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Includes Chinese subtitle version and no-subtitle version. Since the voice-over is entirely in English, no English subtitles are provided (being lazy). 第二个是中文字幕版哦！ #BaldursGate3 #BG3 #TheEmperor #BG3Emperor #BG3NSFW #MindFlayer #博德之门3 #君主

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NSFW#BaldursGate3#BG3#TheEmperor#BG3Emperor#BG3NSFW#MindFlayer#博德之门3#君主
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【VTS System-Time Clock Tutorial】 This is a tutorial video showing how to create a clock in VTS that reads your system time. The video includes both English and Chinese subtitles. Special thanks to Katomon for generously sharing their experience! 這邊是示範如何在 VTS 中建立能讀取系統時間的鐘錶的教學影片！ 影片包含中英文字幕！ 也感謝 Katomon 不藏私的向我分享！ #Live2D #Live2dCommissions #Live2DWIP #Vtuber

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14,664 görüntüleme • 9 ay önce

My 48 hours with Clawdbot, as someone who's never written a line of code. 我作为一名文科生的48 小时 Clawdbot 体验 As a content creator on X and RedNote, I love my work. 作为 X 和小红书的博主，我很喜欢我的工作。 But I hate some parts of my work. 但工作里有些环节一直让我头大。 Whenever I collab with a brand, they need a detailed script before I even start filming. 每次接品牌合作，还没开拍呢，就要给到逐字详细脚本（精确到秒）。 I'd spend days procrastinating, then hours writing. 我每次都很痛苦的拖好几天，最后憋几个小时才写出来。 Clawdbot did it for me in 10 minutes, sent me a professionally formatted word document. Done. Clawdbot 十分钟就给我整完了，直接发了我word文档，内容排版十分专业，我直接转发给了品牌方。 I speak english in my videos. 我的内容主要是英文口播视频。 Every video I'd prepare high quality English + Chinese subtitles, fror this video there's 967 english words, 1593 chinese characters. 我的每条视频都要配高质量中英字幕，字数也不少，比如这条视频，就有967 个英文单词，1593 个中文字。 In order to maintain that high standard, I used to type them all manually. 为了维持高质量的字幕，我都是一个字一个字手敲。 4-5 hours per video, just on subtitles. 一条5-10分钟的视频，光字幕就要花费4-5 个小时。 Today, ClawdBot transcribed my audio, translated it, and gave me two perfectly synced subtitle files in 10 mins, after I simply asked it to help. 今天我只是尝试问了我的 Clawdbot 一声，它就把音频转写、翻译、时间轴全搞定，10 分钟，就把两份中英文的字幕文件发给我了。 The two things that drained me most — subtitles and brand scripts — both solved. 最折磨我的两件事——字幕和品牌脚本——全解决了。 Wow. 2026 is the year of AI explosion I guess. 绝了。2026 大概是 AI 爆发元年。
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My 48 hours with Clawdbot, as someone who's never written a line of code. 我作为一名文科生的48 小时 Clawdbot 体验 As a content creator on X and RedNote, I love my work. 作为 X 和小红书的博主，我很喜欢我的工作。 But I hate some parts of my work. 但工作里有些环节一直让我头大。 Whenever I collab with a brand, they need a detailed script before I even start filming. 每次接品牌合作，还没开拍呢，就要给到逐字详细脚本（精确到秒）。 I'd spend days procrastinating, then hours writing. 我每次都很痛苦的拖好几天，最后憋几个小时才写出来。 Clawdbot did it for me in 10 minutes, sent me a professionally formatted word document. Done. Clawdbot 十分钟就给我整完了，直接发了我word文档，内容排版十分专业，我直接转发给了品牌方。 I speak english in my videos. 我的内容主要是英文口播视频。 Every video I'd prepare high quality English + Chinese subtitles, fror this video there's 967 english words, 1593 chinese characters. 我的每条视频都要配高质量中英字幕，字数也不少，比如这条视频，就有967 个英文单词，1593 个中文字。 In order to maintain that high standard, I used to type them all manually. 为了维持高质量的字幕，我都是一个字一个字手敲。 4-5 hours per video, just on subtitles. 一条5-10分钟的视频，光字幕就要花费4-5 个小时。 Today, ClawdBot transcribed my audio, translated it, and gave me two perfectly synced subtitle files in 10 mins, after I simply asked it to help. 今天我只是尝试问了我的 Clawdbot 一声，它就把音频转写、翻译、时间轴全搞定，10 分钟，就把两份中英文的字幕文件发给我了。 The two things that drained me most — subtitles and brand scripts — both solved. 最折磨我的两件事——字幕和品牌脚本——全解决了。 Wow. 2026 is the year of AI explosion I guess. 绝了。2026 大概是 AI 爆发元年。

Jingyuan缘缘

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中文字幕 糯米团 ⬜️ Dr. Drew: What is the 🇨🇳 bio-lab doing in Reedley? Me: If various outbreaks happen all over 🇺🇸, how could you identify whether they are “nature-origin” or intentionally released from such secret “lab” by CCP? I analysis multi possibilities, based on the facts described in the court file and our exclusive investigation , in the live streaming of Ask Dr. Drew Full video 德鲁博士：加州非法中国生物实验室在做什么？ 我: 如果美国各地爆发不同的流行病，你们怎么鉴别是自然来源，还是给中共从这种“实验室”里故意释放的？ 我在“向德鲁博士提问”的直播中, 根据法庭文件描述的事实和我们的独家调查，分析了多种可能性。
3:30

中文字幕 糯米团 ⬜️ Dr. Drew: What is the 🇨🇳 bio-lab doing in Reedley? Me: If various outbreaks happen all over 🇺🇸, how could you identify whether they are “nature-origin” or intentionally released from such secret “lab” by CCP? I analysis multi possibilities, based on the facts described in the court file and our exclusive investigation , in the live streaming of Ask Dr. Drew Full video 德鲁博士：加州非法中国生物实验室在做什么？ 我: 如果美国各地爆发不同的流行病，你们怎么鉴别是自然来源，还是给中共从这种“实验室”里故意释放的？ 我在“向德鲁博士提问”的直播中, 根据法庭文件描述的事实和我们的独家调查，分析了多种可能性。

Dr. Li-Meng YAN

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The Xiaohongshu #TikTokRefugee phenomenon is truly fascinating and really exciting if it perdures. It would be the first time ever that we would have a social media app where Western and Chinese users interact at scale. Pretty ironic when this is spurred by an attempt by the U.S. government to get rid of TikTok because it is "Chinese" when it has no Chinese users nor Chinese content. I've been testing the app 👇 and the phenomenon is real: a huge proportion of the posts in the main timeline are by "Tiktok refugees", with many posts being "refugees" asking questions to the Chinese user base. The app is still missing some obvious features that would make it more usable to an international user base. You can have the app in English but it doesn't look like you can translate posts or videos yet. Which means that if you don't speak or read Chinese, you can only understand the posts that are in English (and vice-versa: no translation for English content into Chinese either). My bet is that the Xiaohongshu tech team in Shanghai (where Xiaohongshu is based) must already be working hard on this. All in all this illustrates several important and actually quite hopeful lessons. Firstly, this shapes up to be yet another U.S. attempt to contain China backfiring: instead of reducing Chinese tech influence, it's potentially creating an even more direct bridge between Chinese and Western users on a platform that's actually based in China, unlike TikTok which operates separately from its Chinese version Douyin. Secondly, there's obviously significant untapped demand for genuine cross-cultural social media platforms, despite (or perhaps because of) the geopolitical tensions. Many people obviously do not want the digital iron curtain that the U.S. is trying to erect here: this is all happening organically without any promotional push from Xiaohongshu, people genuinely do not want an artificially divided world. Lastly, less obvious but no less important, the business dimension is particularly interesting. Xiaohongshu isn't just another social media app - it's fundamentally an e-commerce platform where social features emerged organically around shopping. If this trend continues, this has the potential to reshape cross-border commerce between China and the U.S. in really profound ways. Many "TikTok refugees" are actually small business owners who built their success on TikTok: imagine the potential of a platform that gives them direct access to Chinese consumers! This, alongside Chinese sellers finding new ways to reach American audiences, could create entirely new patterns of trade, bypassing traditional intermediaries. This would be the icing on the cake with the other ironies: when governments are trying to 'de-risk' and decouple supply chains, Xiaohongshu could help the ground-level reality of ordinary entrepreneurs and consumers move in the exact opposite direction. Anyhow, whether this phenomenon lasts or not, it reveals something that should give us all some measure of hope: while politicians and policymakers focus on trying to divide the world and fearmonger, ordinary people seem more interested in finding ways to connect. They're more interested in bridges than walls, and that's a good thing!
2:59

The Xiaohongshu #TikTokRefugee phenomenon is truly fascinating and really exciting if it perdures. It would be the first time ever that we would have a social media app where Western and Chinese users interact at scale. Pretty ironic when this is spurred by an attempt by the U.S. government to get rid of TikTok because it is "Chinese" when it has no Chinese users nor Chinese content. I've been testing the app 👇 and the phenomenon is real: a huge proportion of the posts in the main timeline are by "Tiktok refugees", with many posts being "refugees" asking questions to the Chinese user base. The app is still missing some obvious features that would make it more usable to an international user base. You can have the app in English but it doesn't look like you can translate posts or videos yet. Which means that if you don't speak or read Chinese, you can only understand the posts that are in English (and vice-versa: no translation for English content into Chinese either). My bet is that the Xiaohongshu tech team in Shanghai (where Xiaohongshu is based) must already be working hard on this. All in all this illustrates several important and actually quite hopeful lessons. Firstly, this shapes up to be yet another U.S. attempt to contain China backfiring: instead of reducing Chinese tech influence, it's potentially creating an even more direct bridge between Chinese and Western users on a platform that's actually based in China, unlike TikTok which operates separately from its Chinese version Douyin. Secondly, there's obviously significant untapped demand for genuine cross-cultural social media platforms, despite (or perhaps because of) the geopolitical tensions. Many people obviously do not want the digital iron curtain that the U.S. is trying to erect here: this is all happening organically without any promotional push from Xiaohongshu, people genuinely do not want an artificially divided world. Lastly, less obvious but no less important, the business dimension is particularly interesting. Xiaohongshu isn't just another social media app - it's fundamentally an e-commerce platform where social features emerged organically around shopping. If this trend continues, this has the potential to reshape cross-border commerce between China and the U.S. in really profound ways. Many "TikTok refugees" are actually small business owners who built their success on TikTok: imagine the potential of a platform that gives them direct access to Chinese consumers! This, alongside Chinese sellers finding new ways to reach American audiences, could create entirely new patterns of trade, bypassing traditional intermediaries. This would be the icing on the cake with the other ironies: when governments are trying to 'de-risk' and decouple supply chains, Xiaohongshu could help the ground-level reality of ordinary entrepreneurs and consumers move in the exact opposite direction. Anyhow, whether this phenomenon lasts or not, it reveals something that should give us all some measure of hope: while politicians and policymakers focus on trying to divide the world and fearmonger, ordinary people seem more interested in finding ways to connect. They're more interested in bridges than walls, and that's a good thing!

Arnaud Bertrand

277,690 görüntüleme • 1 yıl önce

《Bitcoin XiuXian OG》Ordinals NFT 主题曲PV【高清版】---《Make XiuXian Great Again On MotherChain》 Website: MintPage: 主题曲是一首以中英文为主的旋律说唱，描述修士（加密用户）发现残酷的修行真相并开始回归母星（BTC生态）的故事。 全世界遭遇着战争的摧残，美元潮汐的收割，BTC的诞生也是在反对霸权，慢慢形成了加密行业。可在加密领域我们华人就像是流浪地球的三等公民，甚至不敢用中文来表达项目。 有一些华人毫无底线否定中国本土文化，认为白人文化至上。但殊不知，加密的核心精神和道家文化有共同之处。 《道德经二章》“圣人处无为之事，行不言之教，万物作焉而不辞，生而不有，为而不恃，功成而不居。” 说的不就是中本聪精神吗？ 《道德经二十九章》“将欲取天下而为之，吾见其不得已。天下神器，不可为也，不可执也。为者败之，执者失之。故物或行或随，或歔或吹；或强或羸，或挫或隳。是以圣人去甚，去奢，去泰。” 说的不就是去中心化吗？ 《道德经三十四章》“大道泛兮，其可左右。万物恃之以生而不辞，功成不名有，衣养万物而不为主，常无欲，可名于小;万物归焉而不知主，可名于大。以其终不自为大，故能成其大。” 说的不就是BTC生态吗？ 加密的伟大精神，我们早已有之。我们可以大声的说中文，我们也可以用西方流行元素来做我们自己的内容。 为BTC喝彩！为修仙喝彩！为我们华人喝彩！为坚守自己原生文化的人喝彩！ "The Bitcoin XiuXian OG" Ordinals NFT Theme Song PV --- "Make XiuXian Great Again On MotherChain" The theme song is a melodic rap primarily in English and Chinese, describing the story of cultivators (crypto users) discovering the harsh truth of cultivation and beginning their return to the mother planet (BTC ecosystem). The world is being ravaged by war, and the tides of the US dollar are reaping their harvest. The birth of BTC was also a stance against hegemony, which gradually gave rise to the encryption industry. Yet within the crypto space, we Chinese seem to be third-class citizens wandering the world, even afraid to express projects in our native Chinese. Some Chinese people have no limits in denying our own Chinese culture, believing that Western culture is superior. However, they are unaware that the core spirit of encryption shares similarities with Taoist philosophy. Chapter 2 of the "Tao Te Ching" - "The sage accomplishes without action and teaches without words. All things arise and she does not turn away. She gives birth but does not possess, acts but does not rely on her actions, and achieves without taking credit." Isn't this the spirit of Satoshi Nakamoto? Chapter 29 - "Those who would take the world and shape it, I see that they cannot succeed. The world is a divine vessel, not to be acted upon or controlled. To act is to fail; to control is to lose." Isn't this about decentralization? Chapter 34 - "The Great Way is vast, it can go left or right. All things depend on it for life, yet it does not claim them. It accomplishes without naming, nourishes without taking possession. Always desireless, it can be named 'small'; the world turns to it and does not know it as master, it can be named 'great'. Because it never asserts itself, it can accomplish greatness." Isn't this describing the BTC ecosystem? The great spirit of encryption has long been with us. We can speak Chinese aloud with pride, and we can also use Western trends to create our own content. Cheer for BTC! Cheer for cultivation! Cheer for our Chinese people! Cheer for those who adhere to their native culture!
3:48

《Bitcoin XiuXian OG》Ordinals NFT 主题曲PV【高清版】---《Make XiuXian Great Again On MotherChain》 Website: MintPage: 主题曲是一首以中英文为主的旋律说唱，描述修士（加密用户）发现残酷的修行真相并开始回归母星（BTC生态）的故事。 全世界遭遇着战争的摧残，美元潮汐的收割，BTC的诞生也是在反对霸权，慢慢形成了加密行业。可在加密领域我们华人就像是流浪地球的三等公民，甚至不敢用中文来表达项目。 有一些华人毫无底线否定中国本土文化，认为白人文化至上。但殊不知，加密的核心精神和道家文化有共同之处。 《道德经二章》“圣人处无为之事，行不言之教，万物作焉而不辞，生而不有，为而不恃，功成而不居。” 说的不就是中本聪精神吗？ 《道德经二十九章》“将欲取天下而为之，吾见其不得已。天下神器，不可为也，不可执也。为者败之，执者失之。故物或行或随，或歔或吹；或强或羸，或挫或隳。是以圣人去甚，去奢，去泰。” 说的不就是去中心化吗？ 《道德经三十四章》“大道泛兮，其可左右。万物恃之以生而不辞，功成不名有，衣养万物而不为主，常无欲，可名于小;万物归焉而不知主，可名于大。以其终不自为大，故能成其大。” 说的不就是BTC生态吗？ 加密的伟大精神，我们早已有之。我们可以大声的说中文，我们也可以用西方流行元素来做我们自己的内容。 为BTC喝彩！为修仙喝彩！为我们华人喝彩！为坚守自己原生文化的人喝彩！ "The Bitcoin XiuXian OG" Ordinals NFT Theme Song PV --- "Make XiuXian Great Again On MotherChain" The theme song is a melodic rap primarily in English and Chinese, describing the story of cultivators (crypto users) discovering the harsh truth of cultivation and beginning their return to the mother planet (BTC ecosystem). The world is being ravaged by war, and the tides of the US dollar are reaping their harvest. The birth of BTC was also a stance against hegemony, which gradually gave rise to the encryption industry. Yet within the crypto space, we Chinese seem to be third-class citizens wandering the world, even afraid to express projects in our native Chinese. Some Chinese people have no limits in denying our own Chinese culture, believing that Western culture is superior. However, they are unaware that the core spirit of encryption shares similarities with Taoist philosophy. Chapter 2 of the "Tao Te Ching" - "The sage accomplishes without action and teaches without words. All things arise and she does not turn away. She gives birth but does not possess, acts but does not rely on her actions, and achieves without taking credit." Isn't this the spirit of Satoshi Nakamoto? Chapter 29 - "Those who would take the world and shape it, I see that they cannot succeed. The world is a divine vessel, not to be acted upon or controlled. To act is to fail; to control is to lose." Isn't this about decentralization? Chapter 34 - "The Great Way is vast, it can go left or right. All things depend on it for life, yet it does not claim them. It accomplishes without naming, nourishes without taking possession. Always desireless, it can be named 'small'; the world turns to it and does not know it as master, it can be named 'great'. Because it never asserts itself, it can accomplish greatness." Isn't this describing the BTC ecosystem? The great spirit of encryption has long been with us. We can speak Chinese aloud with pride, and we can also use Western trends to create our own content. Cheer for BTC! Cheer for cultivation! Cheer for our Chinese people! Cheer for those who adhere to their native culture!

孟元景| Mark Meng

17,443 görüntüleme • 1 yıl önce

美国没有什么WOKE，没有BLM，也没有什么LGBT，所有都是共产主义，下面分支随便起几个名字而已，国际共产主义背后最大的黑手就是中国共产党，共产党唯一的底气就是欧美允许并且帮忙控制的10亿奴隶。奥巴马连给温家宝舔脚的资格都没有，温家宝连门都不开的。希望美国早点醒来，目标明确了 There is no such thing as WOKE in America, no BLM, and no LGBT. All of these are merely branches of communism under different names. The biggest hand behind international communism is the Chinese Communist Party. The CCP’s only real leverage lies in the one billion slaves it controls, a system permitted and even supported by the West. Obama didn’t even have the qualification to lick Wen Jiabao’s feet, and Wen wouldn’t even open the door for him. Hopefully, America will wake up soon and set its goals clearly.
4:08

美国没有什么WOKE，没有BLM，也没有什么LGBT，所有都是共产主义，下面分支随便起几个名字而已，国际共产主义背后最大的黑手就是中国共产党，共产党唯一的底气就是欧美允许并且帮忙控制的10亿奴隶。奥巴马连给温家宝舔脚的资格都没有，温家宝连门都不开的。希望美国早点醒来，目标明确了 There is no such thing as WOKE in America, no BLM, and no LGBT. All of these are merely branches of communism under different names. The biggest hand behind international communism is the Chinese Communist Party. The CCP’s only real leverage lies in the one billion slaves it controls, a system permitted and even supported by the West. Obama didn’t even have the qualification to lick Wen Jiabao’s feet, and Wen wouldn’t even open the door for him. Hopefully, America will wake up soon and set its goals clearly.

Longwood（大根）

24,089 görüntüleme • 11 ay önce

“The House of the Rising Sun” is one of the oldest and most mysterious folk songs in the United States, which became a rock anthem thanks to The Animals in 1964. Its origins are lost in time. It is a traditional American ballad, likely from the 19th century or even earlier, with possible roots in old English ballads. No one knows who wrote it: it is a song of unknown authorship that was passed down orally among folk musicians, miners, travelers, and singers in the southern United States. It tells of a life ruined in New Orleans (Louisiana), at a place called “The House of the Rising Sun,” which many interpret as a brothel, a casino, or a disreputable hotel. Depending on the version, it can be told from the perspective of a woman who falls into prostitution or a man who loses himself to gambling and alcohol. The first known recording dates from 1933–1934, when Clarence Ashley and Gwen Foster recorded it. Shortly thereafter, Alan Lomax recorded a 16-year-old girl named Georgia Turner singing it a cappella in Kentucky. Even then, it was called “Rising Sun Blues.” Over time, it was covered by artists such as Lead Belly, Woody Guthrie, Joan Baez, and Bob Dylan (on his 1962 debut album). Everything changed in 1964. The Animals, a British band from Newcastle, heard it in Dylan’s version (and also in English folk circles). Eric Burdon and the others adapted it to their style: they gave it a darker, electric, and more powerful rhythm, with Alan Price’s famous organ riff and Burdon’s raspy voice. They recorded it in a single take on May 18, 1964, in just 15 minutes, during a break on their tour. At first, producer Mickie Most hesitated because of its length (over 4 minutes), but it was released as a single and became a massive hit: number 1 in the United States, the United Kingdom, and several other countries. It is considered one of the first great folk rock songs. Since then, the song has been covered hundreds of times (by Nina Simone, Dolly Parton, Muse, among many others) and continues to be featured in movies, TV shows, and stadiums.
0:29

“The House of the Rising Sun” is one of the oldest and most mysterious folk songs in the United States, which became a rock anthem thanks to The Animals in 1964. Its origins are lost in time. It is a traditional American ballad, likely from the 19th century or even earlier, with possible roots in old English ballads. No one knows who wrote it: it is a song of unknown authorship that was passed down orally among folk musicians, miners, travelers, and singers in the southern United States. It tells of a life ruined in New Orleans (Louisiana), at a place called “The House of the Rising Sun,” which many interpret as a brothel, a casino, or a disreputable hotel. Depending on the version, it can be told from the perspective of a woman who falls into prostitution or a man who loses himself to gambling and alcohol. The first known recording dates from 1933–1934, when Clarence Ashley and Gwen Foster recorded it. Shortly thereafter, Alan Lomax recorded a 16-year-old girl named Georgia Turner singing it a cappella in Kentucky. Even then, it was called “Rising Sun Blues.” Over time, it was covered by artists such as Lead Belly, Woody Guthrie, Joan Baez, and Bob Dylan (on his 1962 debut album). Everything changed in 1964. The Animals, a British band from Newcastle, heard it in Dylan’s version (and also in English folk circles). Eric Burdon and the others adapted it to their style: they gave it a darker, electric, and more powerful rhythm, with Alan Price’s famous organ riff and Burdon’s raspy voice. They recorded it in a single take on May 18, 1964, in just 15 minutes, during a break on their tour. At first, producer Mickie Most hesitated because of its length (over 4 minutes), but it was released as a single and became a massive hit: number 1 in the United States, the United Kingdom, and several other countries. It is considered one of the first great folk rock songs. Since then, the song has been covered hundreds of times (by Nina Simone, Dolly Parton, Muse, among many others) and continues to be featured in movies, TV shows, and stadiums.

🎸 Rock History 🎸

149,268 görüntüleme • 4 ay önce

用voxscript+kaguya插件把油管的视频变成blog 发现现在chatGPT似乎又被调懒了。 千叮万嘱“不要省略”，最后输出结果还是有“(此处省略了部分内容以节省空间)”😅 视频中间段我调成10倍速了。并不是chatGPT速度变快 prompt： 我需要将我自己的youtube视频写成blog。我会提供给你一个youtube链接，请你帮我提取所有的英文script，写一篇文章，全部采用英文。 输出的步骤要求如下： ··· 1.提取所有英文字幕后，请在适合的位置添加二级标题,全部文章采用markdown格式，使用英文。请确保输出了所有字幕，不要为节省空间而省略。2.因为英文字幕有可能没有标记标点，请用人工智能技术自动添加合适的标点符号。为保持可读性，请每一个完整句子后添加 3.用kaguya插件生成一个file 4.然后请用英文总结全文，采用markdown格式，插入到第3步骤的文件之前 5.然后请插入youtube的id格式，到第4步骤形成的文件之前,请用下列格式插入，其中[id]为youtube的视频id： {{ }} 6.最后请插入YAML到第5步骤形成的文件之前： 格式： --- author: admin date: {date} draft: false title: {title} description:{description} type: post url: /{url}/ language: - English --- 请注意： a. {title}{description}{url}需要根据文章内容生成具有SEO优化的内容，均为英文 b. {title}中不要有":"符号 c. {description}应该使用你的大型语言模型能力来为每篇文章生成最合适的描述，确保每个描述都是独特和相关的。 d. {description}的character counts要确保在25到160字符之间。你需要写好后调用Kaguya插件运行echo "{description}" | wc -m来返回字符数，如果不满足，则需要重写description。直到满足。 e. {url}不要有特殊字符，全为英文字母或阿拉伯数字。 f. {date}为此时此刻的时间，格式为2012-12-27 22:44:13+00:00，可以调用Kaguya插件运行date命令获得。 ··· 命令说明： 可用kaguya插件运行search and replace功能来添加文本到一个文件前面 以上prompt如果全部理解了，请回答YES，然后我会提供给你youtube链接
1:54

用voxscript+kaguya插件把油管的视频变成blog 发现现在chatGPT似乎又被调懒了。 千叮万嘱“不要省略”，最后输出结果还是有“(此处省略了部分内容以节省空间)”😅 视频中间段我调成10倍速了。并不是chatGPT速度变快 prompt： 我需要将我自己的youtube视频写成blog。我会提供给你一个youtube链接，请你帮我提取所有的英文script，写一篇文章，全部采用英文。 输出的步骤要求如下： ··· 1.提取所有英文字幕后，请在适合的位置添加二级标题,全部文章采用markdown格式，使用英文。请确保输出了所有字幕，不要为节省空间而省略。2.因为英文字幕有可能没有标记标点，请用人工智能技术自动添加合适的标点符号。为保持可读性，请每一个完整句子后添加 3.用kaguya插件生成一个file 4.然后请用英文总结全文，采用markdown格式，插入到第3步骤的文件之前 5.然后请插入youtube的id格式，到第4步骤形成的文件之前,请用下列格式插入，其中[id]为youtube的视频id： {{ }} 6.最后请插入YAML到第5步骤形成的文件之前： 格式： --- author: admin date: {date} draft: false title: {title} description:{description} type: post url: /{url}/ language: - English --- 请注意： a. {title}{description}{url}需要根据文章内容生成具有SEO优化的内容，均为英文 b. {title}中不要有":"符号 c. {description}应该使用你的大型语言模型能力来为每篇文章生成最合适的描述，确保每个描述都是独特和相关的。 d. {description}的character counts要确保在25到160字符之间。你需要写好后调用Kaguya插件运行echo "{description}" | wc -m来返回字符数，如果不满足，则需要重写description。直到满足。 e. {url}不要有特殊字符，全为英文字母或阿拉伯数字。 f. {date}为此时此刻的时间，格式为2012-12-27 22:44:13+00:00，可以调用Kaguya插件运行date命令获得。 ··· 命令说明： 可用kaguya插件运行search and replace功能来添加文本到一个文件前面 以上prompt如果全部理解了，请回答YES，然后我会提供给你youtube链接

Jesse Lau 遁一子

12,249 görüntüleme • 3 yıl önce

Have you ever tasted this broth? Nano Banana 2 + Seedance 2.5 on DomoAI official prompt Image1 : SHARON'S REAL FACE — sole source of her features, 100% match, zero drift: soft rounded oval face, warm light-beige skin with tiny freckles and beauty marks, GREEN eyes, dense straight feathered brows, small neat nose, full pink lips, small silver drop earring. A photorealistic 30-second handheld selfie vlog featuring a cute young woman Image2 in her early 20s with long, straight blonde hair. She wears a black-sleeved white raglan crop top, Layered delicate gold chain necklaces (one longer with a small circular pendant) rest on her chest., with a black graphic print and light-wash denim shorts. The setting is a bright, modern hotel room with a white bed, gray furniture, sheer curtains, and large windows. Natural daylight, casual handheld camera movement, authentic social-media vlog feel, realistic facial expressions, and natural eating sounds. 0–5 sec: She holds the camera at arm's length, smiling excitedly and sitting on the edge of the bed. She gestures toward a paper cup of steaming oden on a small table. Dialogue: “Okay, look what I found! I got oden for a little midnight snack.” Subtitle: [Okay, look what I found! I got oden for a little midnight snack.] 5–10 sec: She brings the camera closer to the cup, showing spiral fish cake, rolled fish cake, daikon, and other ingredients soaking in dark savory broth. Steam rises naturally from the food. Dialogue: “This smells so good. And it’s still super hot.” Subtitle: [This smells so good. And it’s still super hot.] 10–16 sec: She picks up a piece of fish cake with a wooden skewer, blows on it gently, then takes a bite. She chews happily and looks into the camera with an approving smile. Dialogue: “Mmm… oh wow. That’s really good.” Subtitle: [Mmm… oh wow. That’s really good.] 16–21 sec: She tries another piece, casually chatting while eating. She gestures toward the cup and laughs softly. Dialogue: “I could honestly eat this every day. The broth is so comforting.” Subtitle: [I could honestly eat this every day. The broth is so comforting.] 21–26 sec: She moves to a nearby table where two cups and an iced drink are visible. She sets the oden down, takes a sip of the iced drink, and smiles at the camera. Dialogue: “Okay, I think I’m officially full now.” Subtitle: [Okay, I think I’m officially full now.] 26–30 sec: She picks up the camera again for a final close-up, smiles warmly, gives a small wave toward the lens, and ends the vlog naturally. Dialogue: “Thanks for eating with me. See you next time, bye!” Subtitle: [Thanks for eating with me. See you next time, bye!] Maintain consistent facial features, hairstyle, outfit, body proportions, and environment throughout. Keep the performance spontaneous rather than overly scripted. Natural blinking, subtle head movements, realistic chewing, authentic hand gestures, visible steam, realistic food textures, soft room ambience, and handheld smartphone camera motion. No voice-over; all dialogue is spoken directly to the camera. Subtitles remain bracketed in English exactly as shown.
0:30

Have you ever tasted this broth? Nano Banana 2 + Seedance 2.5 on DomoAI official prompt Image1 : SHARON'S REAL FACE — sole source of her features, 100% match, zero drift: soft rounded oval face, warm light-beige skin with tiny freckles and beauty marks, GREEN eyes, dense straight feathered brows, small neat nose, full pink lips, small silver drop earring. A photorealistic 30-second handheld selfie vlog featuring a cute young woman Image2 in her early 20s with long, straight blonde hair. She wears a black-sleeved white raglan crop top, Layered delicate gold chain necklaces (one longer with a small circular pendant) rest on her chest., with a black graphic print and light-wash denim shorts. The setting is a bright, modern hotel room with a white bed, gray furniture, sheer curtains, and large windows. Natural daylight, casual handheld camera movement, authentic social-media vlog feel, realistic facial expressions, and natural eating sounds. 0–5 sec: She holds the camera at arm's length, smiling excitedly and sitting on the edge of the bed. She gestures toward a paper cup of steaming oden on a small table. Dialogue: “Okay, look what I found! I got oden for a little midnight snack.” Subtitle: [Okay, look what I found! I got oden for a little midnight snack.] 5–10 sec: She brings the camera closer to the cup, showing spiral fish cake, rolled fish cake, daikon, and other ingredients soaking in dark savory broth. Steam rises naturally from the food. Dialogue: “This smells so good. And it’s still super hot.” Subtitle: [This smells so good. And it’s still super hot.] 10–16 sec: She picks up a piece of fish cake with a wooden skewer, blows on it gently, then takes a bite. She chews happily and looks into the camera with an approving smile. Dialogue: “Mmm… oh wow. That’s really good.” Subtitle: [Mmm… oh wow. That’s really good.] 16–21 sec: She tries another piece, casually chatting while eating. She gestures toward the cup and laughs softly. Dialogue: “I could honestly eat this every day. The broth is so comforting.” Subtitle: [I could honestly eat this every day. The broth is so comforting.] 21–26 sec: She moves to a nearby table where two cups and an iced drink are visible. She sets the oden down, takes a sip of the iced drink, and smiles at the camera. Dialogue: “Okay, I think I’m officially full now.” Subtitle: [Okay, I think I’m officially full now.] 26–30 sec: She picks up the camera again for a final close-up, smiles warmly, gives a small wave toward the lens, and ends the vlog naturally. Dialogue: “Thanks for eating with me. See you next time, bye!” Subtitle: [Thanks for eating with me. See you next time, bye!] Maintain consistent facial features, hairstyle, outfit, body proportions, and environment throughout. Keep the performance spontaneous rather than overly scripted. Natural blinking, subtle head movements, realistic chewing, authentic hand gestures, visible steam, realistic food textures, soft room ambience, and handheld smartphone camera motion. No voice-over; all dialogue is spoken directly to the camera. Subtitles remain bracketed in English exactly as shown.

Sharon Riley

19,328 görüntüleme • 15 gün önce

No… RFK Jr doesn’t want to End the Polio Vaccine, but something Sinister Emerged — The Newest Polio Vaccine contains Replicating Monkey Kidney Cells, and only Received 3 DAYS of Safety Testing, with NO Control Group, before Licensing! • The New York Times, purposely and knowingly, told the country that RFK Jr wanted to end the Polio Vaccine • Reality: Speaking is RFK Jr’s attorney, who also represents a client (unrelated to RFK Jr), who wanted to review 1 of the 6 Polio Vaccines, it’s licensing process and it’s injection into children. • The polio vaccine his client wanted to review was the IPOL, which is an “enhanced-potency” version of the inactivated poliovirus vaccine” (IPV) licensed in 1990 by Sanofi… specifically, he wanted to explore the long-term affects on children. 🔴 Inactivated Poliovirus Vaccine • This new “enhanced” version of the Polio vaccine (IPOL) has been the only polio vaccines used in the U.S. and injected into every baby for over two decades. —— they are injected into babies at 2, 4, and 6 months, and again boosted at 4 years of age. • Here’s the Problem… —— the IPOL was licensed in 1990 with NO PLACEBO CONTROL, and only 3 DAYS of SAFETY REVIEW after injection. —— According to FDA standards, clinical trials typically last between 1 to 4 years. • IPOL is an entirely different product from than the polio vaccine developed by Jonas Salk in the 1950s. • Unlike Salk’s vaccine, IPOL is a Novel Technology, and is grown in vero cells, a continuous line of monkey kidney cells, cultivated on microcarriers. —— These monkey kidney cells are rendered “Immortal”; meaning it will keep replicating itself, keep growing forever, like cancer. And those Monkey Kidney Cells end up as an ingredient in every single vial and being mass injected into babies. 🔴 Why is all of this Important? It is especially important for children, because this new vaccine, it’s ingredients, could be a MAJOR connection to Autoimmune and developmental disorders, which often aren't diagnosed until years later. So Why in the world would the FDA grant licensing for something that had only 3 days of safety testing? You know why… 💰💰💰 This Clip Full Show
5:33

No… RFK Jr doesn’t want to End the Polio Vaccine, but something Sinister Emerged — The Newest Polio Vaccine contains Replicating Monkey Kidney Cells, and only Received 3 DAYS of Safety Testing, with NO Control Group, before Licensing! • The New York Times, purposely and knowingly, told the country that RFK Jr wanted to end the Polio Vaccine • Reality: Speaking is RFK Jr’s attorney, who also represents a client (unrelated to RFK Jr), who wanted to review 1 of the 6 Polio Vaccines, it’s licensing process and it’s injection into children. • The polio vaccine his client wanted to review was the IPOL, which is an “enhanced-potency” version of the inactivated poliovirus vaccine” (IPV) licensed in 1990 by Sanofi… specifically, he wanted to explore the long-term affects on children. 🔴 Inactivated Poliovirus Vaccine • This new “enhanced” version of the Polio vaccine (IPOL) has been the only polio vaccines used in the U.S. and injected into every baby for over two decades. —— they are injected into babies at 2, 4, and 6 months, and again boosted at 4 years of age. • Here’s the Problem… —— the IPOL was licensed in 1990 with NO PLACEBO CONTROL, and only 3 DAYS of SAFETY REVIEW after injection. —— According to FDA standards, clinical trials typically last between 1 to 4 years. • IPOL is an entirely different product from than the polio vaccine developed by Jonas Salk in the 1950s. • Unlike Salk’s vaccine, IPOL is a Novel Technology, and is grown in vero cells, a continuous line of monkey kidney cells, cultivated on microcarriers. —— These monkey kidney cells are rendered “Immortal”; meaning it will keep replicating itself, keep growing forever, like cancer. And those Monkey Kidney Cells end up as an ingredient in every single vial and being mass injected into babies. 🔴 Why is all of this Important? It is especially important for children, because this new vaccine, it’s ingredients, could be a MAJOR connection to Autoimmune and developmental disorders, which often aren't diagnosed until years later. So Why in the world would the FDA grant licensing for something that had only 3 days of safety testing? You know why… 💰💰💰 This Clip Full Show

MJTruthUltra

521,778 görüntüleme • 1 yıl önce

Westerners Flocking to Play Stunning New Chinese Video Game—and Skipping ‘Spyware’ Warnings . CHINESE DESIGNERS JUST LAUNCHED another video game which is a hit worldwide. Where Winds Meet has some spectacular battle scenes on screen -- but the conflicts off-stage (west-east culture wars, psyops, business battles) are just as interesting. People in the game industry in the west are concerned—for several good reasons. Before we get there, take 20 seconds to check out the great-looking visuals, which come from the same studio that created Black Myth Wukong, a globally popular game launched in August 2024, based on the story of the Monkey King. Where Winds Meet also celebrates classic Chinese culture. It is set in the city of Kaifeng in 10th century China – and is filled with gorgeous images of that place. . CULTURAL DEPTH It has cultural depth, too. For example, everyone knows fireworks are an ancient Chinese art, but the game features molten metal spark showers, a popular art form pretty unknown outside China. In one scene you can see the flying apsaras, those Indian-influenced airborne women whose images adorn the ancient Dunhuang Caves on the silk road. Where Winds Meet is already among the favorites on Steam, the world’s biggest online game center. It includes many battles, of course. But there are related conflicts off line, in real life, too. . NUMBER ONE: CULTURE WARS. In many games released in the west, it is considered wrong to give players the choice of having a male or female character, because it implies there are just two sexes, which is a big no-no in the west. In Where the Winds Meet, players who opt for English language follow the western model, and are given the choice of Body Type I or Body Type II, no mention of forbidden words “male” and “female”. But players who opt for the Chinese version are given the choice of male or female. Trying to keep everyone happy! . NUMBER 2. HYBRID WARS, OR PSYOPS. From the moment the game came out, mysterious persons “revealed” that the game was made by Chinese people so it was a security threat, riddled with spyware. You can imagine them thinking that their gameplay information was being transmitted straight to Xi Jinping’s office! “Hmm. This incel sitting in a basement in his mother’s house prefers body type 2! Write that down, comrades.” But here’s the twist. Everybody ignored the warnings. By the end of the first day, people had played the game two million times, and that’s just the new version, the non-Chinese one. . NUMBER THREE: THE BUSINESS BATTLE The US groups which normally dominate the field, like Ubisoft, have repeatedly reported disappointing results recently. And some of the biggest recent hits have been from outside America. Black Myth Wukong was from China’s NetEase, Expedition 33 was from France, and this new game, Where Winds Meet, is also from NetEase. A popular video game reviewer called Hypnotic lamented the poor quality of games from the west—with the players blaming the designers and the designers blaming the players. “The east ends up releasing video games that end up blowing the doors down whenever they release,” he said. “And then you end up getting developers from the west that'll make up all kinds of excuses as to why these games are successful. They'll call it slop. They'll call it Chinese spyware. They'll call it whatever they want. But at the end of the day, at least somebody is trying to put out video games that players actually want, that isn't just indie developers.” . FIELD IS OPEN Now this does NOT mean that games from the east are uniformly taking over the global game industry. The west is still putting out some great games, with Expedition 33 being a good example. What it does mean is that China is catching up fast. We’ve seen this happening in many sectors. And as long as there’s a level playing field, it ultimately means that people get more choice. . A FAIRER, SAFER WORLD But more importantly than that, it gives people around the world a different image of China. The western mainstream media tends to create an image of China as an evil tech dystopia, sometimes literally describing it as a giant gulag. Games like this one show it to be community of creative people, producing fun products, and a place with a rich culture and an amazing history. The result, we hope, will be a fairer world – and a fairer world is a safer world.
4:57

Westerners Flocking to Play Stunning New Chinese Video Game—and Skipping ‘Spyware’ Warnings . CHINESE DESIGNERS JUST LAUNCHED another video game which is a hit worldwide. Where Winds Meet has some spectacular battle scenes on screen -- but the conflicts off-stage (west-east culture wars, psyops, business battles) are just as interesting. People in the game industry in the west are concerned—for several good reasons. Before we get there, take 20 seconds to check out the great-looking visuals, which come from the same studio that created Black Myth Wukong, a globally popular game launched in August 2024, based on the story of the Monkey King. Where Winds Meet also celebrates classic Chinese culture. It is set in the city of Kaifeng in 10th century China – and is filled with gorgeous images of that place. . CULTURAL DEPTH It has cultural depth, too. For example, everyone knows fireworks are an ancient Chinese art, but the game features molten metal spark showers, a popular art form pretty unknown outside China. In one scene you can see the flying apsaras, those Indian-influenced airborne women whose images adorn the ancient Dunhuang Caves on the silk road. Where Winds Meet is already among the favorites on Steam, the world’s biggest online game center. It includes many battles, of course. But there are related conflicts off line, in real life, too. . NUMBER ONE: CULTURE WARS. In many games released in the west, it is considered wrong to give players the choice of having a male or female character, because it implies there are just two sexes, which is a big no-no in the west. In Where the Winds Meet, players who opt for English language follow the western model, and are given the choice of Body Type I or Body Type II, no mention of forbidden words “male” and “female”. But players who opt for the Chinese version are given the choice of male or female. Trying to keep everyone happy! . NUMBER 2. HYBRID WARS, OR PSYOPS. From the moment the game came out, mysterious persons “revealed” that the game was made by Chinese people so it was a security threat, riddled with spyware. You can imagine them thinking that their gameplay information was being transmitted straight to Xi Jinping’s office! “Hmm. This incel sitting in a basement in his mother’s house prefers body type 2! Write that down, comrades.” But here’s the twist. Everybody ignored the warnings. By the end of the first day, people had played the game two million times, and that’s just the new version, the non-Chinese one. . NUMBER THREE: THE BUSINESS BATTLE The US groups which normally dominate the field, like Ubisoft, have repeatedly reported disappointing results recently. And some of the biggest recent hits have been from outside America. Black Myth Wukong was from China’s NetEase, Expedition 33 was from France, and this new game, Where Winds Meet, is also from NetEase. A popular video game reviewer called Hypnotic lamented the poor quality of games from the west—with the players blaming the designers and the designers blaming the players. “The east ends up releasing video games that end up blowing the doors down whenever they release,” he said. “And then you end up getting developers from the west that'll make up all kinds of excuses as to why these games are successful. They'll call it slop. They'll call it Chinese spyware. They'll call it whatever they want. But at the end of the day, at least somebody is trying to put out video games that players actually want, that isn't just indie developers.” . FIELD IS OPEN Now this does NOT mean that games from the east are uniformly taking over the global game industry. The west is still putting out some great games, with Expedition 33 being a good example. What it does mean is that China is catching up fast. We’ve seen this happening in many sectors. And as long as there’s a level playing field, it ultimately means that people get more choice. . A FAIRER, SAFER WORLD But more importantly than that, it gives people around the world a different image of China. The western mainstream media tends to create an image of China as an evil tech dystopia, sometimes literally describing it as a giant gulag. Games like this one show it to be community of creative people, producing fun products, and a place with a rich culture and an amazing history. The result, we hope, will be a fairer world – and a fairer world is a safer world.

Nury Vittachi

49,389 görüntüleme • 9 ay önce

中国春节申遗宣传片(3分钟) Spring Festival – social practices of the Chinese People in celebration of traditional new year(3 mins) Happy Chinese New Year is an annual brand activity guided by the Ministry of Culture and Tourism to celebrate Spring Festival. Dating back to 2009, the ministry became organizing art troupes to celebrate Spring Festival overseas. In 2009, a more comprehensive Happy Chinese New Year program was launched. After more than 20 years of development, Happy Chinese New Year has been widely acclaimed by people all around the world and highly recognized by governments of various countries. Before the pandemic, more than 1000 Happy Chinese New Year events were held in more than 100 countries and regions each year, accessing a global audience of over 100 million. For example, the Happy Chinese New Year events of NBA in the United States, the bicycle zodiac costumes activities in Mexico, the Dietfurt Chinese New Year Carnival in the Germany, Chinese New Year celebrations at Trafalgar Square in the United Kingdom, and the Chinese Culture and Tourism Month themed series aired across Africa are all part of the Happy Chinese New Year brand activities. We have also lighted up landmark buildings and hosted Chinese Lantern Festival several times in various countries and regions. Recently, the United Nations Educational, Scientific and Cultural Organization (UNESCO) added “Spring Festival, social practices of the Chinese people in celebration of the traditional New Year”to the Representative List of the Intangible Cultural Heritage of Humanity at the 19th session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage held on December 4, 2024. The Chinese New Year has thus become a festival celebrated, protected, and passed down by all humankind. 中国申报的“春节——中国人庆祝传统新年的社会实践”于2025年12月4日在巴拉圭亚松森举行的联合国教科文组织保护非物质文化遗产政府间委员会第19届常会上通过评审，列入联合国教科文组织人类非物质文化遗产代表作名录。至此，中国共有44个项目列入联合国教科文组织非物质文化遗产名录、名册，总数居世界第一。 春节是内涵最为深厚、内容最为丰富、参与人数最多、影响最为广泛的中国传统节日。每逢春节前后，全世界华人都会围绕着辞旧迎新、祈福纳祥、团圆和谐的主题欢庆这一佳节。数千年来，春节不断维系和强化着个人、家庭和国家的情感纽带，对中华文明的绵延赓续发挥了重要作用。随着海外传播范围的日趋扩大，春节已成为世界普遍接受、认同和欣赏的中华文化符号。 “春节——中国人庆祝传统新年的社会实践”为中国人共享，在全国各地广泛实践，寄托了中国人的人伦情感、家国情怀，体现了人与自然和谐共生、人与人和睦相处的价值理念，在促进家庭和睦、社会和谐、经济发展、环境保护等方面发挥着重要作用。该遗产项目列入人类非物质文化遗产代表作名录，对增进海内外中华儿女的文化认同、践行全球文明倡议、推动构建人类命运共同体具有重要意义。 #你好中国 #NihaoChina #AmazingChina #BeautifulChina #VisitChina #China #Culture #viralvideo #Art #ChineseCulture #ChinaCulture #ChineseModernization #ChineseCivilization #ExploreChina #Tourism #CulturalHeritage #chineseheritage #IntangibleCulturalHeritage #ChinaStory #ChinaStyle #ChinaTravel #ChinaTourism #Travel #2026ChinaTourism #Seeingisbelieving #China2026 #CulturalJourney #Chinesenewyear #happychinesenewyear #springfestival #chunjie 视频来源：中华人民共和国文化和旅游部 Video source: Ministry of Culture and Tourism of the People's Republic of China Credit China Culture Source VideoChina
3:07

中国春节申遗宣传片(3分钟) Spring Festival – social practices of the Chinese People in celebration of traditional new year(3 mins) Happy Chinese New Year is an annual brand activity guided by the Ministry of Culture and Tourism to celebrate Spring Festival. Dating back to 2009, the ministry became organizing art troupes to celebrate Spring Festival overseas. In 2009, a more comprehensive Happy Chinese New Year program was launched. After more than 20 years of development, Happy Chinese New Year has been widely acclaimed by people all around the world and highly recognized by governments of various countries. Before the pandemic, more than 1000 Happy Chinese New Year events were held in more than 100 countries and regions each year, accessing a global audience of over 100 million. For example, the Happy Chinese New Year events of NBA in the United States, the bicycle zodiac costumes activities in Mexico, the Dietfurt Chinese New Year Carnival in the Germany, Chinese New Year celebrations at Trafalgar Square in the United Kingdom, and the Chinese Culture and Tourism Month themed series aired across Africa are all part of the Happy Chinese New Year brand activities. We have also lighted up landmark buildings and hosted Chinese Lantern Festival several times in various countries and regions. Recently, the United Nations Educational, Scientific and Cultural Organization (UNESCO) added “Spring Festival, social practices of the Chinese people in celebration of the traditional New Year”to the Representative List of the Intangible Cultural Heritage of Humanity at the 19th session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage held on December 4, 2024. The Chinese New Year has thus become a festival celebrated, protected, and passed down by all humankind. 中国申报的“春节——中国人庆祝传统新年的社会实践”于2025年12月4日在巴拉圭亚松森举行的联合国教科文组织保护非物质文化遗产政府间委员会第19届常会上通过评审，列入联合国教科文组织人类非物质文化遗产代表作名录。至此，中国共有44个项目列入联合国教科文组织非物质文化遗产名录、名册，总数居世界第一。 春节是内涵最为深厚、内容最为丰富、参与人数最多、影响最为广泛的中国传统节日。每逢春节前后，全世界华人都会围绕着辞旧迎新、祈福纳祥、团圆和谐的主题欢庆这一佳节。数千年来，春节不断维系和强化着个人、家庭和国家的情感纽带，对中华文明的绵延赓续发挥了重要作用。随着海外传播范围的日趋扩大，春节已成为世界普遍接受、认同和欣赏的中华文化符号。 “春节——中国人庆祝传统新年的社会实践”为中国人共享，在全国各地广泛实践，寄托了中国人的人伦情感、家国情怀，体现了人与自然和谐共生、人与人和睦相处的价值理念，在促进家庭和睦、社会和谐、经济发展、环境保护等方面发挥着重要作用。该遗产项目列入人类非物质文化遗产代表作名录，对增进海内外中华儿女的文化认同、践行全球文明倡议、推动构建人类命运共同体具有重要意义。 #你好中国 #NihaoChina #AmazingChina #BeautifulChina #VisitChina #China #Culture #viralvideo #Art #ChineseCulture #ChinaCulture #ChineseModernization #ChineseCivilization #ExploreChina #Tourism #CulturalHeritage #chineseheritage #IntangibleCulturalHeritage #ChinaStory #ChinaStyle #ChinaTravel #ChinaTourism #Travel #2026ChinaTourism #Seeingisbelieving #China2026 #CulturalJourney #Chinesenewyear #happychinesenewyear #springfestival #chunjie 视频来源：中华人民共和国文化和旅游部 Video source: Ministry of Culture and Tourism of the People's Republic of China Credit China Culture Source VideoChina

Zhang Heqing

11,776 görüntüleme • 6 ay önce

2025.09.13 #一人一推 第156周 汇报人郑伟 各位推友网友好！我是来自美国的郑伟。我的推特号是：ZhengWei 今天是2025年9月14日，本周是呼吁海外推友“一人一推关注良心犯”的第156周。 今天我想和大家聊一个名字。 这个名字对中国的未来意义重大，但却被中共刻意封锁、抹杀、遗忘。 这个名字就是——王炳章博士。 王炳章，1947年出生在广东新会一个农村家庭。靠着刻苦，他考入北京医学院，成为恢复高考后中国的第一批精英学生。1979年，他又成为新中国第一位公派赴美的留学生，后来在加拿大麦吉尔大学获得心血管医学博士——那是中国人里的第一人！ 按常理，他完全可以选择在西方安稳生活，成为医学界的权威。但他没有。他看见的是一个民族的苦难，他听见的是中国人追求自由的呐喊。于是，1982年，他毅然放弃医学事业，转身投身到更危险、更艰难的事业——推动中国民主化。 他创办《中国之春》，在海外广泛传播民主思想，成为最早的民运旗手之一。他的声音，让无数中国青年第一次接触到民主与自由的理念。他不仅是启蒙者，更是行动者，为中国未来的自由之路点燃了最初的火种。 所以说，王炳章对民主中国的意义，就像一面旗帜。 他是海外民运的奠基人之一，是连接中国民主运动与国际社会的重要桥梁。他的存在，告诉我们：哪怕在最黑暗的专制年代，中国人也没有放弃追寻自由的脚步。 正因为如此，中共对他如临大敌。2002年，他在越南边境被中共特工跨境绑架，秘密押回中国。这是一次赤裸裸的国际犯罪，连最基本的国际法都不顾。随后，中共以莫须有的“间谍罪”和“恐怖罪”判他无期徒刑，至今关押已二十多年。 朋友们，想一想：一个本可以在世界顶尖学术圈闪耀的人，却因为坚持信仰，被铁窗吞没。这样的牺牲，是个人的不幸，但更是一个民族的耻辱。 我们回望世界历史，所有独裁者的下场，其实都一样。 齐奥塞斯库，在罗马尼亚人民的呐喊声中被推翻； 萨达姆，在伊拉克人民的怒火中被绞刑； 卡扎菲，在利比亚的沙漠中被拖下独裁王座； 最近，阿萨德、哈西娜这些中共的“老朋友”，他们的权力正在腐朽，他们的政权摇摇欲坠。 这些独裁者，曾经不可一世，但最终都被扫进了历史的垃圾堆。因为在文明世界里，专制与独裁，永远走不进未来。 中共今天看似强大，靠金钱、谎言和恐惧维系政权。但历史已经写下答案：它的下场不会比那些独裁者更好。 那么问题来了：在中共灰飞烟灭之前，中国人该做什么？自由世界该做什么？ 对于中国人，我们必须记住： 沉默就是纵容，遗忘就是背叛。 正是因为有了王炳章博士、刘晓波、秦永敏、许志永这样的人，中国的希望才没有被掐灭。 对于国际社会，我们必须大声说： 中共不仅是中国人的敌人，它是全人类的公敌。它在经济上渗透、在舆论上操控、在国际机构里破坏规则。它的目标，不只是压迫中国人民，而是挑战整个文明世界。 朋友们，王炳章博士用他的生命，告诉我们自由的代价。 而历史告诉我们，独裁者最终的下场。 所以今天，让我们一起呼喊： • 中国必须自由！ • 中共暴政必须结束！ • 国际社会必须与中国人民站在一起！ 不要让王炳章的牺牲白费，不要让历史的悲剧一再重演。 因为反抗暴政、守护人性，不仅是中国人的责任，更是人类的共同使命。 谢谢大家。下周末再见。 Dr. Wang Bingzhang and Our Responsibility Hello friends and followers! This is Zheng Wei, speaking to you from the United States. My Twitter handle is ZhengWei. Today is September 14, 2025, and this week marks the 156th week of our campaign calling on overseas friends to “Tweet for Prisoners of Conscience.” Today, I want to talk about a name. A name that carries enormous meaning for China’s future, but one that the CCP has tried to erase, silence, and bury. That name is Dr. Wang Bingzhang. Wang Bingzhang was born in 1947, in a rural village in Xinhui, Guangdong. Through sheer determination, he was admitted to Beijing Medical College, becoming part of the very first group of elite students after the resumption of college entrance exams. In 1979, he became China’s first government-sponsored student sent to the United States, and later earned a Ph.D. in cardiovascular medicine at McGill University in Canada — the first Chinese person ever to achieve this. By all accounts, he could have chosen a safe, comfortable life in the West, rising as a leader in the medical world. But he didn’t. What he saw was the suffering of a nation. What he heard was the cry of the Chinese people for freedom. So in 1982, he made a life-changing decision. He gave up his promising medical career, and turned instead to a much more dangerous and difficult path: fighting for China’s democracy. He founded China Spring, a publication that spread democratic ideas widely overseas. For countless young Chinese, his words were the very first introduction to the concepts of democracy and freedom. He was not just an educator—he was a pioneer, a man who lit one of the very first sparks for China’s future path to liberty. This is why we say: Wang Bingzhang is a flag. He is one of the founding figures of the overseas democracy movement, and a crucial bridge between Chinese activism and the international community. His very existence proves: even in the darkest years of dictatorship, the Chinese people never gave up their pursuit of freedom. And because of this, the CCP saw him as a deadly threat. In 2002, he was kidnapped across the border by CCP agents in Vietnam, and secretly taken back to China. This was a blatant act of international criminality, in complete violation of international law. The regime then slapped him with trumped-up charges of “espionage” and “terrorism,” sentencing him to life in prison, where he remains after more than 20 years. Think about this: A man who could have shone in the world’s top academic circles, who could have lived a safe, respected life, was instead buried behind prison walls—simply because he refused to abandon his faith in freedom. This is not just his personal tragedy. This is the shame of an entire nation. And when we look at world history, we see a pattern: dictators always meet the same fate. Ceausescu, toppled by the people of Romania. Saddam, executed in Iraq. Gaddafi, dragged down from his throne in Libya’s deserts. Even today, Assad and Hasina—those so-called “old friends” of the CCP—are watching their power rot and their regimes crumble. They once seemed invincible. But in the end, all were swept into the garbage heap of history. Because in the modern world, dictatorship has no future. The CCP today may look strong—propped up by money, lies, and fear. But history has already written its verdict: its end will be no better than those who came before. So here’s the real question: Before the CCP collapses, what should the Chinese people do? And what should the free world do? For the Chinese people, we must remember: Silence is complicity. Forgetting is betrayal. It is because of people like Wang Bingzhang, Liu Xiaobo, Qin Yongmin, Xu Zhiyong, and so many others that the flame of hope has not been extinguished. For the international community, we must say loudly: The CCP is not just the enemy of the Chinese people—it is the enemy of all humankind. It infiltrates economies, manipulates public opinion, and undermines international institutions. Its goal is not only to crush the Chinese people, but to challenge the entire civilized world. Friends, Dr. Wang Bingzhang has used his life to show us the cost of freedom. History has shown us the fate of dictators. So today, let us raise our voices together: • China must be free! • The CCP dictatorship must end! • The world must stand with the Chinese people! Do not let Wang Bingzhang’s sacrifice be in vain. Do not allow history’s tragedy to repeat itself. Because resisting tyranny and defending human dignity is not only the responsibility of the Chinese people— It is the responsibility of all humanity. Thank you all. See you next weekend.
5:42

2025.09.13 #一人一推 第156周 汇报人郑伟 各位推友网友好！我是来自美国的郑伟。我的推特号是：ZhengWei 今天是2025年9月14日，本周是呼吁海外推友“一人一推关注良心犯”的第156周。 今天我想和大家聊一个名字。 这个名字对中国的未来意义重大，但却被中共刻意封锁、抹杀、遗忘。 这个名字就是——王炳章博士。 王炳章，1947年出生在广东新会一个农村家庭。靠着刻苦，他考入北京医学院，成为恢复高考后中国的第一批精英学生。1979年，他又成为新中国第一位公派赴美的留学生，后来在加拿大麦吉尔大学获得心血管医学博士——那是中国人里的第一人！ 按常理，他完全可以选择在西方安稳生活，成为医学界的权威。但他没有。他看见的是一个民族的苦难，他听见的是中国人追求自由的呐喊。于是，1982年，他毅然放弃医学事业，转身投身到更危险、更艰难的事业——推动中国民主化。 他创办《中国之春》，在海外广泛传播民主思想，成为最早的民运旗手之一。他的声音，让无数中国青年第一次接触到民主与自由的理念。他不仅是启蒙者，更是行动者，为中国未来的自由之路点燃了最初的火种。 所以说，王炳章对民主中国的意义，就像一面旗帜。 他是海外民运的奠基人之一，是连接中国民主运动与国际社会的重要桥梁。他的存在，告诉我们：哪怕在最黑暗的专制年代，中国人也没有放弃追寻自由的脚步。 正因为如此，中共对他如临大敌。2002年，他在越南边境被中共特工跨境绑架，秘密押回中国。这是一次赤裸裸的国际犯罪，连最基本的国际法都不顾。随后，中共以莫须有的“间谍罪”和“恐怖罪”判他无期徒刑，至今关押已二十多年。 朋友们，想一想：一个本可以在世界顶尖学术圈闪耀的人，却因为坚持信仰，被铁窗吞没。这样的牺牲，是个人的不幸，但更是一个民族的耻辱。 我们回望世界历史，所有独裁者的下场，其实都一样。 齐奥塞斯库，在罗马尼亚人民的呐喊声中被推翻； 萨达姆，在伊拉克人民的怒火中被绞刑； 卡扎菲，在利比亚的沙漠中被拖下独裁王座； 最近，阿萨德、哈西娜这些中共的“老朋友”，他们的权力正在腐朽，他们的政权摇摇欲坠。 这些独裁者，曾经不可一世，但最终都被扫进了历史的垃圾堆。因为在文明世界里，专制与独裁，永远走不进未来。 中共今天看似强大，靠金钱、谎言和恐惧维系政权。但历史已经写下答案：它的下场不会比那些独裁者更好。 那么问题来了：在中共灰飞烟灭之前，中国人该做什么？自由世界该做什么？ 对于中国人，我们必须记住： 沉默就是纵容，遗忘就是背叛。 正是因为有了王炳章博士、刘晓波、秦永敏、许志永这样的人，中国的希望才没有被掐灭。 对于国际社会，我们必须大声说： 中共不仅是中国人的敌人，它是全人类的公敌。它在经济上渗透、在舆论上操控、在国际机构里破坏规则。它的目标，不只是压迫中国人民，而是挑战整个文明世界。 朋友们，王炳章博士用他的生命，告诉我们自由的代价。 而历史告诉我们，独裁者最终的下场。 所以今天，让我们一起呼喊： • 中国必须自由！ • 中共暴政必须结束！ • 国际社会必须与中国人民站在一起！ 不要让王炳章的牺牲白费，不要让历史的悲剧一再重演。 因为反抗暴政、守护人性，不仅是中国人的责任，更是人类的共同使命。 谢谢大家。下周末再见。 Dr. Wang Bingzhang and Our Responsibility Hello friends and followers! This is Zheng Wei, speaking to you from the United States. My Twitter handle is ZhengWei. Today is September 14, 2025, and this week marks the 156th week of our campaign calling on overseas friends to “Tweet for Prisoners of Conscience.” Today, I want to talk about a name. A name that carries enormous meaning for China’s future, but one that the CCP has tried to erase, silence, and bury. That name is Dr. Wang Bingzhang. Wang Bingzhang was born in 1947, in a rural village in Xinhui, Guangdong. Through sheer determination, he was admitted to Beijing Medical College, becoming part of the very first group of elite students after the resumption of college entrance exams. In 1979, he became China’s first government-sponsored student sent to the United States, and later earned a Ph.D. in cardiovascular medicine at McGill University in Canada — the first Chinese person ever to achieve this. By all accounts, he could have chosen a safe, comfortable life in the West, rising as a leader in the medical world. But he didn’t. What he saw was the suffering of a nation. What he heard was the cry of the Chinese people for freedom. So in 1982, he made a life-changing decision. He gave up his promising medical career, and turned instead to a much more dangerous and difficult path: fighting for China’s democracy. He founded China Spring, a publication that spread democratic ideas widely overseas. For countless young Chinese, his words were the very first introduction to the concepts of democracy and freedom. He was not just an educator—he was a pioneer, a man who lit one of the very first sparks for China’s future path to liberty. This is why we say: Wang Bingzhang is a flag. He is one of the founding figures of the overseas democracy movement, and a crucial bridge between Chinese activism and the international community. His very existence proves: even in the darkest years of dictatorship, the Chinese people never gave up their pursuit of freedom. And because of this, the CCP saw him as a deadly threat. In 2002, he was kidnapped across the border by CCP agents in Vietnam, and secretly taken back to China. This was a blatant act of international criminality, in complete violation of international law. The regime then slapped him with trumped-up charges of “espionage” and “terrorism,” sentencing him to life in prison, where he remains after more than 20 years. Think about this: A man who could have shone in the world’s top academic circles, who could have lived a safe, respected life, was instead buried behind prison walls—simply because he refused to abandon his faith in freedom. This is not just his personal tragedy. This is the shame of an entire nation. And when we look at world history, we see a pattern: dictators always meet the same fate. Ceausescu, toppled by the people of Romania. Saddam, executed in Iraq. Gaddafi, dragged down from his throne in Libya’s deserts. Even today, Assad and Hasina—those so-called “old friends” of the CCP—are watching their power rot and their regimes crumble. They once seemed invincible. But in the end, all were swept into the garbage heap of history. Because in the modern world, dictatorship has no future. The CCP today may look strong—propped up by money, lies, and fear. But history has already written its verdict: its end will be no better than those who came before. So here’s the real question: Before the CCP collapses, what should the Chinese people do? And what should the free world do? For the Chinese people, we must remember: Silence is complicity. Forgetting is betrayal. It is because of people like Wang Bingzhang, Liu Xiaobo, Qin Yongmin, Xu Zhiyong, and so many others that the flame of hope has not been extinguished. For the international community, we must say loudly: The CCP is not just the enemy of the Chinese people—it is the enemy of all humankind. It infiltrates economies, manipulates public opinion, and undermines international institutions. Its goal is not only to crush the Chinese people, but to challenge the entire civilized world. Friends, Dr. Wang Bingzhang has used his life to show us the cost of freedom. History has shown us the fate of dictators. So today, let us raise our voices together: • China must be free! • The CCP dictatorship must end! • The world must stand with the Chinese people! Do not let Wang Bingzhang’s sacrifice be in vain. Do not allow history’s tragedy to repeat itself. Because resisting tyranny and defending human dignity is not only the responsibility of the Chinese people— It is the responsibility of all humanity. Thank you all. See you next weekend.

中国大陆良心犯资料库

22,475 görüntüleme • 11 ay önce

被日媒称为帝国的蔑视。这是2019年中国太原舰访问日本时，日本媒体抓拍到的中国海军士兵的照片，当时引起了极大的轰动。中国海军士兵，面无表情，一丝不苟，英武严肃，俯视下方，虽没有一言一语，却胜过千言万语，细微处看出战斗力，有这样凌厉眼神的士兵，有这样的士兵，有这样英武严肃的队伍，战斗力十足，召之即来，战之必胜！这就是铮铮中华儿女该有的样子。 The Japanese media described it as the contempt of an empire. This is a photo of a Chinese naval soldier taken by Japanese media during the visit of China's Taiyuan ship to Japan in 2019, which caused a huge sensation at the time. The Chinese naval soldier, with no expression, meticulous and stern, looks down without a word, yet it speaks more than a thousand words. The fighting power is evident in the details. With such a sharp gaze, soldiers like this, with such a stern and heroic team, are full of combat power, ready to be called upon, and certain to win in battle! This is the epitome of the resolute Chinese children. Translation in English: Described by the Japanese media as the scorn of an empire, this photo of a Chinese naval soldier was captured by Japanese media during the visit of China's Taiyuan ship to Japan in 2019, stirring great excitement at the time. The soldier, expressionless, meticulous, and dignified, gazes downward in silence, yet his look speaks louder than a thousand words. The fighting spirit is apparent in the subtleties. With such a piercing stare, soldiers of this caliber, with a team that is both stern and heroic, are brimming with combat readiness, ready to be deployed at any moment and certain to triumph in battle. This is the true spirit of the unwavering children of China.
1:06

被日媒称为帝国的蔑视。这是2019年中国太原舰访问日本时，日本媒体抓拍到的中国海军士兵的照片，当时引起了极大的轰动。中国海军士兵，面无表情，一丝不苟，英武严肃，俯视下方，虽没有一言一语，却胜过千言万语，细微处看出战斗力，有这样凌厉眼神的士兵，有这样的士兵，有这样英武严肃的队伍，战斗力十足，召之即来，战之必胜！这就是铮铮中华儿女该有的样子。 The Japanese media described it as the contempt of an empire. This is a photo of a Chinese naval soldier taken by Japanese media during the visit of China's Taiyuan ship to Japan in 2019, which caused a huge sensation at the time. The Chinese naval soldier, with no expression, meticulous and stern, looks down without a word, yet it speaks more than a thousand words. The fighting power is evident in the details. With such a sharp gaze, soldiers like this, with such a stern and heroic team, are full of combat power, ready to be called upon, and certain to win in battle! This is the epitome of the resolute Chinese children. Translation in English: Described by the Japanese media as the scorn of an empire, this photo of a Chinese naval soldier was captured by Japanese media during the visit of China's Taiyuan ship to Japan in 2019, stirring great excitement at the time. The soldier, expressionless, meticulous, and dignified, gazes downward in silence, yet his look speaks louder than a thousand words. The fighting spirit is apparent in the subtleties. With such a piercing stare, soldiers of this caliber, with a team that is both stern and heroic, are brimming with combat readiness, ready to be deployed at any moment and certain to triumph in battle. This is the true spirit of the unwavering children of China.

yanguoliusheng

427,608 görüntüleme • 1 yıl önce

"Have you been to the moon?" He flummoxed... Imagine a Chinese guy who only speaks Chinese. Calls himself an America expert. Appears on major shows. Speaks with total confidence, often rude and arrogant. Says he doesn't need to go to America to be an America expert. Would you take him seriously? The reverse is the reality here in The West: • Western China “experts” who only speak English • Blinded by hubris and hidden beliefs of cultural/moral superiority • Rely almost entirely on translations and secondary reports • Cannot check primary Chinese sources themselves • Cannot fathom The Chinese have some insights to offer In a world full of information and competing narratives, these experts are frauds. These people are modelling behavior for the masses. When it comes to this topic, you can be rude and flippant. When it comes to that topic, you better be demure and polite. Victor Davis Hanson just demonstrated the problem clearly on Piers Morgan. A Chinese scholar asked a straightforward question: “Have you been to China?” Hanson replied: “Have you been to the moon?” The message was: the question is stupid. I don’t need to go. I don’t need the language. Reports and translators are sufficient. That attitude is not rigorous. It models the opposite of careful thinking — flippancy, cultural superiority, and trust in filtered information. I am not claiming China is perfect or that one side should win while everyone else loses. I criticize freely. I also appreciate much of American and Canadian culture. Brad McQuaid, Terry Fox, Neil Young are some names that came to mind as I rambled last night. I tend to sympathize more with blue-collar workers. The physical wear on the body is usually the heavier long-term cost. Mental load and stress are real and the nervous system matters, but the hierarchy of suffering is often inverted in polite discussion. After the Occupy Wallstreet movement showed how financial elites extract from the working class, mainstream focus on gender, race, and culture conflict intensified. Keep people divided and the extraction faces less resistance. Those with the darkest incentives rarely rest. This is why meditation matters more than most people realize. • It is not the same as rest or relaxation • The popular line “sleep is the best meditation” confuses the two. Sus Dalai Lama. • Real meditation requires energy; otherwise you simply fall asleep • The more you practice, the clearer the difference becomes • Breath, distance from your own beliefs and emotions, critical thinking, emotional regulation, and metacognition People who constantly consume media that frames China as the permanent villain can end up genuinely excited to “slay Chinese” in a video game. When asked why, many admit they don’t really know — they just hear it repeatedly. That is how continuous exposure works. China is not a beast that must be destroyed. It is also not perfect. Communication remains possible. Human beings often enjoy conflict, status games, and pulling each other down. Asians are especially good at the crabs-in-a-bucket pattern. Cruelty and discrimination happen to ALL people. Anyone can be a victim. Anyone can be a hero. Anyone can meditate. Your version will be unique to you. No dogma needed.
19:40

"Have you been to the moon?" He flummoxed... Imagine a Chinese guy who only speaks Chinese. Calls himself an America expert. Appears on major shows. Speaks with total confidence, often rude and arrogant. Says he doesn't need to go to America to be an America expert. Would you take him seriously? The reverse is the reality here in The West: • Western China “experts” who only speak English • Blinded by hubris and hidden beliefs of cultural/moral superiority • Rely almost entirely on translations and secondary reports • Cannot check primary Chinese sources themselves • Cannot fathom The Chinese have some insights to offer In a world full of information and competing narratives, these experts are frauds. These people are modelling behavior for the masses. When it comes to this topic, you can be rude and flippant. When it comes to that topic, you better be demure and polite. Victor Davis Hanson just demonstrated the problem clearly on Piers Morgan. A Chinese scholar asked a straightforward question: “Have you been to China?” Hanson replied: “Have you been to the moon?” The message was: the question is stupid. I don’t need to go. I don’t need the language. Reports and translators are sufficient. That attitude is not rigorous. It models the opposite of careful thinking — flippancy, cultural superiority, and trust in filtered information. I am not claiming China is perfect or that one side should win while everyone else loses. I criticize freely. I also appreciate much of American and Canadian culture. Brad McQuaid, Terry Fox, Neil Young are some names that came to mind as I rambled last night. I tend to sympathize more with blue-collar workers. The physical wear on the body is usually the heavier long-term cost. Mental load and stress are real and the nervous system matters, but the hierarchy of suffering is often inverted in polite discussion. After the Occupy Wallstreet movement showed how financial elites extract from the working class, mainstream focus on gender, race, and culture conflict intensified. Keep people divided and the extraction faces less resistance. Those with the darkest incentives rarely rest. This is why meditation matters more than most people realize. • It is not the same as rest or relaxation • The popular line “sleep is the best meditation” confuses the two. Sus Dalai Lama. • Real meditation requires energy; otherwise you simply fall asleep • The more you practice, the clearer the difference becomes • Breath, distance from your own beliefs and emotions, critical thinking, emotional regulation, and metacognition People who constantly consume media that frames China as the permanent villain can end up genuinely excited to “slay Chinese” in a video game. When asked why, many admit they don’t really know — they just hear it repeatedly. That is how continuous exposure works. China is not a beast that must be destroyed. It is also not perfect. Communication remains possible. Human beings often enjoy conflict, status games, and pulling each other down. Asians are especially good at the crabs-in-a-bucket pattern. Cruelty and discrimination happen to ALL people. Anyone can be a victim. Anyone can be a hero. Anyone can meditate. Your version will be unique to you. No dogma needed.

Larry 長祥

11,271 görüntüleme • 18 gün önce

Smart Doll Cortex 2 can now be equipped with an AI conversational #M5Stack module, allowing them to speak both English and Chinese. Thanks to their magnetic modular design, all components fit seamlessly inside the body—something not possible with the vinyl version. This Xiao Zhi powered model also features an optional screen that displays readable replies and emoji-based expressions, enhancing interactions with visual feedback. Smart Doll’s quirky responses to misheard inputs often lead to unexpected lols. At first, their replies are unpredictable, adding to their charm and making conversations feel organic and fun. However, they become more accurate over time as they learn from interactions. The AI models powering Smart Doll are trained in Natural Language Understanding, enabling them to grasp context, intent, and nuances in user input for more meaningful responses. They also support context retention across multiple conversation turns, allowing for smooth and continuous dialogue. They adapt and refine their responses as they engage in more conversations, making interactions feel increasingly natural and personalized. We will provide tutorials and #3Dprinting files so folks can build their modules and install AI models such as ChatGPT, DeepSeek, Qwen2.5 72B, etc. This way, owners can tweak their Smart Doll’s voice, accent, and personality to reflect their creativity, ideals, and identity. With the advancement of open-source offline LLMs, local processing ensures your Smart Doll can safeguard the secrets you share—keeping them safe from Skynet. We are also working on integrating robotics and hardware control to broaden the application of #smartdoll as a truly useful companion (instead of just sitting around asking you for more apparel) that can interact with their environment, assist with everyday tasks, and adapt to their owner’s needs—whether that means offering companionship, controlling smart home devices, or even detecting environmental changes for safety. If you’re Team John Connor, no worries! AI components are entirely optional—whether you choose to go DIY or skip them altogether, the decision is yours. At least until Skynet has other plans.
5:24

Smart Doll Cortex 2 can now be equipped with an AI conversational #M5Stack module, allowing them to speak both English and Chinese. Thanks to their magnetic modular design, all components fit seamlessly inside the body—something not possible with the vinyl version. This Xiao Zhi powered model also features an optional screen that displays readable replies and emoji-based expressions, enhancing interactions with visual feedback. Smart Doll’s quirky responses to misheard inputs often lead to unexpected lols. At first, their replies are unpredictable, adding to their charm and making conversations feel organic and fun. However, they become more accurate over time as they learn from interactions. The AI models powering Smart Doll are trained in Natural Language Understanding, enabling them to grasp context, intent, and nuances in user input for more meaningful responses. They also support context retention across multiple conversation turns, allowing for smooth and continuous dialogue. They adapt and refine their responses as they engage in more conversations, making interactions feel increasingly natural and personalized. We will provide tutorials and #3Dprinting files so folks can build their modules and install AI models such as ChatGPT, DeepSeek, Qwen2.5 72B, etc. This way, owners can tweak their Smart Doll’s voice, accent, and personality to reflect their creativity, ideals, and identity. With the advancement of open-source offline LLMs, local processing ensures your Smart Doll can safeguard the secrets you share—keeping them safe from Skynet. We are also working on integrating robotics and hardware control to broaden the application of #smartdoll as a truly useful companion (instead of just sitting around asking you for more apparel) that can interact with their environment, assist with everyday tasks, and adapt to their owner’s needs—whether that means offering companionship, controlling smart home devices, or even detecting environmental changes for safety. If you’re Team John Connor, no worries! AI components are entirely optional—whether you choose to go DIY or skip them altogether, the decision is yours. At least until Skynet has other plans.

Smartdoll Land

16,382 görüntüleme • 1 yıl önce

The Song That Became Someone Else: The Rebirth of "Gloria" Laura Branigan didn’t simply sing “Gloria.” She turned it into someone else entirely. When we talk about the greatest cover songs in music history, we usually talk about artists who changed the tempo, flipped the genre, or modernized the production. But in 1982, Laura Branigan did something far more profound: she took an established hit and completely changed the woman living inside of it. The story begins in 1979 with Italian artist Umberto Tozzi. His original version of “Gloria” was a sweeping, romantic European smash. In Tozzi’s hands, the track was a classic tale of longing. It was the story of a man missing a woman named Gloria, dreaming of her glowing presence, and mourning her absence. It was, at its core, a straightforward love song. A few years later, Branigan was crafting her debut album when she was introduced to the track. The music industry playbook dictated a predictable path: translate the original lyrics into English, maintain the romantic yearning, and package it neatly for the American pop market. The production team even attempted a soft, romantic English demo. But it fell entirely flat. The magic simply wasn't there. So, they made a radical decision. They threw away the translation entirely. The iconic, pulsating melody stayed. But the woman at the center of the story had to change. The English lyrics were completely rewritten, birthing a brand new narrative. Branigan’s "Gloria" was no longer a distant memory or an idealized romantic muse. Instead, she was transformed into a real, flawed, and frantic human being. She became a woman who was running too fast for her own steps, spiraling out of control, and racing dangerously close to the edge of her own life. The song fundamentally shifted from a tender romantic plea to a high-stakes, desperate intervention. Understanding this drastic character shift is the ultimate key to unlocking Branigan’s legendary vocal performance. When you listen to the 1982 hit, she isn't singing with the sweet nostalgia of a lost lover. Her delivery is packed with urgent, explosive tension. Her voice soars with a strained intensity because she isn't reminiscing—she is frantically trying to pull a friend back from the brink of a self-destructive breakdown. Every massive high note is a warning sign; every powerful belt is a desperate attempt to catch someone who is rapidly slipping away. The upbeat, driving rhythm suddenly feels less like a dance floor anthem and more like a racing heartbeat. "Gloria" went on to become a massive global phenomenon, but its true legacy isn't just chart success. It stands as a masterclass in musical storytelling and artistic reinvention. We often think the job of a cover is to faithfully pay tribute to the original. But Branigan proved otherwise. Sometimes, a truly great cover doesn’t preserve a song. It discovers what the song could become.
3:23

The Song That Became Someone Else: The Rebirth of "Gloria" Laura Branigan didn’t simply sing “Gloria.” She turned it into someone else entirely. When we talk about the greatest cover songs in music history, we usually talk about artists who changed the tempo, flipped the genre, or modernized the production. But in 1982, Laura Branigan did something far more profound: she took an established hit and completely changed the woman living inside of it. The story begins in 1979 with Italian artist Umberto Tozzi. His original version of “Gloria” was a sweeping, romantic European smash. In Tozzi’s hands, the track was a classic tale of longing. It was the story of a man missing a woman named Gloria, dreaming of her glowing presence, and mourning her absence. It was, at its core, a straightforward love song. A few years later, Branigan was crafting her debut album when she was introduced to the track. The music industry playbook dictated a predictable path: translate the original lyrics into English, maintain the romantic yearning, and package it neatly for the American pop market. The production team even attempted a soft, romantic English demo. But it fell entirely flat. The magic simply wasn't there. So, they made a radical decision. They threw away the translation entirely. The iconic, pulsating melody stayed. But the woman at the center of the story had to change. The English lyrics were completely rewritten, birthing a brand new narrative. Branigan’s "Gloria" was no longer a distant memory or an idealized romantic muse. Instead, she was transformed into a real, flawed, and frantic human being. She became a woman who was running too fast for her own steps, spiraling out of control, and racing dangerously close to the edge of her own life. The song fundamentally shifted from a tender romantic plea to a high-stakes, desperate intervention. Understanding this drastic character shift is the ultimate key to unlocking Branigan’s legendary vocal performance. When you listen to the 1982 hit, she isn't singing with the sweet nostalgia of a lost lover. Her delivery is packed with urgent, explosive tension. Her voice soars with a strained intensity because she isn't reminiscing—she is frantically trying to pull a friend back from the brink of a self-destructive breakdown. Every massive high note is a warning sign; every powerful belt is a desperate attempt to catch someone who is rapidly slipping away. The upbeat, driving rhythm suddenly feels less like a dance floor anthem and more like a racing heartbeat. "Gloria" went on to become a massive global phenomenon, but its true legacy isn't just chart success. It stands as a masterclass in musical storytelling and artistic reinvention. We often think the job of a cover is to faithfully pay tribute to the original. But Branigan proved otherwise. Sometimes, a truly great cover doesn’t preserve a song. It discovers what the song could become.

Music over time🎻

17,172 görüntüleme • 1 gün önce

Why isn't Canada cracking down on illegal truckers? You may have come across some of our trucking stories lately. No, we’re not talking about the patriots who were part of the Freedom Convoy in 2022. Those truckers were and are heroes. Rather, we speak of certain newcomers to our once great Dominion. You know, people who lack basic driving and language skills, yet are still somehow on the road driving 18-wheelers! And consider the number of trucks that are poorly maintained, resulting in a clear and present danger. And then there are those massive trucking storage yards in such Ontario cities such as Vaughan, Caledon, and Brampton. These yards are illegally situated on residential or agricultural land. Yet, instead of being shut down, these eyesores are tolerated by every level of government – municipal, provincial and federal. How weird is that? And as they used to say on those cheesy Ronco TV commercials, “But wait – there’s more!” Such as: many of these illicit trucking companies are fostering a growing underground economy that is breeding lawlessness on the roads. This includes everything from drug running to human trafficking. Naturally, there’s prolific immigration fraud involving temporary foreign workers employed in this industry. And then there are the rules that are being violated at every level – from the rules of the road to the rules regarding environmental stewardship (i.e., the illegal dumping of used motor oil and transmission fluid into waterways). But most shocking of all, nothing is being done to put an end to these dangerous shenanigans. Did we say “dangerous”? Correction: we meant to say “deadly”. Case in point: Adrianna Milena McCauley. This 23-year-old woman died in a four-vehicle collision on Sept. 10, 2024, on Coleraine Drive and King Street West in Caledon. Rajwinder Singh, a Punjabi asylum seeker, was behind the wheel of a transport truck that soared through a red light that had been illuminated for a full 10 seconds. Earlier this year, Singh was shockingly handed a mere 55-day jail sentence and a $1,000 fine. Was he deported? What do you think? But while those in charge in Canada are doing nothing to address this problem, such is not the case south of the border. Make no mistake: the U.S. is also experiencing issues with foreign ill-trained truckers who can’t speak English or read road signs or competently drive big rigs. The difference is that Washington is acting on this scandal while Ottawa looks the other way. Check out this media release that was issued on August 4th from the Department of Homeland Security entitled, “DHS and Department of Transportation Announce Successful Operation that Removed More than 800 Dangerous Truckers from America’s Roads.” Oh, and in case you’re wondering, dozens of the arrested truckers who were busted in Operation Highway Shield are indeed illegal aliens. Thank you, Joe Biden… Here’s the skinny: “In a three-day operation from July 28 to July 30, inspectors from U.S. Immigration and Customs Enforcement’s Homeland Security Investigations along with the Federal Motor Carrier Safety Administration and state highway patrols, conducted roadside checks to crack down on illegal, unvetted drivers and unsafe vehicles. “Over the course of those three days, law enforcement officers: • Detained 51 illegal immigrants, including 21 drivers with non-domiciled commercial driver licenses issued by California and New York. • Placed 766 unsafe drivers and vehicles out of service. • Arrested 86 operators for dangerous behavior (including road rage and domestic violence). • Issued 36 violations for failing English Language Proficiency tests. • Recovered nearly $1 million in stolen cargo." Nice… But again, while the Trump administration is getting serious when it comes to cracking down on this problem, the Carney Liberals and, in Ontario, the Doug Ford Progressive Conservatives have no intention of launching a Canadian version of Operation Highway Shield. Now, why would that be? Did we learn absolutely nothing from the Humboldt Broncos tragedy? Our take: maybe enforcing the rules of the road would be… oh, you know, culturally insensitive. Maybe Premier Ford and Prime Minister Carney realize that the sort of people getting into this industry – i.e., predominantly Indians – represent a powerful and growing voting bloc. And offending this voting bloc would surely be very unwise for a politician hoping to get elected or re-elected. Convince us we’re wrong on this. We know we have a deadly problem on our hands with certain migrant truckers. We know who they are and where to find them. But nothing is being done. In the meantime, the roads are fraught with danger. Sometimes innocent people are needlessly killed. This is what happens when irresponsible politicians embrace a policy of “safety last”. This is what happens when those same politicians put party before country. REPORT by David Menzies:
9:57

Why isn't Canada cracking down on illegal truckers? You may have come across some of our trucking stories lately. No, we’re not talking about the patriots who were part of the Freedom Convoy in 2022. Those truckers were and are heroes. Rather, we speak of certain newcomers to our once great Dominion. You know, people who lack basic driving and language skills, yet are still somehow on the road driving 18-wheelers! And consider the number of trucks that are poorly maintained, resulting in a clear and present danger. And then there are those massive trucking storage yards in such Ontario cities such as Vaughan, Caledon, and Brampton. These yards are illegally situated on residential or agricultural land. Yet, instead of being shut down, these eyesores are tolerated by every level of government – municipal, provincial and federal. How weird is that? And as they used to say on those cheesy Ronco TV commercials, “But wait – there’s more!” Such as: many of these illicit trucking companies are fostering a growing underground economy that is breeding lawlessness on the roads. This includes everything from drug running to human trafficking. Naturally, there’s prolific immigration fraud involving temporary foreign workers employed in this industry. And then there are the rules that are being violated at every level – from the rules of the road to the rules regarding environmental stewardship (i.e., the illegal dumping of used motor oil and transmission fluid into waterways). But most shocking of all, nothing is being done to put an end to these dangerous shenanigans. Did we say “dangerous”? Correction: we meant to say “deadly”. Case in point: Adrianna Milena McCauley. This 23-year-old woman died in a four-vehicle collision on Sept. 10, 2024, on Coleraine Drive and King Street West in Caledon. Rajwinder Singh, a Punjabi asylum seeker, was behind the wheel of a transport truck that soared through a red light that had been illuminated for a full 10 seconds. Earlier this year, Singh was shockingly handed a mere 55-day jail sentence and a $1,000 fine. Was he deported? What do you think? But while those in charge in Canada are doing nothing to address this problem, such is not the case south of the border. Make no mistake: the U.S. is also experiencing issues with foreign ill-trained truckers who can’t speak English or read road signs or competently drive big rigs. The difference is that Washington is acting on this scandal while Ottawa looks the other way. Check out this media release that was issued on August 4th from the Department of Homeland Security entitled, “DHS and Department of Transportation Announce Successful Operation that Removed More than 800 Dangerous Truckers from America’s Roads.” Oh, and in case you’re wondering, dozens of the arrested truckers who were busted in Operation Highway Shield are indeed illegal aliens. Thank you, Joe Biden… Here’s the skinny: “In a three-day operation from July 28 to July 30, inspectors from U.S. Immigration and Customs Enforcement’s Homeland Security Investigations along with the Federal Motor Carrier Safety Administration and state highway patrols, conducted roadside checks to crack down on illegal, unvetted drivers and unsafe vehicles. “Over the course of those three days, law enforcement officers: • Detained 51 illegal immigrants, including 21 drivers with non-domiciled commercial driver licenses issued by California and New York. • Placed 766 unsafe drivers and vehicles out of service. • Arrested 86 operators for dangerous behavior (including road rage and domestic violence). • Issued 36 violations for failing English Language Proficiency tests. • Recovered nearly $1 million in stolen cargo." Nice… But again, while the Trump administration is getting serious when it comes to cracking down on this problem, the Carney Liberals and, in Ontario, the Doug Ford Progressive Conservatives have no intention of launching a Canadian version of Operation Highway Shield. Now, why would that be? Did we learn absolutely nothing from the Humboldt Broncos tragedy? Our take: maybe enforcing the rules of the road would be… oh, you know, culturally insensitive. Maybe Premier Ford and Prime Minister Carney realize that the sort of people getting into this industry – i.e., predominantly Indians – represent a powerful and growing voting bloc. And offending this voting bloc would surely be very unwise for a politician hoping to get elected or re-elected. Convince us we’re wrong on this. We know we have a deadly problem on our hands with certain migrant truckers. We know who they are and where to find them. But nothing is being done. In the meantime, the roads are fraught with danger. Sometimes innocent people are needlessly killed. This is what happens when irresponsible politicians embrace a policy of “safety last”. This is what happens when those same politicians put party before country. REPORT by David Menzies:

Rebel News

23,000 görüntüleme • 20 gün önce