正在加载视频...
视频加载失败
i wrote a brainstorming skill to get AI to walk a human through a creative process when stuck. then i told it to just use it itself, gave it a simplistic generative art piece, and let it run till it felt it was done. here's a video of every... show more
15,399 次观看 • 18 天前 •via X (Twitter)
0 条评论
暂无评论
原始帖子的评论将显示在这里
![Dave Portnoy says he paid $10,000 for an AI clone to narrate his audiobook for him — and it was “actually scary” how dead-on it sounded. His parents couldn’t even tell the difference. Then Audible shut it down, and he had to record every word himself. “I could only do 15 minutes [of recording a day] because it was that hard for me to read it. I hated it. I tried to get out of it. I paid $10,000 to do AI. I had this AI program for it.” “My parents couldn’t tell the difference. And it could literally just scan the book and go word-for-word.” “It was actually scary how it was dead-on. And it could have literally just done every single word in that book.” “[Audible] wouldn’t let me use it... I was told, ‘No, they don’t let you do that.’ So I had to [record the whole book myself]. I hated it. Hated it!”](https://image.24vids.com/tw-2077262361967112580/amplify_video_thumb/2077260350420840448/img/2dYUr5eFtutFpAwL.jpg)
![Gena Rowlands explains the reason why "A Woman Under the Influence" (1974, Cassavetes), which was first written as a play, was made into a movie: "Rowlands: John wrote it as a play. He said, “Hey, I wrote you a play.” And I said, “Great, let’s read it.” I read it and I said, “John, I couldn’t do this every night and twice on Wednesday and Saturday. I wouldn’t be able to last two weeks. I’d die.” It was a very hard play to do every night. And he said, “Don’t worry. Don’t even think about it, you’re right. I hadn’t thought of that.” He said, “Just forget it.” Then in about two weeks he said, “Okay. I solved the problem. I wrote a different play for you.” He said, “So you won’t have to carry all of it every night. I used the same characters but I enlarged different parts of the scenes.” He changed it generally to make it humanly possible. And I said, “Oh, that’s a miracle, let me see it.” And I read it and I said, “Listen, you must know a lot of strong actresses!” [laughs] I said, “I still wouldn’t be able to do it. This is really hard.” She has a nervous breakdown—there’s a lot of things that are hard emotionally to do. So he said, “Okay. I’m going to write it as a picture.” I said, “I think I can get through it once.” [laughs] “But I’m not making any guarantees.” He thought that was funny and then he wrote it thinking like an actor too instead of just a writer. I think he took that into consideration. And it is, of course, much easier to do a film when you’re doing an extremely emotional part than it is doing it onstage over and over especially. Interviewer: Do you consider that to be your most challenging role? Mabel? Rowlands: Well, yes, it was my favorite. I loved doing that. And it was challenging. Interviewer: Since John gave you so much freedom to do what you liked as a character, how would you go about finding them? Was it something that was instinctual for you, from the script? Rowlands: I read the script, you know, 50 times. And I thought about it. And then I did it. [laughs]" (Gena Rowlands' interview with Colleen Kelsey, Interview Magazine, 2016) P.S: Remembering the great American Actress Gena Rowlands on her 96th birthday!](https://image.24vids.com/tw-2068030142564430066/amplify_video_thumb/2068030021672046592/img/vO_wGHofNc_hUgaq.jpg)
