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I've spent the last 4 days with Claude Opus vibe coding an Elder Scrolls style open world RPG, and I'm quite pleased with the progress we've made. We have several towns, about a hundred NPCs, 50+ dungeons, a bounty board, several schools of magic, over a dozen playable classes,...

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Chubigans

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22,629 görüntüleme • 1 ay önce •via X (Twitter)

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Let’s talk NPCs! I had a pretty clear idea from the start for how I wanted NPCs to move and behave. The system is built around paths with “connectors”, and every time an NPC reaches one, it decides where to go next based on a few factors. Those factors are things like “Are there already NPCs down this path? I have I come this way before, etc”. The idea was to simulate a certain level of “randomness” to the NPC movement so players can’t easily predict what an NPC will do (like in irl lmao). Once they have crossed enough connectors they then head towards a spawn point and leave the map. Every 30 seconds or so the system calculates how many NPCs are walking around and decides weather or not to put another one in, always aiming to keep things within a certain range. This post is a bit more in-depth than my previous ones, but I felt like showing off a bit more of how things work “under the hood”. Think it’s overengineered? Any suggestions?
1:10

Let’s talk NPCs! I had a pretty clear idea from the start for how I wanted NPCs to move and behave. The system is built around paths with “connectors”, and every time an NPC reaches one, it decides where to go next based on a few factors. Those factors are things like “Are there already NPCs down this path? I have I come this way before, etc”. The idea was to simulate a certain level of “randomness” to the NPC movement so players can’t easily predict what an NPC will do (like in irl lmao). Once they have crossed enough connectors they then head towards a spawn point and leave the map. Every 30 seconds or so the system calculates how many NPCs are walking around and decides weather or not to put another one in, always aiming to keep things within a certain range. This post is a bit more in-depth than my previous ones, but I felt like showing off a bit more of how things work “under the hood”. Think it’s overengineered? Any suggestions?

ShyGirl Team 🌸🎮

14,885 görüntüleme • 3 ay önce

Reece Martin (Reece Martin) on how he reads a city as a sculpture using Google Maps. "I would always do satellite view, because I want to see the real world. And then I'd turn the labels off, because it lets you see where the shapes are. I want to see where the structures are, where things are congregating." "You're looking at it in three dimensions. It's a grid, it's a totally different streetscape, and so it's like, okay, why do they do it that way here? Then you start to notice the roads and the rail lines and the longer roads, the parks, the styles of buildings. Oh, they're really tall on that street, so they probably got a subway there." "You stop looking for signs of things, and you let the landscape tell you where things are."
1:06

Reece Martin (Reece Martin) on how he reads a city as a sculpture using Google Maps. "I would always do satellite view, because I want to see the real world. And then I'd turn the labels off, because it lets you see where the shapes are. I want to see where the structures are, where things are congregating." "You're looking at it in three dimensions. It's a grid, it's a totally different streetscape, and so it's like, okay, why do they do it that way here? Then you start to notice the roads and the rail lines and the longer roads, the parks, the styles of buildings. Oh, they're really tall on that street, so they probably got a subway there." "You stop looking for signs of things, and you let the landscape tell you where things are."

The Other Stuff

13,602 görüntüleme • 1 ay önce

Scott Rueck on Oregon State and the year the school has had: "It's my university, so I care... One thing I'll say, it's hard hearing your school talked about in the way it's been talked about and in a way devalued. Clearly I don't see it that way... To turn a community and a region on it's ear has been a dream of mine and we've done that and we've done it at the highest level and we've gotten to this point a couple times now. What the value is, I don't know, but I know the timing of it's really great. We've been drug through the mud... All I know is Beaver Nation is awesome and Oregon State is an incredible university... And we can compete with anyone from there... It's been a joy of mine to put smiles on people's faces, especially this year."
1:37

Scott Rueck on Oregon State and the year the school has had: "It's my university, so I care... One thing I'll say, it's hard hearing your school talked about in the way it's been talked about and in a way devalued. Clearly I don't see it that way... To turn a community and a region on it's ear has been a dream of mine and we've done that and we've done it at the highest level and we've gotten to this point a couple times now. What the value is, I don't know, but I know the timing of it's really great. We've been drug through the mud... All I know is Beaver Nation is awesome and Oregon State is an incredible university... And we can compete with anyone from there... It's been a joy of mine to put smiles on people's faces, especially this year."

Brenna Greene

107,839 görüntüleme • 2 yıl önce

"Amazing. I'm so, so happy. It's a good day of racing and overall just a really solid weekend. I felt on the up all weekend and the team have done a really amazing job just really refining the car and for us to be up there battling and also to have a good battle with Max as well, you know, finally. So I'm really, really grateful and yeah, just so, so happy. I love this job. It's like the greatest, it's the greatest show in the world and I'll never take that for granted."
0:39

"Amazing. I'm so, so happy. It's a good day of racing and overall just a really solid weekend. I felt on the up all weekend and the team have done a really amazing job just really refining the car and for us to be up there battling and also to have a good battle with Max as well, you know, finally. So I'm really, really grateful and yeah, just so, so happy. I love this job. It's like the greatest, it's the greatest show in the world and I'll never take that for granted."

sim

23,458 görüntüleme • 2 ay önce

lando: “the last thing i want is to make the excuse. in the end of the day, it's my job to drive whatever car i get to drive, whether it's a great one or a terrible one. i don't feel like i should ever have a reason to have an excuse. there's reasoning for things, why i struggle here, why i struggle there and so forth, but it's not an excuse. if i'm slow, i'll say i've just done a bad job and i wasn't a good enough driver on that day”
1:04

lando: “the last thing i want is to make the excuse. in the end of the day, it's my job to drive whatever car i get to drive, whether it's a great one or a terrible one. i don't feel like i should ever have a reason to have an excuse. there's reasoning for things, why i struggle here, why i struggle there and so forth, but it's not an excuse. if i'm slow, i'll say i've just done a bad job and i wasn't a good enough driver on that day”

ray

138,073 görüntüleme • 9 ay önce

Today, I'm revealing my Roblox Game FULLY scripted using Claude Opus 4.6 Extended. This project took about 4 days to complete, and not a single line of code was touched by an actual scripter. In the conversation I had with Claude, I guided it to complete the entire coding, this game started with a Frontend and a Backend - It is now a fully complete frontpage Roblox Game. From UI Animations, to Visual effect movements, and UI Icons, it was all Claude. The game releases Tomorrow, and I'm expecting it to reach front page on Roblox within a few weeks. 300 Likes, and I'll share the FULL conversation, which was used to build the game. Claude is incredible, this is genuinely an insane movement for coders enhancing their productivity with AI. This is FRICKEN INSANE.
0:52

Today, I'm revealing my Roblox Game FULLY scripted using Claude Opus 4.6 Extended. This project took about 4 days to complete, and not a single line of code was touched by an actual scripter. In the conversation I had with Claude, I guided it to complete the entire coding, this game started with a Frontend and a Backend - It is now a fully complete frontpage Roblox Game. From UI Animations, to Visual effect movements, and UI Icons, it was all Claude. The game releases Tomorrow, and I'm expecting it to reach front page on Roblox within a few weeks. 300 Likes, and I'll share the FULL conversation, which was used to build the game. Claude is incredible, this is genuinely an insane movement for coders enhancing their productivity with AI. This is FRICKEN INSANE.

Henry

680,331 görüntüleme • 5 ay önce

How does Lee Child start a novel? "If you were a composer writing music, you'd start with a key that you want. G-Major is a cheerful and upbeat key. E-Flat Minor is the opposite. It's down and rather melancholy. So what I do as a writer is start with a vague idea. I want this story to be hard and cold, or I want this story to be hot. And then I'll pick a location that I'm familiar with. I never do research specifically for that book. It always draws on impressions formed over the years from previous visits to places. Do you want it to be the West of Texas, where it's baking hot and arid? Do you want it to be on the Atlantic coast of Maine in April, where it's gray, cold, and misty? So that's how I start. With the sense of place and I'll construct the story around that. The temperature dictates the story." — Lee Child
1:33

How does Lee Child start a novel? "If you were a composer writing music, you'd start with a key that you want. G-Major is a cheerful and upbeat key. E-Flat Minor is the opposite. It's down and rather melancholy. So what I do as a writer is start with a vague idea. I want this story to be hard and cold, or I want this story to be hot. And then I'll pick a location that I'm familiar with. I never do research specifically for that book. It always draws on impressions formed over the years from previous visits to places. Do you want it to be the West of Texas, where it's baking hot and arid? Do you want it to be on the Atlantic coast of Maine in April, where it's gray, cold, and misty? So that's how I start. With the sense of place and I'll construct the story around that. The temperature dictates the story." — Lee Child

David Perell

25,139 görüntüleme • 5 ay önce

So excited to announce a new series I'm creating with blocmates ONCHAIN WORLD Explaining the onchain world - crypto, AI and everything in between, in a way that (hopefully) doesn't suck and you'd want to show your friends. Our aim is to humanise the cool experimental tech that's often a bit misunderstood, how it's changing the world and why we should care, just like Tomorrow’s World did in the generation before ours. We first made a video for LayerZero which we are dubbing as our ‘pilot’ and can’t wait to share what else we have in store. I'm so grateful I get to make this with blocmates and be the messenger of the cool things being built by people I'm in awe of every single day. The onchain world is inevitable.
1:53

So excited to announce a new series I'm creating with blocmates ONCHAIN WORLD Explaining the onchain world - crypto, AI and everything in between, in a way that (hopefully) doesn't suck and you'd want to show your friends. Our aim is to humanise the cool experimental tech that's often a bit misunderstood, how it's changing the world and why we should care, just like Tomorrow’s World did in the generation before ours. We first made a video for LayerZero which we are dubbing as our ‘pilot’ and can’t wait to share what else we have in store. I'm so grateful I get to make this with blocmates and be the messenger of the cool things being built by people I'm in awe of every single day. The onchain world is inevitable.

Nev

45,386 görüntüleme • 8 ay önce

i've had a look around and I can't find a version this good. It's not from a tape either, this was a file on a harddrive so it's more likely to be the actual asset. I'll get it on YouTube this week along with a bunch of those stuff I'm working through here.
1:24

i've had a look around and I can't find a version this good. It's not from a tape either, this was a file on a harddrive so it's more likely to be the actual asset. I'll get it on YouTube this week along with a bunch of those stuff I'm working through here.

dannyodwyer was here

198,329 görüntüleme • 2 yıl önce

finally made enough progress i'm happy with to show what i've been doing in the background. it's a game! it's only about a month's worth of on-and-off work. it's also why i delayed comms to june, as i wanted to buy myself at least a little time to work on this
0:50

finally made enough progress i'm happy with to show what i've been doing in the background. it's a game! it's only about a month's worth of on-and-off work. it's also why i delayed comms to june, as i wanted to buy myself at least a little time to work on this

Sir Hoopsalot \Commissions Open!!/

46,175 görüntüleme • 1 ay önce

This is probably the last I'll say on this matter I am against any and all forms of genai, I have never used it in my work, I do not believe it has any place in any creative industry, and I think it's an insult to life itself I am aware that my art is inconsistent, my output frequency is bizarre, and my sudden rise in quality over the last year may seem strange, but I am still learning, and like all artists there are things I'm really confident with, and things I still struggle with I am a 3d artist first, a game developer second, and a 2d artist third, this is something I do on the side for fun, make people happy, get some extra cash and do a little bit of engagement bait I think it's pointless to go after me, when we have people who are mangling our our publicly every day, and it's those people we should be fighting instead of turning our blades inwards and witch hunting each other like this
1:56

This is probably the last I'll say on this matter I am against any and all forms of genai, I have never used it in my work, I do not believe it has any place in any creative industry, and I think it's an insult to life itself I am aware that my art is inconsistent, my output frequency is bizarre, and my sudden rise in quality over the last year may seem strange, but I am still learning, and like all artists there are things I'm really confident with, and things I still struggle with I am a 3d artist first, a game developer second, and a 2d artist third, this is something I do on the side for fun, make people happy, get some extra cash and do a little bit of engagement bait I think it's pointless to go after me, when we have people who are mangling our our publicly every day, and it's those people we should be fighting instead of turning our blades inwards and witch hunting each other like this

CSAURAGEUL

16,385 görüntüleme • 7 ay önce

🚨| Sir Lewis Hamilton's practice day interview. "It's generally been a good day. I've enjoyed driving the car. It's the first time driving a Ferrari at this track. I've always wondered all these years, from looking on on-boards over the years, what the differences would be. It's the first time I got to feel that today, and it was positive." "Obviously McLaren is very fast, and getting a clean lap is not easy. But I feel like there's lots of positive things to take from today, lots of learnings. I'm quite happy with the progress that we've made from session to session." "I feel like we've made steps forward today, so I feel like overnight we probably won't change much. But of course trying to refine the setup and see if we can extract a little bit more to get as close as we can to the McLarens." - F1 2025 Singapore -
1:02

🚨| Sir Lewis Hamilton's practice day interview. "It's generally been a good day. I've enjoyed driving the car. It's the first time driving a Ferrari at this track. I've always wondered all these years, from looking on on-boards over the years, what the differences would be. It's the first time I got to feel that today, and it was positive." "Obviously McLaren is very fast, and getting a clean lap is not easy. But I feel like there's lots of positive things to take from today, lots of learnings. I'm quite happy with the progress that we've made from session to session." "I feel like we've made steps forward today, so I feel like overnight we probably won't change much. But of course trying to refine the setup and see if we can extract a little bit more to get as close as we can to the McLarens." - F1 2025 Singapore -

sim

45,173 görüntüleme • 9 ay önce

I've been championing DragonSword : Awakening for a while, especially after it dropped its gacha system in favor of a fairer business model. Recently, I finally had time to play the demo! ✅👍I was surprised by how polished and smooth it felt. The world has a great atmosphere, and I really enjoyed the Link Combat system reminding me of another game from Hound13 (the developer) named Hundred Souls, so perhaps I have a bias in there... ❌👎Although, I can't help to feel discontent that that parts of the visuals, progression, and UI carry the DNA of other gacha games. I wish the game had been built on a different foundation... So, if you've been looking for a Genshin-like experience without the gacha baggage + with beautiful Korean-game-style aesthetics, this game might be right up your alley! ✨
0:48

I've been championing DragonSword : Awakening for a while, especially after it dropped its gacha system in favor of a fairer business model. Recently, I finally had time to play the demo! ✅👍I was surprised by how polished and smooth it felt. The world has a great atmosphere, and I really enjoyed the Link Combat system reminding me of another game from Hound13 (the developer) named Hundred Souls, so perhaps I have a bias in there... ❌👎Although, I can't help to feel discontent that that parts of the visuals, progression, and UI carry the DNA of other gacha games. I wish the game had been built on a different foundation... So, if you've been looking for a Genshin-like experience without the gacha baggage + with beautiful Korean-game-style aesthetics, this game might be right up your alley! ✨

Stellar Blade | NIKKE | Destiny Child | 🍑✨

17,194 görüntüleme • 1 ay önce

This changes everything.. literally! Made a small game on my PS5 in Dreams.. and added a bit of AI. Now, do I think every game should be made by this.. of course not. But I can see this as being a very useful way to ensure visual consistency across a project and to save resources on the final layer of finish that is often so costly. More focus on gameplay, design, storytelling. Check out the🧵for the original and some of my favorite transformations. Done using Runway Gen 3 ofc! #gamedev #ai
0:35

This changes everything.. literally! Made a small game on my PS5 in Dreams.. and added a bit of AI. Now, do I think every game should be made by this.. of course not. But I can see this as being a very useful way to ensure visual consistency across a project and to save resources on the final layer of finish that is often so costly. More focus on gameplay, design, storytelling. Check out the🧵for the original and some of my favorite transformations. Done using Runway Gen 3 ofc! #gamedev #ai

Martin Nebelong

51,143 görüntüleme • 1 yıl önce

A few years ago I started working on a game based on my album "krang", with the artist who made the cover-art Anatomic . It was a gothic, brutal, fantastical, baroque, vampire fps using pre-rendered sprites for characters, weapons etc. Instead of pixelated retro sprites, we opted for hi def 1080 sprites. Player uses guns, swords and magical powers to defeat monsters in a gory fashion. It had a book-worth of lore and world building. A nod to hexen, dishonored and bioshock. The game failed to get funding, so we had to shelve the idea. Morgan (an_atomic) designed all the characters and I modelled them in 3D. I also programmed it, made the music and sfx. Solo-dev'ing is brutally difficult, but this was the most fun I've had being creative in my life. The game was called "Bloodthirst". R.I.P
4:03

A few years ago I started working on a game based on my album "krang", with the artist who made the cover-art Anatomic . It was a gothic, brutal, fantastical, baroque, vampire fps using pre-rendered sprites for characters, weapons etc. Instead of pixelated retro sprites, we opted for hi def 1080 sprites. Player uses guns, swords and magical powers to defeat monsters in a gory fashion. It had a book-worth of lore and world building. A nod to hexen, dishonored and bioshock. The game failed to get funding, so we had to shelve the idea. Morgan (an_atomic) designed all the characters and I modelled them in 3D. I also programmed it, made the music and sfx. Solo-dev'ing is brutally difficult, but this was the most fun I've had being creative in my life. The game was called "Bloodthirst". R.I.P

Sav

15,554 görüntüleme • 8 ay önce

Looking to join a UEFN studio full time. I've spent 3+ years in UE and UEFN as a generalist focused on level design and environment work. I have three completed, unreleased games ready to transfer with 100+ hours already spent on them. Whether a studio wants to build on what I've made or start something new, I can do both. Previously, I was studio lead for Loserfruit and part of the founding of Bifrost Studios. Before UEFN I spent a decade as a marketing director across multiple fashion magazines and worked with emerging brands on sales and growth. The connections I made translate directly into brand collaborations and activations inside UEFN, which is where I've been focused for the past five months. I'm looking for the right team to build with and can break down my plans in DMs! #UEFN #Fortnite
0:23

Looking to join a UEFN studio full time. I've spent 3+ years in UE and UEFN as a generalist focused on level design and environment work. I have three completed, unreleased games ready to transfer with 100+ hours already spent on them. Whether a studio wants to build on what I've made or start something new, I can do both. Previously, I was studio lead for Loserfruit and part of the founding of Bifrost Studios. Before UEFN I spent a decade as a marketing director across multiple fashion magazines and worked with emerging brands on sales and growth. The connections I made translate directly into brand collaborations and activations inside UEFN, which is where I've been focused for the past five months. I'm looking for the right team to build with and can break down my plans in DMs! #UEFN #Fortnite

Jake

16,549 görüntüleme • 2 ay önce

I'm the developer of this game, I've played it thousands of times, written the code for everything in it. When I was coding the behavior of the drones in the Erra: Exordium, drones exploding outside my window in reality. I wanted to add a lot to the game, but I was afraid that if I died tomorrow, the world would never see this game. So, I had to abandon some plot parts, some scenes, characters, animations, a lot of things..., a third of the game was never released. I really regret it, but our reality and our world are a madhouse. I'm currently working on a game that's completely different. I want to create a little world of peace, energy, mystery, and puzzles. I hope I can do that, because the world has become even more idiotic.
1:07

I'm the developer of this game, I've played it thousands of times, written the code for everything in it. When I was coding the behavior of the drones in the Erra: Exordium, drones exploding outside my window in reality. I wanted to add a lot to the game, but I was afraid that if I died tomorrow, the world would never see this game. So, I had to abandon some plot parts, some scenes, characters, animations, a lot of things..., a third of the game was never released. I really regret it, but our reality and our world are a madhouse. I'm currently working on a game that's completely different. I want to create a little world of peace, energy, mystery, and puzzles. I hope I can do that, because the world has become even more idiotic.

Alien 👽 Max | 🇺🇦 game developer

24,111 görüntüleme • 3 ay önce

THIS GUY VIBE CODED A FULL CAPYBARA FOOD DELIVERY GAME IN 2 WEEKS WITH CLAUDE CODE you play as a capybara delivering food on a bike. orders stack on the back, you have a phone with apps in-game and the whole delivery system is realistic 2 weeks, zero game dev experience, and ENTIRELY AI generated the full stack: > claude code for all the code > three.js for the 3D engine > suno for original music > elevenlabs for sound effects and voice > GPT images-2 and grok for textures and illustrations > tripo3d for generating all the 3D assets the cinematics are all in-game too. he asked claude to build a cinematic editor with timeline controls, camera animation, and transitions. then he just placed the cameras himself his workflow was more planning than coding (obviously): > come up with the core mechanic > plan every feature using claude /plan mode > generate assets with AI tools > spend most of his time on the final polish, prop placement, and making the design feel right he said the human part is what most vibe coded games are missing. AI can generate everything but having taste for what looks good and what feels right is still on you the game is playable right now in the browser this is what vibe coding is actually capable of in the game dev space right now a year ago this would have taken a small team of developers, a sound designer, and an artist working together for months now one person with no experience can ship a polished playable game with story, music, and mechanics in 14 days the tools keep getting better and the barrier to making real games keeps getting lower
2:32

THIS GUY VIBE CODED A FULL CAPYBARA FOOD DELIVERY GAME IN 2 WEEKS WITH CLAUDE CODE you play as a capybara delivering food on a bike. orders stack on the back, you have a phone with apps in-game and the whole delivery system is realistic 2 weeks, zero game dev experience, and ENTIRELY AI generated the full stack: > claude code for all the code > three.js for the 3D engine > suno for original music > elevenlabs for sound effects and voice > GPT images-2 and grok for textures and illustrations > tripo3d for generating all the 3D assets the cinematics are all in-game too. he asked claude to build a cinematic editor with timeline controls, camera animation, and transitions. then he just placed the cameras himself his workflow was more planning than coding (obviously): > come up with the core mechanic > plan every feature using claude /plan mode > generate assets with AI tools > spend most of his time on the final polish, prop placement, and making the design feel right he said the human part is what most vibe coded games are missing. AI can generate everything but having taste for what looks good and what feels right is still on you the game is playable right now in the browser this is what vibe coding is actually capable of in the game dev space right now a year ago this would have taken a small team of developers, a sound designer, and an artist working together for months now one person with no experience can ship a polished playable game with story, music, and mechanics in 14 days the tools keep getting better and the barrier to making real games keeps getting lower

Om Patel

240,916 görüntüleme • 2 ay önce

Vibe Coding a AAA game with threejs Day 10: Deep dive into world authoring What started as a "i need terrain to build a racing game" slowly evolved to an open world Take a last look at the buildings, because they are getting kicked out next for some really good ones (i don't know how yet, but i'm confident gpt will tell me, but i feel like blender will be involved, ughhh) Anyways, fully reworked the road system, it is now a graph and junctions, bridges, elevations etc. are first class. Previous demos were filled with me carefully placing the race tracks, deleting them, placing them again, and again, until they were okay to show for a demo. Not so fun behind the camera! It's now basically using a very similar system to cities skylines 2, which has really nailed the perfect UX to build road systems. It's also much more flexible now and i believe the world editor can be used for much more than racing games: Rail networks (train game?) or maybe a 3rd person open world game? or actually another cities skylines? who knows, feels like i got a moat on the web now We'll see, after yesterday i've received lots of requests to open source it Which i may actually do at any time if i feel like it, but not for now. There's so many interesting problems with world modeling, i feel like i finally found a rabbit hole worth diving into for a long time! Might have to delay the human designer app until the point where i need humans in the city, we'll see, it'll all eventually come together - it always does Anyways, not gatekeeping, if you have ANY questions on how i solve things, feel free to ask! Also i will open source the procedural buildings soon, i really don't need them anymore
0:41

Vibe Coding a AAA game with threejs Day 10: Deep dive into world authoring What started as a "i need terrain to build a racing game" slowly evolved to an open world Take a last look at the buildings, because they are getting kicked out next for some really good ones (i don't know how yet, but i'm confident gpt will tell me, but i feel like blender will be involved, ughhh) Anyways, fully reworked the road system, it is now a graph and junctions, bridges, elevations etc. are first class. Previous demos were filled with me carefully placing the race tracks, deleting them, placing them again, and again, until they were okay to show for a demo. Not so fun behind the camera! It's now basically using a very similar system to cities skylines 2, which has really nailed the perfect UX to build road systems. It's also much more flexible now and i believe the world editor can be used for much more than racing games: Rail networks (train game?) or maybe a 3rd person open world game? or actually another cities skylines? who knows, feels like i got a moat on the web now We'll see, after yesterday i've received lots of requests to open source it Which i may actually do at any time if i feel like it, but not for now. There's so many interesting problems with world modeling, i feel like i finally found a rabbit hole worth diving into for a long time! Might have to delay the human designer app until the point where i need humans in the city, we'll see, it'll all eventually come together - it always does Anyways, not gatekeeping, if you have ANY questions on how i solve things, feel free to ask! Also i will open source the procedural buildings soon, i really don't need them anymore

robot 2.0

43,872 görüntüleme • 1 ay önce