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Holy crap this Gravity cover with Doom The Dark Ages is freaking awesome!!!!!!! 🎶HEAVENS GONNA FALL DOWN LIKE GRAVITY!!!!!🎶 #Doom #HazbinHotel #HazbinHotelLute #DoomSlayer #Gravity #DoomDarkAges ( Art by AlastorsArt🌹 )

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Darkmessiah2000🔞

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13,236 Aufrufe • vor 5 Monaten •via X (Twitter)

#Doom#HazbinHotel#HazbinHotelLute#DoomSlayer#Gravity#DoomDarkAges
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THE TOWN THAT VANISHED GRAVITY FALLS OREGON 1967 Long before the animated series made it famous, Gravity Falls was a real place—and its disappearance remains one of America’s most baffling occult mysteries. In the summer of 1967, siblings Mark and Dina Pines were sent to stay with their great-uncle Harold Pines in a quiet Oregon forest town officially named Gravity Fall. The town had everything: a sheriff’s office, a school, a lumber mill, and nearly 900 residents. But everything changed the day Mark discovered a leather-bound book, wrapped in chains and animal hide, hidden beneath a loose floorboard in his uncle’s cabin. Inside were unrecognizable symbols, ritual instructions, and horrifying sketches of creatures that defied biology. When Harold saw the book, he trembled and whispered, “They were never supposed to be let out.” Within days, Gravity Fall descended into chaos. Residents reported shadows with no source, footprints ending mid-air, and voices calling their names from the trees. Then, during a violent summer storm, all communication ceased. Roads buckled. Power failed. When authorities arrived two days later, the entire town was gone—not destroyed, not flooded, but erased. No buildings. No cars. No bodies. Just untouched forest, as if the town had never existed. Mark and Dina were found 40 miles away, dehydrated and confused, with no memory of the town, the book, or their uncle. Within a year, Gravity Fall was removed from every official U.S. map. To this day, the book has never been recovered—and no one knows what was unleashed that summer. Was it a government cover-up? A dimensional rift? Or something far older, awakened by forbidden knowledge?

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Did you know Bob Lazar blew the whistle on alien tech back in 1989? In his documentary, he details how UFOs achieve interstellar travel by distorting space time inside an anti-gravity field. Here's the mind-blowing breakdown, straight from his theories: 👽🛸 **The Core Propulsion System**: Lazar claims the crafts use "gravity amplifiers" – three devices at the base that focus and amplify gravitational waves. These aren't your typical engines; they create a localized anti-gravity field around the craft, allowing it to defy Earth's gravity effortlessly. **Distorting Space-Time**: Inside this field, the amplifiers bend space-time itself. Think Einstein's relativity on steroids: by projecting a strong gravitational wave ahead, the craft "pulls" space toward it, shortening vast interstellar distances. It's like folding a map so points A and B touch – no need for light-speed travel; you warp the fabric of reality instead. **Power Source: Element 115**: The key fuel is stable isotopes of Element 115 (now called Moscovium, synthesized in labs but unstable here). When protons bombard it in a reactor, it produces anti-matter, annihilating with matter to generate massive energy (100% efficient, no waste). More crucially, Element 115's superheavy nucleus emits gravity-A waves (a strong nuclear force extension), which the amplifiers harness to create the distortion field. **How It Works in Flight**: In "delta mode" (for interstellar jumps), the amplifiers tilt to focus the gravity wave forward, creating a "downhill" slope in space-time that the craft "falls" along at incredible speeds. In "omicron mode" (hover/low-speed), it balances against planetary gravity for silent, agile maneuvers – explaining those impossible UFO zigzags. Lazar says he reverse-engineered nine such discs at S-4 (near Area 51).

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🚨 Did you know Bob Lazar blew the whistle on alien tech back in 1989? In his documentary, he details how UFOs achieve interstellar travel by distorting space-time inside an anti-gravity field. Here's the mind-blowing breakdown, straight from his theories: 🚀🛸 - **The Core Propulsion System**: Lazar claims the crafts use "gravity amplifiers" – three devices at the base that focus and amplify gravitational waves. These aren't your typical engines; they create a localized anti-gravity field around the craft, allowing it to defy Earth's gravity effortlessly. - **Distorting Space-Time**: Inside this field, the amplifiers bend space-time itself. Think Einstein's relativity on steroids: by projecting a strong gravitational wave ahead, the craft "pulls" space toward it, shortening vast interstellar distances. It's like folding a map so points A and B touch – no need for light-speed travel; you warp the fabric of reality instead. - **Power Source: Element 115**: The key fuel is stable isotopes of Element 115 (now called Moscovium, synthesized in labs but unstable here). When protons bombard it in a reactor, it produces anti-matter, annihilating with matter to generate massive energy (100% efficient, no waste). More crucially, Element 115's superheavy nucleus emits gravity-A waves (a strong nuclear force extension), which the amplifiers harness to create the distortion field. - **How It Works in Flight**: In "delta mode" (for interstellar jumps), the amplifiers tilt to focus the gravity wave forward, creating a "downhill" slope in space-time that the craft "falls" along at incredible speeds. In "omicron mode" (hover/low-speed), it balances against planetary gravity for silent, agile maneuvers – explaining those impossible UFO zigzags. This isn't sci-fi; Lazar says he reverse-engineered nine such discs at S-4 (near Area 51). Watch the attached video clip from his doc where he explains it firsthand! 🤯 Did Bob Lazar really work where he claimed (S-4/Area 51), and if this tech was possible back in 1989, are we already traveling interstellar today? Drop your thoughts below! #BobLazar #UFO #Area51 #Element115 #InterstellarTravel
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🚨 Did you know Bob Lazar blew the whistle on alien tech back in 1989? In his documentary, he details how UFOs achieve interstellar travel by distorting space-time inside an anti-gravity field. Here's the mind-blowing breakdown, straight from his theories: 🚀🛸 - **The Core Propulsion System**: Lazar claims the crafts use "gravity amplifiers" – three devices at the base that focus and amplify gravitational waves. These aren't your typical engines; they create a localized anti-gravity field around the craft, allowing it to defy Earth's gravity effortlessly. - **Distorting Space-Time**: Inside this field, the amplifiers bend space-time itself. Think Einstein's relativity on steroids: by projecting a strong gravitational wave ahead, the craft "pulls" space toward it, shortening vast interstellar distances. It's like folding a map so points A and B touch – no need for light-speed travel; you warp the fabric of reality instead. - **Power Source: Element 115**: The key fuel is stable isotopes of Element 115 (now called Moscovium, synthesized in labs but unstable here). When protons bombard it in a reactor, it produces anti-matter, annihilating with matter to generate massive energy (100% efficient, no waste). More crucially, Element 115's superheavy nucleus emits gravity-A waves (a strong nuclear force extension), which the amplifiers harness to create the distortion field. - **How It Works in Flight**: In "delta mode" (for interstellar jumps), the amplifiers tilt to focus the gravity wave forward, creating a "downhill" slope in space-time that the craft "falls" along at incredible speeds. In "omicron mode" (hover/low-speed), it balances against planetary gravity for silent, agile maneuvers – explaining those impossible UFO zigzags. This isn't sci-fi; Lazar says he reverse-engineered nine such discs at S-4 (near Area 51). Watch the attached video clip from his doc where he explains it firsthand! 🤯 Did Bob Lazar really work where he claimed (S-4/Area 51), and if this tech was possible back in 1989, are we already traveling interstellar today? Drop your thoughts below! #BobLazar #UFO #Area51 #Element115 #InterstellarTravel

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137,688 Aufrufe • vor 6 Monaten

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🚨BREAKING: Bob Lazar sat down for the longest and most scientifically rigorous interview he’s done since blowing the whistle on covert Navy UFO reverse engineering programs at Nevada Test Site’s S4 in 1989. He goes deep on UFO science, how the crafts actually fly, talks gravity-altering propulsion with NASA lead electrostatics scientist Charles Buhler, analyzes newly-leaked footage of a UFO flying at Area51 and unpacks his full experience working on the Sport Model UFO: its test flight, how it was found during an archaeological dig on the ocean floor, its Element 115-fueled reactor and gravity-altering emitters. He also describes seeing 9 other UFOs in the Hangars at S4, the directed energy and time-manipulation programs he was briefed on and being recruited to the program by Manhattan Project pioneer, Edward Teller. Finally, Lazar says that he now knows how to recreate the exotic, gravity-altering force employed by the UFO he worked in the 80s but this time in his own personal lab with his own equipment🚨 This interview was conducted across three separate sessions with director Luigi Venditelli (Luigi Vendittelli) whose film S4 reconstructs the facility and the craft in extraordinary visual detail. This is Bob at his best: completely unfiltered.👇

Jesse Michels

186,186 Aufrufe • vor 5 Monaten

On this day, 60 years ago, Kihachi Okamoto's "The Sword of Doom" (1966) was released in Japan. Tatsuya Nakadai on the story of "Sword of Doom" (1966) & how he felt after filming the climax: "Interviewer: The climax of “Sword of Doom” is so chilling and it’s all carried by your energy and stamina. This was a hard film for you to shoot. Can you recall what shooting this climactic final scene was like? 'Sword of Doom' was shot in 1966, when I was 33 years old. It was directed by the great Kihachi Okamoto. He and I made several films together. He’s known for making comedies with a light touch … happy films. But 'Sword of Doom' is, of course, a tragedy. The film was based on a very famous novel in Japan. It was adapted to film three times; ours was the last adaptation. It was written by an author named Kaizan Nakazato. He was actually a newspaper reporter for Hochi Shimbun. His story, 'Sword of Doom,' was serialized over the course of three years. In the film, [my character] Ryunosuke commits a murder without a reason. But in Japan, there’s the concept of reincarnation in Buddhism. So if you commit a sin, it will be passed on to the next generation. So Ryunosuke is this man who uses this crazed, almost cursed sword. But when it comes down to it, the film is very much a “chanbara,” or samurai-swordplay film. As you said, in the last scene, I slashed down about 70 people in a period of three days. So I myself had lost my mind as well. That’s how I felt." ("A Living Legend: Tatsuya Nakadai on “Sword of Doom”", Simon Abrams, Rogerebert(dot)com, 2016)
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On this day, 60 years ago, Kihachi Okamoto's "The Sword of Doom" (1966) was released in Japan. Tatsuya Nakadai on the story of "Sword of Doom" (1966) & how he felt after filming the climax: "Interviewer: The climax of “Sword of Doom” is so chilling and it’s all carried by your energy and stamina. This was a hard film for you to shoot. Can you recall what shooting this climactic final scene was like? 'Sword of Doom' was shot in 1966, when I was 33 years old. It was directed by the great Kihachi Okamoto. He and I made several films together. He’s known for making comedies with a light touch … happy films. But 'Sword of Doom' is, of course, a tragedy. The film was based on a very famous novel in Japan. It was adapted to film three times; ours was the last adaptation. It was written by an author named Kaizan Nakazato. He was actually a newspaper reporter for Hochi Shimbun. His story, 'Sword of Doom,' was serialized over the course of three years. In the film, [my character] Ryunosuke commits a murder without a reason. But in Japan, there’s the concept of reincarnation in Buddhism. So if you commit a sin, it will be passed on to the next generation. So Ryunosuke is this man who uses this crazed, almost cursed sword. But when it comes down to it, the film is very much a “chanbara,” or samurai-swordplay film. As you said, in the last scene, I slashed down about 70 people in a period of three days. So I myself had lost my mind as well. That’s how I felt." ("A Living Legend: Tatsuya Nakadai on “Sword of Doom”", Simon Abrams, Rogerebert(dot)com, 2016)

DepressedBergman

44,342 Aufrufe • vor 7 Monaten

🚨 Joe Rogan & Tucker Carlson watch Alex Jones drop the ultimate bombshell: “It’s a vampire conspiracy… they are interdimensionally sucking the essence of our youth” and “they believe they’re possessed by an off world entity” 🛸👽😱 He goes deeper: the elite are obsessed with transcendence, immortality, and the secrets of the universe… while top scientists now confirm our reality is a FALSE HOLOGRAM artificially projected like a computer simulation, with gravity bleeding in as “dark matter.” Is this why everything feels off? Are the elites hiding interdimensional control? Or is our whole world just a dream in God’s mind? What do YOU think is really happening? 👀
4:30

🚨 Joe Rogan & Tucker Carlson watch Alex Jones drop the ultimate bombshell: “It’s a vampire conspiracy… they are interdimensionally sucking the essence of our youth” and “they believe they’re possessed by an off world entity” 🛸👽😱 He goes deeper: the elite are obsessed with transcendence, immortality, and the secrets of the universe… while top scientists now confirm our reality is a FALSE HOLOGRAM artificially projected like a computer simulation, with gravity bleeding in as “dark matter.” Is this why everything feels off? Are the elites hiding interdimensional control? Or is our whole world just a dream in God’s mind? What do YOU think is really happening? 👀

Interstellar

155,291 Aufrufe • vor 6 Monaten

Did you play this one? Time for a trip down memory lane to the year 1991: Scorched Earth, the self-proclaimed "Mother of All Games," is a glorious shareware artillery game for MS-DOS, created by Wendell Hicken. Players command tanks on destructible 2D terrain, taking turns to calibrate angle and power for ballistic shots while also having to consider wind and gravity impact. You can customize various settings, making each game unique: gravity, meteor showers, and economies to buy wild weapons - from nukes and napalm to dirt bombs and MIRVs - plus defenses like shields. It supports up to 10 hot-seat players which was no small feat back in 1991! Its physics mastery and replayability paved the way for and inspired later classics like Worms, cementing its legacy.
2:11

Did you play this one? Time for a trip down memory lane to the year 1991: Scorched Earth, the self-proclaimed "Mother of All Games," is a glorious shareware artillery game for MS-DOS, created by Wendell Hicken. Players command tanks on destructible 2D terrain, taking turns to calibrate angle and power for ballistic shots while also having to consider wind and gravity impact. You can customize various settings, making each game unique: gravity, meteor showers, and economies to buy wild weapons - from nukes and napalm to dirt bombs and MIRVs - plus defenses like shields. It supports up to 10 hot-seat players which was no small feat back in 1991! Its physics mastery and replayability paved the way for and inspired later classics like Worms, cementing its legacy.

exQUIZitely 🕹️

391,598 Aufrufe • vor 8 Monaten