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I built a multiplayer embroidery sampler for the internet. It's called Common Thread. 🪡 Built the entire thing in Figma Make, first thing I've ever vibecoded with it. Every visitor gets a patch on a shared canvas. You pick a thread color, choose a stitch type, and craft your...

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charlota

13,676 subscribers

520,327 次观看 • 5 个月前 •via X (Twitter)

艺术科学技术
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I used Figma Make to build the most delightful link library and book cover configurator ever vibecoded. For the Contra x Figma Makeathon, I decided to build an app to turn my 47 open tabs into a beautiful book. Then I put it on a shelf for the whole internet to browse. It's called Stash For each collection, you have the opportunity to design the best cover ever using the in-app configurator. It has pencils, markers, stamps, graffiti... The entire thing is made in Figma, including stamps, illustrations, and graffiti artworks. I think this is my best public work so far and I hope it lets me leave a mark on the internet.
0:41

I used Figma Make to build the most delightful link library and book cover configurator ever vibecoded. For the Contra x Figma Makeathon, I decided to build an app to turn my 47 open tabs into a beautiful book. Then I put it on a shelf for the whole internet to browse. It's called Stash For each collection, you have the opportunity to design the best cover ever using the in-app configurator. It has pencils, markers, stamps, graffiti... The entire thing is made in Figma, including stamps, illustrations, and graffiti artworks. I think this is my best public work so far and I hope it lets me leave a mark on the internet.

Noman

30,679 次观看 • 5 个月前

After I finish a design project, the last thing I want to do is open Figma again just to make a post image. I usually default to a plain screenshot. That’s why I built Reframe. (Entirely in Figma Make!) Paste any image — and an entire grid of layout options generates instantly. Pick one. Edit. Copy. Post. No extra layout. No extra steps. Made for the Contra x #FigmaMakeathon Try it in link below👇
1:05

After I finish a design project, the last thing I want to do is open Figma again just to make a post image. I usually default to a plain screenshot. That’s why I built Reframe. (Entirely in Figma Make!) Paste any image — and an entire grid of layout options generates instantly. Pick one. Edit. Copy. Post. No extra layout. No extra steps. Made for the Contra x #FigmaMakeathon Try it in link below👇

DANN©

149,459 次观看 • 5 个月前

Code-first prototypes are fast to build. Getting feedback on them is not. A design lead can't leave a comment on one specific state. An engineer can't see the full flow at a glance. The thing that makes a prototype great for building makes it awkward for aligning. So Amy Lima and I built a skill for that (well, mostly Amy). It takes a live localhost prototype and brings it into Figma. Each flow broken out into its own frame, built from your design system components, annotated with the interaction and implementation details. Now the canvas is where you review and align. We refined it live in the video too! My favorite part is a habit I like to lean on: make the agent take one more round trip to validate its own work before it claims it's done. AI sometimes has the tendency to confidently tell you the job's finished when it isn't. Thanks to Amy and the whole Figma crew for allowing me to be a part of this!
14:18

Code-first prototypes are fast to build. Getting feedback on them is not. A design lead can't leave a comment on one specific state. An engineer can't see the full flow at a glance. The thing that makes a prototype great for building makes it awkward for aligning. So Amy Lima and I built a skill for that (well, mostly Amy). It takes a live localhost prototype and brings it into Figma. Each flow broken out into its own frame, built from your design system components, annotated with the interaction and implementation details. Now the canvas is where you review and align. We refined it live in the video too! My favorite part is a habit I like to lean on: make the agent take one more round trip to validate its own work before it claims it's done. AI sometimes has the tendency to confidently tell you the job's finished when it isn't. Thanks to Amy and the whole Figma crew for allowing me to be a part of this!

TJ Pitre

13,302 次观看 • 1 个月前

in just a few hours, i vibecoded an AR mini app in Figma Make that watches you breathe in air, breathe out flowers. you know how every video call starts with 3 dead minutes where you just stare at yourself? what if you saw your breath instead — filling the screen with drifting, translucent flowers? camera tracks your breathing as you follow the box breathing guide. the longer you go, the more the frame fills with vibrant blooms. just you, mindfulness, and a garden that didn't exist 3 minutes ago. a grounding little experience before a video call — try it yourself (link below)! this is my second submission for Figma #FigmaMakeathon running on Contra
0:39

in just a few hours, i vibecoded an AR mini app in Figma Make that watches you breathe in air, breathe out flowers. you know how every video call starts with 3 dead minutes where you just stare at yourself? what if you saw your breath instead — filling the screen with drifting, translucent flowers? camera tracks your breathing as you follow the box breathing guide. the longer you go, the more the frame fills with vibrant blooms. just you, mindfulness, and a garden that didn't exist 3 minutes ago. a grounding little experience before a video call — try it yourself (link below)! this is my second submission for Figma #FigmaMakeathon running on Contra

charlota

11,652 次观看 • 5 个月前

I've become a missionary with one message. Every time I meet a young person, the same words: have children, get married, build a family. I did not decide on this calling. It overtook me. And it overtook me for a single reason. I had no idea. I genuinely did not understand how much joy, how much meaning, how much sheer beauty pours out of a child until I was holding one of my own and felt the floor of my life drop into something deeper than I knew was there. I grew up white, affluent, secular, comfortable, and insulated. That world does not put babies in front of you. None of my friends were starting families. Out of my whole circle, almost no one has a big one. We were not formed by the presence of children. We were formed by their absence, by the strange quiet of homes built for two careers and no cradle. And a person believes what his world shows him. So we believed. What we believed was a lie. It is a lie with an author, and that the author is the enemy of joy himself. It is the gospel of the world, and its commandment is wait. Wait until you are older. Wait until the career is built and the savings are stacked and the twenties are properly spent. Enjoy your freedom. You are not ready. It does not arrive sounding like temptation. It arrives sounding like wisdom, like prudence, like the responsible thing, and that is exactly why it works. The most effective lies are the ones that wear the face of virtue. And the maddening thing is that it collapses from every angle at once. It is not rooted in biology, because the body is made for this work precisely in the years we are told to postpone it. The flesh keeps a calendar the culture pretends not to see. And it is not rooted in theology either. You will not find this deferral anywhere in the Christian imagination, in any of the fathers, in any of the scriptures. So choose whatever lens you like. Take the cold secular measure or the ancient sacred one. By either light the counsel is rotten. It is bad for the body and bad for the soul and bad for the society downstream of both. This is why I have come to see it as one of the central tragedies of my generation. Every age carries its own wound. The Great Depression was a depression of bread, a scarcity in the world of matter, hunger you could measure. Ours is a depression of a different order. It is a famine of the spirit in the middle of abundance. We have more than any people who ever lived and we are starving in a way our ancestors would not recognize, because the thing we are refusing cannot be bought and cannot be banked. The ones most made to give and receive this love are quietly declining it. They are walking away from the one inheritance that actually compounds, and the cruelest part is that they do not feel the loss as loss. You cannot grieve what you were taught not to want. That is the deepest cut of it. The lie does not only steal the thing. It steals the capacity to know the thing was stolen. A man can spend his whole life on the far side of a door he never knew was a door, mistaking the wall for the edge of the world. Because this beauty is not ordinary beauty. It is not the pleasure of a good meal or a clear morning. It is participation in something that comes down from above, the same generative love that spoke everything out of nothing and called it good. To make a person, to be undone and remade by loving that person more than your own life, is to be drawn for a moment inside the very act that holds the cosmos together. A child does not merely add to your life. A child reorders the soul. It teaches you what you are by asking everything of you, and you discover, kneeling there exhausted at three in the morning, that you had a capacity for self gift you never suspected, a depth in yourself you had no other way to reach. In the Gospel of John, on the last night, Jesus prays, these things I have spoken to you that my joy may be in you, and that your joy may be complete. And I have come to understand why family is the road into that fullness, why it is not one path among many but the one most fitted to the shape of the promise. Consider who is praying. Christ does not come to us as a lone figure dropped out of the sky. He comes out of a family older than the world, the eternal communion of Father and Son, the love between them so total and so alive that theologians dared to call it a third person. Before there was anything, there was a family. The deepest fact about reality is not a force or a law or a void. It is a household. It is begetting and being begotten, giving and receiving, a Father who is only a Father because there is a Son. So when Jesus speaks of joy made complete, he is not pointing away from family toward something higher. He is pointing toward the very thing he came from, the life he has known from eternity and came to share. His joy is the joy of belonging utterly to a Father and pouring himself out for those he loves. When you marry, when you bring a child into the world, when you wear yourself down in the small unseen labors of a home, you are not stepping outside that divine life. You are stepping into a small image of it. Your family is a created echo of an uncreated one. The love you give your child rhymes with the love the Father has for the Son. The exhaustion, the tenderness, the way a parent would tear the sky open to protect a sleeping infant, all of it is the heavens pressed faintly into flesh, the eternal household leaving its fingerprint on yours. That is why the joy is not merely added to family but completed in it. We were made in the image of a God who is, at his very root, relation and gift and generation. To found a family is to do the most Godlike thing a creature can do, to participate from below in the begetting that God does from all eternity. Your home becomes a window. Through it, dimly and imperfectly, you glimpse the country you came from and are going to. And now a word for the young people reading this, the ones who do not yet have children. I want to tell you what it is like from where I stand. When I am out somewhere, a restaurant, anywhere, and a large family comes through the door, the noise and the chaos and the small bodies of them, something happens in me on two levels at once. The first is joy. A pure gladness at the sight, the way you feel watching something good and alive. But underneath it, almost in the same instant, a sadness reaches up and takes hold of my heart. Because I know now, at my age, after my own years of waiting, that I will never have that. I will never know the particular fruit of a family that large, the fullness of that table, the weight of all those lives gathered under one roof. The door to it has quietly closed, and I felt it close. And I am telling you plainly, because I love you and have no reason to lie to you: you will feel this too. You will. The day will come when you see what you passed up, and you will recognize the ache for what it is, and it will be too late to answer it. So please, learn from a man who got it wrong. Let my regret be worth something by becoming your wisdom. Do not wait yourself into a grief you cannot undo. Choose now, while the door is open, so that you may step into a joy that does not end.
8:26

I've become a missionary with one message. Every time I meet a young person, the same words: have children, get married, build a family. I did not decide on this calling. It overtook me. And it overtook me for a single reason. I had no idea. I genuinely did not understand how much joy, how much meaning, how much sheer beauty pours out of a child until I was holding one of my own and felt the floor of my life drop into something deeper than I knew was there. I grew up white, affluent, secular, comfortable, and insulated. That world does not put babies in front of you. None of my friends were starting families. Out of my whole circle, almost no one has a big one. We were not formed by the presence of children. We were formed by their absence, by the strange quiet of homes built for two careers and no cradle. And a person believes what his world shows him. So we believed. What we believed was a lie. It is a lie with an author, and that the author is the enemy of joy himself. It is the gospel of the world, and its commandment is wait. Wait until you are older. Wait until the career is built and the savings are stacked and the twenties are properly spent. Enjoy your freedom. You are not ready. It does not arrive sounding like temptation. It arrives sounding like wisdom, like prudence, like the responsible thing, and that is exactly why it works. The most effective lies are the ones that wear the face of virtue. And the maddening thing is that it collapses from every angle at once. It is not rooted in biology, because the body is made for this work precisely in the years we are told to postpone it. The flesh keeps a calendar the culture pretends not to see. And it is not rooted in theology either. You will not find this deferral anywhere in the Christian imagination, in any of the fathers, in any of the scriptures. So choose whatever lens you like. Take the cold secular measure or the ancient sacred one. By either light the counsel is rotten. It is bad for the body and bad for the soul and bad for the society downstream of both. This is why I have come to see it as one of the central tragedies of my generation. Every age carries its own wound. The Great Depression was a depression of bread, a scarcity in the world of matter, hunger you could measure. Ours is a depression of a different order. It is a famine of the spirit in the middle of abundance. We have more than any people who ever lived and we are starving in a way our ancestors would not recognize, because the thing we are refusing cannot be bought and cannot be banked. The ones most made to give and receive this love are quietly declining it. They are walking away from the one inheritance that actually compounds, and the cruelest part is that they do not feel the loss as loss. You cannot grieve what you were taught not to want. That is the deepest cut of it. The lie does not only steal the thing. It steals the capacity to know the thing was stolen. A man can spend his whole life on the far side of a door he never knew was a door, mistaking the wall for the edge of the world. Because this beauty is not ordinary beauty. It is not the pleasure of a good meal or a clear morning. It is participation in something that comes down from above, the same generative love that spoke everything out of nothing and called it good. To make a person, to be undone and remade by loving that person more than your own life, is to be drawn for a moment inside the very act that holds the cosmos together. A child does not merely add to your life. A child reorders the soul. It teaches you what you are by asking everything of you, and you discover, kneeling there exhausted at three in the morning, that you had a capacity for self gift you never suspected, a depth in yourself you had no other way to reach. In the Gospel of John, on the last night, Jesus prays, these things I have spoken to you that my joy may be in you, and that your joy may be complete. And I have come to understand why family is the road into that fullness, why it is not one path among many but the one most fitted to the shape of the promise. Consider who is praying. Christ does not come to us as a lone figure dropped out of the sky. He comes out of a family older than the world, the eternal communion of Father and Son, the love between them so total and so alive that theologians dared to call it a third person. Before there was anything, there was a family. The deepest fact about reality is not a force or a law or a void. It is a household. It is begetting and being begotten, giving and receiving, a Father who is only a Father because there is a Son. So when Jesus speaks of joy made complete, he is not pointing away from family toward something higher. He is pointing toward the very thing he came from, the life he has known from eternity and came to share. His joy is the joy of belonging utterly to a Father and pouring himself out for those he loves. When you marry, when you bring a child into the world, when you wear yourself down in the small unseen labors of a home, you are not stepping outside that divine life. You are stepping into a small image of it. Your family is a created echo of an uncreated one. The love you give your child rhymes with the love the Father has for the Son. The exhaustion, the tenderness, the way a parent would tear the sky open to protect a sleeping infant, all of it is the heavens pressed faintly into flesh, the eternal household leaving its fingerprint on yours. That is why the joy is not merely added to family but completed in it. We were made in the image of a God who is, at his very root, relation and gift and generation. To found a family is to do the most Godlike thing a creature can do, to participate from below in the begetting that God does from all eternity. Your home becomes a window. Through it, dimly and imperfectly, you glimpse the country you came from and are going to. And now a word for the young people reading this, the ones who do not yet have children. I want to tell you what it is like from where I stand. When I am out somewhere, a restaurant, anywhere, and a large family comes through the door, the noise and the chaos and the small bodies of them, something happens in me on two levels at once. The first is joy. A pure gladness at the sight, the way you feel watching something good and alive. But underneath it, almost in the same instant, a sadness reaches up and takes hold of my heart. Because I know now, at my age, after my own years of waiting, that I will never have that. I will never know the particular fruit of a family that large, the fullness of that table, the weight of all those lives gathered under one roof. The door to it has quietly closed, and I felt it close. And I am telling you plainly, because I love you and have no reason to lie to you: you will feel this too. You will. The day will come when you see what you passed up, and you will recognize the ache for what it is, and it will be too late to answer it. So please, learn from a man who got it wrong. Let my regret be worth something by becoming your wisdom. Do not wait yourself into a grief you cannot undo. Choose now, while the door is open, so that you may step into a joy that does not end.

Kirk Rollins

77,958 次观看 • 1 个月前

[Translation based on Mandarin] Host: what is the type of love that you feel is the most beautiful to you? Enjoy: I’m someone who is a giver so I feel that a relationship where I can give (?) is the most beautiful June: The most beautiful type of love in my opinion is where I can be a giver where I can make them happy and add meaning to their life. That is the ultimate way of love to me.
1:01

[Translation based on Mandarin] Host: what is the type of love that you feel is the most beautiful to you? Enjoy: I’m someone who is a giver so I feel that a relationship where I can give (?) is the most beautiful June: The most beautiful type of love in my opinion is where I can be a giver where I can make them happy and add meaning to their life. That is the ultimate way of love to me.

Ag 鄺

55,269 次观看 • 1 年前

I solved building decks with AI agents — by giving them a CLI tool like Powerpoint or Google Slides. AI could already make a beautiful deck if you asked it to using Ant's pptx skill. The problem was working with it. If it made one alignment mistake, fixing it on one slide would break something on another, and it became a game of whack-a-mole. One time I spent two days playing AI roulette, hoping the next prompt would finally fix the thing, and ended up building the whole deck by hand because I was on a deadline. So I built Hands-on Deck. And the reason it works is that this isn't just a skill — this is PowerPoint. The actual application: PowerPoint, Google Slides, Keynote, whatever you use. This is that, but for an agent, presented as a CLI. Every gesture you make in a deck app maps to a command. Click a box and type, drag a shape from here to there, look at a slide – agent can do it all in a command. And that changes how the agent behaves. With this CLI it works and thinks like a designer — it looks, makes an edit, looks again, makes another surgical edit. Compare that to Anthropic's pptx skill, built on the idea that Claude is a great programmer: it literally writes code to manipulate the deck, hand-editing XML and hoping it doesn't break anything else in the middle. The real test isn't creating something once — it's whether it can make surgical edits like you want. That's what I did in this video walkthrough and my claude crushed it! Check it out for yourself. So decks can be built like a designer now — with real flavor and taste. If you spend hours every week on decks, this gives those hours back. You can install it as a skill in Claude Code, Codex, whatever you use. Works every harness that supports skills. Let me know if you make something cool with it.
21:00

I solved building decks with AI agents — by giving them a CLI tool like Powerpoint or Google Slides. AI could already make a beautiful deck if you asked it to using Ant's pptx skill. The problem was working with it. If it made one alignment mistake, fixing it on one slide would break something on another, and it became a game of whack-a-mole. One time I spent two days playing AI roulette, hoping the next prompt would finally fix the thing, and ended up building the whole deck by hand because I was on a deadline. So I built Hands-on Deck. And the reason it works is that this isn't just a skill — this is PowerPoint. The actual application: PowerPoint, Google Slides, Keynote, whatever you use. This is that, but for an agent, presented as a CLI. Every gesture you make in a deck app maps to a command. Click a box and type, drag a shape from here to there, look at a slide – agent can do it all in a command. And that changes how the agent behaves. With this CLI it works and thinks like a designer — it looks, makes an edit, looks again, makes another surgical edit. Compare that to Anthropic's pptx skill, built on the idea that Claude is a great programmer: it literally writes code to manipulate the deck, hand-editing XML and hoping it doesn't break anything else in the middle. The real test isn't creating something once — it's whether it can make surgical edits like you want. That's what I did in this video walkthrough and my claude crushed it! Check it out for yourself. So decks can be built like a designer now — with real flavor and taste. If you spend hours every week on decks, this gives those hours back. You can install it as a skill in Claude Code, Codex, whatever you use. Works every harness that supports skills. Let me know if you make something cool with it.

Nityesh

69,784 次观看 • 1 个月前

The pull-up is the one exercise I see people quit on the fastest. They try a few, can't do them, decide they're just "not a pull-up person," and move on. But the thing is, strength is a skill. A lot of it is just your nervous system learning the exact movement, and your body only gets good at what you actually practise. That's why you can lift heavy on a barbell and still struggle to pull your own bodyweight up. It's a different skill, and it takes time. So no, you're not bad at pull-ups. You just haven't trained them yet. Start with regressions like slow negatives or banded reps, and try grease the groove method (thread below). That's exactly how a skill gets built. One day the bodyweight that felt impossible starts moving. Genuinely one of the best feelings in the gym.
0:23

The pull-up is the one exercise I see people quit on the fastest. They try a few, can't do them, decide they're just "not a pull-up person," and move on. But the thing is, strength is a skill. A lot of it is just your nervous system learning the exact movement, and your body only gets good at what you actually practise. That's why you can lift heavy on a barbell and still struggle to pull your own bodyweight up. It's a different skill, and it takes time. So no, you're not bad at pull-ups. You just haven't trained them yet. Start with regressions like slow negatives or banded reps, and try grease the groove method (thread below). That's exactly how a skill gets built. One day the bodyweight that felt impossible starts moving. Genuinely one of the best feelings in the gym.

Dr Neha Chawla || FreeGym

24,223 次观看 • 1 个月前

As a logo designer, I'm always looking for ways to speed up how I deliver visual guidelines to clients. So for this Contra Makeathon, I wanted to test whether Figma Make had the power to fix part of that, and it does. Guidelines Studio 1.0 turns that handoff into minutes. You fill in the information, upload your existing brand assets, and it generates a clean document for you. I was impressed by how much is possible. And this is only the beginning, I'm planning to grow it into a functional, fuller brand deck. Excited to see if you find the idea useful! Try it here: guidelinesstudio(.)figma(.)site
0:46

As a logo designer, I'm always looking for ways to speed up how I deliver visual guidelines to clients. So for this Contra Makeathon, I wanted to test whether Figma Make had the power to fix part of that, and it does. Guidelines Studio 1.0 turns that handoff into minutes. You fill in the information, upload your existing brand assets, and it generates a clean document for you. I was impressed by how much is possible. And this is only the beginning, I'm planning to grow it into a functional, fuller brand deck. Excited to see if you find the idea useful! Try it here: guidelinesstudio(.)figma(.)site

Aryna Livadari

10,597 次观看 • 1 个月前

Naval Ravikant’s checklist for starting a company “The most important thing is there are no formulas. At the end of the day, you have to do what you love, and you have to do it even though people tell you it’ll never work. But that being said, if there was a formula [for starting a company], I would put it something like this.” Naval started seven companies before AngelList and this is the checklist he recommends running through before starting a startup: 1. Pick a great cofounder. This is most important: “You can do a company on your own, but it’s like you can raise a child on your own, but you probably shouldn’t. You need someone who’s going to be there with you.” This has it’s own checklist. Your cofounder should be: a. Very high intelligence (”hopefully they make you feel dumb, or they’re not smart enough”) b. Very high energy (”They should be extremely hardworking. A founder is someone who never has to be motivated. You should not have to be telling them to do their job.”) c. Very high integrity. (”a smart, hardworking crook who’s going to cheat you is the worst kind of person to be paired up with.”) 2. Pick a very large market. “Notice I don’t talk about the idea. I think ideas are almost irrelevant… The more important thing is that you pick a large space that you’re knowledgeable and passionate about. And then you will figure out what the right thing to do within that space is.” You want to be able to say to investors: “This is a space where there’s a huge market. I’m really knowledgeable and passionate about it. Here’s the great person that I have doing it with me. And here’s the minimum viable product that we have built. That will show that we can test in the marketplace… You iterate until you get to product/market fit… And then you go and you raise money from people you trust. And you use that money to scale.”
2:44

Naval Ravikant’s checklist for starting a company “The most important thing is there are no formulas. At the end of the day, you have to do what you love, and you have to do it even though people tell you it’ll never work. But that being said, if there was a formula [for starting a company], I would put it something like this.” Naval started seven companies before AngelList and this is the checklist he recommends running through before starting a startup: 1. Pick a great cofounder. This is most important: “You can do a company on your own, but it’s like you can raise a child on your own, but you probably shouldn’t. You need someone who’s going to be there with you.” This has it’s own checklist. Your cofounder should be: a. Very high intelligence (”hopefully they make you feel dumb, or they’re not smart enough”) b. Very high energy (”They should be extremely hardworking. A founder is someone who never has to be motivated. You should not have to be telling them to do their job.”) c. Very high integrity. (”a smart, hardworking crook who’s going to cheat you is the worst kind of person to be paired up with.”) 2. Pick a very large market. “Notice I don’t talk about the idea. I think ideas are almost irrelevant… The more important thing is that you pick a large space that you’re knowledgeable and passionate about. And then you will figure out what the right thing to do within that space is.” You want to be able to say to investors: “This is a space where there’s a huge market. I’m really knowledgeable and passionate about it. Here’s the great person that I have doing it with me. And here’s the minimum viable product that we have built. That will show that we can test in the marketplace… You iterate until you get to product/market fit… And then you go and you raise money from people you trust. And you use that money to scale.”

Startup Archive

36,050 次观看 • 1 年前

Rick Rubin tells Andrew Huberman how he deals with creative or writer’s block. He treats his work like a diary entry (and doesn’t worry about internal or external judgment): ➡️ “What's the cause of the block? The block is usually something that's either personal ("I'm not good enough") or it can be a confidence issue ("I don't have anything to say") or it could be...thinking about someone else ("nobody's going to like what I make"). Do you know what I'm saying? So, it's either fear of self-judgment or external judgment. If you're making something with a freedom of "this is something I'm making for myself for now", that is all [you have to do]. It is a diary entry. Everything I make is a diary entry. The beauty of a diary entry is that I can write my diary entry and you can't tell me that my diary entry wasn't good enough. Or that [the diary entry] is not what I experienced. Of course it's what I experienced: I'm writing a personal diary for myself and no one else can judge if it is my experience of my life. Everything we make can be that: a personal reflection of who we are in that moment of time. It doesn't have to be the greatest you could ever do. It doesn't have to have any expectation that it's going to change the world. It doesn't have to sell a certain number of copies for any reason. It doesn't have any of those things at all. It is "I'm making this thing for me and I want to do it to the best of my ability and to where I feel good about it". [The work] is honest of where I'm at and if you're living in this world of just being honest to where you're at, there's nothing blocking you. There are no blocks. The blocks are all based on dealing with a different force or a different perception that is made up.” ⬅️
2:34

Rick Rubin tells Andrew Huberman how he deals with creative or writer’s block. He treats his work like a diary entry (and doesn’t worry about internal or external judgment): ➡️ “What's the cause of the block? The block is usually something that's either personal ("I'm not good enough") or it can be a confidence issue ("I don't have anything to say") or it could be...thinking about someone else ("nobody's going to like what I make"). Do you know what I'm saying? So, it's either fear of self-judgment or external judgment. If you're making something with a freedom of "this is something I'm making for myself for now", that is all [you have to do]. It is a diary entry. Everything I make is a diary entry. The beauty of a diary entry is that I can write my diary entry and you can't tell me that my diary entry wasn't good enough. Or that [the diary entry] is not what I experienced. Of course it's what I experienced: I'm writing a personal diary for myself and no one else can judge if it is my experience of my life. Everything we make can be that: a personal reflection of who we are in that moment of time. It doesn't have to be the greatest you could ever do. It doesn't have to have any expectation that it's going to change the world. It doesn't have to sell a certain number of copies for any reason. It doesn't have any of those things at all. It is "I'm making this thing for me and I want to do it to the best of my ability and to where I feel good about it". [The work] is honest of where I'm at and if you're living in this world of just being honest to where you're at, there's nothing blocking you. There are no blocks. The blocks are all based on dealing with a different force or a different perception that is made up.” ⬅️

Trung Phan

1,619,350 次观看 • 2 年前

.Second Lady Usha Vance responds to a student's question about how to be the best Second Lady: "I think they key thing, for anyone who is in this kind of role, is to try to just continue to be yourself. You have to do the best job that you can. And there are some responsibilities that come with it...you don't always choose what you are doing...But the most important thing is to remember the kind of person that you were before it, and the kind of person you want to be. If you can do that all the way through, then you can have a lot of fun — and maybe be helpful. You don't want to just start thinking of yourself as the Second Lady, because then you're probably not that fun a person anymore."
0:37

.Second Lady Usha Vance responds to a student's question about how to be the best Second Lady: "I think they key thing, for anyone who is in this kind of role, is to try to just continue to be yourself. You have to do the best job that you can. And there are some responsibilities that come with it...you don't always choose what you are doing...But the most important thing is to remember the kind of person that you were before it, and the kind of person you want to be. If you can do that all the way through, then you can have a lot of fun — and maybe be helpful. You don't want to just start thinking of yourself as the Second Lady, because then you're probably not that fun a person anymore."

Mary Margaret Olohan

1,111,670 次观看 • 11 个月前

I wrote a Cursor Figma MCP server to make it easier for AI copilots to implement designs. It's not perfect, but the resulting HTML and CSS is a lot cleaner than giving AI a screenshot and having it guess. Link in the replies, take it for a spin and let me know what you think!
2:00

I wrote a Cursor Figma MCP server to make it easier for AI copilots to implement designs. It's not perfect, but the resulting HTML and CSS is a lot cleaner than giving AI a screenshot and having it guess. Link in the replies, take it for a spin and let me know what you think!

Graham Lipsman

102,535 次观看 • 1 年前

Sat down with the Figma team to talk about craft – what is it, how do we define it, and how can you get better at it? This is part of a mini series called Blend Mode, with two other videos on the design process and users coming out in the next few weeks
1:32

Sat down with the Figma team to talk about craft – what is it, how do we define it, and how can you get better at it? This is part of a mini series called Blend Mode, with two other videos on the design process and users coming out in the next few weeks

luis.

13,936 次观看 • 1 年前

Richard Feynman, Nobel Prize-winning physicist: "You can know the name of every pattern in the market and understand nothing about why a single one works. I won a Nobel on that one distinction. it is the whole difference between an edge and a story you tell yourself." this free film is a Nobel laureate teaching you how to actually think, recorded by the BBC and free ever since. at the board it's simple. Feynman's obsession was the gap between naming a thing and understanding it. You can memorize the word for why a stock moved, "momentum", "mean reversion", and still know nothing about whether it will happen again. Real understanding means you can say why, from the mechanism up, and name what would break it. Everything else is a label pasted over ignorance. That's the whole "edge", minus the marketing. Feynman's rule was that the first principle is you must not fool yourself, and you are the easiest person to fool. Same point as my casino piece above: the market is a machine for handing you convincing stories, and the only defense is refusing to believe one you cannot explain. the film is free and anyone can watch it tonight. what nobody can give you is the discipline to admit "I named it but I don't understand it" before you put money on it. That honesty is the edge, and it is the rarest thing there is.
1:06:19

Richard Feynman, Nobel Prize-winning physicist: "You can know the name of every pattern in the market and understand nothing about why a single one works. I won a Nobel on that one distinction. it is the whole difference between an edge and a story you tell yourself." this free film is a Nobel laureate teaching you how to actually think, recorded by the BBC and free ever since. at the board it's simple. Feynman's obsession was the gap between naming a thing and understanding it. You can memorize the word for why a stock moved, "momentum", "mean reversion", and still know nothing about whether it will happen again. Real understanding means you can say why, from the mechanism up, and name what would break it. Everything else is a label pasted over ignorance. That's the whole "edge", minus the marketing. Feynman's rule was that the first principle is you must not fool yourself, and you are the easiest person to fool. Same point as my casino piece above: the market is a machine for handing you convincing stories, and the only defense is refusing to believe one you cannot explain. the film is free and anyone can watch it tonight. what nobody can give you is the discipline to admit "I named it but I don't understand it" before you put money on it. That honesty is the edge, and it is the rarest thing there is.

Rossst.03

20,025 次观看 • 12 天前

Have you ever wondered why Mahatma Gandhi placed such emphasis on khadi? Why did he frame the entire freedom struggle around the concept of khadi? And why did he only wear khadi? Because khadi is not just a cloth. Khadi is the expression of the people of India. It is the imagination, it is the sentiment, it is the productive force of the people of India. It is the expression of the people of India. Whichever state you go to, you will find different fabrics, and you will find that all these fabrics represent the people. When the people of Assam give you gamcha, they are not just giving you a piece of cloth; they are giving you a piece of their history, their tradition, their imagination. It's the same with people from other states. These fabrics are beautiful, but when you see these fabrics closely, you will find that each one of them has thousands of little threads embracing each other. All threads are equal. The threads cannot protect you or keep you warm, but when they come together as a fabric, they can keep you warm, protect you, and they can express what you have in your heart. In the same way, our nation is also a fabric. A fabric made up of 1.4 billion people, and the fabric is woven together by votes. The idea that every thread, every person in the union of India is equal - that disturbs my friends in RSS. They are happy to see the fabric, but they cannot stand the idea that every single person in our fabric, in our country, is equal. : LoP Shri Rahul Gandhi in LokSabha
5:57

Have you ever wondered why Mahatma Gandhi placed such emphasis on khadi? Why did he frame the entire freedom struggle around the concept of khadi? And why did he only wear khadi? Because khadi is not just a cloth. Khadi is the expression of the people of India. It is the imagination, it is the sentiment, it is the productive force of the people of India. It is the expression of the people of India. Whichever state you go to, you will find different fabrics, and you will find that all these fabrics represent the people. When the people of Assam give you gamcha, they are not just giving you a piece of cloth; they are giving you a piece of their history, their tradition, their imagination. It's the same with people from other states. These fabrics are beautiful, but when you see these fabrics closely, you will find that each one of them has thousands of little threads embracing each other. All threads are equal. The threads cannot protect you or keep you warm, but when they come together as a fabric, they can keep you warm, protect you, and they can express what you have in your heart. In the same way, our nation is also a fabric. A fabric made up of 1.4 billion people, and the fabric is woven together by votes. The idea that every thread, every person in the union of India is equal - that disturbs my friends in RSS. They are happy to see the fabric, but they cannot stand the idea that every single person in our fabric, in our country, is equal. : LoP Shri Rahul Gandhi in LokSabha

Congress

13,788 次观看 • 7 个月前

Jensen's answer was the most grounded thing I've heard a CEO say... Sean the Science Kid asked him on the red carpet how AI can be made safer for human jobs, especially in art and music. Jensen's answer: "It is the responsibility of the industry to make sure we build AI in a safe and secure way. Just like the automotive industry built cars in a safe and secure way, airplanes, buildings and roads, electricity, healthcare." "Don't use science fiction and mysterious stories. It's not going to turn into 'I have no mouth and I must scream.' It is computers. It's software. Go engage AI. Go try ChatGPT." "Whenever I have something new that I want to learn, the first thing I do is I go to ChatGPT. It's making you and I smarter."
1:44

Jensen's answer was the most grounded thing I've heard a CEO say... Sean the Science Kid asked him on the red carpet how AI can be made safer for human jobs, especially in art and music. Jensen's answer: "It is the responsibility of the industry to make sure we build AI in a safe and secure way. Just like the automotive industry built cars in a safe and secure way, airplanes, buildings and roads, electricity, healthcare." "Don't use science fiction and mysterious stories. It's not going to turn into 'I have no mouth and I must scream.' It is computers. It's software. Go engage AI. Go try ChatGPT." "Whenever I have something new that I want to learn, the first thing I do is I go to ChatGPT. It's making you and I smarter."

Shruti

240,616 次观看 • 3 个月前

I lost my mother a year and a half ago and grief taught me something I wasn't expecting. Here's the Stoic technique that turned it into gratitude (from Letting Go by David R. Hawkins): All grief comes from attachment combined with the refusal to accept that everything is temporary. The more you depend on external things and people to feel whole, the more vulnerable you become to losing them. The Stoics had a practice for this called negative visualization (the primary other name for the Stoic practice of negative visualization is ''premeditatio malorum'', a Latin phrase translating to "the premeditation of evils" or "pre-studying a bad future") In any moment, hugging someone you love or drinking a glass of water, imagine this is the last time you ever do it (the goal is to wake up to what you already have before it’s gone). Because there will be a last time and it won't announce itself. I lost my mother a year and a half ago. There was a moment where I hugged her for the final time without knowing it. Sitting with that reality is one of the most powerful ways to activate genuine gratitude – gratitude that clears the mental clutter and puts you in a state where you can actually move forward. The book draws a line between the smaller self and the higher self: The ego is the illusion of separateness. Although this illusion can be useful at times, it distorts the underlying reality that everything is interconnected. Marcus Aurelius believed we are hardwired for service and connection & that living in that truth is where real fulfillment comes from. Here's the paradox that changed how I show up in relationships: Chasing love makes it harder to find. Your vibe attracts your tribe. I used to highlight my strengths, hide my weaknesses, and perform but it never worked. When I committed to showing up in radical truth I stopped dating entirely for over 2.5 years and met my wife 8 to 9 months after I started again – we built something real from the very first conversation. The energy you put into yourself is what gets reflected back to you by the world. The choice to live from love shapes everything – your relationships, your character, and the legacy you leave behind. I love you, mom. Thanks for all the wisdom you shared with me that I was too naive to understand. You gave me many lessons that continue to unfold even unto this day. Thank you for giving me a love for wisdom, and an ambition to learn to love wisely.
23:36

I lost my mother a year and a half ago and grief taught me something I wasn't expecting. Here's the Stoic technique that turned it into gratitude (from Letting Go by David R. Hawkins): All grief comes from attachment combined with the refusal to accept that everything is temporary. The more you depend on external things and people to feel whole, the more vulnerable you become to losing them. The Stoics had a practice for this called negative visualization (the primary other name for the Stoic practice of negative visualization is ''premeditatio malorum'', a Latin phrase translating to "the premeditation of evils" or "pre-studying a bad future") In any moment, hugging someone you love or drinking a glass of water, imagine this is the last time you ever do it (the goal is to wake up to what you already have before it’s gone). Because there will be a last time and it won't announce itself. I lost my mother a year and a half ago. There was a moment where I hugged her for the final time without knowing it. Sitting with that reality is one of the most powerful ways to activate genuine gratitude – gratitude that clears the mental clutter and puts you in a state where you can actually move forward. The book draws a line between the smaller self and the higher self: The ego is the illusion of separateness. Although this illusion can be useful at times, it distorts the underlying reality that everything is interconnected. Marcus Aurelius believed we are hardwired for service and connection & that living in that truth is where real fulfillment comes from. Here's the paradox that changed how I show up in relationships: Chasing love makes it harder to find. Your vibe attracts your tribe. I used to highlight my strengths, hide my weaknesses, and perform but it never worked. When I committed to showing up in radical truth I stopped dating entirely for over 2.5 years and met my wife 8 to 9 months after I started again – we built something real from the very first conversation. The energy you put into yourself is what gets reflected back to you by the world. The choice to live from love shapes everything – your relationships, your character, and the legacy you leave behind. I love you, mom. Thanks for all the wisdom you shared with me that I was too naive to understand. You gave me many lessons that continue to unfold even unto this day. Thank you for giving me a love for wisdom, and an ambition to learn to love wisely.

Robert ₿reedlove

101,085 次观看 • 4 个月前