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He pulled up on his lunch break to relieve some tension… #dmvfreaks #dcfreaks #pgfreaks #phillyfreaks #atlantafreaks #atlfreaks #chudai #baltimorefreaks #bmorefreaks #phillyfreaks #newyorkfreaks #goonsession #cumslut #neworleansfreaks #dl #BBC #Detroitfreaks
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![This CIA-trained remote viewer just alleged he was abducted by Grey aliens and taken to an exotic, faraway planet. “The sky was black.” “The grass was totally black.” “The sun was out, but very dim.” The Greys even let him fly their UFO. Stop scrolling to hear Lyn Buchanan tell his life-changing abduction experience with Jesse Michels: “I heard something land in the backyard.” “I couldn’t move.” “Immediately I woke up, and I was sitting in a white room.” A pale, 7-foot tall being “came into the room, and I said: excuse me, can I sit by the window?” “He got this look of fear on his face and turned around and ran out.” “A few minutes later, a little Grey with three of these big guys huddled behind the Grey came in.” “The Grey said: we’ve got work to do, come with me.” “He was the pilot, and he had me kneel down in front of the control panel.” “With me kneeling down and him standing, we were eye to eye, so that tells you his size.” “We would land, the tall white guys would go out and come back in.” “I guess they were picking up more people.” “Finally [the Grey] said: we’re going on a long jump now.” “We didn’t land for quite a while.” “I said: I’ve been watching, can I try [flying] it?” “I tried it and I didn’t wreck the thing, but he was standing right over me just in case.” “We landed at some place that was not Earth.” “I looked out the front window, and there were two other ships.” “There was a string of people going, and I asked him: what do you do here?” “He said: we’re a medical team. We catch a lot of diseases going around space. And we have no immunity, but you people are like antibody factories. We use your antibodies for health.” “I was getting off, and they were going up this path to a pavilion that was up on the hill.” “He grabbed me by the arm, and he said: you don’t wanna go up there.” “He pulled me over to the side, and we sat down on the grass on the hillside.” “The grass was totally black.” “As we sat there … you could hear up on the hill, somebody would scream in horror, and everybody else would laugh.” “I said: what are you implanting in us?” “He said: we don’t implant anything into you.” “I said: well, we find these glass-like things implanted in us.” “He said: you people won’t be still. The tips of our instruments break off.” “And I said: well, why do you stick those?” “He said: because we take one or two cells of our diseased tissue, put it on that tip, implant it into you, and you will start making antibodies, and then we come back and harvest the antibodies.” Jesse Michels: “Do you know where this other planet is?” Buchanan: “No, I just know it wasn’t Earth.” Michels: “The other guy, the seven-foot guy—” Buchanan: “They struck me as being dumb as a rock.” “They were just workers for the Greys.” “While we’re there on the hillside, the pilot … went off and got another one that came back, sat down on the hill behind me and said: put up your hand.” “I put up my hand, he put his hand on the back of mine, and from that point on, I remembered nothing until the people were coming back down the hill, and I was in line with them, getting back onto the ship.” “The next morning, I was standing at the back window of [my house], and could not remember why I was there.” For 25 years, Buchanan had no memory of his abduction. Just a persistent, nagging feeling that he’d “forgotten something.” It wasn’t until 25 years later that he remembered everything. Jesse Michels American Alchemy](https://image.24vids.com/tw-2060421359222628472/amplify_video_thumb/2060420893306757123/img/NRnJHAgMFKrn5l1s.jpg)
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This CIA-trained remote viewer just alleged he was abducted by Grey aliens and taken to an exotic, faraway planet. “The sky was black.” “The grass was totally black.” “The sun was out, but very dim.” The Greys even let him fly their UFO. Stop scrolling to hear Lyn Buchanan tell his life-changing abduction experience with Jesse Michels: “I heard something land in the backyard.” “I couldn’t move.” “Immediately I woke up, and I was sitting in a white room.” A pale, 7-foot tall being “came into the room, and I said: excuse me, can I sit by the window?” “He got this look of fear on his face and turned around and ran out.” “A few minutes later, a little Grey with three of these big guys huddled behind the Grey came in.” “The Grey said: we’ve got work to do, come with me.” “He was the pilot, and he had me kneel down in front of the control panel.” “With me kneeling down and him standing, we were eye to eye, so that tells you his size.” “We would land, the tall white guys would go out and come back in.” “I guess they were picking up more people.” “Finally [the Grey] said: we’re going on a long jump now.” “We didn’t land for quite a while.” “I said: I’ve been watching, can I try [flying] it?” “I tried it and I didn’t wreck the thing, but he was standing right over me just in case.” “We landed at some place that was not Earth.” “I looked out the front window, and there were two other ships.” “There was a string of people going, and I asked him: what do you do here?” “He said: we’re a medical team. We catch a lot of diseases going around space. And we have no immunity, but you people are like antibody factories. We use your antibodies for health.” “I was getting off, and they were going up this path to a pavilion that was up on the hill.” “He grabbed me by the arm, and he said: you don’t wanna go up there.” “He pulled me over to the side, and we sat down on the grass on the hillside.” “The grass was totally black.” “As we sat there … you could hear up on the hill, somebody would scream in horror, and everybody else would laugh.” “I said: what are you implanting in us?” “He said: we don’t implant anything into you.” “I said: well, we find these glass-like things implanted in us.” “He said: you people won’t be still. The tips of our instruments break off.” “And I said: well, why do you stick those?” “He said: because we take one or two cells of our diseased tissue, put it on that tip, implant it into you, and you will start making antibodies, and then we come back and harvest the antibodies.” Jesse Michels: “Do you know where this other planet is?” Buchanan: “No, I just know it wasn’t Earth.” Michels: “The other guy, the seven-foot guy—” Buchanan: “They struck me as being dumb as a rock.” “They were just workers for the Greys.” “While we’re there on the hillside, the pilot … went off and got another one that came back, sat down on the hill behind me and said: put up your hand.” “I put up my hand, he put his hand on the back of mine, and from that point on, I remembered nothing until the people were coming back down the hill, and I was in line with them, getting back onto the ship.” “The next morning, I was standing at the back window of [my house], and could not remember why I was there.” For 25 years, Buchanan had no memory of his abduction. Just a persistent, nagging feeling that he’d “forgotten something.” It wasn’t until 25 years later that he remembered everything. Jesse Michels American Alchemy
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![As he was struggling to break into Hollywood, Matt Damon read about how Quentin Tarantino did it: Essentially, he got a big-name actor (Harvey Keitel) to want to star in Tarantino’s first movie (Reservoir Dogs) then leveraged that to get the movie funded. “And so,” Damon said, “We wrote ‘Good Will Hunting’ and that part that Robin [Williams] eventually took—we called it ‘the Harvey Keitel part.’” “Ben [Affleck] and I wrote the movie specifically because we wanted the parts as actors…But we knew [we needed] a big-name actor who could get us some money because Ben and I were worth nothing. And so we wrote ‘the Harvey Keitel part’ really open-ended. So we could adjust it: if Morgan Freeman or Denzel Washington wanted to come in and play it—we could make that character from Roxbury [a neighborhood in Boston], and we could explore the historic racial tension in Boston. If Meryl Streep took the part—instead of a father-son relationship, we could make it a mother-son relationship. So we really left it open-ended because we wanted to cast as wide a net as possible because we were just trying to get the movie made.” “And then once we got Robin to sign up to do it, that’s really what got us a green light to make it…He changed our lives.” Takeaway 1: In one of my favorite talks, "Runnin' Down A Dream," the venture capitalist Bill Gurley explains that while studying the career trajectories of three of his heroes—the restauranteur Danny Meyer, the coach Bobby Knight, and the musician Bob Dylan—he noticed a pattern: They studied the career trajectories of the icons in their respective industries. Like Damon, they studied how others successfully got their foot in the door then climbed to top of their profession. And then, they took similar steps towards doing the same. Coincidentally, Tarantino did this too. He made scrap books for each of his favorite filmmakers: Brian De Palma, Howard Hawks, Douglas Sirk, and Martin Scorsese. "I was like a film historian," Tarantino said. "I was obsessed with studying how they did it, the evolution of their careers." "Greatness isn't random," as Gurley puts it. Instead, it's usually a predictable step along a studied path of strategically modified emulation and, of course, determination. Takeaway 2: In the clip above, Damon goes on to explain that, not only did Robin Williams sign on to be in "Good Will Hunting," he also went off script and improvised one of the most iconic lines ("Son of a bitch, he stole my line") in the movie. It reminded me of something Pixar co-founder Ed Catmull writes in his book, Creativity. Inc.: "Getting the right people is more important than getting the right idea…If you give a good idea to a mediocre team, they will screw it up. If you give a mediocre idea to a brilliant team, they will either fix it or throw it away and come up with something better." - - - “Bob Dylan said, 'I'm a musical expeditionary.' I looked up 'expeditionary'—it's to travel for scientific research or exploration. And that's what Dylan did...For hours upon hours upon hours, he studied what other artists did. He was a mimic. He was studying, studying, studying.” — Bill Gurley Follow Billy Oppenheimer for more content like this!](https://image.24vids.com/tw-1725583869011796289/amplify_video_thumb/1725582501249228800/img/xDCqoa2MA4l4-ObP.jpg)