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#Illini Brad Underwood gives update on Ethan Brown -- the 4-star commit who's a 6'4 guard from Missouri "I think since the break, he's averaging about 40 points," said Underwood. "He had an inbounds play the other night in the game that I was watching and threw it off...

46,400 views • 6 months ago •via X (Twitter)

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Denzel Washington’s epic monologue towards the end of Training Day was largely improvised on set. Director Antoine Fuqua was so blown away by his performance, he says he thinks he "forgot to yell cut”. He explains… “That’s Denzel. He was just in his zone. I mean, that was one of those moment...people talk about AI. Those are the moments where you go...it's a great tool. It's gonna be a great tool, I think...but the emotion, and the moment that an actor can bring - you can't predict that. That's something that's just inside of Denzel. And when that came out, I was just like - I hope I got it. I just turned to my operator - who was shaking- I looked over at the guy - I was like, “please tell me you got that.” Because that was the take. That was it. There was no other take - I mean, how do you tell an actor like that, that that wasn't good enough? …He walked over to me, and he just had this look in his eyes. I was like, “you good?” He said, “you good?” I said, “Yeah…” Some of that was in the script, but he flipped it the way he did it. "Putting cases on all you." He kind of added some things in there. And then he just went into a whole other zone with the whole King Kong thing- with Pelican Bay - Denzel started that. That was Denzel. That was him, man. He just kind of lit up, and I think I forgot to yell cut. I was just watching it, because everybody started walking away, and I'm just watching him, and then he lights a cigarette - and he's talking - and I'm just watching him. I think at some point he probably looked at me like, you going to cut? And I'm like, “oh yeah, yeah, cut.” He was still in it. That's the thing with Denzel. He was so Alonso…I'm just watching him for a while because I didn't know what else he was going to do. It was just so magical. And then I think he looked up at me and I was like, “Okay, cut, cut.”

Gangster Cinema Central

42,262 views • 1 month ago

Asked Nuggets coach David Adelman about the season that Jaylen Brown has had, and he gushed about Brown as both a player and a person. "The the elite shooting from mid range is such a big deal in our game, it's the late-clock ability, his overall size, his ability to play in the middle of the floor, which is really hard to come double people and not give up the three point line to a team like they have, I would just say his continued evolution in his game. "He's an elite, All-Star player, two-way player. I just watched him grow over the years, not just the championship year, but with Jayson Tatum, obviously out, more responsibility falls into his hands, and I thought they did a great job building around him for this particular season, with all the shooting that surrounds him." "He's a problem. He's not fun to watch on tape when you have to play against him. I'm a fan of his, just as a pure basketball person, not just as a coach. Actually got to spend some time in Africa, he was such an impressive person. He's good for the NBA. He's going to be a probelm for us tonight." "There was an Africa game that I coach in, that he played in. They used to do that yearly in South Africa. It's an amazing event. He came down there for that. And some of the events that we had to do -- humanitarian stuff, you go out and you see these communities, and just to see his investment in it was really impressive. And he was at a much younger age then. And I remember him in the bubble, speaking up at meetings and things like that." "Some people are born to lead. He definitely stands out as one of those people."

Noa Dalzell 🏀

98,391 views • 6 months ago

Gena Rowlands explains the reason why "A Woman Under the Influence" (1974, Cassavetes), which was first written as a play, was made into a movie: "Rowlands: John wrote it as a play. He said, “Hey, I wrote you a play.” And I said, “Great, let’s read it.” I read it and I said, “John, I couldn’t do this every night and twice on Wednesday and Saturday. I wouldn’t be able to last two weeks. I’d die.” It was a very hard play to do every night. And he said, “Don’t worry. Don’t even think about it, you’re right. I hadn’t thought of that.” He said, “Just forget it.” Then in about two weeks he said, “Okay. I solved the problem. I wrote a different play for you.” He said, “So you won’t have to carry all of it every night. I used the same characters but I enlarged different parts of the scenes.” He changed it generally to make it humanly possible. And I said, “Oh, that’s a miracle, let me see it.” And I read it and I said, “Listen, you must know a lot of strong actresses!” [laughs] I said, “I still wouldn’t be able to do it. This is really hard.” She has a nervous breakdown—there’s a lot of things that are hard emotionally to do. So he said, “Okay. I’m going to write it as a picture.” I said, “I think I can get through it once.” [laughs] “But I’m not making any guarantees.” He thought that was funny and then he wrote it thinking like an actor too instead of just a writer. I think he took that into consideration. And it is, of course, much easier to do a film when you’re doing an extremely emotional part than it is doing it onstage over and over especially. Interviewer: Do you consider that to be your most challenging role? Mabel? Rowlands: Well, yes, it was my favorite. I loved doing that. And it was challenging. Interviewer: Since John gave you so much freedom to do what you liked as a character, how would you go about finding them? Was it something that was instinctual for you, from the script? Rowlands: I read the script, you know, 50 times. And I thought about it. And then I did it. [laughs]" (Gena Rowlands' interview with Colleen Kelsey, Interview Magazine, 2016) P.S: Remembering the great American Actress Gena Rowlands on her 96th birthday!

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