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Holy crap this Gravity cover with Doom The Dark Ages is freaking awesome!!!!!!! 🎶HEAVENS GONNA FALL DOWN LIKE GRAVITY!!!!!🎶 #Doom #HazbinHotel #HazbinHotelLute #DoomSlayer #Gravity #DoomDarkAges ( Art by AlastorsArt🌹 )

13,056 views • 3 months ago •via X (Twitter)

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Bob Lazar just dropped a bombshell. He revealed that he replicated the anomalous force which powered the UFO he worked on at Area 51 in his own experiments. “There’s another force—and it’s not gravity.” “There’s gigantic chunks that are missing from physics … ” Watch this incredible exchange he just had with Jesse Michels: Michels: “If you look at dark energy … it’s not one of the four fundamental forces, but it’s just the universe is inflating—” Lazar: “I’m not sure dark energy really exists.” Michels: “And dark matter.” Lazar: “I’m not really buying either one of them.” “It’s a placeholder.” Michels: “As early as the 50s, there’s all this crazy hardcore anti-gravity research.” “And then it kind of disappears.” “The two things that come up for gravity where there’s a lot of smoke, but no fire, is … extremely high electric field differentials creating thrust.” “The second thing is very fast rotating, spinning, superconductors.” Lazar: “But is that actually gravity?” Michels: “So there’s another force.” Lazar: “30 years has gone by, and I’ve been doing my own research.” “And I’m just more convinced that I am right … that there’s another force, and it’s not gravity.” Michels: “What does it look like?” Lazar: “It’s a repelling force.” “I think gravity is just an attractive force.” “I think this other force, you can, to simplify it, push or pull.” “And I think it also affects the flow of time, exactly like gravity does.” “I think it affects light.” Michels: “Have you ever measured this force?” Lazar: “Next question.” “Alright … yeah.” Michels: “You have?” Lazar: “Yeah.” Michels: “Is there anything high level that you can say as far as the goal of your research post-[Area 51]?” Lazar: “To duplicate anything.” Michels: “You think you can?” Lazar: “I’m 100% confident.” Michels: “Have you already gotten some interesting results?” Lazar: “Yeah, that’s why I’m 100% confident.” Jesse Michels American Alchemy

Holden Culotta

259,325 views • 3 months ago

THE TOWN THAT VANISHED GRAVITY FALLS OREGON 1967 Long before the animated series made it famous, Gravity Falls was a real place—and its disappearance remains one of America’s most baffling occult mysteries. In the summer of 1967, siblings Mark and Dina Pines were sent to stay with their great-uncle Harold Pines in a quiet Oregon forest town officially named Gravity Fall. The town had everything: a sheriff’s office, a school, a lumber mill, and nearly 900 residents. But everything changed the day Mark discovered a leather-bound book, wrapped in chains and animal hide, hidden beneath a loose floorboard in his uncle’s cabin. Inside were unrecognizable symbols, ritual instructions, and horrifying sketches of creatures that defied biology. When Harold saw the book, he trembled and whispered, “They were never supposed to be let out.” Within days, Gravity Fall descended into chaos. Residents reported shadows with no source, footprints ending mid-air, and voices calling their names from the trees. Then, during a violent summer storm, all communication ceased. Roads buckled. Power failed. When authorities arrived two days later, the entire town was gone—not destroyed, not flooded, but erased. No buildings. No cars. No bodies. Just untouched forest, as if the town had never existed. Mark and Dina were found 40 miles away, dehydrated and confused, with no memory of the town, the book, or their uncle. Within a year, Gravity Fall was removed from every official U.S. map. To this day, the book has never been recovered—and no one knows what was unleashed that summer. Was it a government cover-up? A dimensional rift? Or something far older, awakened by forbidden knowledge?

SANTINO

613,446 views • 7 months ago

Did you know Bob Lazar blew the whistle on alien tech back in 1989? In his documentary, he details how UFOs achieve interstellar travel by distorting space time inside an anti-gravity field. Here's the mind-blowing breakdown, straight from his theories: 👽🛸 **The Core Propulsion System**: Lazar claims the crafts use "gravity amplifiers" – three devices at the base that focus and amplify gravitational waves. These aren't your typical engines; they create a localized anti-gravity field around the craft, allowing it to defy Earth's gravity effortlessly. **Distorting Space-Time**: Inside this field, the amplifiers bend space-time itself. Think Einstein's relativity on steroids: by projecting a strong gravitational wave ahead, the craft "pulls" space toward it, shortening vast interstellar distances. It's like folding a map so points A and B touch – no need for light-speed travel; you warp the fabric of reality instead. **Power Source: Element 115**: The key fuel is stable isotopes of Element 115 (now called Moscovium, synthesized in labs but unstable here). When protons bombard it in a reactor, it produces anti-matter, annihilating with matter to generate massive energy (100% efficient, no waste). More crucially, Element 115's superheavy nucleus emits gravity-A waves (a strong nuclear force extension), which the amplifiers harness to create the distortion field. **How It Works in Flight**: In "delta mode" (for interstellar jumps), the amplifiers tilt to focus the gravity wave forward, creating a "downhill" slope in space-time that the craft "falls" along at incredible speeds. In "omicron mode" (hover/low-speed), it balances against planetary gravity for silent, agile maneuvers – explaining those impossible UFO zigzags. Lazar says he reverse-engineered nine such discs at S-4 (near Area 51).

Interstellar

20,021 views • 1 month ago

🚨 Did you know Bob Lazar blew the whistle on alien tech back in 1989? In his documentary, he details how UFOs achieve interstellar travel by distorting space-time inside an anti-gravity field. Here's the mind-blowing breakdown, straight from his theories: 🚀🛸 - **The Core Propulsion System**: Lazar claims the crafts use "gravity amplifiers" – three devices at the base that focus and amplify gravitational waves. These aren't your typical engines; they create a localized anti-gravity field around the craft, allowing it to defy Earth's gravity effortlessly. - **Distorting Space-Time**: Inside this field, the amplifiers bend space-time itself. Think Einstein's relativity on steroids: by projecting a strong gravitational wave ahead, the craft "pulls" space toward it, shortening vast interstellar distances. It's like folding a map so points A and B touch – no need for light-speed travel; you warp the fabric of reality instead. - **Power Source: Element 115**: The key fuel is stable isotopes of Element 115 (now called Moscovium, synthesized in labs but unstable here). When protons bombard it in a reactor, it produces anti-matter, annihilating with matter to generate massive energy (100% efficient, no waste). More crucially, Element 115's superheavy nucleus emits gravity-A waves (a strong nuclear force extension), which the amplifiers harness to create the distortion field. - **How It Works in Flight**: In "delta mode" (for interstellar jumps), the amplifiers tilt to focus the gravity wave forward, creating a "downhill" slope in space-time that the craft "falls" along at incredible speeds. In "omicron mode" (hover/low-speed), it balances against planetary gravity for silent, agile maneuvers – explaining those impossible UFO zigzags. This isn't sci-fi; Lazar says he reverse-engineered nine such discs at S-4 (near Area 51). Watch the attached video clip from his doc where he explains it firsthand! 🤯 Did Bob Lazar really work where he claimed (S-4/Area 51), and if this tech was possible back in 1989, are we already traveling interstellar today? Drop your thoughts below! #BobLazar #UFO #Area51 #Element115 #InterstellarTravel

Interstellar

54,404 views • 5 months ago

On this day, 60 years ago, Kihachi Okamoto's "The Sword of Doom" (1966) was released in Japan. Tatsuya Nakadai on the story of "Sword of Doom" (1966) & how he felt after filming the climax: "Interviewer: The climax of “Sword of Doom” is so chilling and it’s all carried by your energy and stamina. This was a hard film for you to shoot. Can you recall what shooting this climactic final scene was like? 'Sword of Doom' was shot in 1966, when I was 33 years old. It was directed by the great Kihachi Okamoto. He and I made several films together. He’s known for making comedies with a light touch … happy films. But 'Sword of Doom' is, of course, a tragedy. The film was based on a very famous novel in Japan. It was adapted to film three times; ours was the last adaptation. It was written by an author named Kaizan Nakazato. He was actually a newspaper reporter for Hochi Shimbun. His story, 'Sword of Doom,' was serialized over the course of three years. In the film, [my character] Ryunosuke commits a murder without a reason. But in Japan, there’s the concept of reincarnation in Buddhism. So if you commit a sin, it will be passed on to the next generation. So Ryunosuke is this man who uses this crazed, almost cursed sword. But when it comes down to it, the film is very much a “chanbara,” or samurai-swordplay film. As you said, in the last scene, I slashed down about 70 people in a period of three days. So I myself had lost my mind as well. That’s how I felt." ("A Living Legend: Tatsuya Nakadai on “Sword of Doom”", Simon Abrams, Rogerebert(dot)com, 2016)

DepressedBergman

44,342 views • 5 months ago