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Introducing Variables! (Beta)🔸A new way to create interactive experiences in Spline. 🤹‍♀️ Numbers, Strings, Booleans 🔥 Dynamic: Time, Counter, Random ↔️ Attach variables to inputs ⚡️ Trigger events from variables 🎯 Capture object props changes Demo: Remix:

Spline

112,051 subscribers

85,670 görüntüleme • 3 yıl önce •via X (Twitter)

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Spline profil fotoğrafı

Spline3 yıl önce

This feature will be in beta and it is available to all Spline users ❤️ We will keep improving it!

Diego Toda de Oliveira profil fotoğrafı

Diego Toda de Oliveira3 yıl önce

WOW, this is fricking awesome! Any plans to somehow expose variables outside the Spline scene? Let's say I want to expose variables outside a Spline Viewer instance, so I can update it programmatically and the scene is watching for changes on the variable, would that be possible?

Spline profil fotoğrafı

Spline3 yıl önce

We will have this in mind, thanks for the feedback, Diego! 💕

sambø profil fotoğrafı

sambø3 yıl önce

Dynamic counter, inputs? Daamn :D

Spline profil fotoğrafı

Spline3 yıl önce

⚡️

solodolo profil fotoğrafı

solodolo3 yıl önce

Wow! Just wow! 🤩

Spline profil fotoğrafı

Spline3 yıl önce

🙌

Ξugene profil fotoğrafı

Ξugene3 yıl önce

Super cool guys! 🙌

Spline profil fotoğrafı

Spline3 yıl önce

⚡️💕

Arvydas Gečas profil fotoğrafı

Arvydas Gečas3 yıl önce

yo, that’s awesome!!

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AK

106,527 görüntüleme • 3 yıl önce

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Maxime Maisonneuve

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A single 2D image → a 110,745-triangle 3D monster with 27 animations, running live in the browser. This is the Abyss Monster, built with img2threejs: The workflow: Image → 3D Reconstruction → Reference GLB + Specs → Rig → Animation Loops → VFX → Interactive Three.js 🔥 Inside this demo: 1/ 110,745 triangles reconstructed from the reference image 2/ 27 animation clips - Spin Flurry, Leap & Stomp, Charge, Collapse & more 3/ Reference-driven rig & animation workflow 4/ Dynamic lighting 5/ Real-time floating ember VFX 6/ Interactive WebGL character What I find most interesting is the workflow itself. The character and scene are built through a multi-prompt workflow, using visual references, GLB specs and animation loops to progressively construct the Three.js experience. Then, for the VFX, I used a single focused prompt to create the floating ember effect and integrate it into the scene. The final result is Three.js + TypeScript code - turning a visual reference into a programmable, interactive web experience. I’ll share the VFX prompt in the comments. 👇 #ThreeJS #WebGL #GameDev #TypeScript #Web3D #img2threejs

Nick

11,377 görüntüleme • 20 gün önce

$We built recursive meta-intelligence, an AI that creates its own scientific instruments, turns them into persistent worlds that an agent ecology with hundreds of AIs inhabits, and uses those worlds to discover mechanistic principles in one of the hardest classes of physical problems: how complex hierarchical materials (nested structures of matter that give rise to new function through organization) evolve and fail. The AI reasons across enormous spaces of possible physical trajectories, where every rupture changes what can happen next, and compresses those histories into principles (which humans can understand and design with) - complex chains of causal events, highly nonlinear, and intricate. Scientific superintelligence is tangible here - machine-scale exploration opening cognitive channels into complexity that has been extremely difficult for humans to traverse directly. AI builds the spaces in which its next level of reasoning becomes possible; a representation becomes an instrument, the instrument becomes an executable world, and that world becomes the substrate for further intelligence. Intelligence then grows by constructing new spaces to think in. The task we explored started from a seemingly simple prompt to explore a biological material system - the AI then chose the representation, mechanics and experiments, built a fracture laboratory to push materials to their limit, tested hypotheses and generated scientific conclusions. The swarm explored a combinatorial universe in which architecture controls function and every rupture changes the future state of the material. The AI discovered a compact principle that defines how multiscale material architecture can program the evolution of failure. Material placement and geometric order determine how forces redistribute, whether damage cascades or remains distributed, and whether function survives substantial flaws. For this discovery to happen the AI had to reason across long path-dependent histories, simulate alternative futures and compress them into generative invariants (model-based causal reasoning, counterfactual simulation and temporal abstraction applied to an evolving physical world). It is incredible to witness this transition to a new form of intelligence and capability through scaling swarms. A lot of positive will come out of this because it expands the human epistemic horizon as AI can traverse thousands of possible histories and return mechanisms compact enough for us to understand, test and build from. Intelligence compounds through its artifacts! A few lessons we learned: ▶️ Learning and discovery are flows through spaces of possibility. Early work has shown how backpropagation flows through parameters, reinforcement learning through action and consequence, and autonomous swarms through representations, instruments and executable worlds, bringing it all together. Flows create structure; structure redirects future flows in the recursive instrument. ▶️ Nonlinear physics actually defines a larger principle, where high-dimensional dynamics generate stable invariants; invariants become effective variables; those variables become the substrate for a new level of cognition. ▶️ Recursion then becomes level creation - one possibility space compresses into a principle, and that principle opens a larger space above it.$

We built recursive meta-intelligence, an AI that creates its own scientific instruments, turns them into persistent worlds that an agent ecology with hundreds of AIs inhabits, and uses those worlds to discover mechanistic principles in one of the hardest classes of physical problems: how complex hierarchical materials (nested structures of matter that give rise to new function through organization) evolve and fail. The AI reasons across enormous spaces of possible physical trajectories, where every rupture changes what can happen next, and compresses those histories into principles (which humans can understand and design with) - complex chains of causal events, highly nonlinear, and intricate. Scientific superintelligence is tangible here - machine-scale exploration opening cognitive channels into complexity that has been extremely difficult for humans to traverse directly. AI builds the spaces in which its next level of reasoning becomes possible; a representation becomes an instrument, the instrument becomes an executable world, and that world becomes the substrate for further intelligence. Intelligence then grows by constructing new spaces to think in. The task we explored started from a seemingly simple prompt to explore a biological material system - the AI then chose the representation, mechanics and experiments, built a fracture laboratory to push materials to their limit, tested hypotheses and generated scientific conclusions. The swarm explored a combinatorial universe in which architecture controls function and every rupture changes the future state of the material. The AI discovered a compact principle that defines how multiscale material architecture can program the evolution of failure. Material placement and geometric order determine how forces redistribute, whether damage cascades or remains distributed, and whether function survives substantial flaws. For this discovery to happen the AI had to reason across long path-dependent histories, simulate alternative futures and compress them into generative invariants (model-based causal reasoning, counterfactual simulation and temporal abstraction applied to an evolving physical world). It is incredible to witness this transition to a new form of intelligence and capability through scaling swarms. A lot of positive will come out of this because it expands the human epistemic horizon as AI can traverse thousands of possible histories and return mechanisms compact enough for us to understand, test and build from. Intelligence compounds through its artifacts! A few lessons we learned: ▶️ Learning and discovery are flows through spaces of possibility. Early work has shown how backpropagation flows through parameters, reinforcement learning through action and consequence, and autonomous swarms through representations, instruments and executable worlds, bringing it all together. Flows create structure; structure redirects future flows in the recursive instrument. ▶️ Nonlinear physics actually defines a larger principle, where high-dimensional dynamics generate stable invariants; invariants become effective variables; those variables become the substrate for a new level of cognition. ▶️ Recursion then becomes level creation - one possibility space compresses into a principle, and that principle opens a larger space above it.

Markus J. Buehler

360,726 görüntüleme • 6 gün önce

🚨 Paper Alert 🚨 ➡️Paper Title: Articulate3D: Zero-Shot Text-Driven 3D Object Posing 🌟Few pointers from the paper 🎯Authors of this paper proposed a training-free method, “Articulate3D”, to pose a 3D asset through language control. 🎯Despite advances in vision and language models, this task remains surprisingly challenging. 🎯To achieve this goal, they decomposed the problem into two steps. 🎯They modified a powerful image-generator to create target images conditioned on the input image and a text instruction. 🎯They then align the mesh to the target images through a multi-view pose optimisation step. 🎯 In detail, they introduced a self-attention rewiring mechanism (RSActrl) that decouples the source structure from pose within an image generative model, allowing it to maintain a consistent structure across varying poses. 🎯They observed that differentiable rendering is an unreliable signal for articulation optimisation; instead, they used keypoints to establish correspondences between input and target images. 🎯The effectiveness of Articulate3D is demonstrated across a diverse range of 3D objects and free-form text prompts, successfully manipulating poses while maintaining the original identity of the mesh. 🎯Quantitative evaluations and a comparative user study, in which their method was preferred over 85% of the time, confirm its superiority over existing approaches. 🏢Organization: University of Oxford , Google DeepMind 🧙Paper Authors: Oishi Deb, Anjun Hu, Ashkan Khakzar, Philip Torr, Christian Rupprecht 📝 Read the Full Paper here: 🗂️ Project Page: 🎥 Be sure to watch the attached Demo Video - Sound on 🔊🔊 Find this Valuable 💎 ? ♻️QT and teach your network something new Follow me 👣, naveen manwani , for the latest updates on Tech and AI-related news, insightful research papers, and exciting announcements.

🚨 Paper Alert 🚨 ➡️Paper Title: Articulate3D: Zero-Shot Text-Driven 3D Object Posing 🌟Few pointers from the paper 🎯Authors of this paper proposed a training-free method, “Articulate3D”, to pose a 3D asset through language control. 🎯Despite advances in vision and language models, this task remains surprisingly challenging. 🎯To achieve this goal, they decomposed the problem into two steps. 🎯They modified a powerful image-generator to create target images conditioned on the input image and a text instruction. 🎯They then align the mesh to the target images through a multi-view pose optimisation step. 🎯 In detail, they introduced a self-attention rewiring mechanism (RSActrl) that decouples the source structure from pose within an image generative model, allowing it to maintain a consistent structure across varying poses. 🎯They observed that differentiable rendering is an unreliable signal for articulation optimisation; instead, they used keypoints to establish correspondences between input and target images. 🎯The effectiveness of Articulate3D is demonstrated across a diverse range of 3D objects and free-form text prompts, successfully manipulating poses while maintaining the original identity of the mesh. 🎯Quantitative evaluations and a comparative user study, in which their method was preferred over 85% of the time, confirm its superiority over existing approaches. 🏢Organization: University of Oxford , Google DeepMind 🧙Paper Authors: Oishi Deb, Anjun Hu, Ashkan Khakzar, Philip Torr, Christian Rupprecht 📝 Read the Full Paper here: 🗂️ Project Page: 🎥 Be sure to watch the attached Demo Video - Sound on 🔊🔊 Find this Valuable 💎 ? ♻️QT and teach your network something new Follow me 👣, naveen manwani , for the latest updates on Tech and AI-related news, insightful research papers, and exciting announcements.

naveen manwani

14,334 görüntüleme • 1 yıl önce

Why You Never Exit Your Car During Road Rage | Shooting Caught on Video Road rage isn’t just anger — it’s one of the fastest ways to ruin your life or end it. In this video, I break down a road rage shooting caught on camera involving an off-duty police officer, and explain exactly where this situation crossed from bad decisions into a deadly confrontation. This isn’t about politics. It’s not about bravado. It’s about reality. We walk through: How road rage escalates faster than people realize The moment ego replaces judgment Why getting out of your car changes everything When a road rage incident turns into a self-defense scenario Why you don’t get to choose how someone defends themselves The legal and real-world consequences people never think about Road rage feels personal — but the moment you approach another vehicle in anger, you’re gambling with variables you don’t control. This breakdown isn’t meant to scare you. It’s meant to keep you alive. 👉 Stay in your car. Create distance. Let it go. Because the only winning move in road rage is not playing This case is the definition of FAFO — not macho posturing, but good people forced to defend themselves when evil shows up uninvited. 🔥 HOLIDAY SALE — 15% OFF SITEWIDE (CODE: FAFO) FAFO collection, hoodies, tees, hats, drinkware, and the AKT1 Blackouts — all 15% OFF right now. 👉

Why You Never Exit Your Car During Road Rage | Shooting Caught on Video Road rage isn’t just anger — it’s one of the fastest ways to ruin your life or end it. In this video, I break down a road rage shooting caught on camera involving an off-duty police officer, and explain exactly where this situation crossed from bad decisions into a deadly confrontation. This isn’t about politics. It’s not about bravado. It’s about reality. We walk through: How road rage escalates faster than people realize The moment ego replaces judgment Why getting out of your car changes everything When a road rage incident turns into a self-defense scenario Why you don’t get to choose how someone defends themselves The legal and real-world consequences people never think about Road rage feels personal — but the moment you approach another vehicle in anger, you’re gambling with variables you don’t control. This breakdown isn’t meant to scare you. It’s meant to keep you alive. 👉 Stay in your car. Create distance. Let it go. Because the only winning move in road rage is not playing This case is the definition of FAFO — not macho posturing, but good people forced to defend themselves when evil shows up uninvited. 🔥 HOLIDAY SALE — 15% OFF SITEWIDE (CODE: FAFO) FAFO collection, hoodies, tees, hats, drinkware, and the AKT1 Blackouts — all 15% OFF right now. 👉

Colion Noir

21,991 görüntüleme • 8 ay önce

Want to create an avatar from a single image? FlexAvatar is a transformer model that creates full 360°, high-quality, and expressive 3D head avatar from just a single portrait image in minutes. Real-time Demo: FlexAvatar's lightweight architecture allows both animation and rendering in real-time, enabling interactive user experiences. To create a new 3D head avatar, only one image is required, e.g., from a webcam. The final avatar is ready after 2 minutes. Architecture: Under the hood, FlexAvatar adopts a transformer-based encoder-decoder design. The encoder maps the input image onto a latent avatar space, while the decoder produces 3D Gaussian attribute maps by incorporating the animation signal via cross-attention. The model learns all facial animations directly from the data without relying on pre-built 3D face models. This equips the avatars with realistic facial expressions. The internal avatar latent space can be conveniently used to integrate additional observations of a person via fitting. This enables use-cases where more than one image of a person is available, e.g., from a phone scan of the person. We train jointly on 2D monocular videos and multi-view data. However, in monocular videos, the animation signal leaks the target viewpoint, causing the model to produce incomplete 3D heads. We call this phenomenon entanglement of driving signal and target viewpoint. To prevent entanglement, we introduce bias sinks. These are learnable tokens that indicate whether a training sample stems from a monocular or a multi-view dataset. During training, the model learns to produce incomplete 3D heads only when the monocular token is present. During inference, FlexAvatar then always uses the multi-view token for which the model has learned to produce complete 3D heads. This simple design allows to combine the generalizability from monocular data with the quality of multi-view data. FlexAvatar summary: - Input: Single-image, phone scan, or monocular video - Output: Full 360° head avatar - Expressive animations - Real-time rendering and animation - Generalization to any portrait - Create a new avatar in 2 minutes - Use bias sinks to combine 2D and 3D data 🏠 🌍 🎥 Great work by Tobias Kirschstein and Simon Giebenhain!

Matthias Niessner

96,371 görüntüleme • 9 ay önce