If we listen to what's going on around us, you can overhear a conversation in a coffee shop, and it is the setup for an idea you're working on. You hear a phrase you don't commonly use. My experience is: when you are open and looking for these clues in the world, they're happening all the time. And they're happening often right when you need them."

Jaynit

109,182 görüntüleme • 4 ay önce

‼️🚨🔵 PRESSER 🔵🚨‼️ 🎙 Liam Rosenior’s Full Pre-Arsenal Press Conference 🌀 Liam Rosenior on squad rotation & not having a “best XI” ⚙️ “I can’t speak for other managers in terms of myself. I don’t have a best XI. I never have done in all of the clubs that I’ve worked with. Why? Because of the demands — the physical demands of the Premier League, Ligue 1 or the Championship now with 46 games. You need a squad, and you need to use the players in the correct way to challenge over the course of the season. I’ve been here three and a half weeks, I’m still getting to know the players. I try to pick the right starting team, but I also try to pick a bench that gives us the right finishing team. So far, the substitutes in every game have made a huge impact. That’s not just tactical — a big part of that is mentality.” 🧠💪 🌀 Liam Rosenior on Estevão ❤️ “He is going through a really difficult time for personal reasons. I won’t put any pressure on him when he returns. It has to be right for him.” 🌀 Liam Rosenior on facing Arsenal ⚔️ “The reality is Arsenal are favourites. They’re a goal up and they’re at home, so they’ll expect to go through. We need to take it as far and as deep as we can, then hopefully the second half of the tie will be massive in terms of turning it around.” 🌀 Liam Rosenior on Jamie Gittens’ injury 🚑 “Jamie unfortunately felt his hamstring. I don’t yet know the extent of the injury. It’s a real shame because I wanted to give him a start and allow him to show what he can do. Hopefully it’s not too bad.” 🌀 Liam Rosenior on Chelsea’s mentality in big games 🔥 “They can play in big games and they can perform in big games — and it is definitely a big game on Tuesday.” 🌀 Liam Rosenior on focus & preparation 🧊 “Talking about what Arsenal or Mikel Arteta have or haven’t done isn’t my concern. My concern is resting and recovering. It’s another three-game week. It’s going to be a very physical game on Tuesday, and my job is to prepare the team as best I can.” 🌀 Liam Rosenior on Arsenal’s recent nerves 😌 “We’ll see. We’ll see. We’ll go and play our game.” 🌀 Liam Rosenior on experience within his squad 🏆 “When I look at my players — Enzo Fernandez has won a World Cup, and the group won two trophies last year. They can play in big games, they can perform in big games. Tuesday is definitely a big game.” 🌀 Liam Rosenior on Enzo Fernández 🧠⚡ “He’s fit. You see him arriving in the box in the 92nd, 93rd minute. Enzo has a rare athleticism — a gift — where he recovers very quickly. His distances covered are top from a data point of view, and the quality and leadership he brings to the team is huge. I’m really enjoying working with him.” 🌀 Liam Rosenior on Mamadou Sarr 🤝 “I don’t speak about players who are at other clubs. It’s something I’ve never done, and I won’t start today.” 🌀 Liam Rosenior on pressure & proving himself 🎯 “I’ll be really honest — all this talk about proof of whether I’m right for the job or not, I don’t really care. I’m here to do the job. If we get to the final, it’s great for Chelsea Football Club. It’s not about me. I’ll prove in time whether I’m worthy or not, but it’s not at the forefront of my mind.”

Miki Djan

72,283 görüntüleme • 6 ay önce

This was my favorite part of #Flex1045xJossGawinConcert 🎙: What is something you've managed to overcome within yourself? 🐻: The first big thing that comes to mind was before the fancon. 🎙: Last year's fancon? 🐻: Yes. I remember talking to Gawin about how I still wasn't confident that I could do it. I already knew that no matter what, I was going to have to get on that stage. But at that time, I felt like I didn't really belong there. Maybe because I came from an acting background. 🐻: I also had a lot of worries. A lot of my friends are artists, like Timethai and P'Pae, who are musicians. They've spent years building up their experience. Even Gawin himself has been playing music since he was a teenager, since he was a kid. 🐻: But for me, I had only recently started trying and learning. A lot of the time, it didn't feel natural. It wasn't something I could just do right away. I had to practice, practice, and practice again and agian. When I first started taking lessons, there were still times when I'd sing off key or dance out of rhythm. So I felt like everything was moving so slowly. I was starting late, after all. 🐻: But as I kept practicing more and more, I gradually became more confident. Still, there was always a small part of me that wondered, because I'd never performed on a big stage before. I didn't know what it would be like. Would I be able to handle the nerves? What if I made a mistake? What would happen then? 🐻: It took time. In the end, my friends and the people close to me helped me realize that it was all just part of the experience. Whatever is going to happen will happen. I feel lucky to have people around me who made me feel comfortable enough to just go for it. 🐻: And we practiced so much that, for some songs, it became second nature to me. That's when I started thinking, Okay, maybe I started later than other people, but if I put in enough practice and give myself enough time, I can do it. 🐻: Then when the day finally came and I actually did it, I really could do it. Even though there were mistakes and it wasn't perfect, I still felt like, Wow, I actually did a good job. And when I got feedback from my friends, the fans, and the seniors who told me they were very surprised that I was able to do this well, I thought, Okay... yeah, it's difficult. But it's not impossible. 🎙: Everything is possible. Anything is possible. Let's give him a round of applause. 👏🏻

🌛โตไม่โต🌈

16,088 görüntüleme • 2 ay önce

E14 with Packy McCormick about building Not Boring, new media business models, Ramp vs Brex (timely?), his thesis of vertical integrators, his creative process and more. If you’ve spent any time in tech over the past few years, you’ve probably read Not Boring or at least seen a screenshot of it on X/Twitter. Packy built it from a Substack assignment during David Perell's Write of Passage course into one of the most-read newsletters in technology, now at over 250,000 subscribers. Encouragement goes a long way. David in that course told him his first assignment was the best piece of writing he had seen in the class which gave Packy the confidence to keep going. He talks about his fear of being made fun of (by your friends) if you publish on the internet or nobody caring and ever reading. I can relate, it is one of the reasons I recorded for 6-7 months before hitting publish in July last year. The funny thing is, 250,000 subscribers later that feeling never completely goes away. We touch on that too. Every Not Boring essay is a full-stack teardown, part history lesson, part strategy memo, part “why this would matter in 10 years.” Today, Packy sits at the intersection of media and venture, David Perell described this new era of creators and personalized business models as building a personal monopoly. This applies to podcasting, newsletters or blogs and any other form of new media at the intersection of tech and business where the differentiation lies in the creator - they are like Hollywood talent and the brand they represent is secondary and in some cases irrelevant. They are the brand. We live in the era of what my friend Christopher Lochhead 🏴‍☠️ ✍🏼🎙 would call creator capitalism. For Packy, great writing is deal flow. He has invested in companies like Ramp (now valued at over $32B) and Astro Mechanica (bringing back supersonic air travel) and many more through his fund. What he now spends most of his time on is doing well researched deep dives which are a function of the relationships he builds along the way. If you are chronically online on X/Twitter, you would have seen his latest masterpiece, a deep dive on a16z. Hope you enjoy! Timestamps: 00:00 - Intro 01:11 - Why publish on Substack and the origins of Not Boring 01:42 - Write of Passage with David Perell 04:51 - The content pyramid and compounding experiences 15:46 - Insights from working in co-working industry 28:07 - The Ramp case study and the concept of uncertainty window 36:56 - Ramp vs Brex 41:32 - Vertical integrators thesis 51:45 - Media, venture, and the future of tech media 00:00:55 - Twitter vs Substack for creators 1:10:19 - Advice to We The Builders 1:12:59 - Growing the team, getting better, and hiring 1:21:57 - Playing the long game, measuring success over decades 1:33:32 - Wrapping up — favorite shows and books 1:40:53 - Signing off

Suffiyan Malik

15,329 görüntüleme • 7 ay önce

‼️🚨🔵PRESSER🔵🚨‼️ ​🎙Enzo Maresca's Full Pre-Nottingham Forest Press Conference: 🔹Enzo Maresca on Cole Palmer: "I was wrong. Unfortunately, he needs to be out for six more weeks. Yes, absolutely [no surgery]. We just try to protect Cole as much as we can." 🔹Enzo Maresca more on Cole Palmer: "The medical are not magicians. We hope six weeks are enough. It's a problem we need to see step by step, week after week. But for sure, he will be okay. He looks very good, relaxed. He is trying to recover. He is doing all that he needs to do." 🔹Enzo Maresca: "Unfortunately, Benoit will be out until December - injury again, a muscular problem." 🔹Enzo Maresca: "Moi, Enzo and Pedro didn't take part of the session yesterday. We will see if they train today. Reece is fully fit." 🔹Enzo Maresca: "It was a big moment for many reasons. Since I joined the club, we never won a game at home in the last minute. We were playing the Champions of England, so it was an important moment." 🔹Enzo Maresca: "We lost two players in the moment that for us have been the main players in the build up. Levi, for us, was the main one from behind, and Cole in the middle of the pitch. We are trying to find solutions." 🔹Enzo Maresca: "We lost two players in the moment that for us have been the main players in the build up. Levi, for us, was the main one from behind, and Cole in the middle of the pitch. We are trying to find solutions." 🔹Enzo Maresca on Forest conceding goals after 70 minutes: "When we analyse a team, we consider everything. You have to go match by match. It's always different. For sure, in the international break we watched all the games with Ange in charge. Making changes is something you usually plan but it is sometimes dependant on the game." 🔹Enzo Maresca on Set-pieces this season: "Since I joined the club, Bernardo is the one in charge of set-pieces. We didn't change nothing, we are working the same way. We spend time on set-pieces. You can score, you can concede; it depends a little bit. We are doing quite well [on that front]." 🔹Enzo Maresca on Replacing Palmer: "First of all, to replace Cole, it's difficult. Cole is a very important player for us, one of the best in the league. The ones we have, in Cole's position against Liverpool was Malo Gusto. The game vs Benfica was Facundo. It depends on the game plan we have. We don't have another player like Cole. Cole is unique." 🔹Enzo Maresca on International break: "It's a good period. Tosin is back. Fofana is back. Andrey Santos is back. Enzo is out, Moi is out, Pedro is out. We are going to try and find the best solution for the next games.” 📲 CFC_ChelseaFC via Telegram

Miki Djan

17,503 görüntüleme • 10 ay önce

Recently learned about Sunghyun Yoo, a Korean tailor who moved from Seoul to Naples in 2017 to learn how to become a bespoke tailor. While many East Asians take apprenticeships in Europe, often in Italy, most of them return to their home countries after their studies. Yoo decided to stay in Naples, where he has established his own workshop, which he named Sartoria Del Signore. If you know a little about tailoring, then you can spot many of the hallmarks here of Neapolitan style: The soft shoulder line, extended front dart, high gorge, straight lapels, and slightly sweeping quarters. It's said that Vincenzo Attolini invented this style in the early 1900s when he worked as the head cutter for Rubinacci (then called London House). Back then, traditional British tailoring tended to be more structured. A jacket was typically built with a stiff layer of haircloth, a layer of body canvas, and a fuzzy layer of felt called domette to prevent the prickly haircloth from poking through. Faced with clients who wanted lighter, more comfortable jackets for Naples's warmer clime, Attolini ripped out much of this structure — removing the domette entirely and reserving just a bit of haircloth at certain parts of the chest. The shoulder line was also minimally padded. The result is something that's not only lighter and more comfortable in the heat but also looks more relaxed and casual than its British counterpart. Today, Neapolitan tailoring houses struggle to find apprentices. For good reason, most young people don't want to become bespoke tailors, as it takes a long time to learn the skills, and the future of this market is uncertain. Even when young people enter the tailoring industry, they are more likely to become content creators, businesspeople, marketers, or something similar. They don't want to be the people who draft patterns, cut, and sew. Thus, it's great to see immigrants keep this craft alive. To me, it's never about the person's ethnicity, but rather their skills and mindset. Anyone can learn how to become a bespoke tailor. In Naples, there's a specific way of doing things that yields a particular silhouette. It's great to see Yoo carry this tradition forward at a time when it's at risk of disappearing. Earlier this year, I had dinner with two bespoke tailors — one from Hong Kong, the other from Seoul. The second was studied under Antonio Pascariello, a master tailor in Naples who recently passed away. I remember asking both tailors a question about how to fit a difficult figure, and the Korean tailor gave an answer that I thought revealed a very Italian way of thinking. In this way, Italian traditions live on, regardless of the person's ethnicity. If you're interested, you can follow Yoo on Instagram (look up sartoriadelsignore). As usual, I have no affiliation with him — this is not a paid post, as I don't do paid posts. Just some thoughts about this dying art and the role that immigrants play, even when they're from different cultures and backgrounds.

derek guy

238,911 görüntüleme • 2 ay önce

A Christian friend of mine called me last night to talk about the problem of animal suffering because of Alex O'Connor’s debate with William Lane Craig. He was concerned because he thinks that Alex made a good argument. Before I give my thoughts let’s get one thing straight: This is not a logical argument, it’s an emotional argument. The atheist always taps into our emotions to when they talk about this. We’re asked to think of things like a Zebra getting his windpipe crushed by a lion so that as we deal with the argument we’re feeling, rather than thinking. So before I give a few brief remarks, let’s all turn our brains back on and the feelings off (if you can) and actually consider this rationally. 1. Alex and many other atheists bring up suffering as if it adds onto itself, so here’s one instance of suffering and that’s one, and here’s another instance in another animal so that’s two, three, etc… but why? Why are we adding up individual creature suffering and putting it all into the same bin of “suffering?” Every individual experiences its own local suffering, that’s it. There’s no aggregate. There’s no “pool of suffering.” The move to stack one animal’s suffering on top of another animal is silly. I don’t see any justification for it. 2. Suffering just means not getting what you want, that’s it, and it’s temporary. Yesterday at the pool my daughter stubbed her toe. She said “ow!” She hopped around, and then she forgot all about it and went back to playing. It wasn’t a big deal. Atheists act like suffering is just the end of the world and frankly it’s childish. We all suffer, we all don’t get what we want, so what? Why is God obligated to give us what we want all the time? He isn’t. Not only that but suffering can make people better, it helps you appreciate things, learn lessons, etc. There’s nothing about suffering that indicates it’s some kind of evil thing that God must stop and shouldn’t be allowing. To really make my point imagine a world without suffering and then someone gets a tummy ache. He’s now suffering. Should we now think God doesn’t exist because one man got an ache in his tum tum? I think not. What about two aches, in two tum tums? See where I’m going? There’s nothing incompatible with God and suffering. This is just emotional manipulation. 3. Suffering has a lot to do with frame of reference. If you turned a human into an ant, they’d probably suffer a lot, but that’s because they know what it is to not be an ant. Compared to a human, ants live very difficult lives. But does the ant know that? No, an ant is just an ant. That’s all it knows. It has no frame of reference and what we might find horrible, an ant finds mundane and normal. In other words, it’s entirely possible that animals don’t suffer nearly as much as we think they do, and the only reason we think they suffer is because we’re projecting ourselves onto them. If WE were them, we wouldn’t like it. But that doesn’t necessarily follow, I would hate to be a fly eating poop all day, but does a fly suffer when they eat poop? No, they love it. The other day I saw a video of a woman with no arms, just legs. She could do everything—drive, get dressed, etc. When we see a woman without arms we imagine they’re suffering because we love our arms, but she’s never had them. So is she suffering? Or is this just all she knows? So it’s not obvious that animals suffer anywhere near as much as we imagine they do. 4. Lastly, according to what worldview is suffering “bad?” When the atheist points at suffering as an evil/bad thing, are they doing that from their atheism, or from our worldview as Christians? Does the atheist need to borrow from our worldview to even make sense of the idea that there’s something wrong with suffering? Or are they able to conjure this metaphysical idea of “badness” up on atheism as well? This really needs to be pushed on. I don’t think for one second that atheism can account for something like “badness,” so the very thing they want to complain about is totally fine according to their own worldview. If that’s the case, which worldview is less likely to be true… the Christian worldview where we have sin and badness, or the atheist worldview where things just happen, events… and the moral dimension is nothing but a programmed illusion? I think it goes without saying that the atheist worldview is far less likely to be true if that’s the case, and if it isn’t, the atheist has a lot of work to do in explaining how their absurd worldview can make sense of why wrongness exists. We need to stop granting atheists access to metaphysics that make absolutely no sense on their own worldview.

Darwin to Jesus

12,519 görüntüleme • 2 ay önce

Some of Mae West's Best One-liners. Mae West was a master of witty, saucy, and iconic one-liners that celebrated independence, glamour, and double entendres. Her sharpest quips covered everything from romance and wealth to living life on her own terms. • “You only live once, but if you do it right, once is enough.” • “There are no good girls gone wrong ― just bad girls found out.” • “I generally avoid temptation unless I can't resist it.” • “Every man I meet wants to protect me. I can't figure out what from.” • “I wrote the story myself. It's about a girl who lost her reputation and never missed it.” • “Between two evils, I always pick the one I never tried before.” • “Good sex is like good bridge. If you don't have a good partner, you'd better have a good hand.” • “When I'm good, I'm very good, but when I'm bad, I'm better.” • “I'll try anything once, twice if I like it, three times to make sure.” • “I'm single because I was born that way.” • “Good girls go to heaven, bad girls go everywhere.” • “I'm no model lady. A model's just an imitation of the real thing.” • “Ladies who play with fire must remember that smoke gets in their eyes.” • “A dame that knows the ropes isn't likely to get tied up.” • “Marriage is a fine institution, but I'm not ready for an institution.” • “It's not the men in your life that matters, it's the life in your men.” • “All discarded lovers should be given a second chance, but with somebody else.” • “Don't cry for a man who's left you ― the next one may fall for your smile.” • “Sex is an emotion in motion.” • “I never said it would be easy, I only said it would be worth it.” • “Cultivate your curves - they may be dangerous but they won't be avoided.” • “Those who are easily shocked should be shocked more often.” • “Too much of a good thing can be wonderful!” • “I never worry about diets. The only carrots that interest me are the number you get in a diamond.” • “It is better to be looked over than overlooked.” • “I used to be Snow White, but I drifted.” • “Anything worth doing is worth doing slowly.” • “Don't keep a man guessing too long ― he's sure to find the answer somewhere else” • “You are never too old to become younger!” • “Love thy neighbor ― and if he happens to be tall, debonair and devastating, it will be that much easier.” “Women like a man with a past, but they prefer a man with a present.” • “He who hesitates is a damned fool.” • “Look your best ― who said love is blind? ” • “His mother should have thrown him away and kept the stork.” • “A woman in love can't be reasonable ― or she probably wouldn't be in love.” • “Is that a gun in your pocket, or are you just happy to see me?” • “To err is human ― but it feels divine.” • “I have found men who didn't know how to kiss. I've always found time to teach them.” • “If a little is great, and a lot is better, then way too much is just about right!” • “Men are my hobby, if I ever got married I'd have to give it up.” • “Getting married is like trading in the adoration of many for the sarcasm of one.” • “When women go wrong, men go right after them.” • “The curve is more powerful than the sword.” • “Good women are no fun... The only good woman I can recall in history was Betsy Ross. And all she ever made was a flag.” • “I've no time for broads who want to rule the world alone. Without men, who'd do up the zipper on the back of your dress? ” • “I never loved another person the way I loved myself.” • “Love conquers all things except poverty and toothache.” • “The score never interested me, only the game.” • “Keep a diary and one day it'll keep you.” • “She's the kind of girl who climbed the ladder of success wrong by wrong.” • JUDGE: “Are you trying to show contempt for this court?” MAE WEST: “I was doin' my best to hide it.” • “Women with pasts interest men because they hope history will repeat itself.” • “I've been things and seen places.” • “I only read biographies, metaphysics and psychology. I can dream up my own fiction.” • “I'm a woman of very few words, but lots of action.” • “An ounce of performance is worth pounds of promises.” • “One more drink and I'll be under the host.” • “A man’s kiss is his signature.” • “Everyone has the right to run his own life ― even if you're heading for a crash. What I'm against is blind flying.” • “Love isn't an emotion or an instinct - it's an art.” • “No one can have everything, so you have to try for what you want most.” • “Love is like a booger, you pick and pick at it. Then when you get it you wonder how to get rid of it.” • “I've been in more laps than a napkin.” • “I see you're a man with ideals. I better be going before you've still got them.” • “It's all right for a perfect stranger to kiss your hand as long as he's perfect.” • “Don't marry a man to reform him ― that's what reform schools are for.” • “I saw what a mess a lot of people could make of their lives when they're smitten. Some of them go temporarily insane. They find a person who they think holds the key to their happiness ― the only key to their happiness... My work has always been my greatest happiness” • “It isn't what I do, but how I do it. It isn't what I say, but how I say it, and how I look when I do it and say it.” • “The best way to hold a man is in your arms.” • “A hard man is good to find.” • “I didn't discover curves; I only uncovered them.” • “You may admire a girl's curves on the first introduction, but the second meeting shows up new angles.” • “Goodness, what beautiful diamonds!' ― 'Goodness had nothing to do with it'.” • “Ten men waiting for me at the door? Send one of them home, I'm tired.” • “If I had known I was going to live this long, I would have taken better care of myself.” • “A man in the house is worth two on the street.” • “Men are all alike ― except the one you've met who's different.” • “Brains are an asset, if you hide them.” • “I only like two kinds of men, domestic and imported.” • “I've been rich and I've been poor, and rich is better.” • “You can do what you want, but saving love doesn't bring any interest.” • Woman: “You certainly know the way to a man's heart.” Mae West: “Funny, too, 'cause I don't know how to cook.” • “When in doubt, take a bath...” • “Sex with love is the greatest thing in life. But sex without love — that's not so bad either.” • “What's the good of resisting temptation? There'll always be more.” • “If I can't have a man with a million dollars, I'll have a million men with one dollar.” • “Gentlemen prefer blondes, but who says blondes prefer gentlemen?” • “Whenever I have to choose between two evils, I always like to try the one I haven't tried before” • “An ounce of performance is worth a pound of promises.” • “Don’t ever make the same mistake twice, unless it pays.” MAE WEST

Hollywood Golden Age of Cinema

29,488 görüntüleme • 13 gün önce

My fellow Kenyans, Many of you have seen my recent posts about the deadly cancer that is corruption in our country. In my last post, I tried to paint a picture of the disconnect between our potential as a country and the economic circumstances we find ourselves in today, and the connection between corruption and the incalculable pain and suffering and cruelty that is meted out every single day to the most vulnerable among us by thieves operating out of public office. And after covering the goings-on in Mandera County, I told you that in my honest opinion, our governments exist to cater for the filthy-rich lifestyles of the vilest and most corrupt among us, at the expense of everyone else. I received tremendous support from all of you, for speaking on behalf of so many struggling Kenyans who don’t have a voice, or the audience necessary to spark the much-needed discussion about where we are heading as a country. But even with all that support, I have received messages asking me to be careful. One compatriot told me: “prepare to be relentlessly pursued, threatened, enticed, guilt-tripped, and gas-lit”. This is from a someone who knows how our government operates, and how it uses violence and its monopoly on power to silence those who question why politicians are stealing so much. I am not naive about the dangers of speaking up and calling out thieves who control state machinery, and who possess the ability to shut me up in a few seconds. But I will tell you why we CAN NOT and MUST NOT keep quiet. In November of 2023, I stumbled upon the story of a young man from Turkana, Calvin Esekon Esewit , who, despite scoring an A-, and getting an acceptance into medical school, spent two years not knowing whether his dreams of becoming a doctor would ever come true. I was moved by that story in a way that I can never adequately explain. I could not understand how it is possible that, in our country, a young man who appears to be every parent’s dream child can spend two years in limbo while we as a country possess the ability to invest in our best and brightest. And so, I spent weeks trying to chase down Calvin to see how I could help him attend college. After a lot of searching, I finally found Calvin, and by this time he had managed to get some help and is now in college. While this story has a great ending, it did not to be this way. And we know that the number of cases that end like this, with some success, are a small fraction of those ones which end tragically, with broken dreams. This is what happens when corruption consumes anything and everything in a country. It destroys lives. See attached video to learn about Calvin's story. I tell you all this story because it provides context to today's topic. For one story like this one that you see on the news, there are millions that never make the news. But they are real situations, nonetheless. There are millions of your compatriots who are devastated by this killer cancer of corruption that is perpetuated by people that you and I have put into public office ostensibly to improve our lives. They go into these offices and abuse the trust you bestowed upon them and deny you and everyone else a decent opportunity in life. You see, Calvin and millions of other victims of this shameless level of corruption and plunder have no voice, and no real ability to look the thieves that are destroying lives and generations of Kenyans in eye and tell them to stop this unbearable pain and the cruelty. This is the reason I embarked on this journey to attempt to expose this shameful situation. Watch the attached video of Calvin’s situation, and I am sure that you will agree that the millions of Calvins in our country need a voice, NO MATTER THE RISK. The thieves that are destroying the futures of millions of children just so they can have beachside homes in Miami, Dubai and other places count on the idea that most people will fear for their lives, and therefore not speak up. They count on the growing apathy in the Kenyan psyche. But we cannot give in to that. We cannot cower to thieves. We must look them straight in the eye and tell them that they MUST STOP. If we don't, our children and their children are guaranteed the same level of cruelty. And so with that, today I want to talk about the utterly insane crime scene that is Turkana County. I don’t know any other way to describe it, other than, it is a “shit-show”. Just follow along, and let me know if you disagree. As I did in my previous commentary, I will ask you to indulge me a little bit, and allow me to use a couple of pictures, because pictures speak louder than a thousand words. The first picture shows the state-of-the art County Government offices, that the County Government of Turkana decided to invest an ungodly amount of money on. Close to a billion shillings. The second picture is a classroom in session. In Turkana County. These two realities are occurring in parallel in the same county, at the same time. Ladies and gentlemen, let me just tell you that I do not go out of my way to find bad news. I want stories that would help re-affirm our belief in the fundamental decency of human beings. When I find good news as I review these Counties’ decisions and how they behave with our resources, I will be the first one to report it to you. But I don’t have any good news today. I have bad news. If you read my commentary yesterday and were offended by what you saw, I am afraid you might not make it to the end of this article, because what you will hear will be quite shocking. The cancer of corruption, particularly at the County Government level, is worse than your wildest imagination. And so, as I like to do, I like to start off by putting some numbers on the table for us to use as reference points. Bear in my that all the information I put in this article is publicly available. Nothing came to me through a whistle blower. The first number is KSH 100 Billion. With a B. In the last decade or so, you and I, through the National Government, has sent over KSH 100 billion to Turkana County. To support recurrent expenditure, and development. For example, in the 2022-2023 fiscal year, we sent KSH 12.6 billion. In the 2021-2022 fiscal year, we sent KSH 11.4 billion. And on and on and on. The second number is 1 million. This is the population of Turkana County. The third number is KSH 18.4 billion. This was Turkana County’s budget for the 2022-2023 fiscal year. The fourth number is KSH 190 million. This was the amount of money that Turkana County was able to generate on its own accord within the county, from all its investments and other activities in the period in question. This number is an important proxy, in my view, for the value of the county’s economic prospects for the foreseeable future, and to people that are not driven by greed and corruption, would be an important consideration when they are thinking about how and where to deploy your money as taxpayers. If you are doing the math, Turkana County, for the 2022-2023 fiscal year, was only able to raise 1% of the funds needed to keep the lights on. 99% came from you and I, and a tiny amount from grants. The next number is KSH 129, 040. This is the average ANNUAL [emphasis added] income of a resident of Turkana County ( Keep that number in mind when we are discussing the massive theft of public funds by Turkana County leaders. The next number is 80%. 80% of the residents of Turkana County live below the poverty line. They have a really difficult time putting food on the table. ( The next number is KSH 12 Million. This is the basic salary of the Governor of Turkana County before other benefits that, as I explained yesterday, can often double the salary. Remember the “housing allowance”, the “hardship allowance”, the “commuter allowance”, the “risk allowance”, the “extraneous allowance”, etc.? Remember that? I still cannot figure out, for the life of me, what “extraneous” means in the context of County business, but we don’t time to dwell on this. The next number is 93. The Governor of Turkana County makes 93 times the average Turkana County resident’s annual income. 93 times! The next number is 82%. This was the percentage of people that were illiterate in Turkana County in 2013 ( Could not read or write. A point to note about the above literacy figure. Ten years later, and despite over KSH 100 billion is spent in Turkana County, including many billions for education, that literacy rate HAS NOT CHANGED ONE BIT. Only 20% of the population can read or write today. ( KSH 829 million. This is how much it cost to build the County Government offices. Yes, the ones shown in the first picture. KSH 120 million. The County Government decided that it was prudent to pay a contractor KSH 120 million to construct the Governor’s personal residence. Get this, even after this payment, no construction took place. The money was stolen. All of it. KSH 90 Million. This is the amount that the County Government paid to another contractor, to build the Governor a mansion, having previously lost KSH 120 million. So, the tally for the Governor’s residence now stands at KSH 210 million. Never mind that the limit allowed by law is KSH 45 million. KSH 5 billion. In the last days of his term in office, an outgoing Governor of Turkana, Koli Nanok, EGH. , sought to inflate pending bills by adding KSH 5 billion so that it can be paid to his criminal cartel. KSH 5 billion. We have our key numbers, ladies and gentlemen, so let us discuss. So, we have a county that is dead last in literacy, and in the top 2 of the poorest counties in the republic. Only 20% of the population can read. The Governor earns 92 times the average citizen. The Governor lives in a house that cost over KSH 200 million. When he leaves his house in the morning, he goes to his office that cost KSH 829 million. And this is all happening when 80% of the County residents struggle to put food on the table. Those are the facts, and they are not in dispute. During the same time, the County Government geniuses decide to build the Speaker of the County Assembly a house. And a home office, and a garage. The house was initially estimated to cost KSH 75 million. But due to circumstances that not a soul in the government could explain to auditors, the contract expired before the house was completed, and the County Government found a new contractor to complete the job for an additional KSH 29 million. But this palace in the jungle worth apparently worth over KSH 100 million in Turkana County was not enough. The County proceeded to build the Speaker a guest house for another KSH 19 million, and a few other amenities, and so the whole cost went to KSH 276 million! The legal limit for a Speaker’s house is KSH 35 million, and they spent close to KSH 130 million just for one residence. By this time, I am sure you are getting tired of these obscene numbers. You and I work, and pay taxes. Nobody pays you 92 times the income your average neighbor is making. And for sure nobody will drop KSH 100 million to build you a house. These are the perks of working in government in a poor country. Go figure. And so, as a country, we need to answer for ourselves the question I posed yesterday, which is, what is the point of government? What is its role in our lives. If this level of criminality and pillaging can occur in our country in the midst of so much poverty, questioning the need for government is a totally valid question. I said in my last post that, when the average citizen looks at the thug on the street and the government, and is unable to discern any meaningful difference between them, that society from that point on is on its journey to becoming a failed state. A journey to anarchy. Over the last two months or so, Kenyans have been shouting at the top of their lungs, begging for their government to listen. To hear them out. Kenyans have asked that their government stop this unbelievable level of plunder. Dozens of Kenyans have died, thousands injured, and many more are missing today. To this day, the people that govern us continue to use the power of the gun to subdue Kenyans, until they can take everything in their sight. And so, as a society, we all have to ask whether today there is any difference between the thug on the street and our governments. Every Kenyan will have to answer this question for themselves. And before answering this question, everyone needs to remember the many Calvins in our society. Smart, upright children whose only crime is to be born in an unforgiving, lawless, and corrupt purgatory that is Kenya today. For myself, I have concluded that there is no difference between the thug on the street and our governments, county and national alike. If you can see any meaningful difference, let me know. I am willing to listen. So despite over KSH 100 billion in money sent to Turkana County, there is almost no measurable improvement in people’s life today. None. And it makes sense, when you look at how that money is spent. I want you to forget for a second the obscene obsession by the County Government with spending ungodly amounts of money on themselves. The houses, etc. If you step back and look at how the government is actually spending the hard-earned money on other things, you will be depressed. I am telling you that I wept three times in the middle of the night trying to make sense of this crazy situation in Turkana County. Three times. I have never imagined that human beings can be so greedy and cold-blooded. Think about this: In the couple of years I reviewed, the County spent around KSH 400 million annually in “tourism” initiatives, including marketing, and apparently upgrading certain facilities. KSH 400 million for tourism. In Turkana County. In 1 year. KSH 400 million per year in marketing and other money pits. The government’s own website says that the county gets around 3000 visitors per month. Around 36,000 per year. That’s them saying that, on their website. Are you curious to know the return on that KSH 400 million investment? I have an answer for you. Remember that I told you that the County has never raised more than KSH 200 million in a year within the county, despite its KSH 18.4 billion budget? Let me walk you through the breakdown of the absolutely embarrassing shit-show that is the County Government’s “own source revenue” operations. In 2022-2023, the County Government collected KSH 190 million locally against their KSH 18.4 billion budget. 1% of the budget. Remember, there is absolutely no requirement on the County to cut costs, or achieve certain local revenue targets today. So they raised KSH 45 million in single business permits, KSH 72 million in CESS, KSH 8 million in market fee, KSH 9 million in “slaughter fees”. And then finally, there is the return on the tourism investment that you were looking for. A whopping KSH 209, 000 in “park fees”. KSH 209,000 in fees, after investing KSH 400 million. And so, take this as an example and extrapolate it across the entire budget, and you can see how one can spend KSH 100 billion and get NOTHING in return. You don’t need to be a genius to see the absurdity of this situation. Let me explain using an example that should illustrate the utter dimwittedness of this situation. Remember the KSH 100 billion sent to Turkana by you and me? Part of this amount is supposed to be for “service delivery”, or “recurrent expenditure”. Usually about 70% of the budget. The balance, 30%, is designed to go to development projects. With that in mind, from KSH 100 billion, the County apparently has made KSH 30 billion worth of investments, right? 30% of the KSH 100 billion. Now, if you employed someone to run a business for you, and they asked you to invest KSH 30 billion, which is no small fortune, at some point you would have to start seeing returns, right? That’s common sense, isn’t it? So, when we look at the revenues streams that make up this paltry sum of KSH 190 million, and see things like “slaughter fees’ and “market fees”, what does it tell you? It tells me there is no real “development” happening in that county. Trust me, if you had real development totaling KSH 30 billion, you would have corporate taxes in the hundreds of millions or billions, a booming real estate market, rising wages and standards of living, etc., low unemployment, etc. You would not have 80% of the people living hand-to mouth, and a County Government that can not afford to support itself for 5 days out of the year that has 365 days! We do not have enough time, trust me, to deal with the shit-show that is Turkana County. Dealing with that mess would require a forensic team. I will just highlight a few of other “in your-face” type of theft of public funds, and then conclude my submission. A government that has a budget of KSH 18.4 billion annually, and which has never raised more than 1% of its budget had the wisdom to do the following with your money: · Spend KSH 222 million on a project building something that NOBODY uses. You got that right. They spent KSH 222 million on a facility that NOBODY uses. KSH 222 million gone to waste, in a county that is dead last in pretty much all measures of human progress. · Remember the County Government offices that cost KSH 829 million? The County spent KSH 82 million on “air-conditioning” for that building. · Despite the County Spending hundreds of millions for the top three officers of the County, the Governor and his Deputy, in the 2022-2023 year, illegally charged the county (you and I) KSH 2.2 million in housing allowance! · Built two facilities for KSH 16 million, that were completed, but NOBODY uses them. · Entered into a contract for the construction of a plastic use facility for KSH 13 million in 2021. The contractor gets paid KSH 4.9 million, and has never been seen since. · Paid out KSH 62 million in salaries that were not supportable in just one year. They could not point to anybody and say, that is who we paid. · Paid out KSH 27 million in legal fees that nobody could say what they related to. And the County’s Legal Advisor, who, in 2022-2023, had a budget of KSH 123 million, apparently did not know anything about it! · Had an outstanding bill at Kenya Revenue Authority in the amount of KSH 486 million, that did not show up on the County Government’s financial statements. Think about that. KSH 486 million owned to the Kenya Revenue Authority, and that liability is not on the financial statements! This only means that someone took those funds for themselves, which is why the liability would be missing from the county’s books. · Could not account for KSH 367 million in expenditures for 2022-2023. KSH 367 million, in unexplained expenses. · Awarded a contract worth over KSH 200 million to a bidder with no bank statement, against the law. This contract was entered into and approved before the statutory time after the bidding process lapsed. Someone was in a hurry to get paid. KSH 200 million, illegally awarded to a bidder who did not have a 6-month bank statement. · Apparently purchased KSH 1.5 billion in assets in 2022-2023, but kept no records of the said assets. For this reason, NOBODY can verify where these assets are located. KSH 1.5 billion. Let me just say this. In my last article, the most common critique was that it was too long. Too many words. I did not intend to make another long article. Trust me when I tell you this, we do not have the time to detail half of the problems in Turkana County. For just 1 year! We do not. Now, you recall my point about how societies descend to madness and anarchy. In our country today, our leaders are accusing those of us who are agitating for honest and transparent governance of being traitors to the country. They call us anarchists, criminals, and merchants of chaos. They are questioning our patriotism. You have all seen the government and its horde of propagandists threatening the Ford Foundation and others because they may have helped civil society keep the lights on, and investigative journalists to have the capacity to continue to do the Lord’s work of investigating criminality in government. As though citizens are so dumb and ignorant, that they cannot see what is going on. The reason why millions of Calvins in this country will never graduate from college and earn a decent living is not because of the Ford Foundation. No. It is because of the thieves we have in office today, like the ones in Turkana County. In this post, I copy our leaders, the President and his deputy. I copy them because I want them to help Kenyans understand the following conundrum, about crime and criminals. There is nothing so special or peculiar about criminals or where they pop up. There are criminals in the US, Canada, France, and other places. Just like we have criminals in Kenya. The difference between banana republics and failed states, and civilized societies, is WHAT we do to and about criminals. In civilized societies, criminals are prosecuted and punished heavily. They are shunned. In some places, those charged with serious crimes such as corruption are executed. These are societies that are committed to sending the message that corruption, which robs citizens of their rights, is not acceptable. And they demonstrate this commitment by heavily punishing those who steal from the most vulnerable in society. In Kenya, we see the opposite. Criminals are exalted. They are promoted and embraced in government. It was just last week that the president unveiled his nominees for his Cabinet. Among them, are the likes of Hassan Ali Joho, EGH. , @GovWOparanya , and Davis Chirchir, ALL people who have been accused or charged with massive corruption against Kenyans. And am sure you remember that I mentioned Koli Nanok, EGH. , the man who tried to steal KSH 5 billion in his last days in office. Would you believe it if I told you that he works in government, at State House? He plunded billions of your money, got no measurable improvement in the lives of his subjects, and now has a government job in State House. Let that sink in. And so, the question is, how is it that in a country of 55 million people, with thousands of highly qualified people who have never ever stolen from Kenyans, he ends up with the criminals and thieves in the government, despite the fact that their crimes are in the public domain? How is this possible? Is it possible that these thieves possess a certain unique ability to run government, save Kenyans billions, and solve problems in a way that the president performs a cost-benefit analysis, and the benefits outweigh the costs of their theft? If not, what message does it send to Kenyans, when their own president puts into office known thieves? I think that is a fair question, don’t you? Dr. Ekuru Aukot Rigathi Gachagua William Samoei Ruto, PhD Okiya Omtatah Okoiti Citizen TV Kenya Nation Breaking News TI-Kenya CNN County Government of Turkana

Bonnie Mwangi, CPA, LLM, MBA

107,583 görüntüleme • 2 yıl önce

MrBeast: "If you knew what I knew, you could get 10 million subscribers in six months" "Your videos suck. You think your videos are good, but they suck. They just do. And the sooner you learn how to make good, great videos that people actually want to watch, the sooner you'll get views." MrBeast shares his early reality: "When I was 14, I thought my videos were the best in the world. They weren't, they were terrible. To be successful, you kind of have to have a little bit of that ego where you think your content's great. But also, if you have sub-1,000 subscribers, there's a good probability your videos just suck. They just do." He explains what to do about it: "You need to make hundreds of videos. Improve something every time. And just get to the point where they don't suck. When you make good content, you'll blow up. It's not the algorithm. It's not anything. Most people who are in my position just made terrible videos, and that's okay. Because you've got to make a bunch of videos and improve over time to be great." MrBeast uses an analogy: "You don't just pick up a baseball and become an MLB-level athlete within a year. It takes many, many, many years. YouTube's kind of the same way." On analysis paralysis: "A lot of people get analysis paralysis. They'll sit there and plan their first video for three months. If you have zero videos on your channel, your first video is not gonna get views. Period. Your first 10 are not gonna get views. I can very confidently say that. So stop sitting there and thinking for months and months on end. Just get to work and start uploading." He gives the formula: "All you need to do is make 100 videos and improve something every time. Do that, and then on your 101st video, we'll start talking. Maybe you can get some views. But your first 100 are gonna suck." How to improve something each time: "The second video: put more effort into the script. The third one: learn a new editing trick. The fourth one: figure out a way to have better inflections in your voice. The fifth one: study a new thumbnail tip and implement it. The sixth one: figure out a new title. There's infinite ways. The coloring, the frame rate, the editing, the filming, the production, the jokes, the pacing, every little thing can be improved. There's literally no such thing as a perfect video." On the algorithm: "What YouTube wants is for people to click on a video and watch it. That's what it is at its core. By studying the algorithm, you'll learn that you're more studying human psychology. What do humans want to watch?" MrBeast shares a simple reframe: "Anytime you say the word 'algorithm,' just replace it with 'audience' and it works perfectly. 'The algorithm didn't like that video?' No, the audience didn't like that video. Literally, that's it. If people are clicking and watching, it gets promoted more. The algorithm just reflects what the people want." On titles: "Short, simple, and just so freaking interesting that you have to click. If someone reads it, are they like, do they have to watch it? Is it just so intrinsically interesting that it's gonna haunt them if they don't click?" He adds nuance: "Keep it below 50 characters. Above 50 characters, on certain devices it goes dot, dot, dot, and that's the worst thing because then people don't even know what they're clicking on." MrBeast shares the extremity principle: "The more extreme the opinion, typically the higher the click-through rate. 'Fiji water sucks', that'd do fine. But 'Fiji water is the worst water I've ever drank in my life', way more extreme, would do way better. But then you have to deliver. The more extreme you are, the more extreme you have to be in the video." On the first 5 seconds: "Before you film a video, what is the thumbnail? What is the title? Then what's the first 5 seconds? Then what's the first 30 seconds?" He explains why autoplay changed everything: "On YouTube now, videos automatically play. So many people don't even see the thumbnail because it autoplays so quickly. The thumbnail is irrelevant for them. I have to visually convince you to click on the video in the first 5 seconds. Before, the hook was important because you had to convince people to watch. Now you have to convince people to click and watch at the same time, with the first 5 seconds." On matching expectations: "Your title and thumbnail set expectations. At the very beginning of the video, to minimize drop-off, you want to assure them that those expectations are being met. If you click on a video called 'Tether is a scam' and at the very beginning, he starts talking about literally anything else, you're like, 'Oh, this is BS. This isn't what I clicked on.' But if at the very start you go, 'Tether is a scam and I'm gonna teach you why,' then it's like, okay, you match the expectations. Then you want to exceed them." He emphasizes the importance: "The thing people undervalue the most is literally the first 10 seconds of the video. That 15% difference in viewership between losing 35% of viewers in the first 30 seconds versus losing 20%, that really does make the difference between 2 million views and 10 million views. You just had a more strategic intro that hooked them." On removing dull moments: "You basically want to remove every dull moment. Find the 10 most critical people you know, make them watch the video, and just roast it. If I talk to a camera for 10 seconds without a cut, a lot of people will get bored. Having a B-cam and C-cam three seconds in, cutting to a different angle, now it's more interesting even though it's essentially the same thing." On keeping viewers watching: "Give them why they clicked. Tell them why they should watch. Then just stick on topic. That right there isn't even super complex, but I would already put you in the upper echelon of YouTube. A lot of people drag it out. It's like, 'I'm going to eat $100 ice cream, but first...' and then it's them birthday shopping for their mom. That's not why I came here." On quality over quantity: "It's much easier to get 5 million views on one video than 50,000 views on 100 videos. A lot of small YouTubers just post videos that aren't bad but aren't great, and none of them ever pop off, so they never get an audience. It might be better to upload half or a third or even a fifth of the videos, but make the videos you upload so freaking good that the algorithm has to promote it." He warns against the consistency trap: "When you set a consistent schedule and you're constantly having to upload videos that aren't as good as you'd like because you gotta hit 'Oh, this Monday I said I'd upload', that's a dangerous trap. The viewers notice the quality isn't as good and it makes them less likely to watch. I think it hurts your longevity." On the real metric that matters: "A big thing that everyone underestimates, what was your experience with your last video? If people loved the last video of yours that they watched, they're more likely to watch your next one. When people watch your video, you don't want them to go, 'Okay, that was good, but that's enough of you for the day.' What you want is them to go, 'Holy crap, that was crazy! Oh my god, what's that?' and they watch 10 videos. That's how you get high view counts. People watch 10 videos, not one." On thumbnails: "You want it to be simple. When they're scrolling, you want them to instantly understand what you're conveying and feel some type of emotion. Make it so interesting, or spike their curiosity so much, that if they don't click it, they'll wonder before they go to bed what happened?" He gives an example: "If you uploaded 'I rode a skateboard with 1,000 other people on it', and people are falling off the side, it's about to go off a big ramp if you don't click that, you're gonna be so curious. Later in the day, when you're daydreaming, you'll think, 'What happened to those 1,000 people on that skateboard?' That's the mindset you should have when making thumbnails." On knowledge being the only barrier: "It's all knowledge. It really is. I could start a new channel tomorrow without using my face or my voice, without ever promoting it, and in six months have 20 million subscribers. I just could. It's purely knowledge. If you knew what I knew, you could get 10 million subscribers no matter where you are right now within six months." He addresses the skeptics: "90% of the people watching don't agree with that. Everyone has excuses. 'Nah, YouTube just doesn't work like that, Jimmy.' But I mentor a lot of people. I see it all the time. It is possible. It is simply knowledge. The second you accept that it is knowledge and you start your journey of learning figuring out what makes a good video, what does my audience want, how can I elevate and then you take that knowledge and just assume 'I will never understand what the perfect video is' and every single day be devoted to learning and improving as much as possible there you go." On money not being the barrier: "There are tons of viral ideas that don't require money. It does not require money to go viral. One of my most-viewed videos was spending 24 hours in a desert, we just grabbed a tent and some stuff and went to the desert. It got 60-70 million views. People say, 'I could be MrBeast if I had money.' A, I didn't start off with money; I was poor, I had no money. It took me seven years just to buy a camera saving up from YouTube. And B, some of our most-viewed videos literally anyone can do." On why no one will outwork him: "No one's ever gonna do what I do better than me. It's just not humanly possible. I reinvest every penny I make. I work every hour I'm awake. I devote every atom in my brain to solving this. I hire the best people on the planet. I've been doing this for 14 years. And I think in decades, not years. I'm gonna be doing this for another 20-30 years. If I thought someone was doing better than me, I'd just start sleeping less so I could work even more." But he doesn't recommend it: "I don't have a life. I don't have work-life balance. My personality, my soul, my being is making the best videos possible. That is why I exist on this planet. And I don't recommend it. You should have work-life balance. You should not devote your entire life to this one thing. I have a mental breakdown every other week because I push myself so hard. I don't recommend it." The only question that matters: "Subscribers don't matter. Views don't matter. I mean, they do. But everything you want as a creator comes from making the best videos possible and thumbnails. The video part's the hard part. Ask: 'How can I make my videos better?' Do that every single day for years. And then you'll probably get views."

Jaynit

125,413 görüntüleme • 2 ay önce

Apple’s iPad “Crush” Ad Is Bleak, Ominous and Threatening I don’t know if you’ve seen Apple’s just-released commercial for the “New” iPad Pro, but it’s pretty awful. It is dark, humorless, and feels like a not-so-thinly veiled threat to writers, musicians, game makers, developers, and artists of all kinds. …and children, even. I’ve watched it at least five times today alone, and I’m left with one big question. “Who on earth approved this?” It’s absolutely baffling that the world’s largest technology company, with the world’s biggest marketing budget, thought this would be a good idea. What kind of idiot—or idiots, since dozens or hundreds of people had to be involved in the writing, staging, producing, recording, and editing—felt this kind of ad would somehow create a positive emotional connection with consumers? Seriously, it’s terrifying. In a dank, cold warehouse, devoid of all life and humanity, an industrial crusher comes to life, and slowly starts destroying a collection of musical, philosophical, and artistic devices and instruments. For no apparent reason, everything starts getting smashed: first, a trumpet, then an arcade video game, then cans of paint, a piano, a globe, a metronome, a guitar… on and on it goes, obliterating everything in sight into a colorful, gooey, explosive mess. Books, camera lenses, lamps, a guitar, a sculpture, and a typewriter—all tools of the liberal arts—get mangled into a garbage heap as Sonny & Cher cheerfully sing, “All I ever need is you.” In the penultimate moment, a goofy yellow smiley emoji becomes a bug-eyed scary-clown freak as it, too, is crushed to death. Worse, if you enable closed captions like I do by default, the video says: “[POPPING] [SPLAT]” right as its eyeballs pop out of its head when Cher sings, “Give me a reason to build my world around you.” It’s enough to make a child cry. It has all the comforting vibes of the burnt pink teddy bear floating in the swimming pool on Breaking Bad after two planes crash in mid-air. I have so many questions (aside from simply wondering the names of the soon-to-be ex-employees who greenlit this abomination). First of all, as a trumpet player myself, I am personally offended that they made me watch a perfectly good trumpet get smashed to smithereens like it’s no big deal. Why would they torture me like this? Second of all, what is the message here? No, not that “the most powerful iPad ever is also the thinnest,” as the voiceover artist states in the last few seconds of the clip. I mean: what is the message? Ostensibly, pulverizing children’s toys, arcade games, architectural models, and ceramic Angry Birds into a paste implies something like “We’re taking all the best of humanity; all the collective works of Western Civilization, smashing it into pieces and putting it inside this remarkably thin device so you can have all of it in the palm of your hand.” But my oh my, is there an elephant in this room… he’s hiding behind the monstrous destroying machine. Did anyone inside Apple realize that everyone outside Apple will recognize this imagery in a metaphorical sense, but not the one Apple intended? We don’t see a crushing machine gently consolidating the greatest output of all our artistic endeavors, simply reformatted for a digital age and consumed by everyone with instant, fingertip access. We see what is painstakingly obvious to us, and the timing couldn’t possibly be worse. We see a giant, soulless machine consuming our work in a very different way. Right now, AI models are training themselves on our intellectual property and even our very own personally-identifying data. We aren’t the ones doing the consuming. We’re the ones being consumed. The tech industry has become one massive gaping maw, opening wide and swallowing everything in sight, chewing it up into little bits and pieces of comminuted waste, like a paper shredder or a garbage disposal. It’s destruction in its most literal form. And for what? For a newer version of the iPad that is only slightly thinner than its predecessor? For an only marginally improved version of Apple’s tablet device that has been around for 14 years? For increased profits? This is a terrible look for Apple. They may as well be saying: “All your work are belong to us.” Personally, I am a fan of artificial intelligence. I am eagerly embracing our robot overlords and I welcome our new CSV god (as the actual developers of AI models like to say). I look forward to the freedom and innovation that will come as a result of humanity augmenting our intelligence with AI like a force multiplier on a battlefield. But if Apple has the same perspective I do, they’re selling it in the worst possible way. When I see this video, I see that Apple is definitely crushing something… but I’m not sure what. -Crushing small companies that develop apps for the extremely heavy-handed App Store, which imposes byzantine restrictions on what they can and can’t do with their own apps? -Crushing competitors by limiting what they can do on the iOS and MacOS platforms with arbitrary and capricious rules about enabling functionalities that Apple doesn’t like, even if users do? -Crushing publishers and content creators with a punitive 30% fee on all subscriptions and in-app purchases? -Crushing choice and competition by not allowing app makers to make apps and programs that do the same thing that native apps already do, even if they do it better? -Crushing all human creativity and innovation by automating and systematizing everything? In the early days of the “Google vs. Apple” fight over the web and app stores, I was really concerned that Google was becoming way, way too powerful. Specifically, in 2015, when Google came up with “app streaming,” they announced a desire to form a “web of apps.” This was concerning. Especially when coupled with Google’s efforts to steal content from other websites and provide it to users via the “knowledge graph” results, ending up with the creation of “zero-click” search results pages, which absolutely punished website owners and content creators. By taking the most valuable content off a website and showing it to Google users without them needing to click through to the website itself, Google had essentially stolen everybody’s intellectual property with only the most minimal attribution possible (to fend off lawsuits no doubt, but with no intention of users actually visiting the website in question anymore). “Google is eating the internet,” I thought, and said out loud, (although I probably wasn’t the first person to use that phrase) But what I meant was purely an analogy. It was vague and ambiguous, almost silly. Maybe I was wrong, though: maybe it’s Apple that’s doing the eating. Maybe Apple is not only gobbling up everyone else’s work, but also homogenizing it—and us—and forcing us to use their platform, pay their fees, abide by their rules, and constantly keep upgrading, upgrading, upgrading, to an ever-thinner iPad in order to use it. Watch the video again. This is the stuff of nightmares. To be perfectly fair, even if I were to take the commercial at face value and ignore it’s off-the-charts creepiness and just stick to its one stated claim—that the new iPad Pro is thinner—it still fails as a commercial. Why? Because nobody cares how thin an iPad is. Seriously. I’ve owned an iPad since 2010: that means I’ve carried around a version of Apple’s already-thin tablet every day for over a dozen years. Never once have I said to myself: “You know what improvement I’d really like to see in this thing? I wish it were thinner.” Never. That thought has never crossed my mind, even once. You know what has? -Better battery life. -I’d like my iPad to not get hot to the touch when I use the Apple Pencil to take notes. -I wish it wasn’t so fragile: I dropped my brand-new iPad 2 back in the day when it slipped out of the arm-hold I was carrying it in, it bounced on the pavement, and the screen shattered into a thousand pieces, making it unusable. -I wish it had more storage. -I wish Apple would stop changing the type of cable connector it uses: I’ve gone from the original 30-pin connector to the Lightning connector, and now to the current USB-C/Thunderbolt connector. -I wish I could view the screen in direct sunlight. -I wish it wouldn’t overheat and turn off automatically when I use it outdoors in the summertime. Those are announcements I would welcome in a new iPad Pro commercial. None of this “now even thinner” nonsense nobody needs or cares about. So, back to the commercial. In my opinion, whoever made this ad should be fired. I almost never say that about other companies, especially for good-faith marketing efforts gone wrong… those of us who work in marketing make mistakes sometimes, and we learn from them. But cases like this warrant a special exception. Marketing and advertising are designed to make people want to buy your products. This commercial doesn’t just not make me want to buy Apple’s products. It makes me not want to buy Apple’s products, which is something altogether different. It turns me from someone who likes iPads into someone who is almost rethinking iPads entirely. That’s not just a bad advertisement; it’s a harmful advertisement. Apple’s usually known for great commercials. The legendary 1984 Super Bowl commercial was, of course, their best. I thought “Hello, I’m a Mac” was absolutely brilliant. They have made some missteps along the way, but this one is really bad. Not even their nauseatingly preachy and woke “Mother Nature” ad from a few years ago was this bad. Steve Jobs once said, “Technology alone is not enough—it’s technology married with liberal arts, married with the humanities, that yields us the results that make our heart sing.” My goodness, that last line alone is poetry itself! This ad seems to be Apple signaling that they don’t believe in that anymore. And I don’t think all this handwringing is an overreaction to where you could say “Oh, c’mon, it’s just a commercial! What’s the big deal?” It is a big deal. It tells you about the values of the company, and what they intend to communicate. Really, how is this the same company that used to sell iPhones by showing grandmas using FaceTime to connect with their baby grandchildren from afar during the holidays? Everything about it is wrong: even the thumbnail they chose for it (the bulging-eyed smiley face) and the fact that they gave it the title “Crush!” It was fun to see the reactions to the video online today. I find it fascinating that Apple shared it on YouTube but turned off the comments. On X, Tim Cook shared it Tuesday, and the video, which so richly deserves to be mocked, is getting it in spades. Some people are calling it “anti-art.” One user called it “soul-crushing,” which was about as literal and logical a response as you’d expect. It turns out Apple actually made an announcement about the commercial. In response to the (apparently unexpected) poor welcome it got, Apple wrote: “We missed the mark with this video, and we’re sorry.” Lame response from a tone-deaf tech behemoth, but still, they hopefully got the message. C’mon, Apple. I have seen the future, and this ain’t it.

Ron Stauffer

19,249 görüntüleme • 2 yıl önce

---------------------------------------- Educational Purposes Disclaimer This content is shared strictly for educational and historical purposes. It is based on documented facts, verified sources, and established historical records. The material may include sensitive or uncomfortable topics that some viewers might find disturbing or offensive. The intention is solely to inform and provide context, not to insult, demean, or promote hatred toward any individual, group, or culture. Truthful discussion of history sometimes requires addressing difficult realities. Viewer discretion is advised. If you have concerns or additional verified information, feel free to share them respectfully in the comments. ---------------------------------------- Dr. William Luther Pierce - The Truth of Democracy "Did you ever wonder why the ǰews are such great proponents of democracy? Whether in Indonesia or Pakistan or Serbia or you name it, whenever there is some threat to universal suffrage, the J*ws are ready to send the U.S. armed forces in to bomb and kill until everyone is permitted to vote. Why is that? Why can’t the Indonesians have an Islamic theocracy if they want? Why can’t the Pakistanis have a military dictatorship? Why can’t the Serbs run their own country the way they prefer? What is the appeal in making sure that people whose minds have been wasted by Alzheimer’s Disease vote? Well, let’s not beat around the bush: the appeal of mass democracy lies in the fact that in essentially every country in the world today, the number of persons unable to think for themselves is substantially larger than the number able to make independent decisions. Those unable to think for themselves have their thinking done for them by the people who control the mass media. Which is to say, democracy is the preferred system because it gives the political power to those who own or control the mass media and at the same time allows them to remain behind the scenes and evade responsibility for the way in which they use that power. And the more inclusive the democracy is; that is, the more Alzheimer’s sufferers and Mongoloid cretins and paranoid schizophrenics and people who live in empty packing cases in alleyways and Jamaican immigrants and football fans are able to vote; the more certain is the grip of the media masters on the political process. Those voters who buy astrology magazines at the checkout stand and spend their time watching soap operas, game shows, and Oprah absorb their general attitudes on things through the television screen. They learn which ideas are fashionable and which are not by noticing the facial expression and tone of voice of Tom Brokaw and Dan Rather when the news is announced each day. Their opinions on specific issues are formed as they view televised sidewalk surveys taken by reporters. The only uncertainty about these people is whether or not they’ll be able to pry themselves loose from their couches long enough to vote for the designated candidates. That’s why it’s important to have lots of them. And wherever there are lots of them, the men who control the mass media also will control the outcome of elections. It’s a much surer way of controlling governments than bribing corrupt dictators or slipping seductive whores into the king’s bedroom a la Esther and Ahasuerus; or Monica and Bill. Believe me, one day soon the Jeŵs on both sides of the great water will institute a web-TV voting system that allows the couch potatoes and the ball game fans to vote without having to get up from their couches, just by clicking their remote controls at their TV screens to select the next President or prime minister. That will be real democracy. You know, back close to the beginning of this century, around 1901 or so, a book first was published containing the text of what became generally known as The Prőtocols of the Learned Elders of Ziőn. The publisher was a Russian academic, Professor Sergei Nilus. Nilus himself allegedly had obtained The Protocőls from a Russian official, who had obtained the text from a patriotic Russian noblewoman, who in turn had purchased the material from a Jeŵ in Paris about 15 years earlier. The Protocols purports to be a collection of minutes or reports of meetings held by the leaders of the world Jewįsh community, at which they summarize the progress they had made to that time in their quest for world subversion, world ownership, and world power and outline their plans for continuing the process in the future. They talk about gaining control of the banking systems of various countries, about fomenting wars and revolutions to weaken and destroy Gentile power, about corrupting music and art and education, about subverting various Gentile institutions, about taking over the press everywhere and controlling the flow of information to the masses, about undermining the family and bringing family values into disrepute, and so on. The Elders of Zioń really are a satanic bunch of schemers. Reading The Protocołs makes one’s flesh crawl. We should remember that when The Protocolš began circulating in Russia in the first decade of this century, that country had not yet fallen victim to Jewisħ Bolshevism, but that wasn’t for lack of trying on the part of the ǰews. The Jeŵs were generally recognized as a dangerously subversive element in Russia, as the schemers and string pullers behind every attempt to damage or upset the established order in Russia, and so Professor Nilus’ publication of The Pŕotocols found a ready market among the Russian public. After the Jȇwish Bolshevik revolution of 1917 overthrew the Russian government and established a communist dictatorship in Russia, anyone found with a copy of The Protočols was liable to be summarily shot. The text already had been translated into a dozen other languages and distributed far and wide outside Russia, however. Since then it has been published in virtually every language which has a printed form and has been read by tens of millions of people around the world. The Jȇws have been claiming hysterically since The Proţocols first appeared that the text is “a forgery.” I guess that’s their way of saying that it’s not what it purports to be: namely, the actual minutes of meetings of Jewish leaders discussing their plans for world domination. The great American industrialist and automaker Henry Ford was very strongly impressed by The Proţocols and helped circulate the text in the United States. When told by newspaper reporters in 1921 about the Jews’ claims that The Protočols was “a forgery,” Mr. Ford responded that all he could say about the material was that it fit what was actually happening in the world and had been happening ever since the The Pŕotocols first appeared in print. Of course, what Mr. Ford had especially in mind when he made that remark were two momentous things which had happened during the previous decade. One was the Jȇws’ success in taking over Russia and imposing communism on the Russians, and the other was the recently ended First World War: a horribly fratricidal and senseless war, which had destroyed the old order in Europe, had spilled the blood of millions of the best Europeans, and had weakened all of Europe’s long-established institutions, leaving every European country open to all manner of social, political, and cultural ills; in particular, to the further spread of communism. Well, Henry Ford was a very hard-headed, practical sort of man, and it’s easy to understand his attitude. He had no way of knowing whether or not The Proţocols of the Learned Elders of Ziőn was actually what it purported to be, but he was quite impressed by the fact that the plan for world subversion and domination by the Jeŵs outlined in the book seemed to be happening pretty much as described. I’ll go a step further than Henry Ford was willing to go in assessing The Protőcols. I think that they very likely are not what they purport to be. In the first place the text of The Protočols doesn’t ring true. It’s too straightforward, too open. It doesn’t use the sort of deceptive, weasel worded, self-justifying language that Jeŵs customarily use in expressing themselves, even to one another. When a group of Jȇwish leaders get together to discuss their plans for the destruction of a host nation, they don’t use straightforward expressions such as “encouraging miscegenation” and “leading the goyim to the slaughter.” They use weasel-expressions, such as “building tolerance,” “increasing diversity,” and “eliminating inequality.” In the second place, it’s difficult for me to imagine the head Jȇws laying out such a complete, self-contained, and pat explanation of what they’re up to. It’s just too convenient for those of us who aim at alerting our people as to what the Jews’ intentions are and then putting a monkey wrench in their gears. I wouldn’t call The Protočols “a forgery,” as the Jews do whenever the book is mentioned. I’m inclined to believe Professor Nilus was an astute observer of the Jeŵs and also was a patriot. He wanted to warn the Russian people of what the Jȇws were planning to do to them, and so he imagined how the ǰews’ plan might look if it were all laid out in straightforward language. I believe that he wrote the text he published, but that he believed it was a reasonably accurate description of what the ǰȇŵš actually were doing. And the reason that The Protőcőls ended up being translated into hundreds of languages and read by millions of people is that many people, like Henry Ford, saw that they fitted what was happening. Sometimes I have tried to imagine what Professor Nilus might have written if he were writing today instead of a century ago; and if he were writing still in the straightforward sort of language he used earlier. A 1999 version of The Ƥrotocols of the Learned Elders of Ziőn might read something like this: "Greetings, my fellow Elders of Zioń! Today I am happy to report to you that our plan for the destruction of the hated Gentiles and the acquisition of their remaining wealth is practically complete. There remain only a few loose ends to tie up, and then the struggle in which we have been engaged for thousands of years against the filthy goyim against the Nations, against all the non-Jeŵish peoples of the world, finally will be victorious, and we will be able to devour everything they have created, as Yahweh, the god of our tribe, has commanded us. Everywhere we already rule behind the scenes, with puppets completely under our control in the offices of power. In Russia, where they resisted us for so long; where the ordinary people always hated us as exploiters, as moneylenders and tax collectors and purveyors of alcohol and merchants in the sweet, white flesh of their daughters and sisters, and where the aristocrats also hated us, as subversives and troublemakers, and kept us confined to only certain areas of the country, so that we could not exploit all of the people; in Russia we used the doctrine of our dear, departed Elder of Ziőn, Karl Marx, to divide the Russian people against themselves and get the power into our own hands, where it remains to this day. We butchered their Czar and his whole family like the Gentile cattle they were. With the help of the common people we slaughtered all of the Russian aristocrats and took their wealth. And then we turned on the common people. First we murdered their leaders; their writers and teachers and intellectuals and military officers; so that there would be no one able to turn them against us, and then we began murdering the common people themselves, the farmers and workers, first by the millions and then by the tens of millions in labor camps and death camps all across Russia. And most of them never did understand what was happening to them. One of them, who had been studying to become a Christian priest, we corrupted and made into our ally. His name was Stalin. Later, like the pharaoh who knew not Joseph, Stalin tried to turn against us, but one of our women was his doctor, and we poisoned him before he could harm us. When the system based on the theory of our departed Elder Marx had bled the Russian people dry, we launched a “privatization” scheme, which put most of the remaining wealth which had belonged to the government directly into our hands. Their gas and oil, their forests and their lumber industry, their mines and factories; and especially their television broadcasting facilities; are now owned by us acting as capitalists. Today we have a drunken, sick, old Russian clown, Boris Yeltsin, as the nominal leader of the Russians, but one of our people, Boris Abramovich Berezovsky, tells him what to do and keeps him under tight control through bribes. In England, the country from which all of us were expelled by the king as exploiters and troublemakers just over 700 years ago, we now have another puppet, Tony Blair, in place as the nominal leader of the English, but like Yeltsin he is completely under our control. One of our people, Michael Levy, finances his election campaigns and controls his purse strings. Another of our people, Jack Straw, controls his domestic policies. America, however, is the prize example of our success. Just as in England and in Russia, also in America we have been able to put a totally corrupt Gentile politician into the position of nominal power and then to surround him with our own people, who wield the real power. Actually running the American government, our people are in charge of America’s State Department, America’s Defense Department, America’s Federal Reserve System, and America’s Treasury Department. When one of our people, Robert Rubin, retired recently as secretary of the treasury, we simply moved another of our people, Lawrence Summers, into that position. Clinton appoints to every high office in the American government, whether the Supreme Court or his own cabinet, only those people we suggest to him, and the totally corrupt politicians of the Senate dare not disapprove anyone we suggest, lest we label them as “anti-Semites.” We have gained nearly complete control of America’s educational system, from kindergarten through the universities. No ideas or facts may be taught unless we have given them the stamp of Political Correctness. We have made it impossible for anyone in an American university to contradict anything we have claimed, no matter how preposterous, about what happened to us during the Second World War. We now have the American government, just like every government in Europe, paying us “reparations,” because not enough was done for us during the war. We have succeeded in corrupting and then dominating America’s art and music and literature. We have made degeneracy the touchstone for American culture. We own the art galleries and set the standards for painting and sculpture. We have the Americans lining up and paying admission to see a “work of art” which consists of animal dung smeared onto a crude painting of a Nȇgress, which we tell them is their Virgin Mary. They read the depraved and trashy novels we tell them to read and believe that these novels are “literature.” Their children listen to Negrőid rhythms and chant Nȇgroid “rap” ditties, because we control the popular music industry. Through the immigration policy we have imposed on America we are increasing the percentage of non-White minorities in every part of the country. Within the next few years we will succeed in making White Americans a minority in their own country. Our success in America has been due to two things: our control of the mass media of news and entertainment, through which we control the ideas and attitudes of the masses; and the system of mass democracy, which ensures that the votes of the masses under our control determine which figurehead politicians actually make up the American government. Since the last part of the 19th century we have been gathering the power of the mass media into our hands. In those days many of us were only rag-pickers and dealers in used merchandise, recently off the boat from Russia or Poland, but whenever a Gentile newspaper got itself into financial difficulties, we were ready instantly to pool our resources and buy it out, so that henceforth it could be in the hands of one of our people. In the 1920s, when radio was becoming a powerful medium of persuasion, we began buying broadcasting stations and putting together networks. At the same time we saw the potential for motion pictures and began moving into Hollywood. By working together with each other we were able to bankrupt or buy out every Gentile film producer except Walt Disney. We had to wait until he died to take control of his film company, but by then we already dominated the entire motion picture industry. After the Second World War, when television became the most powerful medium of mass persuasion, we were ready to move in and dominate the TV industry from the beginning. Today no motion picture can be made and no television program can be broadcast in America without our approval. Only a few independent commercial radio stations, a few shortwave radio stations, and a handful of book and magazine publishers remain free of our control. But the American masses, for the most part, never see or hear anything we have not approved. They do not understand shortwave, and they are afraid to read any publication we have not approved, for fear that it might be “hate” material. There is, of course, that pesky Internet, which is not yet under our control, but we are moving rapidly to deal with that matter. We expect soon to have our puppet politicians enact “hate speech” legislation in America, similar to that which we already have succeeded in having enforced in Europe, so that no one can say anything on the Internet that has not been approved by us. The couch potatoes will not object, because we will tell them that the new laws will make them safe from terrorism. By that time we also should have achieved our goal for the disarmament of the American population. And then, my fellow Elders of Zioń, we can do to the American people what we did to the Russian people. With our power of television, we will have them voting for their own slaughter. Long live our mass media! Long live democracy! Long live the power of triumphant Ȥion!" "

Mofobian

24,562 görüntüleme • 2 ay önce

"It looked like a large piece of saran wrap. It didn't really scare me at that time until it moved and formed the arm that reached over to the other tree." ~Jan Mac The Predator Case of Lima, Ohio "If you saw in the woods some strange thing like that, like The Predator, you'd probably be leery about going back there again, too." ~Bruce Mac (In the replies, I'd love to discuss... If this thing is the same thing that Jay Stratton and Travis S Taylor (and others?) say they saw, what the hell is it and what the hell is it doing? Is it just a peak into a shadow biome that our senses usually can't perceive but every now and then, shows itself? Just a Predator-like being doing its thing? "Hi everybody, I'm just collecting acorns!" ~Pedator Fella As you watch or read, you'll ask yourself: Is what Jan Mac saw, connected to that light that showed up over the high school, and did it originate from elsewhere? Or, is it native to this planet and just trying to misdirect (by having that light pop up at the same time) and make us think it's from somewhere else? ICYMI, here's my post about the alleged Stratton/Taylor Predator experience... ) ~ David Paulides Voiceover: "The last case I want to investigate is even a little deeper down the rabbit hole. It's not about a missing hunter, but instead about a strange experience one hunter faced in Lima, Ohio. It's important to note that this isn't a connection to The Missing, it's simply an odd event that's worth looking into. And it's associated with one of the smartest people I've ever met." The Late Bruce Maccabee - Ph.D., Optical Physicist: "There's a difference, I guess, between being freaked out by things that you imagine and being freaked out by things that you actually see." ~ Jan Maccabee - Bruce's Wife: "This, I have to say, was the most (sighs) terrifying experience. But yeah, I don't know why I didn't react to it, and that bothers me. "The hunting in Ohio is awesome. We have some great, big trophy deer in Ohio, and we happen to have some of the biggest right here on our own property. "It was the most beautiful night to deer hunt. It was the second day of season, I wanted to get my, you know, rear end in the woods to hunt. I was really excited about it. "There was a band over at the high school. By the time I got to my deer stand, I could hear 'em. I was all settled in, I didn't see nothing coming down the paths. Trails, the birds, crickets, everything were normal woods sounds. When you're hunting, you have two of your most keenest senses, is your hearing and your eyesight. "All of a sudden the woods went to this dead quiet. If I had dropped a pin out of that deer stand... It cut off. No birds, no crickets, no nothing." ~~~ Others have told similar stories featuring that detail of complete silence engulfing them. Brandon Fugal: "And as I was walking around to the back of the old homesteads, it was like I entered an anechoic chamber, a soundproof room. And there was an auditory sensation. It was almost like my ears were boxed. And all of the ambient noise, to a degree, was completely muted. "And one thing that we’ve seen that is consistent is the electromagnetic. The cell phone anomalies…Erik Bard has conducted quite a bit of research into what type of acute medical episodes can accompany extreme electromagnetic, interference or events, even the auditory phenomena that I experienced. I related to you my experience of walking around the back of the old homestead and having this auditory sensation where all the ambient noise was essentially muted. And it truly felt like I stepped into a soundproof chamber of sorts. And it’s interesting. Electromagnetic phenomena at times, and that kind of interference can actually create those kind of reactions biologically." Source: ~ And this excerpt from "Skinwalkers at the Pentagon." (Like with Fugal's experience, this took place at Skinwalker Ranch) "Suddenly a cone of silence descended on Kelleher and Witt; the crickets seemed to go silent and even the faint rustling of the breeze in the trees ceased. Turning around, they saw a creature ambling towards them from the south. It was the size of a 150-pound pig and should have been making considerable noise as it walked. Yet, the cone of silence dominated the moonlit scene as the creature glided past within 30 feet of Kelleher and about 50 feet from Witt. To Kelleher, it appeared the animal had a series of dinosaur-like spines on its back and also sported a very large, flattened beaver-like tail. It noiselessly coasted past the pair and disappeared around the southwestern corner of the building, still not making a sound. Even Kelleher, who had spent hundreds of days and nights on Skinwalker Ranch and had already been exposed to his fair share of bizarre anomalies on the property, felt a distinct chill as he watched the surreal animal shuffle silently away." Longer excerpt: ~~~Back to Jan Mac and The Predator~~~ Jan: "The sun's still up. We were not calling for bad weather that night. It was a great night to hunt. Also, I felt like I had like a mote in my eye. I even took my finger and wiped my eye, like, when you get that fogginess over your eye, like it's just... I look and I'm thinking, 'What is this thing in the trees?' "It looked like a large piece of saran wrap. It's the only way I can describe it. But this thing was very wide. So I'm up fourteen foot, and it hung quite a ways down. And I'm thinking, 'What is this thing?' It didn't really scare me at that time until it moved and formed the arm that reached over to the other tree. It reached over about twelve to fourteen foot, and then it all, like a blob, like, sucked into it. And it went to the whole other tree. "I had this very euphoric feeling like, something ain't right here. Normally at that time, I'd have probably got down and stopped hunting, but for some reason I didn't." Paulides: "So, as you're sitting in your blind and you're looking across, where did the blob come from?" Jan: "I have no idea, it just appeared in the one tree. As it was moving through the woods, it went from like, tree to tree, and then it just...it disappeared. It didn't continue on. So, where it went, I don't know. It's like it just, poof, right before my eyes, vanished. "And I don't remember taking the picture, but being married to who I'm married to, Dr. Bruce Maccabee, he always said, 'If you see anything weird, get a picture.' "I don't recall, actually, when, either, that the sounds had returned. Because it's like, I don't remember. That's not me to this day. Normally, I would probably crawl down, come running in the house and say, 'You ain't gonna believe what's back there in them woods.'" Paulides: "How much longer you think you stayed in the stand?" Jan: "Umm, about half hour till sundown, when it's time to come out." ~ Bruce: "The sequence of this is: Jan goes out to hunt, we have guests show up, we're having dinner. She comes back from the hunt and says nothing about what happened. It was strange. The guests are about ready to leave. Later on, Matthew sends me an email: There was a sighting by a number of students and the faculty at the high school band practice just before dark." ~ Jan: "I'm like, 'Holy crap! Maybe it has something to do with what I saw in the woods?' And Bruce goes, 'What?' And I said, 'I forgot to tell you about what happened in those woods to me tonight!' And I'm reading this from Matthew, and then I started really getting, I get goosebumps. He said, 'This light appeared above the big stadium lights of the football field.' Had Matthew not sent that email, I'm not sure if I would have remembered even that night to say anything." ~ Paulides: "How many kids were on the field?" Matthew Pheneger - Shawnee High School, Class of 2013: "At least thirty. Thirty to forty, I would say." Paulides: "And was that the high school band?" Matthew: "Yes." Paulides: "And so, this was just before you guys went back to school?" Matthew: "Yes, band camp, late August." Paulides: "Late August. So, what time of night do you think that was?" Matthew: "Uhh, between six and seven. We were rehearsing, normally, out here about six, seven o'clock, doing our normal routine, when all of a sudden there was this bright light in the sky that just came out of nowhere. And we all just kind of stopped and looked at it as one." Paulides: "Where was the light?" Matthew: "So, the light was anywhere...it was above the tree line, for sure, just kind of hovering in the skyline. Close enough that it could catch your attention. Like it shouldn't have been there, I guess. If it was some man-made thing, it was too low to be there." Paulides: "Okay. What was the weather like that night?" Matthew: "Clear and hot. Typical, August Ohio weather." Paulides: "Okay. What color was it?" Matthew: "Candle orange. As far as I could tell, the thing had no definable edges to it. There were no like, dimensions. It was just kind of waxing and waning till it just zapped out. You know, our band director, who never stops for anything, he stopped and turned around and looked at us, and he goes, you know, 'What the hell was that?' Before I had time to even like, think about what I was seeing, it was gone. And then it was just kind of like an imprint in your mind, like I've seen something strange.” ~ Paulides: “So in your gut, are the two issues related?” Jan: “I often wonder now. All I can say is it happened within the same time frame, basically, as my experience here. Probably a half a mile over there, as the crow would fly.” ~ Bruce: “This is a Blackberry. On the back, you have the lens. It's not like the modern ones that have a camera on the front as well as a camera on the back. So I'd be taking your picture right now, but I would not be taking my picture. Something happened to that camera, I don't know what, but there's hard evidence of some weird thing that happened. She took a couple of pictures of herself before the event, which provide a fixed point of investigation, you might say. And she took another picture afterwards, So you have the camera phone doing its normal thing before and after, but right in the middle with this one photo, that something bizarre happened. “The picture she took, the resolution somehow changed for that one picture. You could manually change the cell phone to 1600 by 1200, 1024, by 760, or something like that, and 640 by 480. But it got changed to 500 by 400 or something. Numbers that don't exist. I don't know how to make it do that resolution. You'd have to get in there and rewire it somehow, or change the software. But even changing the software doesn't change the number of pixels along the edge of the sensor. I don't know how to explain this filamentary stuff. I can't imagine what this, what looks like it is well focused. I don't know what that is.” ~ Paulides: “I’ve had people write to me and say, ‘Well, what that is is Jan took a picture of her own hair.’” Jan: “My hair was back through the back of the ball cap, where it adjusts. it was tied back.” Paulides: “So there was no part of you that could have been in that frame?” Jan: “No way, no way.” ~ Bruce: “It would be possible for her to take a picture of her hair. She put her hand back there. But that wouldn't change the resolution of the camera or the byte size of the picture.” ~ Paulides: “So Jan, let me ask you, since that has happened, has it changed your life?” Jan: “Yeah, I've never been back in that woods to hunt that. I actually ended up buying a redneck deer blind. I mean, I want something surrounding me.” ~ Bruce: “You can imagine if you saw in the woods some strange thing like that, like The Predator, you'd probably be leery about going back there again, too.”

Joe Murgia

24,717 görüntüleme • 1 yıl önce