ะ—ะฐะณั€ัƒะทะบะฐ ะฒะธะดะตะพ...

ะะต ัƒะดะฐะปะพััŒ ะทะฐะณั€ัƒะทะธั‚ัŒ ะฒะธะดะตะพ

ะะฐ ะณะปะฐะฒะฝัƒัŽ

Introducing ๐‹๐š๐ฒ๐ž๐ซ ๐’๐ž๐ฉ๐š๐ซ๐š๐ญ๐ข๐จ๐ง ๐Ÿ๐จ๐ซ ๐’๐ž๐ž๐๐ซ๐ž๐š๐ฆ 5.0 ๐๐ซ๐จ. Turn a generated image into independent, editable layers. ๐Œ๐จ๐ฏ๐ž, ๐ซ๐ž๐ฌ๐ข๐ณ๐ž, ๐ซ๐ž๐œ๐จ๐ฅ๐จ๐ซ, ๐ซ๐ž๐ฉ๐ฅ๐š๐œ๐ž ๐จ๐ซ ๐ซ๐ž๐ฆ๐จ๐ฏ๐ž ๐ข๐ง๐๐ข๐ฏ๐ข๐๐ฎ๐š๐ฅ ๐ž๐ฅ๐ž๐ฆ๐ž๐ง๐ญ๐ฌ while keeping the rest of the composition intact. Continue refining your work in Photoshop or Figma, with less manual masking and re-cutting.

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BytePlus

16,824 subscribers

9,366,550 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 14 ะดะฝะตะน ะฝะฐะทะฐะด โ€ขvia X (Twitter)

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ะะตั‚ ะดะพัั‚ัƒะฟะฝั‹ั… ะบะพะผะผะตะฝั‚ะฐั€ะธะตะฒ

ะ—ะดะตััŒ ะฟะพัะฒัั‚ัั ะบะพะผะผะตะฝั‚ะฐั€ะธะธ ะธะท ะพั€ะธะณะธะฝะฐะปัŒะฝะพะณะพ ะฟะพัั‚ะฐ

ะŸะพั…ะพะถะธะต ะฒะธะดะตะพ

Everyone's sleeping on image-to-3D AI models. They can make your app look incredibly unique, with just a little effort. Here's how. This is my calorie tracker, built in a week with nothing but prompting. Just Claude Code + a couple APIs. The visuals are all AI-generated. I'll be sharing the full workflow + all the crazy technical stuff Claude and I did to make this work, so nobody has to struggle through it like me. Deep dive coming soon! Till then, this is the high-level idea: 1. Get a clean image of the food (or whatever your asset is) - In my app, the user describes foods via text, or attaches images (or both) - If text, an LLM extracts the food description and formats it into a specific prompt I tuned for this design, and we generate an image using Z-Image Turbo through fal - If image, we do the same thing but with FLUX.2 [dev] to edit the user image into our reference design - Originally, both used Google Nano Banana, but switching to open models cut costs and latency a ton 2. Gaussian splatting (2D image โ†’ 3D model) - I tried various 2D-to-3D options on fal and ended up with TripoSplat as my preferred balance of speed, cost, latency; this turns an image into a 3D model that looks super high quality (link below) - The app displays the 2D image while our backend generates the 3D splat - We "groom" the splat to reduce size and load time by culling low-opacity/scale points 3. Render efficiently on device Originally, it looked great but ran at 10 FPS. Getting to 120 FPS was a crazy journey. TL;DR: - SwiftUI had to go; it forced us to render each asset in independent MTKViews, which wasn't workable - Instead, we composite every dish into one full-bleed CAMetalLayer using MetalSplatter (link below) - We had to make some optimizations within MetalSplatter's code too, to reduce the overhead of sorting points per render Then I added some finishing touches like the subtle rotation and parallax as they move around. I think it turned out pretty cool :) Overall, this took some effort, but we still got it done in less than a day. Hopefully your agent can follow in the footsteps of mine and do it much faster. Keep an eye out for the bigger writeup, which'll give your agent everything it needs. If you have any questions, drop em below!

Anshu

19,931 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 2 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

Pest Control โ€œsecretโ€ for those small annoying flies that bug you while watching tv (feel free to repost since weโ€™re moving into bug season in many areas): As we move into late spring/early summer months in US, many people like to leave doors open. Sometimes youโ€™ll get an influx of small flies. There are 3 main species of flies that buzz around your head while sitting on the couch. The fruit fly, the phorid fly and the fungus gnat. If you see a small fly just โ€œsittingโ€ on your wall or a few small flies hanging out on the wall near your garbage can, it could be the fruit fly. I wonโ€™t go into boring details of how to tell various species apart, but will share one trick that can help reduce their population. First, keep your doors shut as much as possible. They gain entry usually that way, then find a source to breed in. To help reduce the breeding adults, 1) Grab a clear bowl or glass and place some red wine (or a few pieces of banana) in the glass. 2) Put some clear Saran Wrap or cling wrap on top fairly tight. 3) Next grab a pencil or pen and poke 4-6 holes in the wrap. This will allow the aroma of the fruit or wine to be strong as it comes out of the glass and will attract the flies 4) The flies will be immediately attracted to the bowl/cup and make their way into the holes you poked. Once in, theyโ€™ll drink the wine, or feed on the bananas and canโ€™t get out. I prefer wine since they get drunk and drown. Bananas wonโ€™t kill them. Wine will. 5) Discard every 7 days and repeat. The best approach is to find the source of their breeding. Garbage disposal? (Bleach doesnโ€™t work by the way) Garbage can? Debris under refrigerator? Also, re the fungus gnat species. This will not work. They feed on fungus, generally from overwatered potted plants inside or doors left open near extremely damp exterior area. One other method that is highly effective are the small plug in light traps. A combination of the above along with a plug in light trap will keep most fly issues at bay.

BowTiedBroke

98,701 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 1 ะณะพะด ะฝะฐะทะฐะด

This guy built a visual scanner that reads 468 points on his face and 42 points on his hands from a regular webcam and turns them into a cloud of thousands of particles right between his palms. Inside, MediaPipe and TouchDesigner are linked: the first captures hands and face from the webcam with high accuracy, the second turns those coordinates into a live plane and feeds it into a POP system that instantly generates a swarm of particles in the shape of a head. No studio, no render farmer, no VR headset. Just a laptop, a webcam, and 1 TouchDesigner session. And traditional VJ studios keep teams of 5 people on a setup with lighting, custom hardware, and commercial plugins, while his expenses are only a TouchDesigner subscription and a regular USB camera. One laptop runs MediaPipe and TouchDesigner simultaneously, holds the camera stream at 60 FPS without drops, and in parallel processes 468 face points + 21 points on each hand. The camera captures frame after frame, MediaPipe in real time sends TouchDesigner the finger coordinates and face geometry, and the POP operator inside the engine translates those numbers into thousands of particle points with colors from bright pink to gold. This setup immediately defines the role of the tool and the limits of its autonomy. It knows where the fingertips are at every moment of the frame. It knows how to read the face geometry at any angle to the camera. It knows how to draw a swarm of particles between them with the right color and contour. โ†’ MediaPipe pulls 468 points from the face and 21 points from each hand, 60 times per second โ†’ TouchDesigner receives those coordinates, builds a virtual rectangle between the fingertips, and feeds it into the POP system โ†’ POP generates thousands of particle points in the shape of a head, coloring them in a gradient from bright pink to gold โ†’ The HUD layer adds green corners and a blue neon frame, styling the image like an AR interface โ†’ All layers assemble into 1 real-time frame that projects back onto the video in the camera window โ†’ The final image is recorded to a file or broadcast to a projector for a live installation And only when the guy spreads his hands wider does the plane between the palms stretch; brings them together, it narrows. Otherwise the system runs on its own. And when he moves from his home room to a concert hall, the same laptop with the same webcam launches the same TouchDesigner session in just 5 minutes, without reconfiguration, without a new team, and without a single line of new code. In his work setup there is no studio of his own and no team for assembly. On the desk sits a laptop with a webcam, on top run MediaPipe and TouchDesigner with POP operators, and the same setup through a USB camera moves to any concert without a new configuration. Out of everything I have seen this year, this is the cleanest Creative Coding setup on 1 laptop: 0 render farms, 0 studio lighting, and between them 3 libraries, thousands of particle points, and 1 webcam.

Blaze

38,242 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 3 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

Today is my birthday. And like every year, I begin it with a quiet pledge โ€” To work even harder for the voiceless souls who suffer in silence every single day. ๐Ÿ’” Animal welfare is not just a cause anymore โ€” itโ€™s my way of life. And with each passing year, this resolve only grows deeper and stronger. This life is not just ours to live for ourselves โ€” itโ€™s a chance to give back. And I want to give more, love more, and serve more. In the coming year, Iโ€™ll continue strengthening our animal rescue and shelter work, while also expanding our Vidhya Niketan project โ€” supporting education for underprivileged children. I'm getting together my working friends to mentor and groom students from government intermediate schools, especially 10th-grade kids โ€” helping them dream bigger and prepare better. Weโ€™re also working to turn Jan Rasoi into a small, permanent, affordable restaurant for those who need it the most. Please bless me with the strength to continue this journey โ€” to rise above challenges, abuse, and negativity. Your love and blessings are my strength. Wish me well as I step into a more meaningful and challenging phase of life. Thank you for being there. Thank you for believing in our work. ๐Ÿ™ Pytm n gpay 7042677382 #BirthdayPledge #AnimalWelfare #VidhyaNiketan #JanRasoi #VoicelessSouls

Vidit Sharma ๐Ÿ‡ฎ๐Ÿ‡ณ

20,829 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 1 ะณะพะด ะฝะฐะทะฐะด

What did you do to my friend !! ๐Ÿ˜ก This is the trending โ€œFight Promptโ€ going viral Prompt : Use the first uploaded image as the main reference for the school uniform, body proportions, pose, posture, background, camera angle, framing, and overall composition. Use the second uploaded image as the identity reference for the face and hairstyle. Create a realistic Korean influencer-style school uniform portrait where the person from the second image naturally appears wearing the school uniform from the first image, photographed in the same studio setting. Important: Keep the school uniform, blazer, shirt, tie, skirt or pants, and overall outfit design from the first image. Keep the body proportions, standing pose, hand placement, posture, camera angle, framing, and studio background from the first image. Replace the face with the person from the second image. Also preserve the hairstyle from the second image, including bangs, hairline, hair part, hair length, hair framing around the face, and overall hair silhouette. Do not use the hairstyle from the first image if it differs from the second image. Identity: The face from the second image must remain clearly recognizable. Preserve the second personโ€™s face shape, eyes, nose, lips, skin tone, jawline, and overall facial impression. Do not turn the face into a generic attractive face. Do not beautify too heavily. Preserve the personโ€™s recognizable identity, but do not copy the face too rigidly. Reinterpret it naturally so it looks like a realistic photo of the same person in this new school-uniform scene. Keep the same overall facial impression and identity while allowing natural refinement and seamless adaptation to the lighting, angle, and mood of the target image. Hair: Follow the hairstyle from the second image. Preserve the second personโ€™s bangs, hairline, hair part, hair texture, hair length, and overall hairstyle impression. Only adapt the hair naturally so it fits the pose, lighting, and composition of the first image. Korean influencer mood: clean modern Korean influencer portrait polished but natural beauty soft photogenic expression subtle editorial mood stylish, slightly chic, youthful, and confident atmosphere refined but believable skin texture clear eyes with soft catchlights naturally pretty, not over-retouched avoid stiff ID-photo mood Lighting: soft Korean beauty lighting gentle facial brightness clean skin tone soft natural highlights on the face natural shadow transition subtle glow, but realistic skin texture avoid harsh flash avoid flat passport-photo lighting avoid dramatic studio glamour lighting Style: realistic photography clean studio portrait quality Korean influencer-style school portrait mood natural skin texture high detail seamless face and hair integration polished but believable Negative prompt: no identity loss no generic attractive face no over-beautified face no first-image hairstyle if different no awkward face blending no mismatched skin tone no mismatched hairline no distorted facial features no blurry eyes no deformed hands no extra fingers no change to the school uniform no change to the body pose no change to the background no cartoon style no anime style no text no watermark

Ai Arainz

104,348 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 3 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

๐Ÿšจ SCIENTISTS JUST TURNED WET COFFEE GROUNDS INTO COAL-LIKE FUEL IN 90 SECONDS WITHOUT DRYING IT FIRST. Researchers in South Korea have developed a plasma-based system that converts moisture-rich coffee waste directly into high-energy biochar. The process uses flame plasma (reaching 1,470โ€“1,650ยฐF) to trigger rapid carbonization through a โ€œpopcorn effect,โ€ where steam bursts inside the grounds break apart the structure and accelerate the reaction. In under two minutes, the system produces a carbon-rich material with an energy content of 29.0 MJ/kg comparable to anthracite coal while tripling the fixed carbon content and completely removing sulfur compounds. Why this matters: โ€ข Most biomass conversion methods require energy-intensive pre-drying, which this process eliminates โ€ข The resulting biochar has a much higher heating value and surface area, making it useful as fuel or for activated carbon applications โ€ข It generates minimal smoke and tar compared to traditional methods โ€ข The technology could work on other high-moisture wastes like food waste, sewage sludge, and agricultural residues The deeper implication: This represents a fast, potentially decentralized way to turn problematic organic waste into valuable resources. Instead of spending energy and money drying biomass before processing, the moisture itself becomes part of the solution. If scaled, technologies like this could help close the loop on organic waste streams while producing renewable solid fuels or advanced carbon materials with far less processing time and cost than current methods. Itโ€™s a clever example of working with the properties of waste rather than fighting them. How useful do you think rapid, drying-free waste-to-fuel systems like this could be for industries or cities dealing with large volumes of organic waste? Follow for more frontier energy and materials recycling breakthroughs.

TheNewPhysics

84,583 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 2 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

Real or AI? AI stadium broadcast trend ๐Ÿ’› ๐Ÿ’™ โ€ข Create the video here: ๐Ÿ”—[ ] - How it works? 1. Upload your photo to ChatGPT with this prompt: [PHOTO PROMPT] Realistic sports broadcast screenshot-style documentary photo set in the spectator stands of a [WRITE YOUR TEAM HERE] football match. Analyze the uploaded image and show the person sitting in the stadium seats. The person has delicate facial features and a surprised yet focused expression while looking toward the field. The person is wearing a [WRITE YOUR TEAM HERE] jersey. OUTPUT: ratio: 16:9 broadcast frame, realistic TV capture quality. 2. Open the link above โ†’ select โ€œText to Videoโ€ โ†’ upload the generated image + use this prompt: [VIDEO PROMPT] Dimage = character identity reference only (face, hairstyle, proportions).Preserve exact face, hairstyle, skin texture, and identity. Do NOT stylize or beautify.Output: single continuous live sports broadcast shot, 4-5s, 16:9, 1080p, no cuts. SUBJECT:A young woman based on Image, sitting in a [WRITE YOUR TEAM HERE] football stadium audience.Hands resting naturally on her lap or lightly placed on the seat.Neutral, slightly distant expression.Natural breathing, minimal movement. ENVIRONMENT: [WRITE YOUR TEAM HERE] stadium crowd during live match.Plastic seats, fans around her wearing [WRITE YOUR TEAM HERE] jerseys. Background slightly out of focus.Realistic stadium lighting - day or night.Slight haze from broadcast compression. MOOD:Unstaged, candid, real broadcast moment No cinematic drama. Pure live TV capture. CAMERA:Telephoto broadcast lens (120-150mm).Long-distance zoom from upper stands camera.Strong compression, shallow depth of field.Eye-level, very slight upward tilt.Subtle micro-shake from broadcast stabilization. ACTION (4-5s):[0-2s] She sits still, blinks once. Hands resting naturally.[2-4s] Subtle weight shift, naturally adjusting posture. Minimal body movement.[4-5s] Small hand reposition on lap or seat. Slight head turn toward the field._ DETAILS:No posing. No eye contact with camera. Skin texture realistic, no smoothing or beautification. Slight motion blur on background crowd.Faint broadcast scoreboard UI visible in corner.

Zaylee

26,925 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 3 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

Citizens of Slippery Rock, friends, family, and supporters, Despite the tens of thousands of dollars of outsider money and the multitude of outside influence spent on us, WE WON! For a 3rd consecutive time, youโ€™ve placed your trust in me and I am eternally grateful. In this victory, we celebrate not just a victory, but a shared commitment to keeping Slippery Rock the strong, vibrant community weโ€™ve buikt togrther over the past 8 years.. First and foremost, I want to thank God for His blessings and protection To my incredible wife and our beautiful daughter: you are my rock, my inspiration, and the reason I fight every day to make this town and this nation better for families like ours. Your strength in enduring the assaults and quiet sacrifices inspires me to strength. To my parents, who instilled in me the values of hard work and service, and to the brave men and women I served with in the United States Marine Corpsโ€”your sacrifices remind me that faith, family, and freedom are worth defending. To the volunteers, the door-knockers, the sign-wavers, and everyone who believed in our vision: you made this possible. Your energy and dedication turned passion into action. This victory is truly yours and Iโ€™m humbled to be your conduit for it. From the halls of Slippery Rock University, where I earned my degrees and where so many young minds are shaped, to our local businesses, parks, and neighborhoods, weโ€™ve accomplished so much since 2018. Weโ€™ve revitalized our downtown, supported our first responders, and fostered unprecedented economic growth while erasing nearly $1,000,000 of debt and never raising your taxes. But weโ€™re Not. Done. Yet. In the coming term, weโ€™ll continue to prioritize safe streets, strong economy, and opportunities for all. Weโ€™ll stand firm on the principles upon which our great nation was built while protecting our freedoms, supporting our veterans, and ensuring that Slippery Rock remains a place where hard work pays off and families thrive. Weโ€™ll continue to tackle infrastructure challenges, boost tourism around our university and natural beauty, and make sure every voice is heard. To Butler County and beyond: Slippery Rock has and will continue to lead from the front and by example. So hereโ€™s to our bright future. Together, weโ€™ll Keep Slippery Rock Great. May God bless you all, May God bless Slippery Rock, and May God bless the United States of America.

Jondavid โ€œJDโ€ Longo

21,479 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 9 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

Introducing Glidepath. A new way for builders on Bankr to take profit -- without nuking their own chart, or their reputation. The problem: Builders earn fees in their own token. The second they sell into the pool, the chart craters, holders get wrecked, and trust evaporates. And they torch their own long-term upside doing it. First -- what Glidepath is not: It doesn't pull liquidity. It never touches your pool's LP. Pulling liquidity makes trading your token inefficient and unappealing. It's your own tokens, fed back into the pool in slices so small the market barely registers them, each one sized by the Bankr AI agent to live conditions. Why that's healthy for the chart, not harmful: Every slice is a tiny fraction of pool depth, spread over time. Organic buy volume absorbs it, price can keep trending instead of taking a wick. A small, steady, absorbable flow is nothing like a full clip. It actually gets better. Once "the dev might dump" is off the table, buyers price in less risk. The overhang that caps every launch disappears. Less rug risk โ†’ stronger bid. Committing to a Glidepath can be bullish. And it's not optโ€‘in. Selling your fee token straight into the pool through Bankr is now turned off -- Glidepath is the only way to sell it on Bankr. So "the dev might dump" stops being a promise holders have to trust, and becomes a rule they can see. Credible commitment -- enforced, not just offered. And here's the part builders sleep on: Before you commit, Glidepath shows what that same stack is worth at higher market caps. You don't have to dump to fund your project. Grind the coin up, and the same tokens fund you many times over. Your treasury grows with your chart, not against it. Once you commit: โ†’ tokens are locked to a vesting wallet โ†’ after a short heads-up window (48hr), they exit in small slices using the AI generated sell plan โ†’ each slice capped to a fraction of real liquidity -- the AI can size under the cap, never over And it's all in the open. Your token page shows a live exit plan for everyone to see -- committed, sold, remaining -- with the exact timing fuzzed so it can't be front-run. Holders see a capped, transparent glide. No hidden float. No 3am chart nuke. Bottom line: Creators -- take profit on your terms, chart and reputation intact. Holders -- "the dev might dump" becomes a known, capped, visible number known up front. For once, you and your holders want the exact same thing: number go up. This is what launching on Bankr should mean: credible commitment, built in. Glidepath now live in your Bankr terminal

bankrbot

98,140 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 2 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

Look at the tips of her fingers. The marble is turning into leaves... This is the most astonishing detail in Bernini's Apollo and Daphne, in the Galleria Borghese in Rome. Daphne, fleeing the god Apollo, has begged to be saved, and at the instant he catches her she begins to turn into a laurel tree. Bernini carved the exact second it happens, and the change starts at her hands: her raised fingers are sprouting laurel leaves, so thin that in bright light they turn faintly translucent, the way a real leaf glows when you hold it up to the sun. To understand what that took, consider what marble actually is. It is heavy, brittle, and utterly unforgiving. A single slip, one vibration too many, and a leaf that took days to carve shatters, and there is no putting it back. When the sculpture was restored in 1997, conservators discovered how Bernini protected this fragile growth while he worked: he had wrapped the thinnest, most delicate parts in little cushions of plaster, to shield them from the vibrations traveling through the stone as he carved the rest. The same restoration revealed his real secret... The leaves and the strands of windblown hair are riddled with the marks of a bow drill, a tool that bores holes into stone. But Bernini did not drill straight in, which would have left round, mechanical holes. On the tiny leaves at Daphne's fingertips, he tilted the drill at an angle, cutting long shallow grooves instead, so the marble would mimic the natural veins and splits of a living leaf. He was imitating the way foliage actually grows. I wrote this so that the next time a sculpture detail takes your breath away, you do not see only marble. You see the months of patience of a human being who chose to spend part of his short life turning cold stone into a living leaf, so that four hundred years later a stranger would stop and feel something... I started this newsletter because our past is extraordinary, and fewer and fewer people are showing us how to truly see it. Every week I try to. If that is something you would like to be part of, you can join at the link below, and if you'd like to support my work, a paid subscription is what makes it possible: Thanks for reading.

James Lucas

64,825 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 2 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

Dear General Muhoozi Kainerugaba, this is an Urgent Caution on Individuals Hiding Atrocities, Diplomatic Irregularities, and Unexplained Wealth While Pretending to Support Your Mission I write as a concerned citizen and an Nrm cadre raising serious alarm about certain individuals who publicly claim to support your leadership and Operation Maliza Ufisadi, yet actively conceal or enable grave atrocities, abuse of office, and questionable conduct that harms ordinary Ugandans and genuine NRM Party supporters. One prominent example is Hon. John Mulimba, the outgoing State Minister for Foreign Affairs (Regional Cooperation) and MP. During the January 2026 election campaigns, a Uganda Peoples' Defence Forces (UPDF) soldier attached to his convoy allegedly shot and killed 23-year-old Aaron Mukisa a dedicated Nrm youth mobiliser wearing a yellow NRM T-shirt in Namungodi Town Council on January 7, 2026. Eyewitnesses state that Mukisa was singled out, brutally beaten, and executed at close range while pleading for his life. Other supporters were injured with sticks, stones, and bayonets on orders of a One Mulimba . This incident turned parts of the constituency into โ€œno-go zonesโ€ and has left many true NRM members feeling betrayed by leaders who claim loyalty to you while committing or enabling such violence against fellow Museveni mobilisers. Also while serving as Minister, Mulimba has faced repeated accusations of serious diplomatic irregularities, especially concerning Ugandans in countries like Turkey etc which need to be investigated. Many families report problems with passports and visas, with some vulnerable citizens allegedly being facilitated or sent abroad under his influence into exploitative situations, including forced sex work or labour, causing immense suffering and hardship back home. Locally, Mulimbaโ€™s lavish lifestyle has been a major source of criticism for years. He owns Jogo FM radio station and is known for driving high-end โ€œmonsterโ€ pickup trucks and living far beyond the means of an ordinary MP or ministerโ€™s salary. Residents openly question how his wealth matches his official income, fuelling long-standing perceptions of corruption and neglect of constituency needs. These actions by people who pretend to champion your anti-corruption and reform agenda while allegedly enabling violence, exploitation of Ugandans abroad, and living on unexplained wealth severely undermine public trust, damage the UPDFโ€™s reputation, and weaken the NRM from within. I therefore humbly ask you to: โ€ข Immediately order a full, independent investigation into the killing of Aaron Mukisa and all election-related abuses involving politiciansโ€™ security details. โ€ข Direct a thorough probe into diplomatic operations under Mulimbaโ€™s former portfolio, particularly passport and visa irregularities and reported cases of Ugandan exploitation in Turkey and other missions. โ€ข Extend whistleblower protections to cover electoral violence, abuse of office, and lifestyle audits for public officials. โ€ข Exercise strong caution with individuals who loudly align with your vision yet have a track record of hiding atrocities or amassing wealth that does not match their known earnings. The people of Samia Bugwe North and many other concerned Ugandans stand ready to support your efforts in cleaning up such elements so that justice, discipline, and true patriotism can prevail. Lastly I commend your bold leadership in Operation Maliza Ufisadi, your commitment to rooting out corruption, and your dedication to protecting genuine supporters of President Museveni and the revolution. Your decisive actions give many of us renewed hope that accountability will apply to all, regardless of position. Thank you for your dedicated service to the nation. Majambere Ivan Kamuntu Ssemakula NRM Senior Cadre Yoweri K Museveni State House Uganda Criminal Investigations Directorate-UPF AIGP Tom Magambo Rwabudongo AIGP CHRISTOPHER DAMULIRA Uganda Police Force ABAS BYAKAGABA

Mpologoma Majjambere

13,505 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 3 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด